Items where Author / Artist / Editor is "Glynn, Basil"

See full list of headings
Export as [feed] RSS 1.0 [feed] RSS 2.0
Group by: Item Type | No Grouping
Number of items: 30.

Article

Glynn, Basil ORCID logoORCID: https://orcid.org/0000-0001-5880-6486 (2019) New television: the aesthetics and politics of a genre [Book review]. Visual Studies, 34 (4) . pp. 406-408. ISSN 1472-586X [Article] (doi:10.1080/1472586X.2019.1655264)

Glynn, Basil ORCID logoORCID: https://orcid.org/0000-0001-5880-6486 and Kim, Jeongmee (2017) Life is beautiful: gay representation, moral panics, and South Korean television drama beyond Hallyu. Quarterly Review of Film and Video, 34 (4) . pp. 333-347. ISSN 1050-9208 [Article] (doi:10.1080/10509208.2016.1241615)

Glynn, Basil ORCID logoORCID: https://orcid.org/0000-0001-5880-6486 and Kim, Jeongmee (2013) ‘”Oppa”-tunity knocks: Psy, Gangnam Style and the critical reception of K-pop in Britain.’. Situations: Cultural Studies in the East Asian Context, 7 (1) . pp. 1-20. ISSN 2288-7822 [Article]

Book Section

Glynn, Basil ORCID logoORCID: https://orcid.org/0000-0001-5880-6486 (2016) The Tudors and the post-national, post-historical Henry VIII. In: The British Monarchy on Screen. Merck, Mandy, ed. Manchester University Press, Manchester, pp. 309-335. ISBN 9780719099564, e-ISBN 9781526113047. [Book Section] (doi:10.7765/9781526113047.00025)

Glynn, Basil ORCID logoORCID: https://orcid.org/0000-0001-5880-6486 (2013) Approximating cultural proximity and accentuating cultural difference: cross-border transformations in Asian television drama. In: Reading Asian Television Drama: Crossing Borders and Breaking Boundaries. Kim, Jeongmee, ed. Reading Contemporary Television . I.B. Tauris, London, pp. 43-64. pbk-ISBN 9781845118600. [Book Section] (doi:10.5040/9780755697274.ch-002)

Glynn, Basil ORCID logoORCID: https://orcid.org/0000-0001-5880-6486 and Kim, Jeongmee (2013) International circulation and local retaliation: East Asian television drama and its Asian connotations. In: Reading Asian Television Drama: Crossing Borders and Breaking Boundaries. Kim, Jeongmee, ed. Reading Contemporary Television . I.B. Tauris, London, pp. 27-46. pbk-ISBN 9781845118600, e-ISBN 9780755697274. [Book Section] (doi:10.5040/9780755697274.ch-001)

Glynn, Basil ORCID logoORCID: https://orcid.org/0000-0001-5880-6486 (2012) The conquests of Henry VIII: masculinity, sex and the national past in the Tudors’. In: Television, Sex and Society: Analyzing Contemporary Representations. Glynn, Basil ORCID logoORCID: https://orcid.org/0000-0001-5880-6486, Johnson, Beth and Aston, James, eds. Continuum, New York, pp. 157-173. ISBN 9780826434982. [Book Section]

Glynn, Basil ORCID logoORCID: https://orcid.org/0000-0001-5880-6486 and Kim, Jeongmee (2009) Corpse, spectacle, illusion: the body as abject and object. In: The CSI Effect: Television Crime and Governance. Byers, Michelle and Johnson, Val, eds. Critical Studies in Television . Lexington, New York, pp. 93-110. ISBN 9780739124703. [Book Section]

Conference or Workshop Item

Glynn, Basil ORCID logoORCID: https://orcid.org/0000-0001-5880-6486 (2021) Mute, masked and murderous: the 1940s Mummy as proto-slasher. In: The Slasher Studies Summer Camp: An International Conference on Slasher Theory, History and Practice, 13-15 Aug 2021, Online event [Birmingham City University / University for the Creative Arts]. . [Conference or Workshop Item]

Glynn, Basil ORCID logoORCID: https://orcid.org/0000-0001-5880-6486 and Kim, Jeongmee (2021) Exclusive Identity Politics and the marginalization of dissenting voices in the branding of Hallyu drama. In: East Asian Popular Culture Conference, 11-12 Jan 2021, Kyushu University, Fukuoka, Japan. . [Conference or Workshop Item]

Glynn, Basil ORCID logoORCID: https://orcid.org/0000-0001-5880-6486 (2019) The 1940s universal Mummy cycle: a decade of decay or regeneration? In: Literature/Film Association Conference: Reboot, Repurpose, Recycle, 12-14 Sep 2019, Portland, Oregon. . [Conference or Workshop Item]

Glynn, Basil ORCID logoORCID: https://orcid.org/0000-0001-5880-6486 (2019) The Mutating Mummy: from ancient artefact to modern attraction. In: Popular Culture Association/American Culture Association, 17-20 Apr 2019, Washington DC, USA. . [Conference or Workshop Item]

Glynn, Basil ORCID logoORCID: https://orcid.org/0000-0001-5880-6486 and Kim, Jeongmee (2016) Korean wave drama: transnationalism, celebration and resistance. In: Transnational Screens Conference: Volatility and Compounding Transnational Traffic, 15-16 Sept 2016, De Montfort University, Leicester, United Kingdom. . [Conference or Workshop Item]

Glynn, Basil ORCID logoORCID: https://orcid.org/0000-0001-5880-6486 and Kim, Jeongmee (2016) Mortality and morality in CSI: getting away with gore. In: Death and Culture Conference, 01-03 Sept 2016, The University of York, York, UK. . [Conference or Workshop Item]

Glynn, Basil ORCID logoORCID: https://orcid.org/0000-0001-5880-6486 (2015) The Mummy’s revenge: secularism, religion and the sacred dead in Universal and Hammer’s Mummy movies. In: Reflections on revenge: a conference on the culture and politics of vengeance, 4 Sept 2015, Leicester, United Kingdom. . [Conference or Workshop Item]

Glynn, Basil ORCID logoORCID: https://orcid.org/0000-0001-5880-6486 (2015) Like a version?: Balancing the foreign and domestic in imported television drama. In: TV in the Age of Transnationalisation and Transmedialisation: A Two Day International Conference, 22-23 Jun 2015, University of Roehampton, London, United Kingdom. . [Conference or Workshop Item]

Glynn, Basil ORCID logoORCID: https://orcid.org/0000-0001-5880-6486 (2015) The clash of past, present and cultures in Hammer’s The Mummy (1959). In: Hammer Film Productions: A Laboratory for Modern Horror / Le studio Hammer: Laboratoire de l'horreur moderne, 10-12 Jun 2015, Université Paris Ouest Nanterre, Sorbonne Nouvelle, Paris, France. . [Conference or Workshop Item]

Glynn, Basil ORCID logoORCID: https://orcid.org/0000-0001-5880-6486 (2013) The Tudors, the national past and the re-shaping of generic traditions in contemporary TV costume drama. In: Media Mutations 6, Modes of Production and Narrative Forms in the Contemporary TV series, 27th-28th May 2013, Dipartimento delle Arti visive, performative, mediali of the Università di Bologna. . [Conference or Workshop Item]

Glynn, Basil ORCID logoORCID: https://orcid.org/0000-0001-5880-6486 (2012) The Tudors (2007-2010) and the international, post-national and post-historical TV series. In: The Monarchy on Screen, 23-24 November 2012, Senate House, University of London. . [Conference or Workshop Item]

Glynn, Basil ORCID logoORCID: https://orcid.org/0000-0001-5880-6486 (2012) Masculinity, sex and the national past. In: Adapting Historical Narratives Conference, 28th February 2012, De Montfort University. . [Conference or Workshop Item]

Glynn, Basil ORCID logoORCID: https://orcid.org/0000-0001-5880-6486 (2010) Viscous victorians: Hammer, colour and realism. In: Bloodlines: British Horror Past and Present, 4th-5th March 2010, De Montfort University. . [Conference or Workshop Item]

Glynn, Basil ORCID logoORCID: https://orcid.org/0000-0001-5880-6486 (2009) Asian TV comes to Britain: but does it survive the trip?: The re-authoring of The Water Margin. In: Cultural Typhoon: Cultural Studies and Asia, Past, Present and Future, 3rd-5th July 2009, University of Foreign Studies, Tokyo. . [Conference or Workshop Item]

Glynn, Basil ORCID logoORCID: https://orcid.org/0000-0001-5880-6486 (2009) Sex and digs and wrap and role: orientalism, transgressive romance and the resurrection of the Mummy. In: Beyond Life: The Undead in Global Cult Media, Cine Excess: The Third International Conference on Cult Film Traditions, 30th April-2nd May 2009, Curzon Soho Cinema and Odeon Covent Garden. . [Conference or Workshop Item]

Glynn, Basil ORCID logoORCID: https://orcid.org/0000-0001-5880-6486 and Kim, Jeongmee (2006) Corpse, spectacle, illusion: mainstreaming extreme images in CSI. In: TV Fiction Exchange: Local/Regional/National/Global, 5th-8th September 2006, Manchester Metropolitan University. . [Conference or Workshop Item]

Glynn, Basil ORCID logoORCID: https://orcid.org/0000-0001-5880-6486 (2004) Moving the Greeks to London: Tony Harrison’s classical theatre of the 1980s. In: Nation, Region, Belonging, 10th International Conference on the Literature of Region and Nation, 3rd-6th August 2004, Manchester Metropolitan University. . [Conference or Workshop Item]

Glynn, Basil ORCID logoORCID: https://orcid.org/0000-0001-5880-6486 (2004) Preserved on film: The Mummy, silent cinema and Egyptomania. In: Screen Studies Conference, 2nd-4th July 2004, University of Glasgow. . [Conference or Workshop Item]

Book

Glynn, Basil ORCID logoORCID: https://orcid.org/0000-0001-5880-6486 (2019) The Mummy on screen: orientalism and monstrosity in horror cinema. International library of the moving image . Bloomsbury Academic, London / New York. ISBN 9781788314084, e-ISBN 9781350129382, e-ISBN 9781350129375, e-ISBN 9781350134331, pbk-ISBN 9781350194830. [Book] (doi:10.5040/9781350134331)

Glynn, Basil ORCID logoORCID: https://orcid.org/0000-0001-5880-6486, Johnson, Beth and Aston, James, eds. (2012) Television, sex and society: analysing contemporary representations. Continuum, New York. ISBN 9780826434982. [Book]

Artefact

Glynn, Basil ORCID logoORCID: https://orcid.org/0000-0001-5880-6486, Kerr, Paul ORCID logoORCID: https://orcid.org/0000-0002-4835-3708 and McGorrian, Tom (2016) Emmaus in the UK 1991-2016 - Brochure / Booklet. [Artefact]

Film/Video

Glynn, Basil ORCID logoORCID: https://orcid.org/0000-0001-5880-6486 (2019) Showcase: The Mummy turns 20. [Film/Video]

This list was generated on Wed Mar 22 06:24:50 2023 GMT.