Transcendence Interrupted: Composing 'Scenes from Crow'
Dwyer, Benjamin 
ORCID: https://orcid.org/0000-0003-3616-7091
(2014)
Transcendence Interrupted: Composing 'Scenes from Crow'.
Diatribe Records.
[Other]
(doi:DIAC017)
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Abstract
This essay accompanies the CD recording of my composition Scenes from Crow - a nine-movement work for amplified mixed ensemble inspired by the poetry of Ted Hughes, in particular his Crow poems (1971, Faber). The essay explains how the composition maps the themes of Hughes's Crow poems - myth, feminism, patriarchy, the issues of modern technology, etc., in ways analogous to the literary term ekphrasis, whereby that term is employed more broadly under the rubric of 'sonic ekphrasis'; that is, how sound can capture and illuminate the imagery invoked in poetic works.
| Item Type: | Other |
|---|---|
| Additional Information: | Essay accompanying the CD "Scenes from Crow" released by Diatribe Records |
| Research Areas: | A. > School of Media and Performing Arts > Performing Arts > Music group |
| Item ID: | 25125 |
| Useful Links: | |
| Depositing User: | Benjamin Dwyer |
| Date Deposited: | 24 Sep 2018 13:42 |
| Last Modified: | 06 Jun 2022 16:32 |
| URI: | https://eprints.mdx.ac.uk/id/eprint/25125 |
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