Approaches to spectral harmony in the music for Tom Schan’s feature film ‘Martyr’ (2006)
Evans, François ORCID: https://orcid.org/0000-0001-5480-5494
(2006)
Approaches to spectral harmony in the music for Tom Schan’s feature film ‘Martyr’ (2006).
In: Middlesex University Music Research Symposium, 2006, Middlesex University, London.
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Abstract
Spectral composition techniques unveil new fields of expression for the composer of music for film. In this paper is presented an illustrated description of the application of spectral techniques to narrative ends in the score for a British feature film.
Item Type: | Conference or Workshop Item (Paper) |
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Research Areas: | A. > School of Media and Performing Arts > Performing Arts > Music group |
Item ID: | 16988 |
Notes on copyright: | Access to full text restricted pending copyright check |
Depositing User: | Francois Evans |
Date Deposited: | 15 Jun 2015 11:26 |
Last Modified: | 30 Nov 2022 02:13 |
URI: | https://eprints.mdx.ac.uk/id/eprint/16988 |
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