Crossover culture: popular music and the politics of "race".
Jones, Simon 
ORCID: https://orcid.org/0000-0002-6405-5698
(1993)
Crossover culture: popular music and the politics of "race".
Stanford Humanities Review, 3
(2)
.
pp. 103-117.
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Abstract
Popular music has long been a site of communication across ethnic and racial categories. These interactions, however, have never been "neutral" processes of exchange, but politically charged, complicated by economic and cultural power relationships, and rendered problematic by racism. This article examines some of the cultural and political effects of these processes, particularly within the cultures of young people in Britain and the United States.
| Item Type: | Article |
|---|---|
| Keywords (uncontrolled): | Popular Music, Race, Youth Culture, Rap, Reggae, Crossover |
| Research Areas: | A. > School of Media and Performing Arts > Performing Arts > Music group |
| Item ID: | 17630 |
| Depositing User: | Simon Jones |
| Date Deposited: | 24 Sep 2015 09:27 |
| Last Modified: | 30 Nov 2022 03:25 |
| URI: | https://eprints.mdx.ac.uk/id/eprint/17630 |
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