Items where Author / Artist / Editor is "Impett, Jonathan"

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Number of items: 25.

Impett, Jonathan ORCID logoORCID: https://orcid.org/0000-0002-6525-2095, ed. (2021) Sound work: composition as critical technical practice. Orpheus Institute Series . Leuven University Press, Leuven. pbk-ISBN 9789462702585, e-ISBN 9789461663665. [Book] (doi:10.11116/9789461663665)

Impett, Jonathan ORCID logoORCID: https://orcid.org/0000-0002-6525-2095 (2021) Dissociation and interference in composers’ stories about music: the renewal of musical discourse. In: Sound works: Composition as critical technical practice. Impett, Jonathan ORCID logoORCID: https://orcid.org/0000-0002-6525-2095, ed. Orpheus Institute Series . Leuven University Press, Leuven, Belgium. ISBN 9789462702585, e-ISBN 9789461663665. [Book Section] (Accepted/In press)

Impett, Jonathan ORCID logoORCID: https://orcid.org/0000-0002-6525-2095 (2021) Music, discourse and intuitive technology. AI & Society . p. 1. ISSN 0951-5666 [Article] (Published online first) (doi:10.1007/s00146-020-01126-4)

Impett, Jonathan ORCID logoORCID: https://orcid.org/0000-0002-6525-2095 (2020) Three states of wax. [Composition]

Impett, Jonathan ORCID logoORCID: https://orcid.org/0000-0002-6525-2095 (2019) Apollo e Marsyas. [Composition]

Impett, Jonathan ORCID logoORCID: https://orcid.org/0000-0002-6525-2095 (2018) Routledge handbook to Luigi Nono and musical thought. Routledge, London. ISBN 9781409455974, e-ISBN 9780429485732, pbk-ISBN 9780367733063. [Book] (doi:10.4324/9780429485732)

Impett, Jonathan ORCID logoORCID: https://orcid.org/0000-0002-6525-2095 (2018) Folto Giardino II. [Composition]

Impett, Jonathan ORCID logoORCID: https://orcid.org/0000-0002-6525-2095 (2018) After Sound: Toward a Critical Music - G. Douglas Barrett. London: Bloomsbury, 2016 [Book review]. Jornal of Sonic studies . ISSN 2212-6252 [Article]

Impett, Jonathan ORCID logoORCID: https://orcid.org/0000-0002-6525-2095, ed. (2017) Artistic research in music: discipline and resistance: artists and researchers at the Orpheus Institute. Orpheus Institute Series . Leuven University Press, Leuven, Belgium. pbk-ISBN 9789462700901, e-ISBN 9789461662323. [Book] (doi:10.2307/j.ctt21c4s2g)

Melrose, Susan (2017) Running in circles, with “music” in mind. In: Artistic Research in Music: Discipline and Resistance: Artists and Researchers at the Orpheus Institute. Impett, Jonathan ORCID logoORCID: https://orcid.org/0000-0002-6525-2095, ed. Orpheus Institute Series . Leuven University Press, Leuven, pp. 187-210. ISBN 9789462700901, e-ISBN 9789461662323. [Book Section] (doi:10.2307/j.ctt21c4s2g.13)

Impett, Jonathan ORCID logoORCID: https://orcid.org/0000-0002-6525-2095 (2017) The contemporary musician and the production of knowledge: practice, research, and responsibility. In: Artistic Research in Music: Discipline and Resistance: Artists and Researchers at the Orpheus Institute. Impett, Jonathan ORCID logoORCID: https://orcid.org/0000-0002-6525-2095, ed. Orpheus Institute Series . Leuven University Press, Leuven, BE, pp. 221-238. pbk-ISBN 9789462700901, e-ISBN 9789461662323. [Book Section] (doi:10.2307/j.ctt21c4s2g.15)

Impett, Jonathan ORCID logoORCID: https://orcid.org/0000-0002-6525-2095 (2017) Folto giardino: hybrid cross-pollination of score, performance, installation and technology. Leonardo Music Journal, 27 . pp. 54-56. ISSN 0961-1215 [Article] (doi:10.1162/LMJ_a_01015)

Impett, Jonathan ORCID logoORCID: https://orcid.org/0000-0002-6525-2095 (2017) Prado Florido (after Guerrero) [Score / CD]. [Composition]

Impett, Jonathan ORCID logoORCID: https://orcid.org/0000-0002-6525-2095 (2017) Spoken. [Composition]

Impett, Jonathan ORCID logoORCID: https://orcid.org/0000-0002-6525-2095 (2016) Notation as technology. In: Symposium on Notation for New Instruments and Musical Expression, 22 Sept 2016, IRCAM, Paris. . [Conference or Workshop Item]

Impett, Jonathan ORCID logoORCID: https://orcid.org/0000-0002-6525-2095 (2016) Folto Giardino I. [Composition]

Impett, Jonathan ORCID logoORCID: https://orcid.org/0000-0002-6525-2095 (2016) Making a mark: the psychology of composition. In: The Oxford Handbook of Music Psychology, Second Edition. Hallam, Susan, Cross, Ian and Thaut, Michael, eds. Oxford University Press, Oxford, pp. 651-666. ISBN 9780198818830. [Book Section] (doi:10.1093/oxfordhb/9780198722946.013.39)

Impett, Jonathan ORCID logoORCID: https://orcid.org/0000-0002-6525-2095 (2014) Presence and resonance (four compositions 2014-2019). [Portfolio/Project/Collection]

Impett, Jonathan ORCID logoORCID: https://orcid.org/0000-0002-6525-2095 (2013) Interaction, simulation, and invention. In: Encyclopedia of creativity, invention, innovation and entrepreneurship. Carayannis, Elias G., ed. Springer. ISBN 9781461438571. [Book Section]

Impett, Jonathan ORCID logoORCID: https://orcid.org/0000-0002-6525-2095 (2013) Speak - active sound-space and the performer. In: Re-new digital arts forum 2013: conference proceedings. issuu, Copenhagen, pp. 128-133. ISBN ISSN: 2245-7801. [Book Section]

Impett, Jonathan ORCID logoORCID: https://orcid.org/0000-0002-6525-2095 (2013) "Speak" for metatrumpet and active sound-space. [Composition]

Impett, Jonathan ORCID logoORCID: https://orcid.org/0000-0002-6525-2095 and Impett, Leonardo (2013) The perception of potential: interference, dimensionality and knowledge. In: Advances in Artificial Life ECAL 2013. Proceedings of the twelfth European Conference on the Synthesis and Simulation of Living Systems. Liò, Pietro, Miglino, Orazio, Nicosia, Giuseppe, Nolfi, Stefano and Pavone, Mario, eds. Complex Adaptive Systems . MIT Press, pp. 1126-1131. ISBN 9780262317092. [Book Section]

Impett, Jonathan ORCID logoORCID: https://orcid.org/0000-0002-6525-2095 (2011) What are we making? The work-without-content in live computer music. In: International Computer Music Conference Proceedings. Adkins, Monty and Isaacs, Ben, eds. International Computer Music Association, pp. 456-459. ISBN 9780984527403. [Book Section]

Impett, Jonathan ORCID logoORCID: https://orcid.org/0000-0002-6525-2095 (2010) Let's dance architecture: improvisation, technology and form. Leonardo Music Journal, 20 . pp. 85-88. ISSN 0961-1215 [Article] (doi:10.1162/LMJ_a_00017)

Impett, Jonathan ORCID logoORCID: https://orcid.org/0000-0002-6525-2095 (2008) Making a mark: the psychology of composition. In: Oxford handbook of music psychology. Hallam, Susan, Cross, Ian and Thaut, Michael, eds. Oxford Library of Psychology . Oxford University Press, Oxford, pp. 403-412. ISBN 9780199298457. [Book Section] (doi:10.1093/oxfordhb/9780199298457.013.0037)

This list was generated on Sun Nov 27 06:29:29 2022 GMT.