Bruno Schulz's Generatio aequivoca: sites of (dis-)enchantment in the Quay Brothers' Street of Crocodiles
Buchan, Suzanne (2011) Bruno Schulz's Generatio aequivoca: sites of (dis-)enchantment in the Quay Brothers' Street of Crocodiles. In: Anti tales: the uses of disenchantment. McAra, Catriona and Calvin, David, eds. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 84-97. ISBN 9781443828697. [Book Section]
Abstract
In this chapter the author addresses the rewriting - cinematically - of the fairly tale, and the dialogue between the creative and the critical via a set of stylistic features and devices shared by two artistic modes: text and manipulated moving image. This is done by exploring how literary objects and figures, exemplified by Schulz's The Street of Crocodiles (1934), are interpreted by the Quay Brothers in their seminal puppet animation film Street of Crocodiles (1986) and given material form, becoming cinematic expressions of Schulz's anti-tale.
Item Type: | Book Section |
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Keywords (uncontrolled): | Bruno Schulz, fairy tale, vitalism, disenchantment, Quay Brothers, Street of Crocodiles, artefact emotion |
Research Areas: | A. > School of Art and Design > Visual Arts A. > School of Art and Design > Visual Arts > Electronic and Digital Arts cluster A. > School of Art and Design > Visual Arts > Visual Culture and Curating cluster |
Item ID: | 9809 |
Depositing User: | Suzanne Buchan |
Date Deposited: | 08 May 2013 11:54 |
Last Modified: | 25 Jul 2018 12:34 |
URI: | https://eprints.mdx.ac.uk/id/eprint/9809 |
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