See no evil, print no evil: the criminalization of free speech in DMZ

Nurse, Angus ORCID logoORCID: (2017) See no evil, print no evil: the criminalization of free speech in DMZ. The Comics Grid: Journal of Comics Scholarship, 7 (1) . pp. 1-22. ISSN 2048-0792 [Article] (doi:10.16995/cg.88)

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This article examines contemporary notions on free speech and the criminalisation of journalistic expression since 9/11, via discussion of Brian Wood’s DMZ comics (DC Vertigo). Free speech and the importance of a free press are widely accepted notions, yet journalistic and artistic freedom is arguably under attack in our post-9/11 world (Ash, 2016; Article 19, 2007). State responses to global terror threats have criminalised free speech, particularly speech seen as ‘glorifying’ or ‘supporting’ terrorism via anti-terror or restrictive media laws. This article examines these issues via DMZ ’s discussion of a second American civil war in which freedom of the press has all but disappeared, arguing that DMZ ’s ‘War on Terror’ narrative and depiction of controlled news access serve as allegories for contemporary free speech restrictions. DMZ illustrates contemporary concerns about a perceived social problem in its representation of corruption, abuse of power and restrictions on the public’s right to know.

Item Type: Article
Additional Information: Article number = 10
Research Areas: A. > School of Law > Criminology and Sociology
Item ID: 22330
Notes on copyright: Copyright: © 2017 The Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the
original author and source are credited. See
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Depositing User: Angus Nurse
Date Deposited: 03 Aug 2017 14:54
Last Modified: 07 Jun 2022 10:36

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