Mary Wigman the witch
Kolb, Alexandra (2015) Mary Wigman the witch. In: Cut & Paste: Dance Advocacy in the Age of Austerity, SDHS conference, Athens. . [Conference or Workshop Item] (Accepted/In press)
Abstract
My paper investigates the different versions of Mary Wigman’s famous Hexentanz (Witch Dance) which have spanned three political regimes (including the Third Reich). I examine how the cultural and political milieus of these different periods may have shaped, through Wigman’s imagination if not necessarily consciously, the form and iconography of the works. I also intend a rereading of the central figure of the witch. Although Hexentanz has been interpreted as feminist in current research (e.g. Banes 1998), early 20th-century inquests into historical witchcraft trials reveal interpretations ranging from anti-clerical and feminist, to racist and anti-semitic.
Item Type: | Conference or Workshop Item (Paper) |
---|---|
Research Areas: | A. > School of Media and Performing Arts > Performing Arts > Dance group |
Item ID: | 16680 |
Depositing User: | Alexandra Kolb |
Date Deposited: | 01 Jun 2015 14:21 |
Last Modified: | 04 Oct 2017 14:47 |
URI: | https://eprints.mdx.ac.uk/id/eprint/16680 |
Actions (login required)
![]() |
View Item |
Statistics
Additional statistics are available via IRStats2.