Items where Author / Artist / Editor is "Hussein, Nesreen"
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Article
Hussein, Nesreen ORCID: https://orcid.org/0000-0001-5160-8209
(2018)
Answer the question.
Theatre, Dance and Performance Training, 9
(1)
.
pp. 118-119.
ISSN 1944-3927
[Article]
(doi:10.1080/19443927.2018.1428435)
Hussein, Nesreen ORCID: https://orcid.org/0000-0001-5160-8209
(2017)
Rewriting Narratives in Egyptian Theatre: Translation, Performance, Politics. Edited by Sirkku Aaltonen and Areeg Ibrahim . Abingdon and New York: Routledge, 2016. Pp. 288 17 illus. £110 Hb [Book Review].
Theatre Research International, 42
(3)
.
pp. 353-355.
ISSN 0307-8833
[Article]
(doi:10.1017/S0307883317000669)
Hussein, Nesreen ORCID: https://orcid.org/0000-0001-5160-8209 and MacKenzie, Iain
(2017)
Guest editors' introduction: Creative practices/resistant acts.
Contention - The Multidisciplinary Journal of Social Protest, 5
(1)
.
iv-107.
ISSN 2330-1392
[Article]
(doi:10.3167/cont.2017.050102)
Hussein, Nesreen ORCID: https://orcid.org/0000-0001-5160-8209 and MacKenzie, Iain
(2017)
Introduction: Creative practices/resistant acts.
Contention: The Multidisciplinary Journal of Social Protest, 5
(1)
.
pp. 1-13.
ISSN 2572-7184
[Article]
(doi:10.3167/cont.2017.050102)
Hussein, Nesreen ORCID: https://orcid.org/0000-0001-5160-8209 and Papadelli, Vanio
(2017)
Training and…borders.
Theatre, Dance and Performance Training, 8
(1)
.
pp. 109-110.
ISSN 1944-3927
[Article]
(doi:10.1080/19443927.2017.1275208)
Hussein, Nesreen ORCID: https://orcid.org/0000-0001-5160-8209
(2015)
Gestures of resistance between the street and the theatre: documentary theatre in Egypt and Laila Soliman’s No Time For Art.
Contemporary Theatre Review, 25
(3)
.
pp. 357-370.
ISSN 1048-6801
[Article]
(doi:10.1080/10486801.2015.1049822)
Book Section
Hussein, Nesreen ORCID: https://orcid.org/0000-0001-5160-8209
(2013)
Cairo: my city, my revolution.
In:
Performance and the global city.
Solga, Kim and Hopkins, D. J., eds.
Performance Interventions
.
Palgrave Macmillan, Basingstoke, UK, pp. 223-243.
ISBN 9780230361676.
[Book Section]
(doi:10.1057/9781137367853_12)
Conference or Workshop Item
Hussein, Nesreen ORCID: https://orcid.org/0000-0001-5160-8209
(2015)
Here, there, and the question of belonging in a time of revolution.
In: Contested Exchanged: Space, Place and the Performance of Democracy, 28 March 2015, Artaud Performance Centre. Brunel University, London..
.
[Conference or Workshop Item]
Hussein, Nesreen ORCID: https://orcid.org/0000-0001-5160-8209
(2015)
Here… there… and the question of belonging.
In: Arab Women Artists Now (AWAN) Festival., 7 March 2015, Rich Mix, London..
.
[Conference or Workshop Item]
Hussein, Nesreen ORCID: https://orcid.org/0000-0001-5160-8209
(2015)
Gestures of resistance between the street and the theatre: documentary theatre in Egypt and Laila Soliman’s No Time For Art.
In: New Anarchist Research Group Monthly Meeting, 25 April 2015, Torriano Meeting House, London.
.
[Conference or Workshop Item]
Hussein, Nesreen ORCID: https://orcid.org/0000-0001-5160-8209
(2015)
Performance as a gesture of resistance in Laila Soliman’s No Time for Art.
In: Theatre and Stratification. International Federation for Theatre Research’s world congress, 28 Jul - 01 Aug 2014, The University of Warwick.
.
[Conference or Workshop Item]
Hussein, Nesreen ORCID: https://orcid.org/0000-0001-5160-8209
(2014)
Working with and supporting early career academics. A provocation.
In: The Standing Conference of University Drama Departments' annual conference, 11 April 2014., Aberystwyth University..
.
[Conference or Workshop Item]
Performance
Hussein, Nesreen ORCID: https://orcid.org/0000-0001-5160-8209, Papadelli, Vanio, Goely, Mohamed and Picknett, Michael
(2015)
My City, My Revolution.
[Performance]