Items where Author / Artist / Editor is "O'Dair, Marcus"

Article

Owen, Robyn ORCID: https://orcid.org/0000-0003-4241-3367 and O'Dair, Marcus (2020) How Blockchain technology can monetize new music ventures: an examination of new business models. Journal of Risk Finance, 21 (4) . pp. 333-353. ISSN 1526-5943 [Article] (doi:10.1108/JRF-03-2020-0053)

O'Dair, Marcus (2019) Pacts, paratext and polyphony: writing the authorised biography of Robert Wyatt. Life Writing, 16 (2) . pp. 279-294. ISSN 1448-4528 [Article] (doi:10.1080/14484528.2019.1548265)

O'Dair, Marcus and Owen, Robyn ORCID: https://orcid.org/0000-0003-4241-3367 (2019) Financing new creative enterprise through Blockchain technology: opportunities and policy implications. Strategic Change, 28 (1) . pp. 9-17. ISSN 1086-1718 [Article] (doi:10.1002/jsc.2242)

O'Dair, Marcus (2018) Book Review: Sarah Baker, Andy Bennett and Jodie Taylor (eds). 2013. Redefining Mainstream Popular Music. Journal of World Popular Music, 5 (1) . pp. 122-124. ISSN 2052-4900 [Article] (doi:10.1558/jwpm.29433)

O'Dair, Marcus (2018) Revitalising audience research: innovations in European audience research [Book review]. Participations: Journal of Audience and Reception Studies, 15 (1) . pp. 460-462. ISSN 1749-8716 [Article]

O'Dair, Marcus (2017) "Even the ghost was more than one person": authorship and authorisation in I'm Not There. IASPM@Journal, 7 (1) . pp. 88-106. ISSN 2079-3871 [Article] (doi:10.5429/2079-3871(2017)v7i1.7en)

O'Dair, Marcus and Beaven, Zuleika ORCID: https://orcid.org/0000-0003-4470-3034 (2017) The networked record industry: how blockchain technology could transform the record industry. Strategic Change, 26 (5) . pp. 471-480. ISSN 1086-1718 [Article] (doi:10.1002/jsc.2147)

O'Dair, Marcus (2016) 'Pardon me, I'm very drunk': alcohol, creativity and performance anxiety in the case of Robert Wyatt. Popular Music, 35 (2) . pp. 207-221. ISSN 0261-1430 [Article] (doi:10.1017/S0261143016000039)

Book Section

Ito, Kensuke and O'Dair, Marcus (2019) A critical examination of the application of blockchain technology for intellectual property management. In: Business Transformation through Blockchain: Volume II. Treiblmaier, Horst and Beck, Roman, eds. Palgrave, pp. 317-335. ISBN 9783319990576, e-ISBN 9783319990583. [Book Section] (doi:10.1007/978-3-319-99058-3_12)

Osborne, Richard ORCID: https://orcid.org/0000-0003-4111-8980 and Beaven, Zuleika ORCID: https://orcid.org/0000-0003-4470-3034 (2018) Introduction: Mute Records. In: Mute Records: Artists, business, history. Beaven, Zuleika ORCID: https://orcid.org/0000-0003-4470-3034, O'Dair, Marcus and Osborne, Richard ORCID: https://orcid.org/0000-0003-4111-8980, eds. Bloomsbury Academic, New York and London, pp. 1-14. ISBN 9781501340604, pbk-ISBN 9781501365478, e-ISBN 9781501340635, e-ISBN 9781501340611, e-ISBN 9781501340628. [Book Section] (doi:10.5040/9781501340635.0006)

Osborne, Richard ORCID: https://orcid.org/0000-0003-4111-8980 (2018) Moby, Minstrelsy and Melville. In: Mute Records: Artists, business, history. Beaven, Zuleika ORCID: https://orcid.org/0000-0003-4470-3034, O'Dair, Marcus and Osborne, Richard ORCID: https://orcid.org/0000-0003-4111-8980, eds. Bloomsbury Academic, New York and London, pp. 169-182. ISBN 9781501340604, pbk-ISBN 9781501365478, e-ISBN 9781501340635, e-ISBN 9781501340611, e-ISBN 9781501340628. [Book Section] (doi:10.5040/9781501340635.0018)

O'Dair, Marcus and Beaven, Zuleika ORCID: https://orcid.org/0000-0003-4470-3034 (2017) Just go and do It: A Blockchain technology "Live Project" for nascent music entrepreneurs. In: Punk Pedagogies: Music, Culture and Learning. Smith, Gareth Dylan, Dines, Mike ORCID: https://orcid.org/0000-0001-9706-979X and Parkinson, Tom, eds. Routledge, London, pp. 73-90. ISBN 1138279889. [Book Section]

O'Dair, Marcus (2016) Trouble with the neighbours: jazz, geopolitics and Finland's totalitarian shadow. In: Jazz and Totalitarianism. Johnson, Bruce, ed. Transnational Studies in Jazz . Routledge, pp. 136-154. ISBN 9781138887824. [Book Section]

Monograph

O'Dair, Marcus (2018) Insight 4.5: Music sync – the evolving deals: Overview and analysis of the music sync landscape. Working Paper. Music 4.5. . [Monograph]

O'Dair, Marcus (2018) Music and AI: overview and analysis of the music AI landscape. Working Paper. Music 4.5. . [Monograph]

O'Dair, Marcus (2018) Music, blockchains and data: overview and analysis of the music blockchain and data landscape. Working Paper. Music 4.5. . [Monograph]

O'Dair, Marcus (2017) How blockchain is transforming the creative industries: copyright and rights management in the second era of the internet. Working Paper. Blockchain Research Institute. . [Monograph]

O'Dair, Marcus, Beaven, Zuleika ORCID: https://orcid.org/0000-0003-4470-3034, Neilson, David, Osborne, Richard ORCID: https://orcid.org/0000-0003-4111-8980 and Pacifico, Paul (2016) Music on the blockchain. Working Paper. Middlesex University. . [Monograph]

Conference or Workshop Item

O'Dair, Marcus (2014) The slow burn: questioning the discourse surrounding popular music success, and exploring opportunities for entrepreneurship in the long tail. Innovation in Music 2013. In: Innovation in Music 2013, 4-6 Dec 2013, York, United Kingdom. ISBN 9780956151681. [Conference or Workshop Item]

Book

Beaven, Zuleika ORCID: https://orcid.org/0000-0003-4470-3034, O'Dair, Marcus and Osborne, Richard ORCID: https://orcid.org/0000-0003-4111-8980, eds. (2018) Mute records: artists, business, history. Bloomsbury Academic, New York and London. ISBN 9781501340604, pbk-ISBN 9781501365478, e-ISBN 9781501340611, e-ISBN 9781501340628, e-ISBN 9781501340635. [Book] (doi:10.5040/9781501340635)

O'Dair, Marcus (2018) Distributed creativity: how blockchain technology will transform the creative economy. Palgrave Macmillan. ISBN 9783030001896, e-ISBN 9783030001902, pbk-ISBN 9783030130909. [Book] (doi:10.1007/978-3-030-00190-2)

O'Dair, Marcus (2014) Different every time: the authorised biography of Robert Wyatt. Serpent's Tail. ISBN 9781846687594. [Book]

Doctorate by Public Works

O'Dair, Marcus (2018) Heteroglossia and ‘hagiography’: authorship, authorisation and the collective/ individual couplet in different every time and associated public works. [Doctorate by Public Works]