Approaches to spectral harmony in the music for Tom Schan’s feature film ‘Martyr’ (2006)

Evans, François ORCID logoORCID: https://orcid.org/0000-0001-5480-5494 (2006) Approaches to spectral harmony in the music for Tom Schan’s feature film ‘Martyr’ (2006). In: Middlesex University Music Research Symposium, 2006, Middlesex University, London. . [Conference or Workshop Item]

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Abstract

Spectral composition techniques unveil new fields of expression for the composer of music for film. In this paper is presented an illustrated description of the application of spectral techniques to narrative ends in the score for a British feature film.

Item Type: Conference or Workshop Item (Paper)
Research Areas: A. > School of Media and Performing Arts > Performing Arts > Music group
Item ID: 16988
Notes on copyright: Access to full text restricted pending copyright check
Depositing User: Francois Evans
Date Deposited: 15 Jun 2015 11:26
Last Modified: 21 Jun 2022 16:47
URI: https://eprints.mdx.ac.uk/id/eprint/16988

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