Items where Research Area is "A. > School of Art and Design > Visual Arts > CREATE/Feminisms cluster"

A

Akerman, Jeremy, Bartram, Ang, Bauer, Diann, Bird, Jon, Boyce, Sonia, Coutts, Nicky, Press, Gefn, Holmwood, Sigrid, Johanknecht, Susan, Meynell, Katharine, Mooney, Jim, Nimarkoh, Virginia, Poulson, Kit, Richardson, Emily, Stevens, Gary, Stone, Will, Walsh, Maria and Westley-Smith, H. F. (2011) Mutual dependencies. Meynell, Katharine, ed. Artwords Press, London. ISBN 9781906441258. [Book]

Avermaete, Tom and Massey, Anne, eds. (2012) Hotel lobbies and lounges: the architecture of professional hospitality. Interior Architecture . Routledge. ISBN 9780415496537. [Book]

B

Boyce, Sonia (2010) Afuera! Art in Public Spaces - Gather: Justicia. [Artefact]

Boyce, Sonia (2013) Devotional wallpaper. [Artefact]

Boyce, Sonia (2008) Drift. [Artefact]

Boyce, Sonia (2010) Like love: part 1, part 2, part 3. [Show/Exhibition]

Boyce, Sonia (2013) Move. [Film/Video]

Boyce, Sonia (2013) Scat. [Show/Exhibition]

Boyce, Sonia, Demand, Thomas, Makhoul, Bashir, Meadows, Matthew, De St Phalle, Nikki, Shrigley, David, Wunderlich, Paul and Bertola, Catherine (2008) The walls are talking: wallpaper, art and culture. [Show/Exhibition]

Brooker, Graeme (2012) Shifting spaces. In: Hotel lobbies and lounges: the architecture of professional hospitality. Avermaete, Tom and Massey, Anne, eds. Interior Architecture . Routledge, pp. 89-102. ISBN 9780415496537. [Book Section]

Brown, Camilla (2012) Bettina von Zwehl: Made up Love Song. Photomonitor . [Article]

Brown, Camilla (2014) Gayle Chong Kwan 'Arripare', 2013. Photomonitor . [Article]

Brown, Camilla (2013) Strange encounters with the work of Anne Hardy. Photomonitor . [Article]

Brown, Camilla (2014) The performer emerges in the work of Sian Bonnell. Photomonitor . [Article]

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Cadringher, Gabriele and Massey, Anne (2011) Ocean liner posters. Antique Collectors' Club. ISBN 9781851496730. [Book]

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Deepwell, Katy ORCID: https://orcid.org/0000-0001-8188-0895 (2020) Art criticism and the state of feminist art criticism. Arts, 9 (1) , 28. ISSN 2076-0752 [Article] (doi:10.3390/arts9010028)

Deepwell, Katy ORCID: https://orcid.org/0000-0001-8188-0895, ed. (2020) Feminist Art Activisms and Artivisms. Plural . Valiz, Amsterdam, The Netherlands. ISBN 9789492095725. [Book]

Deepwell, Katy ORCID: https://orcid.org/0000-0001-8188-0895 (2021) Identity/alterity re-de-constructed in repetition and difference. Art History, 44 (3) . pp. 554-571. ISSN 0141-6790 [Article] (doi:10.1111/1467-8365.12579)

Deepwell, Katy ORCID: https://orcid.org/0000-0001-8188-0895 (2017) On the beginnings and end of n.paradoxa: international feminist art journal. n.paradoxa: international feminist art journal, 40 . pp. 5-13. ISSN 1461-0434 [Article]

Deepwell, Katy ORCID: https://orcid.org/0000-0001-8188-0895 (2022) The art, life and thought of Monica Sjöö. Paletten, 330 . pp. 42-52. ISSN 0031-0352 [Article]

Deepwell, Katy ORCID: https://orcid.org/0000-0001-8188-0895 (2017) n.paradoxa's MOOC (Mass Open Online Course) on feminism and contemporary art. 10 lessons. [Digital artefact]

Deepwell, Katy ORCID: https://orcid.org/0000-0001-8188-0895 (2015) ‘Thinking/acting with tactics of displacement’. In: RE-ACTION, una ginología artística contra el canon. Alonso, Su and Marful, Ines, eds. Sala LAUDEO, Universidad de Oviedo, Spain, Asturia, pp. 31-36. ISBN 9788495267740. [Book Section]

Deepwell, Katy ORCID: https://orcid.org/0000-0001-8188-0895 (2020) Pourquoi 1989? Ecrire sur le feminisme, l’art et le “contemporain global Why 1989? Writing about feminism, art and “the global contemporary”. In: Constellations Subjectivités. Pour une Histoire Féministes de L'Art. Bonilla, Marie-Laure Allain, Blanc, Emilie, Renard, Johanna and Zabunyan, Elvan, eds. éditions iXe, France, pp. 64-85. ISBN 9791090032511. [Book Section]

Deepwell, Katy ORCID: https://orcid.org/0000-0001-8188-0895 (2022) Dentro y contra la latusa: la problemática de las mujeres artistas en las historias del arte / In and Against the lathouse: the problematic for women artists in art histories. In: YO SOMOS OTRAS: Prácticas de la subjetividad en la creación contemporánea. Cortes Zaborras, Carmen, Cortés Zuleta, Concepción and Cuevas de Barrio, Javier, eds. Editorial Universidad de Granada, Spain: Granada, pp. 23-56. ISBN 9788433868541. [Book Section]

Deepwell, Katy ORCID: https://orcid.org/0000-0001-8188-0895 (2018) Feminist collaborative projects in the UK in the 1970s'. In: All-Women art spaces in Europe in the Long 1970s. Jakubowska, Agata and Deepwell, Katy ORCID: https://orcid.org/0000-0001-8188-0895, eds. Value: Art: Politics, 15 . Liverpool University Press, Liverpool, pp. 71-95. ISBN 9781786940582. [Book Section]

Deepwell, Katy ORCID: https://orcid.org/0000-0001-8188-0895, Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570, Robinson, Anne ORCID: https://orcid.org/0000-0002-0478-3546, Mullaniff, Kathleen ORCID: https://orcid.org/0000-0003-4592-6467, Dick, Emma, Attwood, Feona, Leeson, Loraine ORCID: https://orcid.org/0000-0002-6684-3911 and Maude-Roxby, Alice ORCID: https://orcid.org/0000-0002-3017-7734 (2018) Feminist Art Activisms and Artivisms - 2 July 2018, Middlesex University. Abstracts for Presentations in Sessions: Feminist Art Activisms and Artivisms, 2 July 2018, Middlesex University, A Create/Feminisms cluster event, ACI Faculty. In: Feminist Art Activisms and Artivisms, 02 July 2018, Middlesex University, London, UK. . [Conference or Workshop Item] (doi:10.22023/mdx.6716054.v1)

Deepwell, Katy ORCID: https://orcid.org/0000-0001-8188-0895 and Milevska, Suzana (2015) Feminist critique: open and critical enquiry: a conversation between Katy Deepwell and Suzana Milevska. In: Spaces for Criticism: Shifts in Contemporary Art Discourses. Lijster, Thijs, Milevska, Suzana, Gielen, Pascal and Sonderegger, Ruth, eds. Antenae/Arts in Society . Valiz, Amsterdam, pp. 171-192. ISBN 9789078088752. [Book Section]

Dormor, Catherine (2019) Philosophy of textile: between practice and theory. Bloomsbury Academic, London, UK. ISBN 9781472527769. [Book]

Dormor, Catherine (2008) Skin:textile:film. Textile: The Journal of Cloth and Culture, 6 (3) . pp. 238-253. ISSN 1475-9756 [Article] (doi:10.2752/175183508X377591)

Dormor, Catherine (2014) Writing textile, making text: cloth and stitch as agency for disorderly text. In: New Directions: Examining the Past, Creating the Future. Textile Society of America 14th Biennial Symposium, 10-14 Sep 2014, Los Angeles, CA, USA.. . [Conference or Workshop Item]

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Guins, Raiford, Kristensen, Juliette, lok, susan pui san, Highmore, Ben, Pollock, Griselda, Julier, Guy, Jay, Martin, González, Jennifer A., Casid, Jill H., Bal, Mieke, Dilnot, Clive, Sturken, Marita, Batchen, Geoffrey, Overton, Tom, Cartwright, Lisa, Kaplan, Louis, McPherson, Tara, Rifkin, Adrian, Clark, Laurie Beth, Lunenfeld, Peter, Stallabrass, Julian, Boyce, Sonia, Wong, Ming, Timberlake, John ORCID: https://orcid.org/0000-0002-5652-6250, Broomberg, Adam and Chanarin, Oliver (2012) Ways of seeing: 40th anniversary issue. In: Journal of Visual Culture. Guins, Raiford, Kristensen, Juliette and lok, susan pui san, eds. SAGE Publications, London, UK. . [Book Section]

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Hiller, Susan (2008) Susan Hiller: the provisional texture of reality: selected talks and texts, 1977–2007. Kokoli, Alexandra M., ed. Positions . JRP|Ringier. ISBN 9783905829563. [Book]

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Jakubowska, Agata and Deepwell, Katy ORCID: https://orcid.org/0000-0001-8188-0895, eds. (2018) All-women art spaces in Europe in the long 1970s. Value: Art: Politics, 15 . Liverpool University Press, Liverpool. ISBN 9781786940582. [Book]

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Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2016) Angry melancholia: towards a performative politics of time in the work of Monica Ross. In: Monica Ross: Ethical Actions - A Critical Fine Art Practice. Sternberg Press, Berlin, pp. 22-31. ISBN 9783956792021. [Book Section]

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2018) Domestic fronts: towards a feminist survival(ism). In: Symposium: Feminist Visual Activism, 10 July 2018, ICA, London. . [Conference or Workshop Item]

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2022) EPISODE 163 Alexandra Kokoli: Gender, shame & visual cultures. The Surviving Society Podcast. [Audio]

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2018) Free Lunch with the Stench Wench: towards a synaesthetics of poverty and shame in Catherine Hoffmann’s performance. Hypatia: A Journal of Feminist Philosophy, 33 (3) . pp. 485-499. ISSN 0887-5367 [Article] (doi:10.1111/hypa.12399)

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2023) Greenham Common’s archival webs: towards a virtual feminist museum. British Art Studies (24) . [Article] (Accepted/In press)

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2022) The Imaginary of Greenham Common. In: The Imaginary of Greenham Common, 20 August 2022, Beaconsfield, 22 Newport Street, Vauxhall, London SE11 6AY. . [Conference or Workshop Item]

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2014) Not a straight line by a spiral: charting continuity and change in textiles informed by feminism. Image and Text, 23 . pp. 110-129. ISSN 1020 1497 [Article]

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2015) Now, then, and again: between anniversary and HERitage. Day + Gluckman. [Other]

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2010) On probation: Tracey Emin as sign. Wasafiri, 25 (1) . pp. 33-40. ISSN 0269-0055 [Article] (doi:10.1080/02690050903425342)

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2015) Pre-emptive mourning (or melancholia)? : the home as tomb in art informed by feminism and anti-nuclear activism. In: House, work, artwork: feminism and Art History's new domesticities, 3-4 Jul 2015, University of Birmingham, Birmingham. United Kingdom. . [Conference or Workshop Item]

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2017) Pre-emptive mourning against the bomb: exploded domesticities in art informed by feminism and anti-nuclear activism. Oxford Art Journal, 40 (1) . pp. 153-168. ISSN 0142-6540 [Article] (doi:10.1093/oxartj/kcx004)

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2016) Pre-emptive mourning against the bomb: the art and visual culture of feminist anti-nuclear activisms. In: Feminist Perspectives on Artistic Productions and Theories of Art, 5th edition, organised by Xabier Arakistain and Lourdes Mendez, 28-30 October 2016, Azkuna Zentroa, Bilbao. . [Conference or Workshop Item]

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2016) #QC: Read My QR. In: Quilla Constance: #QC_Symposium, 10 March 2016, Toynbee Studios, Artsdmin, 28 Commercial Street, London E1 6AB. . [Conference or Workshop Item]

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2012) Remembering, repeating and working through in Anniversary – An Act Of Memory by Monica Ross and co-recitors (2008–). Performance Research, 17 (5) . pp. 24-30. ISSN 1352-8165 [Article] (doi:10.1080/13528165.2012.728436)

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2016) Uncanny domesticities in art informed by feminist anti-nuclear activism. In: Artists’ Critical Interventions into Architecture and Urbanism, 15-16 July 2016, University of Warwick, United Kingdom. . [Conference or Workshop Item]

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2017) Unpicking the Canon: Making (it), unmaking, and making do in textiles informed by feminism. In: A Feminist Space at Leeds: Looking Back to Think Forward, 16-17 December 2017, Leeds University. . [Conference or Workshop Item]

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2021) Witch, Witches, WITCH. [Exhibition Catalogue]

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2016) The feminist uncanny in theory and art practice. Bloomsbury Studies in Philosophy . Bloomsbury Academic, London. ISBN 9781472511393, pbk-ISBN 9781350060784, e-ISBN 9781472514028, e-ISBN 9781472505583, e-ISBN 9781474219082. [Book] (doi:10.5040/9781474219082)

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2013) The voice as uncanny index in Susan Hiller’s The Last Silent Movie. Art Journal, 72 (2) . p. 6. [Article]

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2017) The writing’s on the wall: #QC against decipherability. In: 'Transcending the Signified', Quilla Constance Symposium, 23 June 2017, Camberwell College of Arts, UAL, London. . [Conference or Workshop Item]

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2019) Read my QR: Quilla Constance and the conceptualist promise of intelligibility. In: Conceptualism - Intersectional Readings, International Framings. Aikens, Nick, lok, susan pui san and Orlando, Sophie, eds. Van Abbemuseum, Eindhoven, The Netherlands, pp. 36-53. e-ISBN 9789490757199. [Book Section]

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2017) Read my QR: Quilla Constance and the conceptualist promise of intelligibility. Aikens, Nick, lok, susan pui san and Orlando, Sophie, eds. Conceptualism - Intersectional Readings, International Framings. In: Conceptualism: Intersectional Readings, International Framings, Black Artists and Modernism (BAM) Conference, 07-09 Dec 2017, Van Abbemuseum, Eindhoven, Netherlands. e-ISBN 9789490757199. [Conference or Workshop Item]

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570, Allen, Felicity, Boyce, Sonia, Budd, Amy, Hiller, Susan, Hudek, Antony and Sainsbury, Alex (2017) History or not: addressing omissions in the retelling of art's stories (roundtable discussion). In: History or Not: Addressing Omissions in the Retelling of Art's Stories, 18 Mar 2017, Raven Row, London, United Kingdom. . [Conference or Workshop Item]

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 and Cherry, Deborah, eds. (2020) Tracey Emin: art into life. Bloomsbury Visual Arts . Bloomsbury, London, UK. ISBN 9781350160606, e-ISBN 9781350160637, e-ISBN 9781350160620, e-ISBN 9781350160613. [Book] (doi:10.5040/9781350160637)

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 Sisters. In: Judy Chicago. Dickson, Rachel, ed. Lund Humphries, pp. 169-177. ISBN 9781848221208. [Book Section]

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2013) The woman artist as curatorial effect. In: Politics in a glass case: feminism, exhibition cultures and curatorial transgressions. Dimitrakaki, Angela and Perry, Lara, eds. Liverpool University Press. ISBN 9781846318931. [Book Section]

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2017) The ambiguous ambivalence of feminist textiles. In: CUT CLOTH: Contemporary Textiles and Feminism. Ford, Sarah-Joy, ed. PO Publishing, pp. 60-65. ISBN 978-1-910846-04-9. [Book Section]

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2018) Creative Tensions: Making (it), unmaking, and making do in textiles informed by feminism. In: A Companion to Textile Culture. Harris, Jennifer, ed. Blackwell Companions to Art History . Wiley-Blackwell. ISBN 9781118768624. [Book Section] (Accepted/In press)

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570, Harrison, Margaret, Farkas, Rózsa Zita, Leeson, Loraine ORCID: https://orcid.org/0000-0002-6684-3911 and Maple, Sarah (2016) Interview with Margaret Harrison and participation in roundtable discussion. In: The Practicing Feminist, 21 May 2016, Tate Britain. . [Conference or Workshop Item]

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570, Heath, Joanne, Hemus, Ruth, Chase, Alisia Grace, Roulstone, Karen, Behm, Anthea, Germann, Jennifer G., Grant, Catherine, Tate, Sue, Lauritis, Beth Anne, Pollock, Griselda and Swartz, Anne (2008) Feminism reframed: reflections on art and difference. Kokoli, Alexandra M., ed. Cambridge Scholars Publishing. ISBN 9781847184054. [Book]

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2017) Tate in Focus: From the Freud Museum 1991–6 by Susan Hiller. Kokoli, Alexandra M., ed. Tate Research Publication. ISBN 978-1-84976-532-9. [Book]

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2023) Care, Aftercare, and the Work of Transmission: Learning from Greenham Common. In: Curating with Care. Krasny, Elke and Perry, Lara, eds. Routledge, pp. 117-130. ISBN 9781032069913, e-ISBN 9781003204923, pbk-ISBN 9781032069968. [Book Section] (Published online first) (doi:10.4324/9781003204923-12)

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2017) Do textiles think? In: Weaving Culture in Europe. Kyprianidou, Efi, ed. Nisos, pp. 99-102. ISBN 9789605890629. [Book Section]

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2022) Reclaimed: The Greenham Common women’s peace camp as quotidian feminist heritage. In: Jemima Brown: Peace Camp. Pratt, Ken, ed. West Berkshire Museum et al.. pbk-ISBN 9781399918206. [Book Section]

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2019) Crossing borders and other dividers in Western Europe and the British Isles. In: A Companion to Feminist Art. Robinson, Hilary and Buszek, Maria Elena, eds. Blackwell Companions to Art History . Wiley-Blackwell, United Kingdom, pp. 127-141. ISBN 9781118929155. [Book Section]

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2021) The aesthetic labour of protest, now and then: The Women’s Peace Camp at Greenham Common (1981-2000). In: Iconic Works of Art by Feminists and Gender Activists: Mistress-Pieces. Schmahmann, Brenda, ed. Routledge Research in Gender and Art . Routledge, pp. 22-37. ISBN 9780367707446, pbk-ISBN 9780367707453, e-ISBN 9781003147770. [Book Section] (doi:10.4324/9781003147770-1)

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2020) Domestic fronts: arrangements for feminist living, or survival is not a metaphor. In: Feminist Visual Activism and the Body. Sliwinska, Basia, ed. Routledge, New York, pp. 88-103. ISBN 9780367278991, e-ISBN 9780429298615. [Book Section] (doi:10.4324/9780429298615)

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 and Sliwinska, Basia (2018) HOME STRIKE, an exhibition guest-curated by Alexandra Kokoli and Basia Sliwinska, with CANAN, Paula Chambers, Malgorzata Markiewicz and Su Richardson, l'etrangere, 8 March-21 April 2018. [Show/Exhibition]

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 and Sliwinska, Basia (2021) Aftershocks and (un)belongings: reflecting on 'Home Strike'. In: Art, Borders and Belonging: On Home and Migration. Photiou, Maria and Meskimmon, Marsha, eds. Bloomsbury Visual Arts, London | New York, pp. 113-136. ISBN 9781350203068, e-ISBN 9781350203099, e-ISBN 9781350203075, e-ISBN 9781350203082. [Book Section] (doi:10.5040/9781350203099.ch-006)

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 and Winter, Aaron (2015) What Bear Grylls can’t do: survivalist mediascapes in austerity Britain. Media Commons (http://mediacommons.futureofthebook.org/), In Media Res: A Media Commons Project. [Other]

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 and Winter, Aaron (2015) What a girl’s gotta do: the labour of the biopolitical celebrity in austerity Britain. Women & Performance: a Journal of Feminist Theory, 25 (2) . pp. 157-174. ISSN 0740-770X [Article] (doi:10.1080/0740770X.2015.1057015)

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Leeson, Loraine ORCID: https://orcid.org/0000-0002-6684-3911 (2014) Active Energy - where art and engineering meet. In: CAA 102nd Annual Conference, 12-15 Feb 2014, Chicago. . [Conference or Workshop Item]

Leeson, Loraine ORCID: https://orcid.org/0000-0002-6684-3911 (2014) Art as a force for change. In: Curating Community? The Relational and Agonistic Value of Participatory Arts in Superdiverse Localities, 01 May 2014, Centre For Creative Collaboration, London, UK. . [Conference or Workshop Item]

Leeson, Loraine ORCID: https://orcid.org/0000-0002-6684-3911 (2016) Community politics of the GLC (Greater London Council). In: How to Do It, 9-10th Apr 2016, King's College London, UK. . [Conference or Workshop Item]

Leeson, Loraine ORCID: https://orcid.org/0000-0002-6684-3911 (2014) Experiments in ‘real world’ education. In: Just What Is It That Makes Today's Art Schools So Different, So Appealing?, 29th March 2014, ICA, London. . [Conference or Workshop Item]

Leeson, Loraine ORCID: https://orcid.org/0000-0002-6684-3911 (2014) Groundswell on the Thames: 30 years of cultural activism with London’s riverside communities. Women Environmental Artists Directory (7) . [Article]

Leeson, Loraine ORCID: https://orcid.org/0000-0002-6684-3911 (2021) Materials included in "Life Support: Forms of Care in Art and Activism". [Artefact]

Leeson, Loraine ORCID: https://orcid.org/0000-0002-6684-3911 (2014) Re-thinking (e)valuation. In: Art, Recognition and Social Science: Re-Thinking (E)valuation, 16 May 2014, Central Library, Liverpool, UK. . [Conference or Workshop Item]

Leeson, Loraine ORCID: https://orcid.org/0000-0002-6684-3911 (2014) Reflections on an art and politics of social engagement. In: The Impossible Constellation, 02-03 June 2014, University of Lincoln. . [Conference or Workshop Item]

Leeson, Loraine ORCID: https://orcid.org/0000-0002-6684-3911 (2014) Some lessons learned on the art and politics of social engagement 1978 – 2013. In: The Tetley Feast, 08 Jan - 12 Feb 2014, The Tetley, Leeds, UK. . [Conference or Workshop Item]

Leeson, Loraine ORCID: https://orcid.org/0000-0002-6684-3911 (2015) Case study: engaging older people in creative thinking: the Active Energy project. In: Oxford Textbook of Creative Arts, Health and Wellbeing: International perspectives on practice, policy and research. Clift, Stephen and Camic, Paul M., eds. Oxford University Press, pp. 245-250. ISBN 9780199688074. [Book Section] (doi:10.1093/med/9780199688074.003.0030)

Leeson, Loraine ORCID: https://orcid.org/0000-0002-6684-3911 (2020) The things that make you sick. In: Feminist art activisms and artivisms. Deepwell, Katy ORCID: https://orcid.org/0000-0001-8188-0895, ed. Plural . Valiz, Amsterdam, The Netherlands, pp. 228-235. ISBN 9789492095725. [Book Section]

Leeson, Loraine ORCID: https://orcid.org/0000-0002-6684-3911 and Light, Ann (2014) Citizen innovation: DIY design and the Thames water turbine. In: Creative Citizens, 18-19 Sep 2014, Royal College of Art, London. . [Conference or Workshop Item]

lok, susan pui san and Kristensen, Juliette (2015) Six Women / Art Vapours. Mnemoscape Magazine (2) . [Article]

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Massey, Anne (2008) Art Deco for swells at sea: the Normandie's magnificent glass mural graces the Met. Wall Street Journal . [Article]

Massey, Anne (1994) Blue guide to Berlin and Eastern Germany. Blue Guides . A & C Black, London. ISBN 9780713638714. [Book]

Massey, Anne (2011) Chair. Objekt . Reaktion Books Ltd, London. ISBN 9781861897589. [Book]

Massey, Anne (2006) Designing liners: a history of interior design afloat. Routledge. ISBN 9780415374668 (hbk), 9780415374682 (pbk). [Book]

Massey, Anne (2005) Developing creativity for the world of work: a case study. Art, Design & Communication in Higher Education, 4 (1) . p. 17. ISSN 1474273X [Article]

Massey, Anne (2010) Ephemeral. In: Interior Wor(l)ds. Umberto Allemandi & C., Torino, pp. 161-165. ISBN 9788842219354. [Book Section]

Massey, Anne (2000) Hollywood beyond the screen: design and material culture. Materializing Culture . BERG, London. ISBN 9781859733165 (hbk), 9781859733219 (pbk). [Book]

Massey, Anne (1995) The Independent Group: modernism and mass culture in Britain, 1945-1959. Critical Introductions to Art . Manchester University Press. ISBN 9780719042447, pbk-ISBN 9780719042454. [Book]

Massey, Anne (1987) The Independent Group: towards a redefinition. The Burlington Magazine, 129 (1009) . [Article]

Massey, Anne (1990) Interior design of the twentieth century. World of Art . Thames & Hudson. ISBN 9780500202470. [Book]

Massey, Anne (2008) Interior design since 1900. World of Art . Thames & Hudson, London. ISBN 9780500203972. [Book]

Massey, Anne (1993) Interior lifestyles. In: Biba: the Look, the Lifestyle, the Label: Exhibition Catalogue. Tyne & Wear Museums. ISBN 9780905974590. [Book Section]

Massey, Anne (2001) Life in the UK: the creative partnership of Lawrence Alloway and Sylvia Sleigh. In: An unnerving romanticism : the art of Sylvia Sleigh and Lawrence Alloway (Catalogue of an exhibition held at Philadelphia Art Alliance (Philadelphia), 22 Mar. - 13 May 2001.). Philadelphia Art Alliance. . [Book Section]

Massey, Anne (2008) Makes the Independent Group so different, so appealing? Kiosk Magazine (2) . pp. 40-42. ISSN 1755-9626 [Article]

Massey, Anne (2002) Nigel Henderson. Art Monthly (257) . ISSN 0142-6702 [Article]

Massey, Anne (2013) Out of the ivory tower: the independent group and popular culture. Studies in Design . Manchester University Press. ISBN 9780719088063. [Book]

Massey, Anne (2013) The mother of pop? Dorothy Morland and the Independent Group. Journal of Visual Culture, 12 (2) . pp. 262-278. ISSN 1470-4129 [Article] (doi:10.1177/1470412913489865)

Massey, Anne (2013) Modern history and interior design. In: The handbook of interior architecture and design. Brooker, Graeme and Weinthal, Lois, eds. Bloomsbury, London. ISBN 9781847887450. [Book Section]

Massey, Anne (1985) The Independent Group as design theorists. In: From Spitfire to microchip: studies in the history of design from 1945 (Proceedings of a conference of the Design History Society held at the City of London Polytechnic, 1981.). Hamilton, Nicola, ed. Design Council. ISBN 9780850721348. [Book Section]

Massey, Anne and Hammond, Mike (1999) “...it was true! How can you laugh?”: the conflation of history and memory in the reception of Titanic in Britain and Southampton’. In: Titanic: Anatomy of a Blockbuster. Studlar, Gaylyn and Sandler, Kevin S., eds. Rutgers University Press, pp. 239-264. ISBN 9780813526690. [Book Section]

Massey, Anne (2002) The Independent Group : urban reality and the impact of science, the media and American popular culture. In: Blast to Freeze : British Art in the 20th Century (Catalogue of an exhibition held at Kunstmuseum Wolfsburg, Sept. 14, 2002-Jan. 19, 2003; Les Abattoirs, Toulouse, Feb. 24-May 11, 2003). Hughes, Henry Meyric, Van Tuyl, Gijs and Broeker, Holger, eds. Kunstmuseum, Wolfsburg. ISBN 9783775711807. [Book Section]

Massey, Anne and Micklethwaite, Paul (2009) Unsustainability: towards a new design history, with reference to British utility. Design Philosophy Papers (2) . ISSN 1448-7136 [Article]

Massey, Anne (2009) Nationalism and design at the end of empire: interior design and the ocean liner. In: Designing the modern interior: from the Victorians to today. Sparke, Penny, Massey, Anne, Keeble, Trevor and Martin, Brenda, eds. BERG, Oxford, pp. 207-218. ISBN 9781847882882. [Book Section]

Maude-Roxby, Alice ORCID: https://orcid.org/0000-0002-3017-7734 (2013) Anti-academy. [Show/Exhibition]

Maude-Roxby, Alice ORCID: https://orcid.org/0000-0002-3017-7734 (2009) The Art of Intervention. [Show/Exhibition]

Maude-Roxby, Alice ORCID: https://orcid.org/0000-0002-3017-7734 (2022) Excavating the archive: exchanges between artists and their photographers. In: PERPHOTO International Conference: The Archive, the Body, and the Medium - Crossing Photography and Performance in Theory and Practice, 20-23 Sept 2022, Faculdade Letras Da Universidade de Lisboa, Lisbon, Portugal. . [Conference or Workshop Item]

Maude-Roxby, Alice ORCID: https://orcid.org/0000-0002-3017-7734 (2018) [Experimental and perfomative provocations]. In: Writing Photographs Conference, 13 Oct 2018, Tate Modern. . [Conference or Workshop Item]

Maude-Roxby, Alice ORCID: https://orcid.org/0000-0002-3017-7734 (2020) Out of the archive: Berenice Abbott's changing New York and the carry-all coat. Photography and Culture, 13 (3-4) . pp. 419-430. ISSN 1751-4517 [Article] (doi:10.1080/17514517.2020.1834764)

Maude-Roxby, Alice ORCID: https://orcid.org/0000-0002-3017-7734 (2015) Performance and Photography: Theatre of Photography. In: Moose on the Loose, Swedenborg Society London. . [Conference or Workshop Item]

Maude-Roxby, Alice ORCID: https://orcid.org/0000-0002-3017-7734 (2010) Performing memory. [Show/Exhibition]

Maude-Roxby, Alice ORCID: https://orcid.org/0000-0002-3017-7734 (2019) Recording Gina Pane. In: Alice Maude-Roxby on Gina Pane, 22 Jun 2019, Richard Saltoun Gallery. . [Conference or Workshop Item]

Maude-Roxby, Alice ORCID: https://orcid.org/0000-0002-3017-7734 (2019) The collaborative practices of Gina Pane and Francoise Masson. In: Fast Forward: How do Women Work?, 30 Nov - 02 Dec 2019, Tate Modern, London, UK. . [Conference or Workshop Item]

Maude-Roxby, Alice ORCID: https://orcid.org/0000-0002-3017-7734 (2019) The trouble with captions: the censorship of Elizabeth McCausland’s texts that were originally intended to accompany Berenice Abbott’s photographs within their Changing New York, 1939, Dutton publication [presentation]. In: Fast forward 2: Women in photography [The sixth research workshop], 13-14 Feb 2019, Slade, University College London, UCL. . [Conference or Workshop Item]

Maude-Roxby, Alice ORCID: https://orcid.org/0000-0002-3017-7734 (2009) 12 Approaches to 12 Shooters. In: Marcia Farquhar's 12 shooters. Maizlish, J., ed. Live Art Development Agency, London, pp. 177-189. ISBN 9780954604080. [Book Section]

Maude-Roxby, Alice ORCID: https://orcid.org/0000-0002-3017-7734 and Seibold, Stefanie (2018) Censored Realities / Changing New York. [Artefact]

Maude-Roxby, Alice ORCID: https://orcid.org/0000-0002-3017-7734 and Seibold, Stefanie (2018) Censored realities/changing New York [presentation]. In: Censored Realities/Changing New York - Book Launch, 21 Dec 2018, Neue Gesellschaft für Bildende Kunst, nGbK in Berlin. . [Conference or Workshop Item]

Maude-Roxby, Alice ORCID: https://orcid.org/0000-0002-3017-7734 and Seibold, Stefanie (2017) Preview presentation of Censored Realities, a book project by Alice Maude-Roxby and Stefanie Seibold. In: MISS READ: Berlin Art Book Fair, 14-17 July 2017, Haus der Kulturen der Welt, Berlin. . [Conference or Workshop Item]

Maude-Roxby, Alice ORCID: https://orcid.org/0000-0002-3017-7734 and Seibold, Stefanie (2019) Resist: be modern (again). [Show/Exhibition]

Maude-Roxby, Alice ORCID: https://orcid.org/0000-0002-3017-7734 and Seibold, Stefanie (2016) Sapphic Modernists - Re-visiting Elizabeth McCausland and Berenice Abbott’s Changing New York. In: Urban Encounters Conference, 03-06 Nov 2016, Goldsmiths University and Tate Modern. . [Conference or Workshop Item]

Maude-Roxby, Alice ORCID: https://orcid.org/0000-0002-3017-7734 and Seibold, Stefanie (2019) Resist: be modern (again). [Exhibition Catalogue]

Maude-Roxby, Alice ORCID: https://orcid.org/0000-0002-3017-7734 (2015) Past-present -future. In: Double Exposures: Performance as Photography, Photography as Performance. Vason, Manuel and Evans, David, eds. Intellect with Live Art Development Agency, London, pp. 31-34. ISBN 9781783204090. [Book Section]

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Petherbridge, Deanna, Segal, Lynne, Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 and Deepwell, Katy ORCID: https://orcid.org/0000-0001-8188-0895 (2015) Misogyny: Witches and Wicked Bodies. In: Misogyny: Witches and Wicked Bodies, 18 Mar 2015, ICA, London, United Kingdom. . [Conference or Workshop Item]

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Robinson, Hilary (2013) Actionmyth, historypanic: the entry of VALIE EXPORT’s aktionhose: genitalpanik into art history. n.paradoxa: international feminist art journal, 23 . pp. 84-89. ISSN 1461-0434 [Article]

Robinson, Hilary (2013) Feminism meets the big exhibition: 2005 onwards. Anglo Saxonica, 3 (6) . ISSN 0873-0628 [Article]

Robinson, Hilary (2016) Feminism meets the big exhibition: museum survey shows since 2005. On Curating, 29 . pp. 29-40. [Article]

Robinson, Hilary, ed. (2015) Feminism-art-theory 1968-2014: an anthology. Wiley Blackwell, Malden MA; Oxford UK. ISBN 9781118360606. [Book]

Robinson, Hilary, ed. (2001) Feminism-art-theory : 1968-2000. Wiley-Blackwell, Oxford. ISBN 9780631208495. [Book]

Robinson, Hilary Feminist and ... [Show/Exhibition]

Robinson, Hilary (2016) New feminist activism: memory, art, and context. In: XLIX AICA International Congress: New Utopias: Art, Memory, Context, 11-15 Oct 2016, Havana, Cuba. . [Conference or Workshop Item]

Robinson, Hilary (2012) Pleasure, painting, politics: the three graces – or: why I like Adélaïde Labille-Guiard’s Self-Portrait With Two Pupils. In: Artistic Production and the Feminist Theory of Art: New Debates III. Ayuntamiento de Vitoria-Gastiezko Udalak, Victoria-Gastiez, Spain, pp. 306-316. ISBN 9788496845435. [Book Section]

Robinson, Hilary, ed. (2006) Reading art, reading Irigaray: the politics of art by women. I.B. Tauris, London. ISBN 9781860649530. [Book]

Robinson, Hilary (1997) Within the Pale in from: Beyond the Pale: the construction of femininity in the curating of an exhibition season at the Irish Museum of Modern Art, Dublin. Journal of Gender Studies, 6 (3) . pp. 255-267. ISSN 0958-9236 [Article] (doi:10.1080/09589236.1997.9960686)

Robinson, Hilary Pleasure, painting, politics: the three graces - or: why I like Adélaïde Labille-Guiard's 'self-portrait with two pupils'. In: Artistic production and the feminist theory of art: new debates III. Arakistain, Xabier and Méndes, Lourdes, eds. Ayuntamiento de Vitoria-Gasteizko Udalak, Vitoria-Gasteiz, Spain, pp. 306-316. ISBN 9788496845435. [Book Section]

Robinson, Hilary (2003) Becoming women: Irigaray, Ireland and visual representation. In: Art, Gender and Nation: Ethnic Landscapes, Myths and Mother-Figures. Bhreathnach-Lynch, Sheila and Cusack, Tricia, eds. Ashgate, Aldershot, pp. 113-127. ISBN 9780754632252. [Book Section]

Robinson, Hilary (2000) Whose beauty? Women, art, and inter-subjectivity in Luce Irigaray’s writings. In: Beauty Matters. Brand, Peg Zeglin, ed. Indiana University Press, pp. 224-251. ISBN 9780253213754. [Book Section]

Robinson, Hilary, Harley, A., Reid, E., Reid, S. and Watson, Y. (2008) The third space: a paradigm for internationalisation. In: The Student Experience in Art and Design Higher Education: Drivers for Change. Drew, Linda, ed. Jill Rodgers Associates, Cambridge. ISBN 9780954711177. [Book Section]

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Sparke, Penny, Massey, Anne, Keeble, Trevor and Martin, Brenda, eds. (2009) Designing the modern interior: from the Victorians to today. Berg Publishers. ISBN 9781847882882, pbk-ISBN 9781847882875, pbk-ISBN 9781350106390. [Book]

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Walsh, Maria and Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2022) Trauma and repair in the museum: an introduction. Psychoanalysis, Culture & Society . ISSN 1088-0763 [Article] (Published online first) (doi:10.1057/s41282-022-00290-4)

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2022) Fighting without fighting: Kung Fu cinema's journey to the West. Reaktion Books, London. ISBN 9781789145335. [Book] (Accepted/In press)