Crossing borders and other dividers in Western Europe and the British Isles
Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570
(2019)
Crossing borders and other dividers in Western Europe and the British Isles.
In:
A Companion to Feminist Art.
Robinson, Hilary and Buszek, Maria Elena, eds.
Blackwell Companions to Art History
.
Wiley-Blackwell, United Kingdom, pp. 127-141.
ISBN 9781118929155.
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Abstract
The task of charting artistic practices informed and motivated by feminism in a designated geographical area may be approached in two seemingly opposed but actually interconnected ways: as a flawed premise that would be in need of dismantling were it not already deconstructed; or as a provocation to entertain its (im)possibilities by attempting to trace rhizomes of shared questions, perspectives and practices. Taking the latter, more positive option surprisingly leads back to the former: the search for common ground reveals vital links and dialogues beyond the European border in a centrifugal spin. This chapter begins with an instance of the fundamental dialogue between European and North American feminisms, proceeds through a consideration of the decentering of gender in feminist art practices, and ends with a multi-lingual performance by a Greek artist on Turkish soil, in which both boundaries and their watery dissolution are put into play.
Item Type: | Book Section |
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Research Areas: | A. > School of Art and Design > Visual Arts > CREATE/Feminisms cluster |
Item ID: | 24618 |
Notes on copyright: | © John Wiley & Sons, Inc.
This is an Accepted Manuscript of a book chapter published by Wiley-Blackwell in "A Companion to Feminist Art" available in final form at https://www.wiley.com/en-gb/A+Companion+to+Feminist+Art-p-9781118929155. Reprinted by permission of John Wiley & Sons. |
Useful Links: | |
Depositing User: | Alexandra Kokoli |
Date Deposited: | 13 Jul 2018 15:28 |
Last Modified: | 29 Nov 2022 19:00 |
URI: | https://eprints.mdx.ac.uk/id/eprint/24618 |
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