Deus ex machina: psychodynamics of identity in sound streams
Evans, François ORCID: https://orcid.org/0000-0001-5480-5494
(2005)
Deus ex machina: psychodynamics of identity in sound streams.
In: 17th International Conference on systems research, Infomatics & cybernetics (The 7th Symposium on Systems Research in the Arts: Music, Environmental Design and the Choreography of Space), August 1 - 7, 2005, Baden-Baden, Germany.
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[Conference or Workshop Item]
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Abstract
In addressing the question of how the temporal Arts are ‘preserved’, this paper aims to throw light on the mind of the listener as interpreter-conspirator, by proposing that Peter Mark Roget (1779- 1869)’s ‘Classification of Ideas’ from the introduction to his Thesaurus of English Words and Phrases (1852), can be viewed as the subjective presentation of the structure of a shared system of signification by which artists, spectators and auditors alike, make sense of their art.
Item Type: | Conference or Workshop Item (Paper) |
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Keywords (uncontrolled): | abstraction, identity, ontology, sound transformation |
Research Areas: | A. > School of Media and Performing Arts > Performing Arts > Music group |
Item ID: | 16986 |
Useful Links: | |
Depositing User: | Francois Evans |
Date Deposited: | 15 Jun 2015 11:08 |
Last Modified: | 30 Nov 2022 02:18 |
URI: | https://eprints.mdx.ac.uk/id/eprint/16986 |
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