Items where Author / Artist / Editor is "Diedrich, Antje"

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Diedrich, Antje ORCID logoORCID: and Barbe, Frances (2023) Beyond the stomp: the Nobbs Suzuki Praxis as an Australian variant of the Suzuki method of actor training. Theatre, Dance and Performance Training . ISSN 1944-3927 [Article] (Published online first) (doi:10.1080/19443927.2022.2152860)

Diedrich, Antje ORCID logoORCID: (2014) "The grey and the coloured truth": memory and post-memory in George Tabori's Holocaust plays. Journal of Literature and Trauma Studies, 3 (1) . pp. 1-21. ISSN 2162-3627 [Article] (doi:10.1353/jlt.2014.0017)

Diedrich, Antje ORCID logoORCID: (2013) Last in a long line of literary kleptomaniacs: intertextuality in Sarah Kane's 4.48 Psychosis. Modern Drama, 56 (3) . pp. 374-398. ISSN 0026-7694 [Article] (doi:10.3138/md.0356)

Diedrich, Antje ORCID logoORCID: (2011) Acting out trauma in the theatre of embarassment: George Tabori's Shylock improvisations. Performance Research: a Journal of the Performing Arts, 16 (1) . pp. 142-152. ISSN 1352-8165 [Article] (doi:10.1080/13528165.2011.562040)

Book Section

Diedrich, Antje ORCID logoORCID: (2018) "Empathy for the entire spectrum of selves and other": George Tabori's Humanism. In: Nexus 4: Essays in German Jewish Studies. Donahue, William Collins and Helfer, Martha B., eds. Nexus: Essays in German Jewish Studies, 4 . Camden House, pp. 151-164. ISBN 9781571132949, e-ISBN 9781787443563. [Book Section] (doi:10.1017/9781787443563.014)


Diedrich, Antje ORCID logoORCID: and Malten, Trui (2017) My heart, my heart: live poetry jukebox. [Performance]

Diedrich, Antje ORCID logoORCID: and Carter, Mike (2015) Sandman. [Performance]

This list was generated on Wed Mar 22 05:34:52 2023 GMT.