Items where Author / Artist / Editor is "Dack, John"

Article

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2008) Music in space, space in music. Society for the Promotion of New Music: New Notes (6) . pp. 2-4. [Article]

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2006) Translating Pierre Schaeffer: symbolism, literature and music. Musicacoustica 2006 . [Article]

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2005) Soundscape: the school of sound lectures. Sound Journal . [Article]

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2004) Electroacoustic music: analytical perspectives. Organised Sound, 9 (1) . pp. 115-117. ISSN 1355-7718 [Article]

Nuhn, Ralf and Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2004) Foreword, afterword and translation of "Sound - Time - Space - Movement: The Space-Sound Installations of the artist couple Sabine Schäfer/Joachim Krebsâ. Organised Sound, 8 (2) . pp. 213-225. ISSN 1355-7718 [Article]

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 and Nuhn, Ralf (2003) Introduction and Afterword to Sound - Time - Space - Movement by Sabine Schäfer/Joachim Krebs. Organised Sound, 8 (2) . pp. 213-225. ISSN 1355-7718 [Article]

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2003) Writing aloud: the sonics of language. Computer Music Journal, 27 (1) . pp. 86-88. ISSN 0148-9267 [Article]

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2002) Abstract and concrete. Journal of Electroacoustic Music, 14 . pp. 2-7. ISSN 1355-7726 [Article]

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2002) CD review: The British 'school' of acousmatic music. Computer Music Journal, 26 (3) . pp. 91-94. ISSN 0148-9267 [Article]

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2002) Review: the 'Nowalls' Conference at De Montfort University. Computer Music Journal . pp. 91-93. ISSN 0148-9267 [Article]

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2001) Report on the Sonic Arts Network Conference, Newcastle. Diffusion . pp. 4-5. ISSN 0955-4602 [Article]

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2000) Die Herausforderung traditioneller Konzepte. MusikTexte, 84 . ISSN 0178-8884 [Article]

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2000) Francis Dhomont in London. Electroacoustic Music and History Diffusion, May . pp. 2-3. [Article]

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2000) Introduction to the work of Sabine Schäfer. Diffusion (2) . ISSN 0955-4602 [Article]

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2000) Ludwig van Henry: an interview with Pierre Henry. Journal of Electroacoustic Music, 13 . pp. 27-30. ISSN 1355-7726 [Article]

Book Section

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2019) Pierre Schaeffer and the (recorded) sound source. In: Sound Objects. Steintrager, James A. and Chow, Rey, eds. Duke University Press, London, UK, pp. 33-52. ISBN 9781478001096, e-ISBN 9781478002536, pbk-ISBN 9781478001454. [Book Section] (doi:10.1215/9781478002536-002)

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2018) Radiophonie/Poesie/Musik. In: Radiophonics: Volume 1 Radiophonic Cultures [Exhibition Catalogue]. Holl, Ute, Singer, Nathalie and et, al., eds. Kehrer Verlag, Berlin, Germany, pp. 153-161. pbk-ISBN 9783868288629. [Book Section]

Palermo, Settimio Fiorenzo ORCID: https://orcid.org/0000-0003-2035-6517 (2018) Hugh Davies' Shozyg I. In: Music and Sonic Art: Theories and Practices. Doğantan-Dack, Mine and Dack, John ORCID: https://orcid.org/0000-0003-0521-4852, eds. Cambridge Scholars Publishing, pp. 59-77. ISBN 9781527513532. [Book Section]

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2017) The mediating role of the piano in Karlheinz Stockhausen’s Kontakte für elektronische Klänge, Klavier und Schlagzeug. In: Analyser la musique mixte. Bonardi, Alain, Bossis, Bruno, Couprie, Pierre and Tiffon, Vincent, eds. Collection Pensée musicale . Éditions Delatour, France. ISBN 9782752102980. [Book Section]

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2016) À l’écoute des langages plastique et musical dans les « Variations pour une porte et un soupir » de Pierre Henry. In: Musiques Électroacoustiques - Analyses-Écoutes. Marty, Nicolas, ed. Collection Pensée musicale . Éditions Delatour, France, pp. 111-124. ISBN 9782752102805. [Book Section]

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2016) La musique électroacoustique Mixte: Interactions entre le "réel" et le "virtuel". In: Musique Et Technologie : Regards Sur Les Musiques Mixtes. Portraits Polychromes (23) . INA/GRM, Paris, France, pp. 21-40. ISBN 9782869382442. [Book Section]

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2015) François Bayle’s valeur obscure. In: Kompositionen für hörbaren Raum: die frühe elektroakustische Musik und ihre Kontexte = Compositions for audible space : the early electroacoustic music and its contexts. Brech, Martha and Paland, Ralph, eds. Musik und Klangkultur = Music and Sound Culture . Transcript Verlag, Bielefeld, pp. 277-286. ISBN 9783837630763. [Book Section] (doi:10.14361/9783839430767-017)

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2014) Those blue remembered sounds. In: Le monde sonore de / The sound world of / Die Klangwelt des François Bayle. Erbe, Marcus and Blumröder, Christoph, eds. Verlag der Apfel, pp. 9-41. ISBN 9783854504184. [Book Section]

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2012) The nature of the instrument: Luciano Berio, instrumental thought and Schaefferian theory. In: Luciano Berio: nuove prospettive / new perspectives. De Benedictis, Angela Ida, ed. Chigiana (XLVIII) . Leo S. Olschki, Florence, Italy, pp. 337-358. ISBN 9788822261106. [Book Section]

Nuhn, Ralf and Colle, Cecile (2011) ParaSites: new propositions. In: Music and Sonic Art: practices and theories. Lasker, George, Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 and Dogantan-Dack, Mine, eds. The International Institute for Advanced Studies in Systems Research and Cybernetics, Ontario, pp. 11-15. ISBN 9781897233511. [Book Section]

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2010) From sound to music: from recording to theory. In: Recorded music: performance, culture and technology. Bayley, Amanda, ed. Cambridge University Press, Cambridge, pp. 271-290. ISBN 9780521863094. [Book Section]

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2010) La musique électro-acoustique 'mixte'. In: Une étude des interactions entre le ‘réel’ et le ‘virtuel’. MINT-OMF Université Paris-Sorbonne, Paris. . [Book Section] (Accepted/In press)

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2009) Instrument, what do you want of us? In: Pierre Schaeffer. Gayou, Evelyne, ed. Portraits Polychromes (14) . Institut National de l'Audiovisuel, Paris, France, pp. 57-65. ISBN 9782869382107. [Book Section]

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2009) The electroacoustic music of Henri Pousseur and the open form. In: The modernist legacy: essays on new music. Heile, Bjorn, ed. Ashgate, Aldershot, pp. 177-188. ISBN 9780754662600. [Book Section]

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2008) Instrument, que nous veux-tu? In: Pierre Schaeffer. Portraits Polychromes (14) . Ina GRM, France, pp. 57-66. ISBN 2869382091. [Book Section]

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2008) Spectral music and Schaefferian methodology. In: Spectral World Musics: proceedings of the Istanbul Spectral Music Conference. Reigle, Robert and Whitehead, Paul, eds. Pan Yayincilik, Istanbul, pp. 75-92. ISBN 9789944396271. [Book Section]

Nuhn, Ralf (2008) i'Nstall. In: Systems research in the arts and humanities: on interaction/ interactivity in music, design, visual and performative arts. Lasker, George, Luz, Ana, Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 and Dogantan-Dack, Mine, eds. The International Institute for Advanced Studies in Systems Research and Cybernetics, Ontario, pp. 12-16. ISBN 9781897233092. [Book Section]

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 and Gibbs, Tony (2008) A sense of place: a sense of space. In: Recorded Music: Philosophical and Critical Reflections. Dogantan-Dack, Mine, ed. Middlesex University Press, London. ISBN 9781904750277. [Book Section]

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2007) Acoulogie: an answer to Lévi-Strauss? In: EMS07 Online Proceedings. EMS07 Online Proceedings. . [Book Section]

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2006) Henri Pousseur's 'Huit Etudes Paraboliques': the 'open' form as 'Remix'? In: IIASSRC Conference Proceedings. IIASSRC Conference Proceedings, pp. 19-24. ISBN 1-894613-53-8. [Book Section]

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2005) Sonic Art: Interactions between practice and theory. In: IIASSRC Conference Proceedings. IIASSRC Conference Proceedings, pp. 33-40. ISBN 1-894613-45-7. [Book Section]

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2004) "Open" forms and the computer. In: Musiques, arts, technologie. Pour une Approche Critique. Collection: 'Musique-philosophie'. Barbanti, Roberto, ed. Harmattan, Paris, pp. 401-412. ISBN 2-7475-6691-9. [Book Section]

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2004) The artist-couple (Sabine Schäfer and Joachim Krebs). In: AquaAngelusVox. MDG, pp. 7-9. . [Book Section]

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2004) The open form in the arts. In: IIASSRC Conference Proceedings. IIASSRC Conference Proceedings, pp. 7-13. ISBN 1-894613-40-6. [Book Section]

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2003) Ear-training using the computer and PROGREMU Recueil des actes. In: 10e Journées d’Informatique Musicale. 10e Journées d’Informatique Musicale, pp. 1-10. . [Book Section]

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2003) Sound, installations and music. In: MAXIS II Conference Proceedings. MAXIS II Conference Proceedings, pp. 35-39. ISBN 1-84387-011-8. [Book Section]

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2003) The 'series' in Music and Art. In: IIASSRC Conference Proceedings. IIASSRC Conference Proceedings, pp. 21-28. . [Book Section]

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2002) Webern's Op.21 and the unity of musical space. In: Systems Research in the Arts. IIASSRC Conference, pp. 31-42. ISBN 1-894613-10-4. [Book Section]

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2002) Instrument und Pseudoinstrument - Akusmatische Konzepte. In: Elektroakustische Musik. Ungeheuer, Elena and Bottenberg, Ernst Heinrich, eds. Laaber-Verlag, pp. 243-259. ISBN 3-89007-425-1. [Book Section]

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2002) Histories and ideologies of synthesis. In: Maxis Conference Proceedings. Maxis Conference Proceedings, pp. 35-40. ISBN 0-86339-969-X. [Book Section]

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2002) Technology and the instrument. In: Musik netz werke - Konturen der neuen Musikkultur. Grün, Lydia and Wiegand, Frank, eds. Taschenbuch, Germany, pp. 39-54. ISBN 393312798X. [Book Section]

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2001) Diffusion as performance. In: IIASSRC Conference Proceedings. IIASSRC Conference Proceedings, pp. 81-88. ISBN 1-894613-33-3. [Book Section]

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2000) The evocation of space as a compositional determinant. In: IIASSRC Conference Proceedings. IIASSRC Conference Proceedings, pp. 61-66. ISBN 0-921836-90-2. [Book Section]

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2000) The 'open' score as source for interaction. In: IIASSRC Conference Proceedings: On Interaction/Interactivity in Music, Design, Visual and Performing Arts. IIASSRC Conference Proceedings, pp. 87-91. . [Book Section]

Monograph

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2004) Virtuosity and the virtual. Working Paper. John Dack. . [Monograph]

Conference or Workshop Item

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (1999) Karlheinz Stockhausen's kontakte and narrativity. In: Kontakte and Narrativity. . [Conference or Workshop Item]

Book

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852, Spinks, Tansy ORCID: https://orcid.org/0000-0002-7402-9987 and Stanović, Adam, eds. (2020) Sound art and music: philosophy, composition, performance. Cambridge Scholars Publishing, UK. ISBN 9781527557819. [Book]

Schaeffer, Pierre, North, Christine and Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2017) Treatise on musical objects: an essay across disciplines by Pierre Schaeffer; translated by Christine North and John Dack. California Studies in 20th-Century Music . University of California Press, Oakland, USA. ISBN 9780520294295. [Book]

Schaeffer, Pierre, Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 and North, Christine (2012) In search of a concrete music by Pierre Schaeffer; translated by Christine North and John Dack. California Studies in 20th-Century Music . University of California Press, Berkeley. ISBN 9780520265738. [Book]

Novati, Maria Maddalena and Dack, John ORCID: https://orcid.org/0000-0003-0521-4852, eds. (2012) The Studio Di Fonologia: a musical journey 1954-1983, update 2008-2012. Ricordi, Milan, Italy. ISBN 9788875929183. [Book]

Thesis

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (1989) The relationship between electro-acoustic music and instrumental/vocal composition in Europe in the period 1948-1970. PhD thesis, Middlesex Polytechnic. [Thesis]

Audio

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2001) At the limits of Schaeffer's TARTYP. [Audio]

Other

Dack, John ORCID: https://orcid.org/0000-0003-0521-4852 (2014) Forschung im inneren des klangs. Neue Zeitschrift für Musik. [Other]