Dissociation and interference in composers’ stories about music: the renewal of musical discourse

Impett, Jonathan ORCID logoORCID: https://orcid.org/0000-0002-6525-2095 (2021) Dissociation and interference in composers’ stories about music: the renewal of musical discourse. In: Sound works: Composition as critical technical practice. Impett, Jonathan ORCID logoORCID: https://orcid.org/0000-0002-6525-2095, ed. Orpheus Institute Series . Leuven University Press, Leuven, Belgium. ISBN 9789462702585, e-ISBN 9789461663665. [Book Section] (Accepted/In press)

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Abstract

A generation ago, Philip Agre responded to a discourse-gap in his own area of artificial intelligence (AI) with an approach he termed Critical Technical Practice (CTP) (Agre 1997a). I will show how composition (in the broad sense described above) has much in common with the computational design Agre was discussing, and that the CTP he proposed might provide important indications for the development of more common, constructive and critical discourse in and around the creation of music.

Item Type: Book Section
Research Areas: A. > School of Media and Performing Arts > Performing Arts > Music group
Item ID: 31754
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Depositing User: Jonathan Impett
Date Deposited: 06 Jan 2021 12:10
Last Modified: 15 Jul 2022 19:12
URI: https://eprints.mdx.ac.uk/id/eprint/31754

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