Items where Research Area is "A. > School of Art and Design > Visual Arts > Visual Culture and Curating cluster"

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Akerman, Jeremy, Bartram, Ang, Bauer, Diann, Bird, Jon, Boyce, Sonia, Coutts, Nicky, Press, Gefn, Holmwood, Sigrid, Johanknecht, Susan, Meynell, Katharine, Mooney, Jim, Nimarkoh, Virginia, Poulson, Kit, Richardson, Emily, Stevens, Gary, Stone, Will, Walsh, Maria and Westley-Smith, H. F. (2011) Mutual dependencies. Meynell, Katharine, ed. Artwords Press, London. ISBN 9781906441258. [Book]

Augusto, Juan Carlos ORCID logoORCID: https://orcid.org/0000-0002-0321-9150, Mulvenna, M., Zheng, H., Wang, H., Martin, S., McCullagh, P. and Wallace, J. (2014) Night optimised care technology for users needing assisted lifestyles. Behaviour and Information Technology, 33 (12) . pp. 1261-1277. ISSN 0144-929X [Article] (doi:10.1080/0144929X.2013.816773)

Avermaete, Tom and Massey, Anne, eds. (2012) Hotel lobbies and lounges: the architecture of professional hospitality. Interior Architecture . Routledge. ISBN 9780415496537. [Book]

Bacon, T. J. ORCID logoORCID: https://orcid.org/0000-0001-9859-6946 (2020) T. J. Bacon reflects on CHTHONIC. In: Emergency index: an annual document of performance practice. Guttenplan, Zoe, ed. Emergency INDEX, 9 . Ugly Duckling Presse, New York, US, pp. 286-287. pbk-ISBN 9781946433848. [Book Section]

Bacon, Thomas John ORCID logoORCID: https://orcid.org/0000-0001-9859-6946 (2019) CHTHONIC. [Performance]

Bacon, Thomas John ORCID logoORCID: https://orcid.org/0000-0001-9859-6946 (2016) Experiencing a multiplicity of self/s. PhD thesis, University of Bristol. [Thesis]

Bacon, Thomas John ORCID logoORCID: https://orcid.org/0000-0001-9859-6946 (2018) Foreword [The furthest point in space is also inside our body]. In: No one thing is the root of all anything: phases and performance of the imminent by Chelsea Coon. Not a Cult, Los Angeles, CA, pp. 1-6. pbk-ISBN 9781945649080. [Book Section]

Bacon, Thomas John ORCID logoORCID: https://orcid.org/0000-0001-9859-6946 (2017) Lines in the Landscape Residency 2017 - Sidney Nolan Trust [Blog post]. Sidney Nolan Trust, United Kingdom. [Other]

Bacon, Thomas John ORCID logoORCID: https://orcid.org/0000-0001-9859-6946 (2015) PERCEPTION:Lab. [Performance]

Bacon, Thomas John ORCID logoORCID: https://orcid.org/0000-0001-9859-6946 (2016) TF16 - London Biennial of International Performance Art. [Show/Exhibition]

Bacon, Thomas John ORCID logoORCID: https://orcid.org/0000-0001-9859-6946 (2018) TF18 - London Biennial of International Performance Art. [Show/Exhibition]

Bacon, Thomas John ORCID logoORCID: https://orcid.org/0000-0001-9859-6946 (2011) Traces of being: a document of absence in words. activate, 1 (1) . pp. 1-19. [Article] (Published online first)

Bacon, Thomas John ORCID logoORCID: https://orcid.org/0000-0001-9859-6946 (2014) The lived body: REDUX. [Performance]

Bacon, Thomas John ORCID logoORCID: https://orcid.org/0000-0001-9859-6946 and Alexander, FK (2015) FIRE. [Performance]

Bacon, Thomas John ORCID logoORCID: https://orcid.org/0000-0001-9859-6946 (2018) Psychogenesis series. In: Emergency index: an annual document of performance practice. Gluzman, Yelena and Cleary, Sophia, eds. Emergency Index, 7 . Ugly Duckling Presse, New York, US, pp. 116-117. ISBN 9781946433213. [Book Section]

Bacon, Thomas John ORCID logoORCID: https://orcid.org/0000-0001-9859-6946 and Lanz, Joke (2015) PRESENCE/s. [Performance]

Bale, Robin (2018) And I half turn to go: invocatio and negation of the Public. PhD thesis, Middlesex University. [Thesis]

Bayley, Lucy, Cranfield, Ben and Massey, Anne (2014) Institute of Contemporary Arts: an archival experiment. mnemoscape, 1 (1) . [Article]

Bird, Jon (2019) Alfredo Jaar: Towards a culture of resistance [Curator]. [Show/Exhibition]

Bird, Jon (2017) Between the window and the screen: hiding in the light: Leon Golub's transparencies [Essay in retrospective exhibition catalogue]. [Artefact]

Bird, Jon (2017) Desperately seeking Cy: Mary Jacobus' reading Cy Twombly: poetry in paint, 2016 [Book review]. The Cambridge Humanities Review (14) . [Article]

Bird, Jon (2005) Hubert Damisch. Oxford Art Journal, 28 (2) . pp. 151-288. ISSN 0142-6540 [Article]

Bird, Jon (2019) If you go down to the woods today...Alfredo Jaar's sites of resistance. In: Alfredo Jaar: The Garden of Good and Evil [Exhibition Catalogue]. Yorkshire Sculpture Park, United Kingdom, pp. 107-123. ISBN 9781908432421. [Book Section]

Bird, Jon (2017) Inside out, outside in [Review article]. Le Monde diplomatique . ISSN 0026-9395 [Article]

Bird, Jon (2007) Interdeterminacy and (dis)order in the work of Cy Twombly. Oxford Art Journal . pp. 353-376. ISSN 1741-7287 [Article] (doi:10.1093/oxartj/kcm024)

Bird, Jon (2011) Leon Golub [retrospective catalogue]. Turner Ediciones. ISBN 9788475069753. [Book]

Bird, Jon (2011) Leon Golub [retrospective exhibition]. [Show/Exhibition]

Bird, Jon (2016) Leon Golub powerplay: the political portraits. Reaktion Books, London, UK. ISBN 9781780235820. [Book]

Bird, Jon (2016) Leon Golub powerplay: the political portraits [Lead Curator]. [Show/Exhibition]

Bird, Jon (2015) Leon Golub selected works [Curator]. [Show/Exhibition]

Bird, Jon (2015) Leon Golub: bite your tongue [Consultant / Curator]. [Show/Exhibition]

Bird, Jon (2010) Leon Golub: echoes of the real [2nd ed.]. Reaktion Books, London. ISBN 9781861897657 [Paperback] - 9781861897831 [Hardback 2nd ed.]. [Book]

Bird, Jon (2003) Otherworlds: Nancy Spero and Kiki Smith. [Show/Exhibition]

Bird, Jon (2003) The mote in God's eye: 9/11, then and now. Journal of Visual Culture, 12 (1) . pp. 82-97. ISSN 1470-4129 [Article]

Bird, Jon (2005) The murmur of things. [essay]. In: Raffaela Mariniello [catalogue of an exhibition]. Ffotogallery, Cardifff. . [Book Section]

Bird, Jon (2004) Play time and the image: Massimo Vitali's scene's of leisure. In: Massimo photographer. Bazzini, Marco and Vitali, Massimo, eds. Centro per l'arte contemporanea, Prato. ISBN 9788885191327. [Book Section]

Bird, Jon (2006) Forward [to Tony Bevan]. In: Tony Bevan. Bevan, Tony, ed. Lund Humphries, Aldershot. ISBN 0853319510. [Book Section]

Bird, Jon (2007) Leon Golub interviewed by Bird, Jon. In: Talking art: interviews with artists since 1976. Bickers, Patricia and Wilson, Andrew, eds. Art Monthly, London. ISBN 9781905464043. [Book Section]

Bird, Jon, Blackwood, Michael, Grasskamp, Walter and Nesbit, Molly (2007) Four Decades: Hans Haacke (dvd); and Hans Haacke (book). [Film/Video]

Bird, Jon (2017) I do (not) challenge: Nancy Spero's war series. In: War and art - a visual history of modern conflict. Bourke, Joanna, ed. Reaktion Books, London, UK. ISBN 9781780238463. [Book Section]

Bird, Jon (2007) Gradiva redux [essay]. In: William Cobbing: Gradiva project [catalogue of an exhibition]. Cobbing, William, ed. Camden Arts Centre, pp. 10-17. ISBN 9781900470766. [Book Section]

Bird, Jon (2016) Myth and transformation in the art of Leon Golub. In: Monster Roster: existentialist art in postwar Chicago [Exhibition catalogue]. Corbett, John, Dempsey, Jim, Moss, Jessica and Born, Richard A., eds. Smart Museum of Art, University of Chicago, Chicago, Illinois. ISBN 9780935573480. [Exhibition Catalogue]

Bird, Jon (2015) A New York story. In: Leon Golub: Bite your tongue [Exhibition Catalogue]. Enderby, Emma, Blanchflower, Melissa and Larner, Melissa, eds. Serpentine Galleries | Koenig Books, London. pbk-ISBN 9781908617262, pbk-ISBN 9783863357184. In: Leon Golub: Bite your tongue [Exhibition Catalogue]. Enderby, Emma, Blanchflower, Melissa and Larner, Melissa, eds. Serpentine Galleries | Koenig Books, London. pbk-ISBN 9781908617262, pbk-ISBN 9783863357184. [Book Section]

Bird, Jon and Garb, Tamar (2001) On installation. Oxford Art Journal, 24 (2) . ISSN 0142-6540 [Article]

Bird, Jon, Grasskamp, Walter and Nesbit, Molly (2004) Hans Haacke. Phaidon, London. ISBN 0714843199. [Book]

Bird, Jon (2004) Unscrambling Hans Haacke's "mixed messages". In: Hans Haacke. Grasskamp, Walter, Nesbit, Molly and Bird, Jon, eds. Phaidon, London. ISBN 0714843199. [Book Section]

Bird, Jon (2000) Memory's touch: the art of Louise Bourgeois. In: History painting reassessed: the representation of history in contemporary art. Green, David and Seddon, Peter, eds. Manchester University Press, Manchester. ISBN 0719051673. [Book Section]

Bird, Jon and Newman, Michael (1999) Rewriting conceptual art. Reaktion Books, London. ISBN 1861890524. [Book]

Bird, Jon and Strauss, David Levi (2006) Nancy Spero: The Drawing Center & Galerie Lelong. Brooklyn Rail . [Article]

Bird, Jon (2001) Olivo Barbieri: through a glass darkly. In: Olivo Barbieri: virtual truths. Tognon, Paolo, ed. Silvana, Milan. ISBN 9788882152789. [Book Section]

Bird, Jon (2000) Massimo Vitali. In: Beach & disco. Vitali, Massimo, ed. Steidl, Göttingen. ISBN 3882436468. [Book Section]

Brooker, Graeme (2012) Shifting spaces. In: Hotel lobbies and lounges: the architecture of professional hospitality. Avermaete, Tom and Massey, Anne, eds. Interior Architecture . Routledge, pp. 89-102. ISBN 9780415496537. [Book Section]

Brown, Camilla (2005) Foreword [to Generation yacht: Lee Valley leisure]. In: Generation yacht: Lee Valley leisure. Generation Press, pp. 1-3. ISBN 9780954596910. [Book Section]

Brown, Camilla (2007) Introduction. In: The hitcher / Chris Coekin. Walkout Books, pp. 3-5. ISBN 9780955596209. [Book Section]

Brown, Camilla (2010) Sally Mann: the family and the land. [Show/Exhibition]

Brown, Camilla and Chaney, Edward (2009) The grand tour: Gayle Chong Kwan. Boyd, Alexandra and Bonnell, Peter, eds. ArtSway, Hampshire. ISBN 9780955840647. [Book]

Brown, Camilla (2017) Camilla Brown: In the public domain - a curators perspective. In: Photographers and Research: The role of research in contemporary photographic practice. Read, Shirley and Simmons, Mike, eds. Routledge, New York, pp. 246-256. ISBN 9781138844315. [Book Section]

Brown, H. C. (2011) Foster carer reviews: process, practicalities and best practice. Good Practice Guide . BAAF, London. ISBN 9781907585227. [Book]

Brown, H. C. and Cocker, Christine (2011) Social work with lesbians and gay men. Sage, London. ISBN 9781847873903. [Book]

Buchan, Suzanne, ed. (2006) Animated 'worlds'. John Libbey. ISBN 0861966619. [Book]

Buchan, Suzanne (2008) Bob Godfrey: Satire, Surrealism, Sex. [Show/Exhibition]

Buchan, Suzanne, ed. (2013) Pervasive animation. AFI Film Readers . Routledge. ISBN 9780415807241. [Book]

Buchan, Suzanne (2011) The Quay Brothers: into a metaphysical playroom. University of Minnesota Press, Minneapolis. ISBN 9780816646593. [Book]

Buchan, Suzanne (1998) The Quay brothers: choreographed chiaroscuro, enigmatic and sublime. Film Quarterly, 51 (3) . pp. 2-15. ISSN 0015-1386 [Article]

Buchan, Suzanne (2002) Uncanny place, narrative space: the architectural imagination of animation. In: Co to jest architektura? Antologia tekstów = What is Architecture? An anthology of texts. Bunkier Sztuki Contemporary Art Gallery, Kraków, Poland, pp. 354-391. ISBN 9788386905454. [Book Section]

Buchan, Suzanne (2010) A curious chapter in the manual of animation: Stan VanDerBeek's animated spatial politics. Animation: an interdisciplinary journal, 5 (2) . pp. 173-196. ISSN Print ISSN: 1746-8477 Online ISSN: 1746-8485 [Article] (doi:10.1177/1746847710368325)

Buchan, Suzanne (2011) Tricky spaces: animation, installation and spatial politics. In: Tricky women: Animationsfilmkunst von Frauen [= women in animation]. Grausgruber, Waltraud and Wagner, Birgitt, eds. Marburg, Germany. ISBN 9783894727239. [Book Section]

Buchan, Suzanne (2013) Short circuits and footnote traces: the Quay Brothers. In: The Quay Brothers' Universum. Guldemond, Jaap and Bloemheuvel, Marente, eds. nai010, Amsterdam, pp. 8-15. ISBN 9789462081277. [Book Section]

Buchan, Suzanne (2007) The animation fulcrum. In: Animated painting. Hertz, Betti-Sue, ed. San Diego Museum of Art, pp. 28-35. ISBN 9780937108376. [Book Section]

Buchan, Suzanne (2011) Ghosts in the machine: experiencing animation. In: Watch Me Move: The Animation Show. Hilty, Greg, ed. Merrell, London, pp. 28-38. ISBN 9781858945583. [Book Section]

Buchan, Suzanne (2012) Theatrical cartoon comedy: from animated portmanteau to the risus purus. In: A companion to film comedy. Horton, Andrew and Rapf, Joanna E., eds. Wiley-Blackwell, pp. 521-544. ISBN 9781444338591. [Book Section]

Buchan, Suzanne and Janser, Andres (2005) Trickraum: spacetricks. Christoph Merian Verlag. ISBN 9783856162535. [Book]

Buchan, Suzanne and Janser, Andres (2005) Trickraum_Spacetricks. [Show/Exhibition]

Buchan, Suzanne (2011) Bruno Schulz's Generatio aequivoca: sites of (dis-)enchantment in the Quay Brothers' Street of Crocodiles. In: Anti tales: the uses of disenchantment. McAra, Catriona and Calvin, David, eds. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 84-97. ISBN 9781443828697. [Book Section]

Buchan, Suzanne (2006) Animated chiaroscuro. In: 5th Norwich International Animation Festival. Pugh, Adam, ed. Norwich International Animation Festival, pp. 56-59. ISBN 9780955382208. [Book Section]

Buchan, Suzanne (2006) Playing with words: typography and text. In: 5th Norwich International Animation Festival. Pugh, Adam, ed. Norwich International Animation Festival, pp. 60-63. ISBN 9780955382208. [Book Section]

Buchan, Suzanne (2007) Oscillating at the 'high/low' art divide: curating and exhibiting animation. In: Issues in curating contemporary art and performance. Rugg, Judith and Sedgwick, Michèle, eds. Intellect, pp. 131-146. ISBN 9781841501628. [Book Section]

Buchan, Suzanne (2011) A metaphysics of space: the Quay Brothers atmospheric cosmogonies. In: Toward a New Interior: an Anthology of Interior Design Theory. Weinthal, Lois, ed. Princeton Architectural Press, New York, pp. 527-545. ISBN 9781616890308. [Book Section]

Cadringher, Gabriele and Massey, Anne (2011) Ocean liner posters. Antique Collectors' Club. ISBN 9781851496730. [Book]

D'Angelo, Alessio, Fumanti, Mattia and Brown, Robert (2009) Young homeless refugees in London: an exploratory research. Project Report. Middlesex University, London. . [Monograph]

Duman, Alberto ORCID logoORCID: https://orcid.org/0000-0003-2193-6919, Hancox, Dan, James, Malcolm and Minton, Anna, eds. (2018) Regeneration songs: sounds of investment and loss from East London. Repeater, London, UK. ISBN 9781912248230. [Book]

Fischer, Ernst and Bacon, Thomas John ORCID logoORCID: https://orcid.org/0000-0001-9859-6946 (2014) PASSION/Flower. [Performance]

Garson, Jeremy A., Clewley, J. P., Simmonds, P., Zhang, L. Q., Mori, J., Ring, Christopher J. ORCID logoORCID: https://orcid.org/0000-0002-9278-0942, Follett, E. A., Dow, B. C., Martin, S. and Gunson, H. (1992) Hepatitis C viraemia in United Kingdom blood donors: a multicentre study. Vox Sanguinis, 62 (4) . pp. 218-223. ISSN 0042-9007 [Article] (doi:10.1111/j.1423-0410.1992.tb01202.x)

Goodwin, Dryden, Bode, Stephen, Brown, Camilla and Chandler, David (2009) Dryden Goodwin: cast. Chandler, David, ed. Steidl. ISBN 9783865217271. [Book]

Graziano, Valeria (2017) Partecipazione. Manuale di Educazione all’Arte Contemporanea. In: Education_ART/Contest, Artissima Fair, 2016, October 2016, Turin, Italy. ISBN 9788899743437. [Conference or Workshop Item]

Graziano, Valeria (2017) Partisan Welfare - group phantasy as social infrastructure. In: Solidarity Poiesis: I Will Come and Steal You. b_books, Berlin. ISBN 978 3 942214 50 6. [Book Section]

Mac an Bhreithiún, Bharain ORCID logoORCID: https://orcid.org/0000-0002-6376-2833 (2011) Ar seiz breur, linguistic hegemony, and graphic resistance in Brittany. Contemporary French Civilization, 35 (1) . pp. 111-142. ISSN 0147-9156 [Article] (doi:10.3828/cfc.2011.35.1.7)

Mac an Bhreithiún, Bharain ORCID logoORCID: https://orcid.org/0000-0002-6376-2833 (2012) Graphic design, globalization, and placemaking in the neighbourhoods of Amsterdam. In: Imagining global Amsterdam: history, culture, and geography in a world city. De Waard, Marco, ed. Culture Studies . Amsterdam University Press, Amsterdam, pp. 255-272. ISBN 9789089643674. [Book Section]

Mac an Bhreithiún, Bharain ORCID logoORCID: https://orcid.org/0000-0002-6376-2833 (2011) Graphic design and the construction of gay masculinities in Kaiserin and Têtu. In: New queer images: representations of homosexualities in contemporary francophone visual cultures. Grandena, Florian and Johnston, Cristina, eds. Modern French Identities (97) . Peter Lang, Oxford, pp. 195-212. ISBN 9783034301824. [Book Section]

Mac an Bhreithiún, Bharain ORCID logoORCID: https://orcid.org/0000-0002-6376-2833 (2012) Graphic design, the expansion of the public sphere and the mass market book in France after 1950: the visual identity of the livre de poche. In: Jaarboek voor Nederlandse boekgeschiedenis 19/2012. Proot, Goran, ed. Uitgeverij Vantilt, Netherlands. ISBN 9789460040948. [Book Section]

Martin, Stewart ORCID logoORCID: https://orcid.org/0000-0003-2419-1123 (2002) Adorno and the problem of philosophy. PhD thesis, Middlesex University. [Thesis]

Martin, Stewart ORCID logoORCID: https://orcid.org/0000-0003-2419-1123 (2009) Artistic communism – a sketch. Third Text, 23 (4) . pp. 481-494. ISSN 0952-8822 [Article] (doi:10.1080/09528820903007750)

Martin, Stewart ORCID logoORCID: https://orcid.org/0000-0003-2419-1123 (2007) Critique of relational aesthetics. Third Text, 21 (4) . pp. 386-396. ISSN 0952-8822 [Article] (doi:10.1080/09528820701433323)

Martin, Stewart ORCID logoORCID: https://orcid.org/0000-0003-2419-1123 (2020) Commodity. In: Keywords for Marxist Art History Today. Abse Gogarty, Larne and Hemingway, Andrew, eds. Kunst und Politik: Jahrbuch der Guernica-Gesellschaft, 21 (2019) . V&R unipress GmbH, Göttingen, pp. 39-48. ISBN 9783847111146, e-ISBN 9783847011149. [Book Section] (doi:10.14220/9783737011143.39)

Martin, Stewart ORCID logoORCID: https://orcid.org/0000-0003-2419-1123 (2011) Short treatise on art. In: Aesthetics and contemporary art. Avanessian, Armen and Skrebowski, Luke, eds. Sternberg Press, Berlin. ISBN 9781934105528. [Book Section]

Martin, Stewart ORCID logoORCID: https://orcid.org/0000-0003-2419-1123 (2011) Capitalist life in Lukács. In: Georg Lukacs: the fundamental dissonance of existence aesthetics, politics, literature. Bewes, Timothy and Hall, Timothy, eds. Continuum International Publishing Group Ltd, London. ISBN 9781441157904. [Book Section]

Martin, Stewart ORCID logoORCID: https://orcid.org/0000-0003-2419-1123 (2005) W. G. Sebald and the modern art of memory. In: Photography and Literature in the Twentieth Century. Cunningham, David, Fisher, Andrew and Mays, Sas, eds. Cambridge Scholars Publishing, pp. 180-202. ISBN 1904303463. [Book Section]

Martin, Stewart ORCID logoORCID: https://orcid.org/0000-0003-2419-1123 (2006) Literature and the modern system of the arts: sources of criticism in Adorno. In: Adorno and Literature. Cunningham, David and Mapp, Nigel, eds. Continuum International Publishing Group Ltd, pp. 9-25. ISBN 0826487521. [Book Section]

Martin, Stewart ORCID logoORCID: https://orcid.org/0000-0003-2419-1123 (2008) Visual culture or art? In: Bildwissenschaft und Visual Culture Studies in der Diskussion. Hemingway, Andrew and Schneider, Norbert, eds. Kunst und Politik (10) . V&R unipress, University of Osnabrück. ISBN 9783899715309. [Book Section]

Massey, Anne (2008) Art Deco for swells at sea: the Normandie's magnificent glass mural graces the Met. Wall Street Journal . [Article]

Massey, Anne (1994) Blue guide to Berlin and Eastern Germany. Blue Guides . A & C Black, London. ISBN 9780713638714. [Book]

Massey, Anne (2014) Cataloguing the ICA’s history: an ephemeral past. In: Association of Art Historians Annual Conference, 10th-12th April 2014, Royal College of Art. . [Conference or Workshop Item]

Massey, Anne (2011) Chair. Objekt . Reaktion Books Ltd, London. ISBN 9781861897589. [Book]

Massey, Anne (2006) Designing liners: a history of interior design afloat. Routledge. ISBN 9780415374668 (hbk), 9780415374682 (pbk). [Book]

Massey, Anne (2005) Developing creativity for the world of work: a case study. Art, Design & Communication in Higher Education, 4 (1) . p. 17. ISSN 1474273X [Article]

Massey, Anne (2010) Ephemeral. In: Interior Wor(l)ds. Umberto Allemandi & C., Torino, pp. 161-165. ISBN 9788842219354. [Book Section]

Massey, Anne (2000) Hollywood beyond the screen: design and material culture. Materializing Culture . BERG, London. ISBN 9781859733165 (hbk), 9781859733219 (pbk). [Book]

Massey, Anne (2014) ICA exhibitions 1948-1961: from a Picasso picture to a headscarf: paintings into textiles. In: Post-War British Exhibitions, 1945-61, 13th June 2014, Paul Mellon Centre for the Study of British Art. . [Conference or Workshop Item]

Massey, Anne (1995) The Independent Group: modernism and mass culture in Britain, 1945-1959. Critical Introductions to Art . Manchester University Press. ISBN 9780719042447, pbk-ISBN 9780719042454. [Book]

Massey, Anne (1987) The Independent Group: towards a redefinition. The Burlington Magazine, 129 (1009) . [Article]

Massey, Anne (1990) Interior design of the twentieth century. World of Art . Thames & Hudson. ISBN 9780500202470. [Book]

Massey, Anne (2008) Interior design since 1900. World of Art . Thames & Hudson, London. ISBN 9780500203972. [Book]

Massey, Anne (1993) Interior lifestyles. In: Biba: the Look, the Lifestyle, the Label: Exhibition Catalogue. Tyne & Wear Museums. ISBN 9780905974590. [Book Section]

Massey, Anne (2013) Introduction to the themed Issue: the Independent Group. Journal of Visual Culture, 12 (2) . pp. 203-2014. ISSN 1470-4129 [Article] (doi:10.1177/1470412913491186)

Massey, Anne (2001) Life in the UK: the creative partnership of Lawrence Alloway and Sylvia Sleigh. In: An unnerving romanticism : the art of Sylvia Sleigh and Lawrence Alloway (Catalogue of an exhibition held at Philadelphia Art Alliance (Philadelphia), 22 Mar. - 13 May 2001.). Philadelphia Art Alliance. . [Book Section]

Massey, Anne (2015) Love triangles: the hidden mechanisms of the independent group. In: Behind the Scenes: The hidden mechanisms of design and architectural culture, 10-11 Jun 2015, University for the Creative Arts, Canterbury, United Kingdom. . [Conference or Workshop Item]

Massey, Anne (2008) Makes the Independent Group so different, so appealing? Kiosk Magazine (2) . pp. 40-42. ISSN 1755-9626 [Article]

Massey, Anne (2002) Nigel Henderson. Art Monthly (257) . ISSN 0142-6702 [Article]

Massey, Anne (2013) Out of the ivory tower: the independent group and popular culture. Studies in Design . Manchester University Press. ISBN 9780719088063. [Book]

Massey, Anne (2013) The mother of pop? Dorothy Morland and the Independent Group. Journal of Visual Culture, 12 (2) . pp. 262-278. ISSN 1470-4129 [Article] (doi:10.1177/1470412913489865)

Massey, Anne (2013) Modern history and interior design. In: The handbook of interior architecture and design. Brooker, Graeme and Weinthal, Lois, eds. Bloomsbury, London. ISBN 9781847887450. [Book Section]

Massey, Anne (1985) The Independent Group as design theorists. In: From Spitfire to microchip: studies in the history of design from 1945 (Proceedings of a conference of the Design History Society held at the City of London Polytechnic, 1981.). Hamilton, Nicola, ed. Design Council. ISBN 9780850721348. [Book Section]

Massey, Anne and Hammond, Mike (1999) “...it was true! How can you laugh?”: the conflation of history and memory in the reception of Titanic in Britain and Southampton’. In: Titanic: Anatomy of a Blockbuster. Studlar, Gaylyn and Sandler, Kevin S., eds. Rutgers University Press, pp. 239-264. ISBN 9780813526690. [Book Section]

Massey, Anne (2002) The Independent Group : urban reality and the impact of science, the media and American popular culture. In: Blast to Freeze : British Art in the 20th Century (Catalogue of an exhibition held at Kunstmuseum Wolfsburg, Sept. 14, 2002-Jan. 19, 2003; Les Abattoirs, Toulouse, Feb. 24-May 11, 2003). Hughes, Henry Meyric, Van Tuyl, Gijs and Broeker, Holger, eds. Kunstmuseum, Wolfsburg. ISBN 9783775711807. [Book Section]

Massey, Anne and Micklethwaite, Paul (2009) Unsustainability: towards a new design history, with reference to British utility. Design Philosophy Papers (2) . ISSN 1448-7136 [Article]

Massey, Anne and Muir, Gregor (2014) Institute of Contemporary Arts 1946-1968. Roma Publication (217) . ICA, London. ISBN 9789491843136. [Book]

Massey, Anne and Sparke, Penny, eds. (2013) Interior lives: biography and the interior. Ashgate, Farnham, Surrey, UK and Burlington, VT, USA. ISBN 978-1-4094-3944-8. [Book]

Massey, Anne (2009) Nationalism and design at the end of empire: interior design and the ocean liner. In: Designing the modern interior: from the Victorians to today. Sparke, Penny, Massey, Anne, Keeble, Trevor and Martin, Brenda, eds. BERG, Oxford, pp. 207-218. ISBN 9781847882882. [Book Section]

Massey, Anne and Williams, Matt (2013) Parallel of art & life: the Independent Group at the ICA. [Show/Exhibition]

Osborne, Peter (1999) Conceptual art and/as philosophy. In: Rewriting conceptual art. Newman, Michael and Bird, Jon, eds. Reaktion Books, London, pp. 47-65. ISBN 1861890524. [Book Section]

Robinson, Hilary (2013) Actionmyth, historypanic: the entry of VALIE EXPORT’s aktionhose: genitalpanik into art history. n.paradoxa: international feminist art journal, 23 . pp. 84-89. ISSN 1461-0434 [Article]

Robinson, Hilary (2013) Feminism meets the big exhibition: 2005 onwards. Anglo Saxonica, 3 (6) . ISSN 0873-0628 [Article]

Robinson, Hilary, ed. (2015) Feminism-art-theory 1968-2014: an anthology. Wiley Blackwell, Malden MA; Oxford UK. ISBN 9781118360606. [Book]

Robinson, Hilary, ed. (2001) Feminism-art-theory : 1968-2000. Wiley-Blackwell, Oxford. ISBN 9780631208495. [Book]

Robinson, Hilary Feminist and ... [Show/Exhibition]

Robinson, Hilary (2012) Pleasure, painting, politics: the three graces – or: why I like Adélaïde Labille-Guiard’s Self-Portrait With Two Pupils. In: Artistic Production and the Feminist Theory of Art: New Debates III. Ayuntamiento de Vitoria-Gastiezko Udalak, Victoria-Gastiez, Spain, pp. 306-316. ISBN 9788496845435. [Book Section]

Robinson, Hilary, ed. (2006) Reading art, reading Irigaray: the politics of art by women. I.B. Tauris, London. ISBN 9781860649530. [Book]

Robinson, Hilary (1997) Within the Pale in from: Beyond the Pale: the construction of femininity in the curating of an exhibition season at the Irish Museum of Modern Art, Dublin. Journal of Gender Studies, 6 (3) . pp. 255-267. ISSN 0958-9236 [Article] (doi:10.1080/09589236.1997.9960686)

Robinson, Hilary Pleasure, painting, politics: the three graces - or: why I like Adélaïde Labille-Guiard's 'self-portrait with two pupils'. In: Artistic production and the feminist theory of art: new debates III. Arakistain, Xabier and Méndes, Lourdes, eds. Ayuntamiento de Vitoria-Gasteizko Udalak, Vitoria-Gasteiz, Spain, pp. 306-316. ISBN 9788496845435. [Book Section]

Robinson, Hilary (2003) Becoming women: Irigaray, Ireland and visual representation. In: Art, Gender and Nation: Ethnic Landscapes, Myths and Mother-Figures. Bhreathnach-Lynch, Sheila and Cusack, Tricia, eds. Ashgate, Aldershot, pp. 113-127. ISBN 9780754632252. [Book Section]

Robinson, Hilary (2000) Whose beauty? Women, art, and inter-subjectivity in Luce Irigaray’s writings. In: Beauty Matters. Brand, Peg Zeglin, ed. Indiana University Press, pp. 224-251. ISBN 9780253213754. [Book Section]

Robinson, Hilary, Harley, A., Reid, E., Reid, S. and Watson, Y. (2008) The third space: a paradigm for internationalisation. In: The Student Experience in Art and Design Higher Education: Drivers for Change. Drew, Linda, ed. Jill Rodgers Associates, Cambridge. ISBN 9780954711177. [Book Section]

Ryley, Marjolaine, Brown, Camilla and Ryley, Brigitte (2006) Ville Mona: a proper kind of house. TRACE editions, Dorset. ISBN 9780955094521. [Book]

Sparke, Penny, Massey, Anne, Keeble, Trevor and Martin, Brenda, eds. (2009) Designing the modern interior: from the Victorians to today. Berg Publishers. ISBN 9781847882882, pbk-ISBN 9781847882875, pbk-ISBN 9781350106390. [Book]

Sutton, Damian (2015) “Let the dance floor feel your leather”: set design, dance, and the articulation of audiences in RKO Radio’s Astaire-Rogers series. Journal of Popular Film and Television, 43 (1) . pp. 2-13. ISSN 0195-6051 [Article] (doi:10.1080/01956051.2014.961997)

Sutton, Damian (2009) Photography, cinema, memory: the crystal image of time. University of Minnesota Press. ISBN 9780816647385. [Book]

Sutton, Damian (2011) Time-lapse, time map: the photographic body of San Francisco in David Fincher’s Zodiac. L’Atalante: Revista de Estudios Cinematográficos (12) . ISSN 1885-3730 [Article]

Sutton, Damian (2010) The platonic photographer: the role of political portraiture and the task of the photographer as author. Athens Dialogues E-Journal . [Article]

Sutton, Damian (2009) Cinema by design: Hollywood as network neighbourhood. In: Design and Creativity: policy, management and practice. Julier, Guy and Moor, Liz, eds. Berg, Oxford, pp. 174-190. ISBN 9781847883070. [Book Section]

Sutton, Damian (2010) Delay: notes on photography as non-representational thinking. In: PhotoEspaña 2010 catalogue: time expanded. Mah, Sergio, ed. La Fabrica, Madrid, pp. 145-151. ISBN 9788492841325. [Book Section]

Sutton, Damian and Martin-Jones, David (2008) Deleuze reframed: a guide for the arts student. Contemporary Thinkers Reframed . I. B. Tauris, London, UK. ISBN 9781845115470. [Book]

Sutton, Damian (2012) Philosophy, politics and homage in Tears of the Black Tiger. In: Deleuze and film. Martin-Jones, David and Brown, William, eds. Edinburgh University Press, Edinburgh. ISBN 9780748641215. [Book Section]

Sutton, Damian (2009) Immanent images: photography after mobility. In: Afterimages of Gilles Deleuze’s film philosophy. Rodowick, D. N., ed. University of Minnesota Press, Minneapolis, MN, USA. ISBN 9780816650071. [Book Section]

Sutton, Damian and Wenell, Karen (2009) Not just for Christmas. Working Paper. AHRC Workshop, Glasgow. . [Monograph]

Timberlake, John ORCID logoORCID: https://orcid.org/0000-0002-5652-6250 (2020) Landscape and the science fiction imaginary. In: Science Fiction. Byrne-Smith, Dan, ed. Documents of Contemporary Art . Whitechape Gallery / MIT Press, London and Cambridge, Massachusetts, pp. 221-223. pbk-ISBN 9780854882816, pbk-ISBN 9780262538855. [Book Section]

White, Luke ORCID logoORCID: https://orcid.org/0000-0002-7080-7243 (2018) Conference report: Bruce Lee’s cultural legacies. [Digital artefact]

White, Luke ORCID logoORCID: https://orcid.org/0000-0002-7080-7243 (2009) Damien Hirst and the legacy of the sublime in contemporary art and culture. PhD thesis, Middlesex University. [Thesis]

White, Luke ORCID logoORCID: https://orcid.org/0000-0002-7080-7243 (2007) Damien Hirst, Colley Cibber and the bathos of the commercialised sublime. In: Taste, vision, transcendence: sublimity 1700-1900., 5th January 2007, University of Sussex. . [Conference or Workshop Item]

White, Luke ORCID logoORCID: https://orcid.org/0000-0002-7080-7243 (2012) Damien Hirst: the capitalism sublime? In: Marxism in Culture, 1st June 2012, Institute of Historical Research, University College London. . [Conference or Workshop Item]

White, Luke ORCID logoORCID: https://orcid.org/0000-0002-7080-7243 (2010) Damien Hirst’s shark: nature, capitalism and the sublime. Tate Papers (Tate's Online Research Journal), 14 . ISSN 1753-9854 [Article]

White, Luke ORCID logoORCID: https://orcid.org/0000-0002-7080-7243 (2017) Enter the Xiaozi: youth in the Hong Kong Kung Fu comedy film. In: World Youth Martial Arts Mastership International Academic Conference, 03-04 Nov 2017, Cheongju University, Korea. . [Conference or Workshop Item]

White, Luke ORCID logoORCID: https://orcid.org/0000-0002-7080-7243 (2022) Fighting without fighting: Kung Fu cinema's journey to the West. Reaktion Books, London. ISBN 9781789145335. [Book] (Accepted/In press)

White, Luke ORCID logoORCID: https://orcid.org/0000-0002-7080-7243 (2018) How Jeff Koons sold out – and why his jumbo tulips don’t belong in Paris. [Digital artefact]

White, Luke ORCID logoORCID: https://orcid.org/0000-0002-7080-7243 (2007) Ideal homes/artificial horizons. Museum of Domestic Design & Architecture. [Other]

White, Luke ORCID logoORCID: https://orcid.org/0000-0002-7080-7243 (2017) Jackie Chan vs. Walter Benjamin: postcolonial “Utopias of the Body” in Kung Fu comedy. In: Research Seminar Series, Department of English Literature, Linguistics and Cultural Studies, 08 Mar 2017, University of Westminster, London, United Kingdom. . [Conference or Workshop Item]

White, Luke ORCID logoORCID: https://orcid.org/0000-0002-7080-7243 (2012) Kung-fu cinema's Shaolin heroes in the Longue Durée of Chinese revolt. In: Riot, Revolt, Revolution, 5-7 Sept 2012, University of Brighton. . [Conference or Workshop Item]

White, Luke ORCID logoORCID: https://orcid.org/0000-0002-7080-7243 (2014) Lau Kar-leung with Walter Benjamin: storytelling, authenticity, film performance and martial arts pedagogy. Journalism Media and Cultural Studies (JOMEC), 5 . pp. 1-17. ISSN 2049-2340 [Article] (doi:10.18573/j.2014.10277)

White, Luke ORCID logoORCID: https://orcid.org/0000-0002-7080-7243 (2020) Legacies of the drunken master: politics of the body in Hong Kong Kung Fu comedy films. Asia Pop! . University of Hawai'i Press, Honolulu, USA. pbk-ISBN 9780824881573, e-ISBN 9780824882983, e-ISBN 9780824882990, e-ISBN 9780824883003. [Book] (doi:10.1515/9780824882983)

White, Luke ORCID logoORCID: https://orcid.org/0000-0002-7080-7243 (2017) Marvel’s Daredevil: Ninjas, Blind Swordsmen and the Oriental Obscene. In: Them! The Visual Cultures of 'Othering' in Post-Referendum UK and Post-General-Election USA, 13 Jan 2017, Middlesex University, London, United Kingdom. . [Conference or Workshop Item]

White, Luke ORCID logoORCID: https://orcid.org/0000-0002-7080-7243 (2012) Nature, the metropolis and the apocalyptic sublime. In: Landscape & Eschatology, Friday, 13 January 2012, Tate Britain. . [Conference or Workshop Item]

White, Luke ORCID logoORCID: https://orcid.org/0000-0002-7080-7243 (2018) Netflix ninjas and the legacy of the Kung Fu craze: asiaphilia and asiaphobia in Marvel’s Daredevil. In: 4th Annual Martial Arts Studies Conference: Bruce Lee’s Cultural Legacies, 11-12 Jul 2018, Cardiff University, UK. . [Conference or Workshop Item]

White, Luke ORCID logoORCID: https://orcid.org/0000-0002-7080-7243 (2011) Radical, like in the 80s. Radical philosophy, 168 . pp. 56-58. ISSN 0300-211X [Article]

White, Luke ORCID logoORCID: https://orcid.org/0000-0002-7080-7243 (2011) Towards a radical aesthetics of kung fu cinema: authenticity and the pedagogy of performing bodies in Lau Kar-leung’s Shaolin Cycle. In: Radical Aesthetics and Politics: Intersections in Music, Art and Critical Social Theory, 9 December 2011, Roosevelt House, Hunter College, CUNY. . [Conference or Workshop Item]

White, Luke ORCID logoORCID: https://orcid.org/0000-0002-7080-7243 (2012) Vicissitudes of violence: Hong Kong martial arts cinema and the 1966/7 unrest. In: Genre Beyond Hollywood, 8 July 2012, University of Southampton. . [Conference or Workshop Item]

White, Luke ORCID logoORCID: https://orcid.org/0000-0002-7080-7243 (2017) The ethics of violence in the Kung Fu comedy. In: Martial Arts Studies Conference, 2017, 11-13 Jul 2017, Cardiff University, Wales, United Kingdom. . [Conference or Workshop Item]

White, Luke ORCID logoORCID: https://orcid.org/0000-0002-7080-7243 (2015) A ‘narrow world, strewn with prohibitions’: Chang Cheh’s The Assassin and the 1967 Hong Kong riots. Asian Cinema, 26 (1) . pp. 79-98. ISSN 1059-440X [Article] (doi:10.1386/ac.26.1.79_1)

White, Luke ORCID logoORCID: https://orcid.org/0000-0002-7080-7243 (2018) Carnival of the drunken master: the politics of the Kung Fu comedic body. In: The Martial Arts Studies Reader. Bowman, Paul, ed. Martial Arts Studies . Rowman and Littlefield, London, pp. 199-212. ISBN 9781786605498. [Book Section]

White, Luke ORCID logoORCID: https://orcid.org/0000-0002-7080-7243 (2022) Crippled warriors: masculinities and martial arts media in Asia. In: Media in Asia: Global, Digital, Gendered and Mobile. Kim, Youna, ed. Media, Culture and Social Change in Asia . Routledge, London and New York, pp. 239-252. ISBN 9780367653224, pbk-ISBN 9780367672850. [Book Section] (Accepted/In press)

White, Luke ORCID logoORCID: https://orcid.org/0000-0002-7080-7243 and Pajaczkowska, Claire (2009) The sublime in the work of Cornelia Parker. In: The Sublime Now. White, Luke ORCID logoORCID: https://orcid.org/0000-0002-7080-7243 and Pajaczkowska, Claire, eds. Cambridge Scholars Publishing, Newcastle Upon Tyne, pp. 181-196. ISBN 9781443813020. [Book Section]

White, Luke ORCID logoORCID: https://orcid.org/0000-0002-7080-7243 and Pajaczkowska, Claire (2009) The sublime now. White, Luke and Pajaczkowska, Claire, eds. Cambridge Scholars Publishing, Newcastle Upon Tyne. ISBN 9781443813020. [Book]

White, Luke ORCID logoORCID: https://orcid.org/0000-0002-7080-7243 (2007) Sublimity, beauty and decorum. In: Richmond Burton and Maisie Kendall: decorum. Petry, Michael, ed. MOCA in conjunction with the Royal Academy Schools, Hornsey, pp. 5-10. ISBN 9780955257797. [Book Section]

White, Luke ORCID logoORCID: https://orcid.org/0000-0002-7080-7243 (2009) Damien Hirst's diamond skull and the capitalist sublime. In: The Sublime Now. White, Luke ORCID logoORCID: https://orcid.org/0000-0002-7080-7243 and Pajaczkowska, Claire, eds. Cambridge Scholars Publishing, Newcastle Upon Tyne, pp. 155-171. ISBN 9781443813020. [Book Section]

White, Luke ORCID logoORCID: https://orcid.org/0000-0002-7080-7243 (2017) Toward an aesthetic of weightlessness: Qinggong and Wire-fu. In: RoCH Fans and Legends. lok, susan pui san, ed. QUAD / Centre for Chinese Contemporary Art, Derby / Manchester. ISBN 9780995461109. [Book Section]

This list was generated on Sun Feb 5 05:12:29 2023 GMT.