Items where Research Area is "A. > School of Media and Performing Arts > Performing Arts > Theatre Arts group"
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- Middlesex University Schools, Centres and Partners (22883)
- A. (22558)
- School of Media and Performing Arts (2162)
- Performing Arts (931)
- Theatre Arts group (146)
- Performing Arts (931)
- School of Media and Performing Arts (2162)
- A. (22558)
2022
Beale, Samantha ORCID: https://orcid.org/0000-0002-3533-644X
(2022)
Funny and disturbing: women’s serio-comic performances on the Victorian music hall.
Comedy Studies, 13
(2)
.
pp. 186-198.
ISSN 2040-610X
[Article]
(doi:10.1080/2040610X.2022.2091734)
Beale, Samantha ORCID: https://orcid.org/0000-0002-3533-644X, Shehada, Alaa, Shamas, Hanna, al Batran, Khalil, Monther, Ebaa, Swity, Diana and Shyouki, Raed
(2022)
Balad.
[Performance]
Diedrich, Antje ORCID: https://orcid.org/0000-0001-8691-8709 and Barbe, Frances
(2022)
Beyond the stomp: the Nobbs Suzuki Praxis as an Australian variant of the Suzuki method of actor training.
Theatre, Dance and Performance Training
.
ISSN 1944-3927
[Article]
(Accepted/In press)
(doi:10.1080/19443927.2022.2152860)
Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607
(2022)
太极推手: Taiji Pushing Hands.
Theatre, Dance and Performance Training, 13
(3)
.
pp. 463-464.
ISSN 1944-3927
[Article]
(doi:10.1080/19443927.2022.2102741)
Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607
(2022)
The potential of performance for solidarity: challenging the neoliberal subjectivity.
Performance Research
.
ISSN 1352-8165
[Article]
(Accepted/In press)
2021
Argyropoulou, Gigi and Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607
(2021)
Special Issue: Critical Stages: Unstable grounds: reconfigurations of performance and politics, Issue 23, ISSN 2409-7411.
[Journal Guest Editorial]
Colin, Noyale and Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607
(2021)
On Solidarity, Performance Research. ISSN 1352-8165.
[Journal Guest Editorial]
(Accepted/In press)
De Senna, Pedro ORCID: https://orcid.org/0000-0002-6032-0132, Dousos, Foivos, Ieropoulos, Fil and Pfützenreuter, Richard
(2021)
The garden of dystopian pleasures.
Studies in Theatre & Performance, 41
(3)
.
pp. 281-304.
ISSN 1468-2761
[Article]
(doi:10.1080/14682761.2021.1974693)
De Senna, Pedro ORCID: https://orcid.org/0000-0002-6032-0132, Gayotto, Lucia and Meirelles, Marcio
(2021)
Freedom in the margins: experiences from Brazil.
Studies in Theatre & Performance, 41
(1)
.
pp. 68-82.
ISSN 1468-2761
[Article]
(doi:10.1080/14682761.2021.1885961)
De Senna, Pedro ORCID: https://orcid.org/0000-0002-6032-0132 and Hudson, James
(2021)
Performance and the Right.
Studies in Theatre & Performance, 41
(3)
.
pp. 231-235.
ISSN 1468-2761
[Article]
(doi:10.1080/14682761.2021.1974674)
Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607
(2021)
‘Critical Pathways’ – Training and investigating the art of choreography-making with Rosemary Butcher.
Theatre, Dance and Performance Training, 12
(2)
.
pp. 164-183.
ISSN 1944-3927
[Article]
(doi:10.1080/19443927.2021.1902382)
2020
Bacon, T. J. ORCID: https://orcid.org/0000-0001-9859-6946
(2020)
T. J. Bacon reflects on CHTHONIC.
In:
Emergency index: an annual document of performance practice.
Guttenplan, Zoe, ed.
Emergency INDEX, 9
.
Ugly Duckling Presse, New York, US, pp. 286-287.
pbk-ISBN 9781946433848.
[Book Section]
Beale, Samantha ORCID: https://orcid.org/0000-0002-3533-644X
(2020)
The comedy and legacy of music-hall women 1880-1920: brazen impudence and boisterous vulgarity.
Palgrave Studies in Comedy
.
Palgrave MacMillian, Switzerland.
ISBN 9783030479404, e-ISBN 9783030479411.
[Book]
(doi:10.1007/978-3-030-47941-1)
Stammers, Nicola (2020) Site-specific project - Death Steps Back. [Film/Video]
2019
Bacon, Thomas John ORCID: https://orcid.org/0000-0001-9859-6946
(2019)
CHTHONIC.
[Performance]
Beale, Samantha ORCID: https://orcid.org/0000-0002-3533-644X
(2019)
Kitty Marion: actor and activist edited by Viv Gardner and Diane Atkinson, Manchester, Manchester University Press, 2019, 282 pp., ISBN 978-1-5261-3804-0 [Book review].
Women's History Review, 28
(6)
.
pp. 1011-1012.
ISSN 0961-2025
[Article]
(doi:10.1080/09612025.2019.1650700)
De Senna, Pedro ORCID: https://orcid.org/0000-0002-6032-0132
(2019)
Futures literacy theatre lab with unaccompanied asylum-seeking minors: practical and ethical considerations.
Conceição/Conception, 8
(2)
.
pp. 75-93.
[Article]
(doi:10.20396/conce.v8i2.8657876)
Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947
(2019)
Audience improvisation in the immersive experiences: the sensuous world of the body in the work of Lundahl & Seitl.
In:
The Oxford Handbook of Improvisation in Dance.
Midgelow, Vida L., ed.
Oxford Handbooks
.
Oxford University Press, pp. 671-686.
ISBN 9780199396986, e-ISBN 9780199397013.
[Book Section]
(doi:10.1093/oxfordhb/9780199396986.013.42)
Vesty, Robert
(2019)
Ten Days in Tarbena: an evolutionary approach to moving through silence and sound to speech.
In:
The Oxford Handbook of Improvisation in Dance.
Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209, ed.
Oxford University Press, pp. 366-382.
ISBN 9780199396986.
[Book Section]
(doi:10.1093/oxfordhb/9780199396986.013.44)
2018
Bacon, Thomas John ORCID: https://orcid.org/0000-0001-9859-6946
(2018)
Foreword [The furthest point in space is also inside our body].
In:
No one thing is the root of all anything: phases and performance of the imminent by Chelsea Coon.
Not a Cult, Los Angeles, CA, pp. 1-6.
pbk-ISBN 9781945649080.
[Book Section]
Bacon, Thomas John ORCID: https://orcid.org/0000-0001-9859-6946
(2018)
TF18 - London Biennial of International Performance Art.
[Show/Exhibition]
Bacon, Thomas John ORCID: https://orcid.org/0000-0001-9859-6946
(2018)
Psychogenesis series.
In:
Emergency index: an annual document of performance practice.
Gluzman, Yelena and Cleary, Sophia, eds.
Emergency Index, 7
.
Ugly Duckling Presse, New York, US, pp. 116-117.
ISBN 9781946433213.
[Book Section]
Beale, Samantha ORCID: https://orcid.org/0000-0002-3533-644X
(2018)
Gagging for it: irony, innuendo and the politics of subversion in women’s comic performance on the post-1880 London music-hall stage and its resonance in contemporary practice.
PhD thesis, Middlesex University.
[Thesis]
Beale, Samantha ORCID: https://orcid.org/0000-0002-3533-644X
(2018)
A funny thing happened on the way to the checkpoint: teaching stand-up comedy in occupied Palestine.
Teaching Artist, 16
(3-4)
.
pp. 91-99.
ISSN 1541-1796
[Article]
(doi:10.1080/15411796.2018.1530520)
Beale, Samantha ORCID: https://orcid.org/0000-0002-3533-644X, Thomas, Mark, Douglas, Joe, Shehada, Alaa and Abualhaja, Faisal
(2018)
Showtime from the frontline.
[Performance]
Beale, Samantha ORCID: https://orcid.org/0000-0002-3533-644X, Thomas, Mark, Douglas, Joe, Shehada, Alaa and Abuallhaja, Faisal
(2018)
Showtime from the frontline.
[Film/Video]
Butcher, Rosemary and Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607
(2018)
Rosemary Butcher: after Kaprow – a visual journey.
In:
Artists in the Archive: Creative and Curatorial Engagements with Documents of Art and Performance.
Clarke, Paul, Jones, Simon, Kaye, Nick and Linsley, Johanna, eds.
Routledge, Abingdon, pp. 72-77.
ISBN 9781138929784.
[Book Section]
De Senna, Pedro ORCID: https://orcid.org/0000-0002-6032-0132
(2018)
Diversity in the discipline working group: chair’s report 2015-17.
Project Report.
SCUDD.
.
[Monograph]
(Published online first)
Diedrich, Antje ORCID: https://orcid.org/0000-0001-8691-8709
(2018)
"Empathy for the entire spectrum of selves and other": George Tabori's Humanism.
In:
Nexus 4: Essays in German Jewish Studies.
Donahue, William Collins and Helfer, Martha B., eds.
Nexus: Essays in German Jewish Studies, 4
.
Camden House, pp. 151-164.
ISBN 9781571132949, e-ISBN 9781787443563.
[Book Section]
(doi:10.1017/9781787443563.014)
Hussein, Nesreen ORCID: https://orcid.org/0000-0001-5160-8209
(2018)
Answer the question.
Theatre, Dance and Performance Training, 9
(1)
.
pp. 118-119.
ISSN 1944-3927
[Article]
(doi:10.1080/19443927.2018.1428435)
Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947, ed.
(2018)
The Punchdrunk encyclopaedia.
Routledge, London.
ISBN 9781138556782, pbk-ISBN 9781138556799, e-ISBN 9781315150352.
[Book]
(doi:10.4324/9781315150352)
Melrose, Susan (2018) Nothing like...falling... Performance Research, 23 (4-5) . pp. 151-161. ISSN 1352-8165 [Article] (doi:10.1080/13528165.2018.1511037)
2017
Bacon, Thomas John ORCID: https://orcid.org/0000-0001-9859-6946
(2017)
Lines in the Landscape Residency 2017 - Sidney Nolan Trust [Blog post].
Sidney Nolan Trust, United Kingdom.
[Other]
Beale, Samantha ORCID: https://orcid.org/0000-0002-3533-644X
(2017)
Gagging for it: irony, innuendo and the politics of subversion in women’s comic performances on the London music hall stage.
In: Mixed Bill - Women and Comedy Symposium, 19 Oct 2017, Salford University, United Kingdom.
.
[Conference or Workshop Item]
Diedrich, Antje ORCID: https://orcid.org/0000-0001-8691-8709 and Malten, Trui
(2017)
My heart, my heart: live poetry jukebox.
[Performance]
Hussein, Nesreen ORCID: https://orcid.org/0000-0001-5160-8209
(2017)
Rewriting Narratives in Egyptian Theatre: Translation, Performance, Politics. Edited by Sirkku Aaltonen and Areeg Ibrahim . Abingdon and New York: Routledge, 2016. Pp. 288 17 illus. £110 Hb [Book Review].
Theatre Research International, 42
(3)
.
pp. 353-355.
ISSN 0307-8833
[Article]
(doi:10.1017/S0307883317000669)
Hussein, Nesreen ORCID: https://orcid.org/0000-0001-5160-8209 and MacKenzie, Iain
(2017)
Guest editors' introduction: Creative practices/resistant acts.
Contention - The Multidisciplinary Journal of Social Protest, 5
(1)
.
iv-107.
ISSN 2330-1392
[Article]
(doi:10.3167/cont.2017.050102)
Hussein, Nesreen ORCID: https://orcid.org/0000-0001-5160-8209 and MacKenzie, Iain
(2017)
Introduction: Creative practices/resistant acts.
Contention: The Multidisciplinary Journal of Social Protest, 5
(1)
.
pp. 1-13.
ISSN 2572-7184
[Article]
(doi:10.3167/cont.2017.050102)
Hussein, Nesreen ORCID: https://orcid.org/0000-0001-5160-8209 and Papadelli, Vanio
(2017)
Training and…borders.
Theatre, Dance and Performance Training, 8
(1)
.
pp. 109-110.
ISSN 1944-3927
[Article]
(doi:10.1080/19443927.2017.1275208)
Lane, Kate and Wild, Joe (2017) Axiom; performance machine. [Show/Exhibition]
Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947
(2017)
The aesthetics of immersion in Punchdrunk's The Drowned Man: A Hollywood Fable.
In:
Live Cinema: Cultures, Economies, Aesthetics.
Atkinson, Sarah and Kennedy, Helen W., eds.
Bloomsbury Academic, London, pp. 219-230.
ISBN 9781501324833, pbk-ISBN 9781501353970, e-ISBN 9781501324840, e-ISBN 9781501324857.
[Book Section]
(doi:10.5040/9781501324840.ch-018)
Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947
(2017)
On being immersed: the pleasure of being: washing, feeding, holding.
In:
Reframing Immersive Theatre: The Politics and Pragmatics of Participatory Performance.
Frieze, James, ed.
Palgrave Macmillan, Basingstoke, UK, pp. 29-42.
ISBN 9781137366030, e-ISBN 9781137366047, pbk-ISBN 9781349676262.
[Book Section]
(doi:10.1057/978-1-137-36604-7_2)
Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947, Lundahl, Christer and Seitl, Martina
(2017)
Missing rooms and unknown clouds: darkness and illumination in the work of Lundahl & Seitl.
In:
Theatre in the Dark: Shadow, Gloom and Blackout in Contemporary Theatre.
Alston, Adam and Welton, Martin, eds.
Methuen Drama Engage
.
Bloomsbury Methuen Drama, London, pp. 147-168.
ISBN 9781474251181, pbk-ISBN 9781350099401, e-ISBN 9781474251198, e-ISBN 9781474251204.
[Book Section]
Vesty, Robert (2017) Words and dance. Choreographic Practices, 8 (1) . pp. 3-8. ISSN 2040-5669 [Article] (doi:10.1386/chor.8.1.3_2)
Vesty, Robert, Andrews, Maria, de la Fe, Antonio, Hamilton, Julyen, Hanne, Billie and Di Giovanni, Tomas (2017) Artefacts: a multi-voiced collection of paraphernalia, documentation and reflection on the space and words for dancers work-week. Choreographic Practices, 8 (1) . pp. 131-167. ISSN 2040-5669 [Article] (doi:10.1386/chor.8.1.131_1)
Vesty, Robert and de la Fe, Antonio (2017) On ‘A Piece for Two (Lovers)’ - an unrehearsed performance piece. Research in Drama Education: The Journal of Applied Theatre and Performance, 22 (1) . pp. 166-171. ISSN 1356-9783 [Article] (doi:10.1080/13569783.2016.1262252)
2016
Bacon, Thomas John ORCID: https://orcid.org/0000-0001-9859-6946
(2016)
Experiencing a multiplicity of self/s.
PhD thesis, University of Bristol.
[Thesis]
Bacon, Thomas John ORCID: https://orcid.org/0000-0001-9859-6946
(2016)
TF16 - London Biennial of International Performance Art.
[Show/Exhibition]
Bacon, Thomas John ORCID: https://orcid.org/0000-0001-9859-6946
(2016)
Tempting failure: London Biennial Festival of Live Art 2016 & 2018.
[Portfolio/Project/Collection]
Lane, Kate (2016) It’s alive! Design as a visual dramaturgy in a collaborative practice. In: Costume & Fashion in Context and Practice, 05 - 06 Dec 2016, University of Huddersfield, United Kingdom. . [Conference or Workshop Item]
Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947
(2016)
Watching, attending, sense-making: spectatorship in immersive theatres.
Journal of Contemporary Drama in English, 4
(1)
.
pp. 34-48.
ISSN 2195-0156
[Article]
(doi:10.1515/jcde-2016-0004)
Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607
(2016)
Ways of doing, ways of thinking, ways of moving together: considerations for cross-cultural encounters and exchanges in and through dance practice.
Choreographic Practices, 7
(2)
.
pp. 305-326.
ISSN 2040-5669
[Article]
(doi:10.1386/chor.7.2.305_1)
Stammers, Nicola and Adams, Bruce (2016) Theatre Arts Exchange. [Portfolio/Project/Collection]
Vesty, Robert and Hamilton, Julyen (2016) Sand and Vision. [Performance]
2015
Bacon, Thomas John ORCID: https://orcid.org/0000-0001-9859-6946
(2015)
CHTHONIC (2019) PSYCHOGENESIS SERIES (2018) PERCEPTION:LAB (2015).
[Portfolio/Project/Collection]
Bacon, Thomas John ORCID: https://orcid.org/0000-0001-9859-6946
(2015)
PERCEPTION:Lab.
[Performance]
Bacon, Thomas John ORCID: https://orcid.org/0000-0001-9859-6946 and Alexander, FK
(2015)
FIRE.
[Performance]
Bacon, Thomas John ORCID: https://orcid.org/0000-0001-9859-6946 and Lanz, Joke
(2015)
PRESENCE/s.
[Performance]
Butcher, Rosemary and Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607
(2015)
Making marks and memories – the body in recorded time.
In: Memory Sentiment Body Space Object Symposium, 15 May 2015, Coventry.
.
[Conference or Workshop Item]
Diedrich, Antje ORCID: https://orcid.org/0000-0001-8691-8709 and Carter, Mike
(2015)
Sandman.
[Performance]
Hussein, Nesreen ORCID: https://orcid.org/0000-0001-5160-8209
(2015)
Gestures of resistance between the street and the theatre: documentary theatre in Egypt and Laila Soliman’s No Time For Art.
In: New Anarchist Research Group Monthly Meeting, 25 April 2015, Torriano Meeting House, London.
.
[Conference or Workshop Item]
Hussein, Nesreen ORCID: https://orcid.org/0000-0001-5160-8209
(2015)
Gestures of resistance between the street and the theatre: documentary theatre in Egypt and Laila Soliman’s No Time For Art.
Contemporary Theatre Review, 25
(3)
.
pp. 357-370.
ISSN 1048-6801
[Article]
(doi:10.1080/10486801.2015.1049822)
Hussein, Nesreen ORCID: https://orcid.org/0000-0001-5160-8209
(2015)
Here, there, and the question of belonging in a time of revolution.
In: Contested Exchanged: Space, Place and the Performance of Democracy, 28 March 2015, Artaud Performance Centre. Brunel University, London..
.
[Conference or Workshop Item]
Hussein, Nesreen ORCID: https://orcid.org/0000-0001-5160-8209
(2015)
Here… there… and the question of belonging.
In: Arab Women Artists Now (AWAN) Festival., 7 March 2015, Rich Mix, London..
.
[Conference or Workshop Item]
Hussein, Nesreen ORCID: https://orcid.org/0000-0001-5160-8209
(2015)
Performance as a gesture of resistance in Laila Soliman’s No Time for Art.
In: Theatre and Stratification. International Federation for Theatre Research’s world congress, 28 Jul - 01 Aug 2014, The University of Warwick.
.
[Conference or Workshop Item]
Hussein, Nesreen ORCID: https://orcid.org/0000-0001-5160-8209, Papadelli, Vanio, Goely, Mohamed and Picknett, Michael
(2015)
My City, My Revolution.
[Performance]
Lane, Kate (2015) Costume at the Turn of the Century, 1990 - 2015. [Artefact]
Lane, Kate (2015) Make/Believe - UK Design for Performance 2011 - 15. [Artefact]
Lane, Kate, Ceschi, Valentina and Jaruseviciute, Guoda (2015) Trinity. [Performance]
Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947
(2015)
Punchdrunk.
In:
British theatre companies: 1995-2014.
Tomlin, Elizabeth, ed.
British Theatre Companies: From Fringe to Mainstream
.
Methuen Drama.
ISBN 9781408177273.
[Book Section]
Vesty, Robert (2015) Imagina(c)tion - The Feldenkrais Method® and Action Theater™ improvisation in conversation about the integration of imagination and action. In: re)storing performance - The Feldenkrais Method and Creative Practice, 27 June 2016, Bath Spa University, Bath, UK. . [Conference or Workshop Item]
Vesty, Robert (2015) Space and words for dancers. [Digital artefact]
Vesty, Robert, Hanne, Billie and Burns, Laura (2015) Gwineverra, Tom and the enemy of man. [Performance]
Vesty, Robert and de la Fe, Antonio (2015) A piece for two (lovers). [Performance]
Vesty, Robert, de la Fe, Antonio, Söör, Petra and Camiloti, Mariana (2015) Gjendin ridge. [Performance]
2014
Akinleye, Adesola ORCID: https://orcid.org/0000-0001-7342-8292 and Califano, Anton
(2014)
Light Steps promo.
[Artefact]
Bacon, Thomas John ORCID: https://orcid.org/0000-0001-9859-6946
(2014)
The lived body: REDUX.
[Performance]
Diedrich, Antje ORCID: https://orcid.org/0000-0001-8691-8709
(2014)
"The grey and the coloured truth": memory and post-memory in George Tabori's Holocaust plays.
Journal of Literature and Trauma Studies, 3
(1)
.
pp. 1-21.
ISSN 2162-3627
[Article]
(doi:10.1353/jlt.2014.0017)
Fischer, Ernst and Bacon, Thomas John ORCID: https://orcid.org/0000-0001-9859-6946
(2014)
PASSION/Flower.
[Performance]
Hussein, Nesreen ORCID: https://orcid.org/0000-0001-5160-8209
(2014)
Working with and supporting early career academics. A provocation.
In: The Standing Conference of University Drama Departments' annual conference, 11 April 2014., Aberystwyth University..
.
[Conference or Workshop Item]
Lane, Kate, Ceschi, Valentina and Jaruseviciute, Guoda (2014) Utopia. [Performance]
Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947
(2014)
Blind(fold)ed by light in Lundahl & Seitl’s Symphony in a Missing Room: thinking out loud in the dark.
In: Theatre in the Dark., 12 Jul 2014, University of Surrey, SeedPOD Nodus Centre..
.
[Conference or Workshop Item]
Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947 and Thompson, Charlotte
ORCID: https://orcid.org/0000-0001-5507-5032
(2014)
Punchdrunk enrichment preliminary report. November 2014.
Middlesex University.
[Other]
Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607
(2014)
Productive misapprehensions – Artscross as a trans-cultural collaborative zone of contestation of performance practice.
In: PSi20 Avant-Garde, Tradition, Community, 04-08 July 2014, Shanghai, China.
.
[Conference or Workshop Item]
Vesty, Robert and Söör, Petra (2014) The container. [Performance]
2013
Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947
(2013)
Immersive theatres: intimacy and immediacy in contemporary performance.
Palgrave Macmillan, Basingstoke.
ISBN 9781137019844.
[Book]
Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947
(2013)
Immersed in illusion, haunted by history: Marisa Carnesky’s ghost train.
In:
The Ashgate research companion to paranormal cultures.
Jenzen, Olu and Munt, Sally R., eds.
Ashgate, pp. 241-254.
ISBN 9781409444671.
[Book Section]
Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947
(2013)
Immersive performance, (syn)aesthetics and the phenomenology of technologies.
In:
Affective performance and cognitive science: body, brain and being.
Shaughnessy, Nicola, ed.
Bloomsbury.
ISBN 9781408183984.
[Book Section]
Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947
(2013)
(Syn)aesthetics and immersive theatre: embodied beholding in Lundahl & Seitl’s Rotating in a Room of Images.
In:
Affective performance and cognitive science.
Shaughnessy, Nicola, ed.
Bloomsbury Methuen Drama.
ISBN 9781408185773.
[Book Section]
Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947
(2013)
Naomi Wallace and the politics of desire.
In:
The innovative theatre of Naomi Wallace: embodied dialogues.
Stevens Abbit, Erica and Palmer, Scott, eds.
Palgrave Macmillan.
ISBN 9781137017918.
[Book Section]
Maguire, Tom and Upton, Carole-Anne (2013) Myth and gender in contemporary Irish drama. In: Performing feminisms in contemporary Ireland. Fitzpatrick, Lisa, ed. Performing Ireland . Carysfort Press. ISBN 9781904505624. [Book Section]
Melrose, Susan, Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607 and Butcher, Rosemary
(2013)
Just in time: ‘momentary’ events in the making of Rosemary Butcher’s signature practices.
In: Performance Studies International Conference (PSi 19), 26-30 Jun 2013, Stanford, CA, United States.
.
[Conference or Workshop Item]
Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607
(2013)
Reinventing the past: Rosemary Butcher encounters Allan Kaprow's 18 happenings in 6 parts.
Choreographic Practices, 4
(2)
.
pp. 223-244.
ISSN 2040-5669
[Article]
(doi:10.1386/chor.4.2.223_1)
Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607, Franglen, Nick and Wragg, Gary
(2013)
Remote Collaboration.
[Performance]
Saville, Ian (2013) Free money magic show. [Performance]
Saville, Ian (2013) The development of socialist magic: reflections on the place of power and ideology in magic performance. Journal of Performance Magic, 1 (1) . pp. 2-18. ISSN 2051-6037 [Article] (doi:10.5920/jpm.2013.112)
Saville, Ian (2013) The free money magic show. [Performance]
2012
Boddington, Ghislaine
(2012)
Woven bodies, woven cultures.
In:
Identity, performance and technology: practices of empowerment, embodiment and technicity.
Broadhurst, Susan and Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947, eds.
Palgrave Studies in Performance and Technology
.
Pelgrave Macmillan, pp. 77-90.
ISBN 9780230298880.
[Book Section]
Broadhurst, Susan and Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947, eds.
(2012)
Identity, performance and technology: practices of empowerment, embodiment and technicity.
Palgrave Studies in Performance and Technology
.
Palgrave Macmillan, Basingstoke.
ISBN 9780230298880.
[Book]
Melrose, Susan (2012) Expert-performance-practitioner-centred modes of knowledge and models of intelligibility: disciplinary specificity and the digital submission. In: The Sage handbook of digital dissertations and theses. Andrews, Richard, Borg, Erik, Boyd Davis, Stephen, Domingo, Myrrh and England, Jude, eds. SAGE Publications, London, pp. 298-314. ISBN 9780857027399. [Book Section]
Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607
(2012)
Beyond Allan Kaprow: an interview with Rosemary Butcher.
Journal of Dance and Somatic Practices, 4
(2)
.
pp. 267-281.
ISSN 1757-1871
[Article]
(doi:10.1386/jdsp.4.2.267_1)
Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607
(2012)
Vom Archiv zur Neuerfindung. Fragen zur künstlerischen Handschrift im kreativen Schaffensprozess zeitgenössischer Performance.
In:
Tanzerfahrung und Weltkenntnis.
Behrens, Claudia, Burkhard, Helga, Fleischle-Braun, Claudia and Obermaier, Krystyna, eds.
Jahrbuch Tanzforschung
.
Henschel Verlag, Leipzig, pp. 95-107.
ISBN 9783894877309.
[Book Section]
Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607 and Lammers, Christoph
(2012)
Lichtspur.
[Performance]
2011
Bacon, Thomas John ORCID: https://orcid.org/0000-0001-9859-6946
(2011)
Traces of being: a document of absence in words.
activate, 1
(1)
.
pp. 1-19.
[Article]
(Published online first)
Broadhurst, Susan and Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947, eds.
(2011)
Performance and technology: practices of virtual embodiment and interactivity.
Palgrave Macmillan, Basingstoke, UK.
ISBN 9780230293656.
[Book]
(doi:10.1057/9780230288157)
Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947
(2011)
(Syn)aesthetics: redefining visceral performance.
Palgrave Macmillan, Basingstoke, UK.
ISBN 9780230336902.
[Book]
Melrose, Susan (2011) A cautionary note or two, amid the pleasures and pains of participation in performance-making as research. In: Participatory Research & Learning in the Performing Arts, 6 May 2011, Centre for Creative Collaboration London. . [Conference or Workshop Item]
Melrose, Susan (2011) Postmodernism and performance. In: The Routledge companion to postmodernism. Sim, Stuart, ed. Routledge Companions . Routledge, London and New York, pp. 194-203. ISBN 9780415583329. [Book Section]
Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607
(2011)
Spontaneous combustion.
In:
Artistic Research in Action: Proceedings of CARPA2, Colloquium on Artistic Research in Performing Arts.
Arlander, Annette, ed.
Theatre Academy Helsinki, pp. 127-133.
ISBN 9789529765621.
[Book Section]
Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607, Lammers, Christoph and Franglen, Nick
(2011)
Spontaneous combustion.
[Performance]
Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607, Lammers, Christoph and Imori, Mie
(2011)
Lichtung.
[Performance]
Thompson, Charlotte ORCID: https://orcid.org/0000-0001-5507-5032
(2011)
Story of a rude gal.
[Performance]
Thompson, Charlotte ORCID: https://orcid.org/0000-0001-5507-5032
(2011)
Beyond borders: David Greig's transpersonal dramaturgy.
In:
Cosmotopia: transnational identities in David Greig's theatre.
Muller, Anja and Wallace, Clare, eds.
Litteraria Pragensia, pp. 103-117.
ISBN 9788073083557.
[Book Section]
Upton, Carole-Anne (2011) Real people as actors: actors as real people. Studies in Theatre & Performance, 31 (2) . pp. 209-222. ISSN 1468-2761 [Article] (doi:10.1386/stap.31.2.209_1)
Upton, Carole-Anne (2011) The translator as metteur en scene, with reference to Les Aveugles [The Blind] by Maurice Maeterlinck. In: Staging and performing translation: text and theatre practice. Baines, Roger, Marinetti, Cristina and Perteghella, Manuela, eds. Palgrave Macmillan, Basingstoke, pp. 31-48. ISBN 9780230228191. [Book Section]
2010
Broadhurst, Susan and Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947, eds.
(2010)
Sensualities/textualities and technologies: writings of the body in 21st Century performance.
Palgrave Macmillan, Basingstoke.
ISBN 9780230220256.
[Book]
Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607
(2010)
The invisible expert practitioner: theorising performer expertise in contemporary performance-making.
PhD thesis, Middlesex University.
[Thesis]
Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607, Lammers, Christoph and Spengler, Simon
(2010)
Tanz auf dem Vulkan (Dancing on a volcano).
[Performance]
2009
Melrose, Susan (2009) Rosemary Butcher: jottings on signature in the presence of the artist. In: Bodies of Thought, 3 April 2009, Siobhan Davies Studio, London. . [Conference or Workshop Item]
Melrose, Susan (2009) Signs of life, signs of the times: and if all artists are semioticians? In: ADSA Conference, Boom or bust: economies of production and exchange in theatre, performance and culture., 30th June - 3rd July 2009, Edith Cowan University, Curtin University and Murdoch University, WA, Australia. . [Conference or Workshop Item]
Melrose, Susan (2009) Expert-intuitive processing and the logics of production: struggles in (the wording of) creative decision: making in dance. In: Contemporary choreography: a critical reader. Butterworth, Jo and Wildschut, Liesbeth, eds. Routledge, London and New York, p. 23. ISBN 9780415490870. [Book Section]
Upton, Carole-Anne (2009) The performance of truth and justice in Northern Ireland: the case of Bloody Sunday. In: Get real: documentary theatre past and present. Forsyth, Alison and Megson, Chris, eds. Performance Interventions . Palgrave Macmillan, Basingstoke, pp. 179-194. ISBN 9780230221154. [Book Section]
2007
Melrose, Susan (2007) Practice as Research website: http://www.sfmelrose.u-net.com. Susan Melrose. [Other]
Melrose, Susan (2007) Still harping on (about expert practitioner-centred modes of knowledge and models of intelligibility). In: E-science institute workshop: digital representations in the performing arts, 18th July 2007, Edinburgh. . [Conference or Workshop Item]
Melrose, Susan (2007) Not yet, and already no longer: loitering with intent between the expert practitioner at work, and the archive. In: (Capturing intention): documentatie, analyse en notatieonderzoek gebaseerd. DeLahunta, Scott and Bastien, Marion, eds. Emio Greco, Amsterdam, Netherlands, pp. 74-78. ISBN 9789081081337. [Book Section]
2006
Bannerman, Christopher ORCID: https://orcid.org/0000-0002-8023-4872, Smith, Chris, Melrose, Susan, Alston, Richard, Baxter, Guy, Adawole, Funmi and Davis, Jacqueline
(2006)
Performance as knowledge.
In: Performance as knowledge seminar, 3rd May 2006, Somerset house, London.
.
[Conference or Workshop Item]
Broadhurst, Susan and Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947, eds.
(2006)
Performance and technology: practices of virtual embodiment and interactivity.
Palgrave Macmillan, Basingstoke, UK.
ISBN 9781403999078.
[Book]
(doi:10.1057/9780230288157)
Melrose, Susan (2006) The vanishing, or little erasures without significance? Performance research: a journal of performing arts, 11 (2) . pp. 95-107. ISSN 1352-8165 [Article] (doi:10.1080/13528160600812042)
Melrose, Susan
(2006)
Bodies without bodies.
In:
Performance and Technology: Practices of Virtual Embodiment and Interactivity.
Broadhurst, Susan Margaret and Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947, eds.
Palgrave Macmillan, Basingstoke, pp. 1-12.
ISBN 9781403999078.
[Book Section]
Melrose, Susan (2006) Who knows - and who cares: about performance mastery? In: A performance cosmology: testimony from the future evidence of the past. Christie, Judie, Gough, Richard and Watt, Daniel Peter, eds. Routledge, London and New York, pp. 132-139. ISBN 9780415372589. [Book Section]
Melrose, Susan (2006) Constitutive ambiguities: writing professional or expert performance practices, and the Theatre du Soleil, Paris. In: Contemporary theatres in Europe. Kelleher, Joe and Ridout, Nicholas, eds. Routledge, pp. 120-135. ISBN 0415329396. [Book Section]
2005
Hunt, Nick and Melrose, Susan (2005) Techne, technology, technician: the creative practices of the mastercraftsperson. Performance Research: A Journal of Performing Arts, 10 (4) . pp. 70-82. ISSN 1352-8165 [Article] (doi:10.1080/13528165.2005.10871452)
Melrose, Susan (2005) Just intuitive. In: The impossibility of representation?, 23 April 2005., AHRC Research Centre for Cross-Cultural Music and Dance Performance, School of Oriental and African Studies, University of London. . [Conference or Workshop Item]
Melrose, Susan (2005) Out of words. In: CHARM (AHRC Research Centre for the History and Analysis of Recorded Music) Symposium 1: Comparative perspectives in the study of recordings., 14-16 April 2005, Royal Holloway, University of London, Egham. . [Conference or Workshop Item]
Melrose, Susan (2005) Words fail me: dancing with the other's familiar. In: Towards Tomorrow?, International gathering., 6-10 April 2005., Centre for Performance Research, Aberystwyth, University of Wales. . [Conference or Workshop Item]
Melrose, Susan and Butcher, Rosemary (2005) Rosemary Butcher: choreography/collisions/collaborations. Performing Arts . Middlesex University Press, Hendon, London. ISBN 1904750478. [Book]
2003
Melrose, Susan (2003) The eventful articulation of singularities - or, "Chasing angels". In: New alignments and emergent forms: dance-making, theory and knowledge., December 2003, School of Arts, Froebel College, Roehampton, University of Surrey. . [Conference or Workshop Item]
2002
Melrose, Susan (2002) Before the posthuman can take [its] place: performing place and person in the early 21st century. Performance Arts International e-journal (Issue) . ISSN 1027-0000 [Article]
Melrose, Susan (2002) Textual turns - and a turn-up for the books. In: "Textual Conditions", September 2002., University of Nottingham,. . [Conference or Workshop Item]
2001
Melrose, Susan (2001) (Re)marking the overlooked or, Stanislavski's napkin. Performance Research, 6 (2) . pp. 4-19. ISSN 1352-8165 [Article]
2000
Upton, Carole-Anne, ed. (2000) Moving target: theatre translation and cultural relocation. St Jerome Publishing. ISBN 9781900650274. [Book]
1997
Upton, Carole-Anne (1997) Words in space: filling the empty space in francophone theatre. In: Black accents: writing in French from Africa, Mauritius and the Caribbean theatre. Proceedings of the ASCALF Conference, held in Dublin, 8-10 April 1995. Little, J. P. and Little, Roger, eds. Grant and Cutler, pp. 235-251. ISBN 9780729303903. [Book Section]
Upton, Carole-Anne and Meech, Tony (1997) Botho Strauss on the English stage. Studies in Theatre Production, 16 . pp. 35-46. ISSN 1357-5341 [Article]
1996
Upton, Carole-Anne (1996) Ananse's wealth: response and responsibility in modern African theatre. In: Popular theatres? Papers from the Popular Theatre Conference 1994. Merkin, Ros, ed. Liverpool John Moores University, pp. 140-160. ISBN 9780952797807. [Book Section]
1994
Melrose, Susan (1994) A semiotics of the dramatic text. New directions in theatre . Macmillan, Basingstoke. ISBN 033341943x. [Book]