Sensualities: experiencing/dancing/writing
Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209
(2013)
Sensualities: experiencing/dancing/writing.
New Writing: The International Journal for the Practice and Theory of Creative Writing, 10
(1)
.
pp. 3-17.
ISSN 1479-0726
[Article]
(doi:10.1080/14790726.2012.693098)
Abstract
Through this article I articulate the interplay between writing and improvisational dancing to describe a methodology for an embodied, sensual and experiential mode of writing/dancing in which the boundaries between these two disciplines are blurred. Through a consideration of this writing practice, I argue that, as a form of knowing, it offers an implicit challenge to the normalised economy of academic discourse. Developing out of a ‘practice as research’ project undertaken within The Choreographic Lab (University of Northampton), the article includes extracts of the work ‘Dear Practice …’, in which I, as ‘dancer’, enter into a series of exchanges in the form of letters with my improvisation ‘practice’.
Item Type: | Article |
---|---|
Keywords (uncontrolled): | dance, writing, embodiment, knowledge, improvisation |
Research Areas: | A. > School of Media and Performing Arts > Performing Arts A. > School of Media and Performing Arts > Performing Arts > Dance group |
Item ID: | 11291 |
Useful Links: | |
Depositing User: | Teddy ~ |
Date Deposited: | 17 Jul 2013 14:22 |
Last Modified: | 10 Dec 2020 18:11 |
URI: | https://eprints.mdx.ac.uk/id/eprint/11291 |
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