Video installation as a creative means of representing temporality in visual data

Hansen, Susan ORCID logoORCID: https://orcid.org/0000-0002-4679-9116 (2018) Video installation as a creative means of representing temporality in visual data. Qualitative Research in Psychology, 15 (2-3) . pp. 292-297. ISSN 1478-0887 [Article] (doi:10.1080/14780887.2018.1430011)

[img]
Preview
PDF - Final accepted version (with author's formatting)
Download (3MB) | Preview

Abstract

This paper describes the use of video installation as a creative means of engaging audiences in visual research. A detailed image-based overview of the project, 1247 Days on Whymark Avenue, is also presented. This interactive video installation offered viewers a level of phenomenological immersion in the compressed temporality and asynchronous dialogue captured by this visual research project. This film is part of a larger research project on the longitudinal photo-documentation of urban life (Hansen & Flynn 2015a). The project uses repeat photography to study street art and graffiti as visual dialogue.

Item Type: Article
Research Areas: A. > School of Science and Technology > Psychology
Item ID: 23626
Notes on copyright: This is an Accepted Manuscript of an article published by Taylor & Francis in Qualitative Research in Psychology on 01/03/2018, available online: http://www.tandfonline.com/10.1080/14780887.2018.1430011
Useful Links:
Depositing User: Susan Hansen
Date Deposited: 23 Feb 2018 14:20
Last Modified: 12 Jun 2022 11:29
URI: https://eprints.mdx.ac.uk/id/eprint/23626

Actions (login required)

View Item View Item

Statistics

Activity Overview
6 month trend
0Downloads
6 month trend
0Hits

Additional statistics are available via IRStats2.