Items where Author / Artist / Editor is "Charlton, James Martin"
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Article
Charlton, James Martin ORCID: https://orcid.org/0000-0001-9066-4705, Cottis, David
ORCID: https://orcid.org/0000-0002-4757-5552 and Moar, Magnus
ORCID: https://orcid.org/0000-0002-9489-9795
(2022)
Building a text for actors and AR (Backpages 32.1).
Contemporary Theatre Review, 32
(1)
.
pp. 112-115.
ISSN 1048-6801
[Article]
(doi:10.1080/10486801.2022.2009659)
Charlton, James Martin ORCID: https://orcid.org/0000-0001-9066-4705 and Moar, Magnus
ORCID: https://orcid.org/0000-0002-9489-9795
(2018)
VR and the dramatic theatre: are they fellow creatures?
International Journal of Performance Arts and Digital Media, 14
(2)
.
pp. 187-198.
ISSN 2040-0934
[Article]
(doi:10.1080/14794713.2018.1511137)
Charlton, James Martin ORCID: https://orcid.org/0000-0001-9066-4705
(2016)
Telling and retelling the tale. adapting the murder ballad ‘Duncan and Brady’ for the stage as past and future visions of a folk crime.
Writing in Practice: The Journal of Creative Writing Research, 2
.
ISSN 2058-5535
[Article]
Charlton, James Martin ORCID: https://orcid.org/0000-0001-9066-4705
(2015)
Adapting The Pilgrim's Progress for the stage (2).
The Recorder, 21
.
pp. 20-22.
ISSN 1198-8894
[Article]
Charlton, James Martin ORCID: https://orcid.org/0000-0001-9066-4705
(2009)
Teaching screenwriting.
Writing in education
(48)
.
pp. 61-64.
ISSN 1361-8539
[Article]
Book Section
Charlton, James Martin ORCID: https://orcid.org/0000-0001-9066-4705
(2007)
Whose journey is this? A radical approach to the question of the 'journey' taken in scripts.
In:
Story: the heart of the matter.
Butt, Maggie, ed.
Greenwich Exchange, London, pp. 111-123.
ISBN 1871551935.
[Book Section]
Conference or Workshop Item
Charlton, James Martin ORCID: https://orcid.org/0000-0001-9066-4705
(2017)
The Theatrum Mundi and Everyman/Everywoman: traditionalist dramaturgical devices in the contemporary stage Poetics of the author, James Martin Charlton.
Conference Proceedings of the 3rd Creative Writing Conference 2017.
In: 3rd International Conference in Creative Writing (University of Western Macedonia), 06-08 Oct 2017, Corfu, Greece.
ISBN 9786188104792.
[Conference or Workshop Item]
Charlton, James Martin ORCID: https://orcid.org/0000-0001-9066-4705 and Moar, Magnus
ORCID: https://orcid.org/0000-0002-9489-9795
(2015)
A desire for immersion: the panorama to the Oculus Rift.
International Panorama Conference 2015.
In: 24th International Panorama Conference 2015, 9-12 Sep 2015, Namur, Belgium.
.
[Conference or Workshop Item]
Gibb, Lorna and Charlton, James Martin (2014) Folk Song Stories as Structural Paradigms. In: NAWE Conference 2014, 14-16 Nov 2014, Bristol, UK. . [Conference or Workshop Item]
Charlton, James Martin ORCID: https://orcid.org/0000-0001-9066-4705
(2014)
If a thing’s worth doing, it’s worth doing on public television – Joe Orton’s plays on television.
In: Theatre and Television: Adaptation, Production, Performance, 19-20 Feb 2015, Alexandra Palace.
.
[Conference or Workshop Item]
Charlton, James Martin ORCID: https://orcid.org/0000-0001-9066-4705
(2014)
Been on the job too long: past and present visions of a folk crime.
In: Stage the Future: The First International Conference of Science Fiction Theatre, 26-27 Apr 2014, Royal Holloway, University of London, Egham Hill, TW20 0EX, UK.
.
[Conference or Workshop Item]
Charlton, James Martin ORCID: https://orcid.org/0000-0001-9066-4705
(2013)
The anti-didactic hypothesis.
In: Great Writing 2013, 29-30 June 2013, Imperial College London.
.
[Conference or Workshop Item]
Book
Charlton, James Martin ORCID: https://orcid.org/0000-0001-9066-4705
(2019)
Reformation.
Playdead Press, Portsmouth.
ISBN 1910067806.
[Book]
Charlton, James Martin ORCID: https://orcid.org/0000-0001-9066-4705
(2015)
Fat souls (plays volume one).
Playdead Press, London.
ISBN 1910067334.
[Book]
Charlton, James Martin ORCID: https://orcid.org/0000-0001-9066-4705
(2013)
Coward: a speculative play about the life of Noël Coward.
Playdead Press, London.
ISBN 0957679297.
[Book]
Doctorate by Public Works
Charlton, James Martin ORCID: https://orcid.org/0000-0001-9066-4705
(2021)
Writing visionary drama: an anarcho-Christian approach to the contemporary British play through four theatre texts by James Martin Charlton: The World & his Wife, Coming Up, ecstasy + GRACE, Coward.
[Doctorate by Public Works]
Performance
Kenworth, James ORCID: https://orcid.org/0000-0002-2700-2853 and Charlton, James Martin
ORCID: https://orcid.org/0000-0001-9066-4705
(2022)
Elizabeth Fry: 'The Angel of Prisons'.
[Performance]
Kenworth, James ORCID: https://orcid.org/0000-0002-2700-2853 and Charlton, James Martin
ORCID: https://orcid.org/0000-0001-9066-4705
(2019)
Alice in Canning Town.
[Performance]
Charlton, James Martin ORCID: https://orcid.org/0000-0001-9066-4705
(2019)
Reformation.
[Performance]
Kenworth, James and Charlton, James Martin ORCID: https://orcid.org/0000-0001-9066-4705
(2016)
A Splotch of Red: Keir Hardie in West Ham.
[Performance]
Charlton, James Martin ORCID: https://orcid.org/0000-0001-9066-4705
(2015)
Been on the job too long.
[Performance]
Charlton, James Martin ORCID: https://orcid.org/0000-0001-9066-4705 and Kenworth, James
(2014)
Revolution Farm.
[Performance]
Charlton, James Martin ORCID: https://orcid.org/0000-0001-9066-4705
(2013)
Battis boy.
[Performance]
Charlton, James Martin ORCID: https://orcid.org/0000-0001-9066-4705
(2012)
Coward.
[Performance]
Charlton, James Martin ORCID: https://orcid.org/0000-0001-9066-4705
(2009)
Fellow creature.
[Performance]
Portfolio/Project/Collection
Moar, Magnus ORCID: https://orcid.org/0000-0002-9489-9795 and Charlton, James Martin
ORCID: https://orcid.org/0000-0001-9066-4705
(2017)
Fellow Creatures360° project.
[Portfolio/Project/Collection]
Charlton, James Martin ORCID: https://orcid.org/0000-0001-9066-4705
(2015)
'Been on the job too long' and 'Telling and re-telling the tale ...'.
[Portfolio/Project/Collection]
Kenworth, James ORCID: https://orcid.org/0000-0002-2700-2853 and Charlton, James Martin
ORCID: https://orcid.org/0000-0001-9066-4705
(2014)
The Newham Plays: contextualising localist, site-responsive, new writing and its roots in a community’s history, culture and people.
[Portfolio/Project/Collection]
Film/Video
Moar, Magnus ORCID: https://orcid.org/0000-0002-9489-9795 and Charlton, James Martin
ORCID: https://orcid.org/0000-0001-9066-4705
(2020)
Fellow Creature 360 annotated.
[Film/Video]
Moar, Magnus ORCID: https://orcid.org/0000-0002-9489-9795 and Charlton, James Martin
ORCID: https://orcid.org/0000-0001-9066-4705
(2017)
Fellow Creature 360°.
[Film/Video]
Kenworth, James ORCID: https://orcid.org/0000-0002-2700-2853 and Charlton, James Martin
ORCID: https://orcid.org/0000-0001-9066-4705
(2014)
Revolution Farm.
[Film/Video]
Charlton, James Martin ORCID: https://orcid.org/0000-0001-9066-4705
(2011)
Academic.
[Film/Video]
Ward, Chris and Charlton, James Martin ORCID: https://orcid.org/0000-0001-9066-4705
(2011)
What shall we do with the drunken sailor.
[Film/Video]
Charlton, James Martin ORCID: https://orcid.org/0000-0001-9066-4705
(2007)
Apeth.
[Film/Video]
Kelleher, Andy, Charlton, James Martin ORCID: https://orcid.org/0000-0001-9066-4705 and Thorn, Mike
(2006)
Best shot.
[Film/Video]