Dr Kene Igweonu

Deputy Dean, Research and Knowledge Exchange

Faculty of Arts and Creative Industries

Middlesex University London

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Latest Additions

  1. Igweonu, Kene ORCID: https://orcid.org/0000-0002-8937-4206 (2015) A ritual for survival: questions of identity and politics in one hundred year of Nigerian dance. Dance Journal of Nigeria, 2 . pp. 19-37. ISSN 2315-6317
  2. Igweonu, Kene ORCID: https://orcid.org/0000-0002-8937-4206 (2015) Talawa theatre: a boundless leap into mainstream British theatre 1985-1994. In: British Theatre Companies 1980-1994. Saunders, Graham, ed. Bloomsbury Methuen Drama, London, pp. 237-255. ISBN 9781408175484.
  3. Igweonu, Kene ORCID: https://orcid.org/0000-0002-8937-4206 and Okagbue, Osita, eds. (2013) Performative inter-actions in African theatre 3: making space, rethinking drama and theatre in Africa. Cambridge Scholars Publishing, Newcastle upon Tyne. ISBN 9781443852500.
  4. Igweonu, Kene ORCID: https://orcid.org/0000-0002-8937-4206 and Okagbue, Osita, eds. (2013) Performative inter-actions in African theatre 2: innovation, creativity and social change. Cambridge Scholars Publishing, Newcastle upon Tyne. ISBN 9781443853804.
  5. Igweonu, Kene ORCID: https://orcid.org/0000-0002-8937-4206 and Okagbue, Osita, eds. (2013) Performative inter-actions in African theatre 1: diaspora representations and the interweaving of cultures. Cambridge Scholars Publishing, Newcastle upon Tyne. ISBN 9781443853781.
  6. Igweonu, Kene ORCID: https://orcid.org/0000-0002-8937-4206 (2016) 'The tree has four or five leaves': Talawa, Britishness and the first all-Black production of Waiting for Godot in Britain. In: Staging Beckett in Great Britain. Tucker, David and McTighe, Trish, eds. Bloomsbury Methuen, London, pp. 141-155. ISBN 9781474240178.
  7. Igweonu, Kene ORCID: https://orcid.org/0000-0002-8937-4206 (2016) Plays one. Kraft Books, Ibadan. ISBN 9789789183548.
  8. Igweonu, Kene ORCID: https://orcid.org/0000-0002-8937-4206, ed. (2011) Trends in twenty-first century African theatre and performance. Themes in Theatre - Collective Approaches to Theatre and Performance, 6 . Brill | Rodopi, Amsterdam and New York. ISBN 9789042033863. (doi:10.1163/9789401200820)
  9. Igweonu, Kene ORCID: https://orcid.org/0000-0002-8937-4206 (2011) Interculturalism revisited: identity construction in African and African-Caribbean performance. In: Trends in twenty-first century African theatre and performance. Igweonu, Kene ORCID: https://orcid.org/0000-0002-8937-4206, ed. Themes in Theatre - Collective Approaches to Theatre and Performance, 6 (6). Brill | Rodopi, Amsterdam and New York, pp. 61-84. ISBN 9789042033863. (doi:10.1163/9789401200820_006)
  10. Igweonu, Kene ORCID: https://orcid.org/0000-0002-8937-4206, Fagence, Brian, Petch, Melanie and Davies, Gareth (2011) Revealing the elusive obvious: making sense of creative practice through reflection and writing out. Journal of Writing in Creative Practice, 4 (2). pp. 225-238. ISSN 1753-5190 (doi:10.1386/jwcp.4.2.225_1)