Folto giardino: hybrid cross-pollination of score, performance, installation and technology
Impett, Jonathan 
ORCID: https://orcid.org/0000-0002-6525-2095
(2017)
Folto giardino: hybrid cross-pollination of score, performance, installation and technology.
Leonardo Music Journal, 27
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pp. 54-56.
ISSN 0961-1215
[Article]
(doi:10.1162/LMJ_a_01015)
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Abstract
This article presents a series of works for chamber ensemble (incorporating both scored and improvised material), electronics and an installation of long strings. The folto giardino of the title (derived from Mozart/Da Ponte) is a listening, performing environment in which a dramaturgy of relationships, of knowing, hearing, understanding or ignoring, can be played out. Such an approach is offered as a way of thinking about form and material when dealing with the hybrid resources typical of contemporary musical work.
| Item Type: | Article |
|---|---|
| Research Areas: | A. > School of Media and Performing Arts > Performing Arts > Music group |
| Item ID: | 25064 |
| Notes on copyright: | ©2017 ISAST. LEONARDO MUSIC JOURNAL, Vol. 27, pp. 54–56, 2017 |
| Useful Links: | |
| Depositing User: | Jonathan Impett |
| Date Deposited: | 20 Sep 2018 10:43 |
| Last Modified: | 29 Nov 2022 20:23 |
| URI: | https://eprints.mdx.ac.uk/id/eprint/25064 |
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