Items where Author / Artist / Editor is "Dogantan-Dack, Mine"

Article

Dogantan-Dack, Mine (2013) Tonality: the shape of affect. Empirical Musicology Review . ISSN 1559-5749 [Article] (Accepted/In press)

Dogantan-Dack, Mine (2012) Phrasing – the very life of music: performing the music and nineteenth-century performance theory. Nineteenth-Century Music Review, 9 (1) . pp. 7-30. ISSN 1479-4098 [Article] (doi:10.1017/S1479409812000055)

Dogantan-Dack, Mine (2008) Alchemy in the Spotlight: Qualitative Transformations In Chamber Music Performance. Alchemy in the Spotlight: Qualitative Transformations In Chamber Music Performance. . [Article]

Dogantan-Dack, Mine (2008) Music and emotions: the language connection. Septet: Yeditepe Journal of the Arts and Humanities, 1 . [Article]

Dogantan-Dack, Mine and Frith, Michael (2007) Organ as Orchestra, Piano Concerto as Chamber Music. PRIMO archive . [Article]

Dogantan-Dack, Mine (2006) The body behind music: precedents and prospects. Psychology of Music, 34 (4) . pp. 449-464. ISSN 0305-7356 [Article] (doi:10.1177/0305735606067155)

Dogantan-Dack, Mine (2006) Work, performance, signature: theory and practice of classical music. Medias Res: Middlesex University Music Research Journal, Februa . pp. 18-24. [Article]

Dogantan-Dack, Mine and Szucs, Ferenc (2005) Open Rehearsal of Rachmaninoff's Sonata for Cello and Piano in G minor, Op.19, with Ferenc Szucs. PRIMO archive . [Article]

Dogantan-Dack, Mine (2005) Music and knowledge. Medias Res: Middlesex University Music Research Journal., June . pp. 29-42. [Article]

Dogantan-Dack, Mine and Szucs, Ferenc (2005) Open Rehearsal of Schubert's "Arpeggione" Sonata for Cello and Piano with Ferenc Szucs. PRIMO archive . [Article]

Dogantan-Dack, Mine (2000) Muzik kuraminda bir tema. VeMüzik, 5 . pp. 1-13. [Article]

Book Section

Dogantan-Dack, Mine (2013) Familiarity and musical performance. In: Music and familiarity: listening, musicology and performance. King, Elaine and Prior, Helen M, eds. SEMPRE Studies in the Psychology of Music . Ashgate, pp. 271-287. ISBN 9781409420750. [Book Section]

Dogantan-Dack, Mine (2012) Practice-as-research in music performance. In: The SAGE handbook of digital dissertations and theses. Andrews, Richard N. L., Borg, Erik, Davis, Stephen N., Domingo, Myrrh and England, Jude, eds. SAGE Publications Ltd. ISBN 9780857027399. [Book Section] (doi:10.4135/9781446201039.n16)

Dogantan-Dack, Mine (2011) In the beginning was gesture: piano touch and an introduction to a phenomenology of the performing body. In: New perspectives on music and gesture. Gritten, Anthony and King, Elaine, eds. Ashgate, Aldershot. ISBN 9780754664628. [Book Section]

Nuhn, Ralf and Colle, Cecile (2011) ParaSites: new propositions. In: Music and Sonic Art: practices and theories. Lasker, George, Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 and Dogantan-Dack, Mine, eds. The International Institute for Advanced Studies in Systems Research and Cybernetics, Ontario, pp. 11-15. ISBN 9781897233511. [Book Section]

Dogantan-Dack, Mine (2008) Recording the performer's voice. In: Recorded music: philosophical and critical reflections. Dogantan-Dack, Mine, ed. Middlesex University Press, London, UK, pp. 293-313. ISBN 9781904750277. [Book Section]

Dogantan-Dack, Mine (2008) Timbre as an expressive dimension in music. In: Spectral world musics: proceedings of the Istanbul Spectral Music Conference. Reigle, Robert and Whitehead, Paul Alister, eds. Pan Yayincilik, Istanbul, pp. 63-74. ISBN 9789944396271. [Book Section]

Gritten, Anthony (2008) Performing after recording. In: Recorded Music: Philosophical and Critical Reflections. Dogantan-Dack, Mine, ed. Middlesex University Press, London, pp. 82-99. ISBN 9781904750277. [Book Section]

Dogantan-Dack, Mine (2008) Something old, something new, something borrowed, something true: questions of aesthetics and epistemology in using recordings. In: 6th CHARM Symposium. Royal Holloway, University of London, Egham, Surrey. . [Book Section]

Nuhn, Ralf (2008) i'Nstall. In: Systems research in the arts and humanities: on interaction/ interactivity in music, design, visual and performative arts. Lasker, George, Luz, Ana, Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 and Dogantan-Dack, Mine, eds. The International Institute for Advanced Studies in Systems Research and Cybernetics, Ontario, pp. 12-16. ISBN 9781897233092. [Book Section]

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 and Gibbs, Tony (2008) A sense of place: a sense of space. In: Recorded Music: Philosophical and Critical Reflections. Dogantan-Dack, Mine, ed. Middlesex University Press, London. ISBN 9781904750277. [Book Section]

Dogantan-Dack, Mine (2007) Practice and theory: ways of knowing music. In: Systems Research in the Arts. International Institute for Advanced Studies, Baden-Baden, Germany. Ontario., pp. 7-12. ISBN 1894613538. [Book Section]

Dogantan-Dack, Mine (2006) Models and metaphors: exploring music performance. In: Systems Research in the Arts. International Institute for Advanced Studies, Baden-Baden, Germany. Ontario, pp. 83-91. ISBN 1894613457. [Book Section]

Dogantan-Dack, Mine (2005) Music: the art of the intelligent heart. In: Inside Outside In Emotions, Body and Society. Ege University Press, Izmir, pp. 143-156. ISBN 975-483-659-0. [Book Section]

Dogantan-Dack, Mine (2005) The concept of prolongation in music and poetry. In: Systems Research in the Arts. International Institute for Advanced Studies, Baden-Baden, Germany. Ontario., pp. 14-20. ISBN 1894613406. [Book Section]

Dogantan-Dack, Mine (2003) Tonal motion and attractions: a thread in music theory. In: IIAS SRC Conference Proceedings. University of Windsor Press, Ontario, pp. 1-10. ISBN 1894613325. [Book Section]

Dogantan-Dack, Mine (2003) Aesthetics of musical performance. In: Systems Research in the Arts. International Institute for Advanced Studies, Baden-Baden, Germany. Ontario., pp. 47-52. ISBN 1894613104. [Book Section]

Dogantan-Dack, Mine (2001) Lussy, Mathis. In: The New Grove Dictionary of Music and Musicians. Sadie, S. and Tyrell, J., eds. Oxford University Press, London, pp. 328-329. ISBN 0333608003. [Book Section]

Dogantan-Dack, Mine (2001) Mathis Lussy and Expressive Performance. In: Systems Research in the Arts. International Institute for Advanced Studies, Baden-Baden, Germany. Ontario., pp. 125-130. ISBN 1-894613-45-7. [Book Section]

Dogantan-Dack, Mine (2000) Upbeat. In: The New Grove Dictionary of Music and Musicians, 2nd ed. Sadie, S. and Tyrrell, J., eds. Oxford University Press, London, pp. 149-150. ISBN 0333608003. [Book Section]

Conference or Workshop Item

Dogantan-Dack, Mine (2008) What performers know: does it matter? towards an epistemology of performance? In: What Performers Know: Does it Matter? Towards an Epistemology of Performance?, December 2008, Royal Irish Academy of Music, Dublin. . [Conference or Workshop Item]

Dogantan-Dack, Mine (2008) Collaborative processes and aesthetics of interaction in chamber music performance: The Alchemy Project. In: 2nd International Symposium on Systems Research in the Arts and Humanities, 24-30 July 2008., Baden-Baden, Germany. . [Conference or Workshop Item]

Dogantan-Dack, Mine (2008) Preparing Beethoven for Live Performance: The 'Alchemy Project'. In: Performing Romantic Music Conference, 10-13 July 2008, University of Durham. . [Conference or Workshop Item]

Dogantan-Dack, Mine (2008) Exploring live music performance: The Alchemy Project. In: SMI (Society for Musicology in Ireland) Annual Conference, 9-11 May 2008, Waterford, Ireland.. . [Conference or Workshop Item]

Dogantan-Dack, Mine (2006) From rehearsal to performance: qualitative transformations in professional music making. In: Teaching, Learning and Performing Music Conference, 1-2 July 2006., Royal Northern College of Music. . [Conference or Workshop Item]

Dogantan-Dack, Mine (2006) Imagery and metaphor in nineteenth-century performance discourse. In: Interdisciplinary Nineteenth-Century Studies Conference: Creativity in the Nineteenth Century, 6-9 July 2006, University of Durham. . [Conference or Workshop Item]

Dogantan-Dack, Mine (2006) In the Beginning...was Gesture: Initiatory Performance Movements. In: Second Conference on Music and Gesture, 20-23 July 2006, Royal Northern College of Music. . [Conference or Workshop Item]

Dogantan-Dack, Mine (2006) Can musical performance be research? In: Performance Studies Workshop, 12 May 2006., Royal College of Music, London.. . [Conference or Workshop Item]

Dogantan-Dack, Mine (2006) From analysis to performance: the rhythmic structure of the Second Movement of Beethoven's Piano Sonata Op.13. In: Second Performing Arts Seminar, 26 April 2006, Middlesex University. . [Conference or Workshop Item]

Dogantan-Dack, Mine (2006) Collaborative music making and research. In: 3rd Music Research Group Symposium, 5 April 2006, Middlesex University. . [Conference or Workshop Item]

Dogantan-Dack, Mine (2006) The quartet as orchestra: Mozart's Piano Concertos K.413 and K.415 as arranged for piano quintet. In: The Quartet as Orchestra: Mozart's Piano Concertos K.413 and K.415 as arranged for Piano Quintet., 01 Mar 2006, Middlesex University. . [Conference or Workshop Item]

Dogantan-Dack, Mine and Szucs, Ferenc (2005) Rachmaninoff's Sonata for Cello and Piano in G minor Op.19. In: Rachmaninoff's Sonata for Cello and Piano in G minor Op.19, 28 October 2005, Goldsmiths College, University of London. . [Conference or Workshop Item]

Dogantan-Dack, Mine (2005) The art of phrasing: British performance theory during the 'Long' Nineteenth Century. In: Fifth Music In Nineteenth-Century Britain Conference, 7-10 July 2005, University of Nottingham. . [Conference or Workshop Item]

Dogantan-Dack, Mine (2005) Music Aesthetics in Practice: Creativity and Expression in Rachmaninoff's Sonata for Cello and Piano in G minor, Op.19. In: Music Aesthetics in Practice: Creativity and Expression in Rachmaninoff’s Sonata for Cello and Piano in G minor, Op.19, 26 October 2005, Middlesex University. . [Conference or Workshop Item]

Dogantan-Dack, Mine (2004) The art and science of musical performance: nineteenth-century roots. In: “13th Biennial International Conference on Nineteenth-Century Music, 6-9 July 2004, University of Durham. . [Conference or Workshop Item]

Dogantan-Dack, Mine (2003) The body behind music. In: Music and Gesture Conference, 28-31 August 2003. . [Conference or Workshop Item]

Book

Dogantan-Dack, Mine (2008) Recorded music: philosophical and critical reflections. Dogantan-Dack, Mine, ed. Middlesex University Press, London. ISBN 9781904750277. [Book]

Dogantan-Dack, Mine (2002) Mathis Lussy: a pioneer in studies of expressive performance. Varia Musicologica . Peter Lang, Oxford. ISBN 390676950X. [Book]