Items where Research Area is "A. > School of Art and Design > Visual Arts > Visual Culture and Curating cluster"

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Article

Augusto, Juan Carlos ORCID: https://orcid.org/0000-0002-0321-9150, Mulvenna, M., Zheng, H., Wang, H., Martin, S., McCullagh, P. and Wallace, J. (2014) Night optimised care technology for users needing assisted lifestyles. Behaviour and Information Technology, 33 (12) . pp. 1261-1277. ISSN 0144-929X (doi:10.1080/0144929X.2013.816773)

Bacon, Thomas John ORCID: https://orcid.org/0000-0001-9859-6946 (2011) Traces of being: a document of absence in words. activate, 1 (1) . pp. 1-19. (Published online first)

Bayley, Lucy, Cranfield, Ben and Massey, Anne (2014) Institute of Contemporary Arts: an archival experiment. mnemoscape, 1 (1) .

Bird, Jon (2017) Desperately seeking Cy: Mary Jacobus' reading Cy Twombly: poetry in paint, 2016 [Book review]. The Cambridge Humanities Review (14) .

Bird, Jon (2005) Hubert Damisch. Oxford Art Journal, 28 (2) . pp. 151-288. ISSN 0142-6540

Bird, Jon (2017) Inside out, outside in [Review article]. Le Monde diplomatique . ISSN 0026-9395

Bird, Jon (2007) Interdeterminacy and (dis)order in the work of Cy Twombly. Oxford Art Journal . pp. 353-376. ISSN 1741-7287 (doi:10.1093/oxartj/kcm024)

Bird, Jon (2003) The mote in God's eye: 9/11, then and now. Journal of Visual Culture, 12 (1) . pp. 82-97. ISSN 1470-4129

Bird, Jon and Garb, Tamar (2001) On installation. Oxford Art Journal, 24 (2) . ISSN 0142-6540

Bird, Jon and Strauss, David Levi (2006) Nancy Spero: The Drawing Center & Galerie Lelong. Brooklyn Rail .

Buchan, Suzanne (1998) The Quay brothers: choreographed chiaroscuro, enigmatic and sublime. Film Quarterly, 51 (3) . pp. 2-15. ISSN 0015-1386

Buchan, Suzanne (2010) A curious chapter in the manual of animation: Stan VanDerBeek's animated spatial politics. Animation: an interdisciplinary journal, 5 (2) . pp. 173-196. ISSN Print ISSN: 1746-8477 Online ISSN: 1746-8485 (doi:10.1177/1746847710368325)

Garson, Jeremy A., Clewley, J. P., Simmonds, P., Zhang, L. Q., Mori, J., Ring, Christopher J., Follett, E. A., Dow, B. C., Martin, S. and Gunson, H. (1992) Hepatitis C viraemia in United Kingdom blood donors: a multicentre study. Vox Sanguinis, 62 (4) . pp. 218-223. ISSN 0042-9007 (doi:10.1111/j.1423-0410.1992.tb01202.x)

Mac an Bhreithiún, Bharain ORCID: https://orcid.org/0000-0002-6376-2833 (2011) Ar seiz breur, linguistic hegemony, and graphic resistance in Brittany. Contemporary French Civilization, 35 (1) . pp. 111-142. ISSN 0147-9156 (doi:10.3828/cfc.2011.35.1.7)

Martin, Stewart ORCID: https://orcid.org/0000-0003-2419-1123 (2009) Artistic communism – a sketch. Third Text, 23 (4) . pp. 481-494. ISSN 0952-8822 (doi:10.1080/09528820903007750)

Martin, Stewart ORCID: https://orcid.org/0000-0003-2419-1123 (2019) Commodity. Kunst und Politik: Jahrbuch der Guernica-Gesellschaft . (Accepted/In press)

Martin, Stewart ORCID: https://orcid.org/0000-0003-2419-1123 (2007) Critique of relational aesthetics. Third Text, 21 (4) . pp. 386-396. ISSN 0952-8822 (doi:10.1080/09528820701433323)

Massey, Anne (2008) Art Deco for swells at sea: the Normandie's magnificent glass mural graces the Met. Wall Street Journal .

Massey, Anne (2005) Developing creativity for the world of work: a case study. Art, Design & Communication in Higher Education, 4 (1) . p. 17. ISSN 1474273X

Massey, Anne (1987) The Independent Group: towards a redefinition. The Burlington Magazine, 129 (1009) .

Massey, Anne (2013) Introduction to the themed Issue: the Independent Group. Journal of Visual Culture, 12 (2) . pp. 203-2014. ISSN 1470-4129 (doi:10.1177/1470412913491186)

Massey, Anne (2008) Makes the Independent Group so different, so appealing? Kiosk Magazine (2) . pp. 40-42. ISSN 1755-9626

Massey, Anne (2002) Nigel Henderson. Art Monthly (257) . ISSN 0142-6702

Massey, Anne (2013) The mother of pop? Dorothy Morland and the Independent Group. Journal of Visual Culture, 12 (2) . pp. 262-278. ISSN 1470-4129 (doi:10.1177/1470412913489865)

Massey, Anne and Micklethwaite, Paul (2009) Unsustainability: towards a new design history, with reference to British utility. Design Philosophy Papers (2) . ISSN 1448-7136

Robinson, Hilary (2013) Actionmyth, historypanic: the entry of VALIE EXPORT’s aktionhose: genitalpanik into art history. n.paradoxa: international feminist art journal, 23 . pp. 84-89. ISSN 1461-0434

Robinson, Hilary (2013) Feminism meets the big exhibition: 2005 onwards. Anglo Saxonica, 3 (6) . ISSN 0873-0628

Robinson, Hilary (1997) Within the Pale in from: Beyond the Pale: the construction of femininity in the curating of an exhibition season at the Irish Museum of Modern Art, Dublin. Journal of Gender Studies, 6 (3) . pp. 255-267. ISSN 0958-9236 (doi:10.1080/09589236.1997.9960686)

Sutton, Damian (2015) “Let the dance floor feel your leather”: set design, dance, and the articulation of audiences in RKO Radio’s Astaire-Rogers series. Journal of Popular Film and Television, 43 (1) . pp. 2-13. ISSN 0195-6051 (doi:10.1080/01956051.2014.961997)

Sutton, Damian (2011) Time-lapse, time map: the photographic body of San Francisco in David Fincher’s Zodiac. L’Atalante: Revista de Estudios Cinematográficos (12) . ISSN 1885-3730

Sutton, Damian (2010) The platonic photographer: the role of political portraiture and the task of the photographer as author. Athens Dialogues E-Journal .

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2010) Damien Hirst’s shark: nature, capitalism and the sublime. Tate Papers (Tate's Online Research Journal), 14 . ISSN 1753-9854

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2014) Lau Kar-leung with Walter Benjamin: storytelling, authenticity, film performance and martial arts pedagogy. Journalism Media and Cultural Studies (JOMEC), 5 . pp. 1-17. ISSN 2049-2340 (doi:10.18573/j.2014.10277)

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2011) Radical, like in the 80s. Radical philosophy, 168 . pp. 56-58. ISSN 0300-211X

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2015) A ‘narrow world, strewn with prohibitions’: Chang Cheh’s The Assassin and the 1967 Hong Kong riots. Asian Cinema, 26 (1) . pp. 79-98. ISSN 1059-440X (doi:10.1386/ac.26.1.79_1)

Book Section

Bacon, Thomas John ORCID: https://orcid.org/0000-0001-9859-6946 (2018) Foreword [The furthest point in space is also inside our body]. In: No one thing is the root of all anything: phases and performance of the imminent by Chelsea Coon. Not a Cult, Los Angeles, CA, pp. 1-6. pbk-ISBN 9781945649080.

Bacon, Thomas John ORCID: https://orcid.org/0000-0001-9859-6946 (2019) Psychogenesis series. In: Emergency index: an annual document of performance practice. Gluzman, Yelena and Cleary, Sophia, eds. Emergency Index, 7 . Ugly Duckling Presse, New York, US, pp. 116-117. ISBN 9781946433213.

Bird, Jon (2019) If you go down to the woods today...Alfredo Jaar's sites of resistance. In: Alfredo Jaar: The Garden of Good and Evil [Exhibition Catalogue]. Yorkshire Sculpture Park. ISBN 9781908432339.

Bird, Jon (2005) The murmur of things. [essay]. In: Raffaela Mariniello [catalogue of an exhibition]. Ffotogallery, Cardifff. .

Bird, Jon (2004) Play time and the image: Massimo Vitali's scene's of leisure. In: Massimo photographer. Bazzini, Marco and Vitali, Massimo, eds. Centro per l'arte contemporanea, Prato. ISBN 9788885191327.

Bird, Jon (2006) Forward [to Tony Bevan]. In: Tony Bevan. Bevan, Tony, ed. Lund Humphries, Aldershot. ISBN 0853319510.

Bird, Jon (2007) Leon Golub interviewed by Bird, Jon. In: Talking art: interviews with artists since 1976. Bickers, Patricia and Wilson, Andrew, eds. Art Monthly, London. ISBN 9781905464043.

Bird, Jon (2017) I do (not) challenge: Nancy Spero's war series. In: War and art - a visual history of modern conflict. Bourke, Joanna, ed. Reaktion Books, London, UK. ISBN 9781780238463.

Bird, Jon (2007) Gradiva redux [essay]. In: William Cobbing: Gradiva project [catalogue of an exhibition]. Cobbing, William, ed. Camden Arts Centre, pp. 10-17. ISBN 9781900470766.

Bird, Jon (2016) Myth and transformation in the art of Leon Golub. In: Monster Roster: existentialist art in postwar Chicago [Exhibition catalogue]. Corbett, John, Dempsey, Jim, Moss, Jessica and Born, Richard A., eds. Smart Museum of Art, University of Chicago, Chicago, Illinois. ISBN 9780935573480.

Bird, Jon (2015) A New York story. In: Leon Golub: Bite your tongue [Exhibition Catalogue]. Enderby, Emma, Blanchflower, Melissa and Larner, Melissa, eds. Koenig Books, London. pbk-ISBN 9783863357184.

Bird, Jon (2004) Unscrambling Hans Haacke's "mixed messages". In: Hans Haacke. Grasskamp, Walter, Nesbit, Molly and Bird, Jon, eds. Phaidon, London. ISBN 0714843199.

Bird, Jon (2000) Memory's touch: the art of Louise Bourgeois. In: History painting reassessed: the representation of history in contemporary art. Green, David and Seddon, Peter, eds. Manchester University Press, Manchester. ISBN 0719051673.

Bird, Jon (2001) Olivo Barbieri: through a glass darkly. In: Olivo Barbieri: virtual truths. Tognon, Paolo, ed. Silvana, Milan. ISBN 9788882152789.

Bird, Jon (2000) Massimo Vitali. In: Beach & disco. Vitali, Massimo, ed. Steidl, Göttingen. ISBN 3882436468.

Brooker, Graeme (2012) Shifting spaces. In: Hotel lobbies and lounges: the architecture of professional hospitality. Avermaete, Tom and Massey, Anne, eds. Interior Architecture . Routledge, pp. 89-102. ISBN 9780415496537.

Brown, Camilla (2005) Foreword [to Generation yacht: Lee Valley leisure]. In: Generation yacht: Lee Valley leisure. Generation Press, pp. 1-3. ISBN 9780954596910.

Brown, Camilla (2007) Introduction. In: The hitcher / Chris Coekin. Walkout Books, pp. 3-5. ISBN 9780955596209.

Brown, Camilla (2017) Camilla Brown: In the public domain - a curators perspective. In: Photographers and Research: The role of research in contemporary photographic practice. Read, Shirley and Simmons, Mike, eds. Routledge, New York, pp. 246-256. ISBN 9781138844315.

Buchan, Suzanne (2002) Uncanny place, narrative space: the architectural imagination of animation. In: Co to jest architektura? Antologia tekstów = What is Architecture? An anthology of texts. Bunkier Sztuki Contemporary Art Gallery, Kraków, Poland, pp. 354-391. ISBN 9788386905454.

Buchan, Suzanne (2011) Tricky spaces: animation, installation and spatial politics. In: Tricky women: Animationsfilmkunst von Frauen [= women in animation]. Grausgruber, Waltraud and Wagner, Birgitt, eds. Marburg, Germany. ISBN 9783894727239.

Buchan, Suzanne (2013) Short circuits and footnote traces: the Quay Brothers. In: The Quay Brothers' Universum. Guldemond, Jaap and Bloemheuvel, Marente, eds. nai010, Amsterdam, pp. 8-15. ISBN 9789462081277.

Buchan, Suzanne (2007) The animation fulcrum. In: Animated painting. Hertz, Betti-Sue, ed. San Diego Museum of Art, pp. 28-35. ISBN 9780937108376.

Buchan, Suzanne (2011) Ghosts in the machine: experiencing animation. In: Watch Me Move: The Animation Show. Hilty, Greg, ed. Merrell, London, pp. 28-38. ISBN 9781858945583.

Buchan, Suzanne (2012) Theatrical cartoon comedy: from animated portmanteau to the risus purus. In: A companion to film comedy. Horton, Andrew and Rapf, Joanna E., eds. Wiley-Blackwell, pp. 521-544. ISBN 9781444338591.

Buchan, Suzanne (2011) Bruno Schulz's Generatio aequivoca: sites of (dis-)enchantment in the Quay Brothers' Street of Crocodiles. In: Anti tales: the uses of disenchantment. McAra, Catriona and Calvin, David, eds. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 84-97. ISBN 9781443828697.

Buchan, Suzanne (2006) Animated chiaroscuro. In: 5th Norwich International Animation Festival. Pugh, Adam, ed. Norwich International Animation Festival, pp. 56-59. ISBN 9780955382208.

Buchan, Suzanne (2006) Playing with words: typography and text. In: 5th Norwich International Animation Festival. Pugh, Adam, ed. Norwich International Animation Festival, pp. 60-63. ISBN 9780955382208.

Buchan, Suzanne (2007) Oscillating at the 'high/low' art divide: curating and exhibiting animation. In: Issues in curating contemporary art and performance. Rugg, Judith and Sedgwick, Michèle, eds. Intellect, pp. 131-146. ISBN 9781841501628.

Buchan, Suzanne (2011) A metaphysics of space: the Quay Brothers atmospheric cosmogonies. In: Toward a New Interior: an Anthology of Interior Design Theory. Weinthal, Lois, ed. Princeton Architectural Press, New York, pp. 527-545. ISBN 9781616890308.

Graziano, Valeria (2017) Partisan Welfare - group phantasy as social infrastructure. In: Solidarity Poiesis: I Will Come and Steal You. b_books, Berlin. ISBN 978 3 942214 50 6.

Mac an Bhreithiún, Bharain ORCID: https://orcid.org/0000-0002-6376-2833 (2012) Graphic design, globalization, and placemaking in the neighbourhoods of Amsterdam. In: Imagining global Amsterdam: history, culture, and geography in a world city. De Waard, Marco, ed. Culture Studies . Amsterdam University Press, Amsterdam, pp. 255-272. ISBN 9789089643674.

Mac an Bhreithiún, Bharain ORCID: https://orcid.org/0000-0002-6376-2833 (2011) Graphic design and the construction of gay masculinities in Kaiserin and Têtu. In: New queer images: representations of homosexualities in contemporary francophone visual cultures. Grandena, Florian and Johnston, Cristina, eds. Modern French Identities (97) . Peter Lang, Oxford, pp. 195-212. ISBN 9783034301824.

Mac an Bhreithiún, Bharain ORCID: https://orcid.org/0000-0002-6376-2833 (2012) Graphic design, the expansion of the public sphere and the mass market book in France after 1950: the visual identity of the livre de poche. In: Jaarboek voor Nederlandse boekgeschiedenis 19/2012. Proot, Goran, ed. Uitgeverij Vantilt, Netherlands. ISBN 9789460040948.

Martin, Stewart ORCID: https://orcid.org/0000-0003-2419-1123 (2011) Short treatise on art. In: Aesthetics and contemporary art. Avanessian, Armen and Skrebowski, Luke, eds. Sternberg Press, Berlin. ISBN 9781934105528.

Martin, Stewart ORCID: https://orcid.org/0000-0003-2419-1123 (2011) Capitalist life in Lukács. In: Georg Lukacs: the fundamental dissonance of existence aesthetics, politics, literature. Bewes, Timothy and Hall, Timothy, eds. Continuum International Publishing Group Ltd, London. ISBN 9781441157904.

Martin, Stewart ORCID: https://orcid.org/0000-0003-2419-1123 (2005) W. G. Sebald and the modern art of memory. In: Photography and Literature in the Twentieth Century. Cunningham, David, Fisher, Andrew and Mays, Sas, eds. Cambridge Scholars Publishing, pp. 180-202. ISBN 1904303463.

Martin, Stewart ORCID: https://orcid.org/0000-0003-2419-1123 (2006) Literature and the modern system of the arts: sources of criticism in Adorno. In: Adorno and Literature. Cunningham, David and Mapp, Nigel, eds. Continuum International Publishing Group Ltd, pp. 9-25. ISBN 0826487521.

Martin, Stewart ORCID: https://orcid.org/0000-0003-2419-1123 (2008) Visual culture or art? In: Bildwissenschaft und Visual Culture Studies in der Diskussion. Hemingway, Andrew and Schneider, Norbert, eds. Kunst und Politik (10) . V&R unipress, University of Osnabrück. ISBN 9783899715309.

Massey, Anne (2010) Ephemeral. In: Interior Wor(l)ds. Umberto Allemandi & C., Torino, pp. 161-165. ISBN 9788842219354.

Massey, Anne (1993) Interior lifestyles. In: Biba: the Look, the Lifestyle, the Label: Exhibition Catalogue. Tyne & Wear Museums. ISBN 9780905974590.

Massey, Anne (2001) Life in the UK: the creative partnership of Lawrence Alloway and Sylvia Sleigh. In: An unnerving romanticism : the art of Sylvia Sleigh and Lawrence Alloway (Catalogue of an exhibition held at Philadelphia Art Alliance (Philadelphia), 22 Mar. - 13 May 2001.). Philadelphia Art Alliance. .

Massey, Anne (2013) Modern history and interior design. In: The handbook of interior architecture and design. Brooker, Graeme and Weinthal, Lois, eds. Bloomsbury, London. ISBN 9781847887450.

Massey, Anne (1985) The Independent Group as design theorists. In: From Spitfire to microchip: studies in the history of design from 1945 (Proceedings of a conference of the Design History Society held at the City of London Polytechnic, 1981.). Hamilton, Nicola, ed. Design Council. ISBN 9780850721348.

Massey, Anne and Hammond, Mike (1999) “...it was true! How can you laugh?”: the conflation of history and memory in the reception of Titanic in Britain and Southampton’. In: Titanic: Anatomy of a Blockbuster. Studlar, Gaylyn and Sandler, Kevin S., eds. Rutgers University Press, pp. 239-264. ISBN 9780813526690.

Massey, Anne (2002) The Independent Group : urban reality and the impact of science, the media and American popular culture. In: Blast to Freeze : British Art in the 20th Century (Catalogue of an exhibition held at Kunstmuseum Wolfsburg, Sept. 14, 2002-Jan. 19, 2003; Les Abattoirs, Toulouse, Feb. 24-May 11, 2003). Hughes, Henry Meyric, Van Tuyl, Gijs and Broeker, Holger, eds. Kunstmuseum, Wolfsburg. ISBN 9783775711807.

Massey, Anne (2009) Nationalism and design at the end of empire: interior design and the ocean liner. In: Designing the modern interior: from the Victorians to today. Sparke, Penny, Massey, Anne, Keeble, Trevor and Martin, Brenda, eds. BERG, Oxford, pp. 207-218. ISBN 9781847882882.

Osborne, Peter (1999) Conceptual art and/as philosophy. In: Rewriting conceptual art. Newman, Michael and Bird, Jon, eds. Reaktion Books, London, pp. 47-65. ISBN 1861890524.

Robinson, Hilary (2012) Pleasure, painting, politics: the three graces – or: why I like Adélaïde Labille-Guiard’s Self-Portrait With Two Pupils. In: Artistic Production and the Feminist Theory of Art: New Debates III. Ayuntamiento de Vitoria-Gastiezko Udalak, Victoria-Gastiez, Spain, pp. 306-316. ISBN 9788496845435.

Robinson, Hilary Pleasure, painting, politics: the three graces - or: why I like Adélaïde Labille-Guiard's 'self-portrait with two pupils'. In: Artistic production and the feminist theory of art: new debates III. Arakistain, Xabier and Méndes, Lourdes, eds. Ayuntamiento de Vitoria-Gasteizko Udalak, Vitoria-Gasteiz, Spain, pp. 306-316. ISBN 9788496845435.

Robinson, Hilary (2003) Becoming women: Irigaray, Ireland and visual representation. In: Art, Gender and Nation: Ethnic Landscapes, Myths and Mother-Figures. Bhreathnach-Lynch, Sheila and Cusack, Tricia, eds. Ashgate, Aldershot, pp. 113-127. ISBN 9780754632252.

Robinson, Hilary (2000) Whose beauty? Women, art, and inter-subjectivity in Luce Irigaray’s writings. In: Beauty Matters. Brand, Peg Zeglin, ed. Indiana University Press, pp. 224-251. ISBN 9780253213754.

Robinson, Hilary, Harley, A., Reid, E., Reid, S. and Watson, Y. (2008) The third space: a paradigm for internationalisation. In: The Student Experience in Art and Design Higher Education: Drivers for Change. Drew, Linda, ed. Jill Rodgers Associates, Cambridge. ISBN 9780954711177.

Sutton, Damian (2009) Cinema by design: Hollywood as network neighbourhood. In: Design and Creativity: policy, management and practice. Julier, Guy and Moor, Liz, eds. Berg, Oxford, pp. 174-190. ISBN 9781847883070.

Sutton, Damian (2010) Delay: notes on photography as non-representational thinking. In: PhotoEspaña 2010 catalogue: time expanded. Mah, Sergio, ed. La Fabrica, Madrid, pp. 145-151. ISBN 9788492841325.

Sutton, Damian (2012) Philosophy, politics and homage in Tears of the Black Tiger. In: Deleuze and film. Martin-Jones, David and Brown, William, eds. Edinburgh University Press, Edinburgh. ISBN 9780748641215.

Sutton, Damian (2009) Immanent images: photography after mobility. In: Afterimages of Gilles Deleuze’s film philosophy. Rodowick, D. N., ed. University of Minnesota Press, Minneapolis, MN, USA. ISBN 9780816650071.

Timberlake, John ORCID: https://orcid.org/0000-0002-5652-6250 (2020) Landscape and the science fiction imaginary. In: Science Fiction. Byrne-Smith, Dan, ed. Documents of Contemporary Art . Whitechape Gallery / MIT Press, London and Cambridge, Massachusetts, pp. 221-223. pbk-ISBN 9780854882816, pbk-ISBN 9780262538855.

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2018) Carnival of the drunken master: the politics of the Kung Fu comedic body. In: The Martial Arts Studies Reader. Bowman, Paul, ed. Martial Arts Studies . Rowman and Littlefield, London, pp. 199-212. ISBN 9781786605498.

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 and Pajaczkowska, Claire (2009) The sublime in the work of Cornelia Parker. In: The Sublime Now. White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 and Pajaczkowska, Claire, eds. Cambridge Scholars Publishing, Newcastle Upon Tyne, pp. 181-196. ISBN 9781443813020.

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2007) Sublimity, beauty and decorum. In: Richmond Burton and Maisie Kendall: decorum. Petry, Michael, ed. MOCA in conjunction with the Royal Academy Schools, Hornsey, pp. 5-10. ISBN 9780955257797.

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2009) Damien Hirst's diamond skull and the capitalist sublime. In: The Sublime Now. White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 and Pajaczkowska, Claire, eds. Cambridge Scholars Publishing, Newcastle Upon Tyne, pp. 155-171. ISBN 9781443813020.

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2017) Toward an aesthetic of weightlessness: Qinggong and Wire-fu. In: RoCH Fans and Legends. lok, susan pui san, ed. QUAD / Centre for Chinese Contemporary Art, Derby / Manchester. ISBN 9780995461109.

Monograph

D'Angelo, Alessio, Fumanti, Mattia and Brown, Robert (2009) Young homeless refugees in London: an exploratory research. Project Report. Middlesex University, London. .

Sutton, Damian and Wenell, Karen (2009) Not just for Christmas. Working Paper. AHRC Workshop, Glasgow. .

Conference or Workshop Item

Graziano, Valeria (2017) Partecipazione. Manuale di Educazione all’Arte Contemporanea. In: Education_ART/Contest, Artissima Fair, 2016, October 2016, Turin, Italy. ISBN 9788899743437.

Massey, Anne (2014) Cataloguing the ICA’s history: an ephemeral past. In: Association of Art Historians Annual Conference, 10th-12th April 2014, Royal College of Art. .

Massey, Anne (2014) ICA exhibitions 1948-1961: from a Picasso picture to a headscarf: paintings into textiles. In: Post-War British Exhibitions, 1945-61, 13th June 2014, Paul Mellon Centre for the Study of British Art. .

Massey, Anne (2015) Love triangles: the hidden mechanisms of the independent group. In: Behind the Scenes: The hidden mechanisms of design and architectural culture, 10-11 Jun 2015, University for the Creative Arts, Canterbury, United Kingdom. .

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2007) Damien Hirst, Colley Cibber and the bathos of the commercialised sublime. In: Taste, vision, transcendence: sublimity 1700-1900., 5th January 2007, University of Sussex. .

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2012) Damien Hirst: the capitalism sublime? In: Marxism in Culture, 1st June 2012, Institute of Historical Research, University College London. .

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2017) Enter the Xiaozi: youth in the Hong Kong Kung Fu comedy film. In: World Youth Martial Arts Mastership International Academic Conference, 03-04 Nov 2017, Cheongju University, Korea. .

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2017) Jackie Chan vs. Walter Benjamin: postcolonial “Utopias of the Body” in Kung Fu comedy. In: Research Seminar Series, Department of English Literature, Linguistics and Cultural Studies, 08 Mar 2017, University of Westminster, London, United Kingdom. .

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2012) Kung-fu cinema's Shaolin heroes in the Longue Durée of Chinese revolt. In: Riot, Revolt, Revolution, 5-7 Sept 2012, University of Brighton. .

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2017) Marvel’s Daredevil: Ninjas, Blind Swordsmen and the Oriental Obscene. In: Them! The Visual Cultures of 'Othering' in Post-Referendum UK and Post-General-Election USA, 13 Jan 2017, Middlesex University, London, United Kingdom. .

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2012) Nature, the metropolis and the apocalyptic sublime. In: Landscape & Eschatology, Friday, 13 January 2012, Tate Britain. .

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2018) Netflix ninjas and the legacy of the Kung Fu craze: asiaphilia and asiaphobia in Marvel’s Daredevil. In: 4th Annual Martial Arts Studies Conference: Bruce Lee’s Cultural Legacies, 11-12 Jul 2018, Cardiff University, UK. .

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2011) Towards a radical aesthetics of kung fu cinema: authenticity and the pedagogy of performing bodies in Lau Kar-leung’s Shaolin Cycle. In: Radical Aesthetics and Politics: Intersections in Music, Art and Critical Social Theory, 9 December 2011, Roosevelt House, Hunter College, CUNY. .

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2012) Vicissitudes of violence: Hong Kong martial arts cinema and the 1966/7 unrest. In: Genre Beyond Hollywood, 8 July 2012, University of Southampton. .

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2017) The ethics of violence in the Kung Fu comedy. In: Martial Arts Studies Conference, 2017, 11-13 Jul 2017, Cardiff University, Wales, United Kingdom. .

Book

Akerman, Jeremy, Bartram, Ang, Bauer, Diann, Bird, Jon, Boyce, Sonia, Coutts, Nicky, Press, Gefn, Holmwood, Sigrid, Johanknecht, Susan, Meynell, Katharine, Mooney, Jim, Nimarkoh, Virginia, Poulson, Kit, Richardson, Emily, Stevens, Gary, Stone, Will, Walsh, Maria and Westley-Smith, H. F. (2011) Mutual dependencies. Meynell, Katharine, ed. Artwords Press, London. ISBN 9781906441258.

Avermaete, Tom and Massey, Anne, eds. (2012) Hotel lobbies and lounges: the architecture of professional hospitality. Interior Architecture . Routledge. ISBN 9780415496537.

Bird, Jon (2011) Leon Golub [retrospective catalogue]. Turner Ediciones. ISBN 9788475069753.

Bird, Jon (2016) Leon Golub powerplay - The political portraits. Reaktion Books, London, UK. ISBN 9781780235820.

Bird, Jon (2010) Leon Golub: echoes of the real [2nd ed.]. Reaktion Books, London. ISBN 9781861897657 [Paperback] - 9781861897831 [Hardback 2nd ed.].

Bird, Jon, Grasskamp, Walter and Nesbit, Molly (2004) Hans Haacke. Phaidon, London. ISBN 0714843199.

Bird, Jon and Newman, Michael (1999) Rewriting conceptual art. Reaktion Books, London. ISBN 1861890524.

Brown, Camilla and Chaney, Edward (2009) The grand tour: Gayle Chong Kwan. Boyd, Alexandra and Bonnell, Peter, eds. ArtSway, Hampshire. ISBN 9780955840647.

Brown, H. C. (2011) Foster carer reviews: process, practicalities and best practice. Good Practice Guide . BAAF, London. ISBN 9781907585227.

Brown, H. C. and Cocker, Christine (2011) Social work with lesbians and gay men. Sage, London. ISBN 9781847873903.

Buchan, Suzanne, ed. (2006) Animated 'worlds'. John Libbey. ISBN 0861966619.

Buchan, Suzanne, ed. (2013) Pervasive animation. AFI Film Readers . Routledge. ISBN 9780415807241.

Buchan, Suzanne (2011) The Quay Brothers: into a metaphysical playroom. University of Minnesota Press, Minneapolis. ISBN 9780816646593.

Buchan, Suzanne and Janser, Andres (2005) Trickraum: spacetricks. Christoph Merian Verlag. ISBN 9783856162535.

Cadringher, Gabriele and Massey, Anne (2011) Ocean liner posters. Antique Collectors' Club. ISBN 9781851496730.

Goodwin, Dryden, Bode, Stephen, Brown, Camilla and Chandler, David (2009) Dryden Goodwin: cast. Chandler, David, ed. Steidl. ISBN 9783865217271.

Massey, Anne (1994) Blue guide to Berlin and Eastern Germany. Blue Guides . A & C Black, London. ISBN 9780713638714.

Massey, Anne (2011) Chair. Objekt . Reaktion Books Ltd, London. ISBN 9781861897589.

Massey, Anne (2006) Designing liners: a history of interior design afloat. Routledge. ISBN 9780415374668 (hbk), 9780415374682 (pbk).

Massey, Anne (2000) Hollywood beyond the screen: design and material culture. Materializing Culture . BERG, London. ISBN 9781859733165 (hbk), 9781859733219 (pbk).

Massey, Anne (2014) ICA: 1946-68. ICA, London. ISBN 978-94-91843-13-6.

Massey, Anne (1995) The Independent Group: modernism and mass culture in Britain, 1945-1959. Critical Introductions to Art . Manchester University Press. ISBN 9780719042447, pbk-ISBN 9780719042454.

Massey, Anne (1990) Interior design of the twentieth century. World of Art . Thames & Hudson. ISBN 9780500202470.

Massey, Anne (2008) Interior design since 1900. World of Art . Thames & Hudson, London. ISBN 9780500203972.

Massey, Anne (2013) Out of the ivory tower: the independent group and popular culture. Studies in Design . Manchester University Press. ISBN 9780719088063.

Massey, Anne and Sparke, Penny, eds. (2013) Interior lives: biography and the interior. Ashgate, Farnham, Surrey, UK and Burlington, VT, USA. ISBN 978-1-4094-3944-8.

Robinson, Hilary, ed. (2015) Feminism-art-theory 1968-2014: an anthology. Wiley Blackwell, Malden MA; Oxford UK. ISBN 9781118360606.

Robinson, Hilary, ed. (2001) Feminism-art-theory : 1968-2000. Wiley-Blackwell, Oxford. ISBN 9780631208495.

Robinson, Hilary, ed. (2006) Reading art, reading Irigaray: the politics of art by women. I.B. Tauris, London. ISBN 9781860649530.

Ryley, Marjolaine, Brown, Camilla and Ryley, Brigitte (2006) Ville Mona: a proper kind of house. TRACE editions, Dorset. ISBN 9780955094521.

Sparke, Penny, Massey, Anne, Keeble, Trevor and Martin, Brenda (2009) Designing the modern interior: from the Victorians to today. BERG. ISBN 9781847882882 (hbk), 9781847882875 (pbk).

Sutton, Damian (2009) Photography, cinema, memory: the crystal image of time. University of Minnesota Press. ISBN 9780816647385.

Sutton, Damian and Martin-Jones, David (2008) Deleuze reframed: a guide for the arts student. Contemporary Thinkers Reframed . I. B. Tauris, London, UK. ISBN 9781845115470.

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2018) Legacies of the drunken master: politics of the body in Hong Kong Kung Fu comedy. Asia Pop! . University of Hawai'i Press, Honolulu, USA. . (Accepted/In press)

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 and Pajaczkowska, Claire (2009) The sublime now. White, Luke and Pajaczkowska, Claire, eds. Cambridge Scholars Publishing, Newcastle Upon Tyne. ISBN 9781443813020.

Thesis

Bacon, Thomas John ORCID: https://orcid.org/0000-0001-9859-6946 (2017) Experiencing a multiplicity of self/s. PhD thesis, University of Bristol.

Bale, Robin (2018) And I half turn to go: invocatio and negation of the Public. PhD thesis, Middlesex University.

Martin, Stewart ORCID: https://orcid.org/0000-0003-2419-1123 (2002) Adorno and the problem of philosophy. PhD thesis, Middlesex University.

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2009) Damien Hirst and the legacy of the sublime in contemporary art and culture. PhD thesis, Middlesex University.

Artefact

Bird, Jon (2017) Between the window and the screen: hiding in the light: Leon Golub's transparencies [Essay in retrospective exhibition catalogue]. [Artefact]

Digital artefact

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2018) Conference report: Bruce Lee’s cultural legacies. [Digital artefact]

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2018) How Jeff Koons sold out – and why his jumbo tulips don’t belong in Paris. [Digital artefact]

Show/Exhibition

Bacon, Thomas John ORCID: https://orcid.org/0000-0001-9859-6946 (2016) TF16 - London Biennial of International Performance Art. [Show/Exhibition] (Published online first)

Bacon, Thomas John ORCID: https://orcid.org/0000-0001-9859-6946 (2018) TF18 - London Biennial of International Performance Art. [Show/Exhibition]

Bird, Jon (2019) Alfredo Jaar: Towards a culture of resistance [Curator]. [Show/Exhibition]

Bird, Jon (2011) Leon Golub [retrospective exhibition]. [Show/Exhibition]

Bird, Jon (2016) Leon Golub powerplay [Lead Curator]. [Show/Exhibition]

Bird, Jon (2015) Leon Golub selected works [Curator]. [Show/Exhibition]

Bird, Jon (2015) Leon Golub: bite your tongue [Consultant / Curator]. [Show/Exhibition]

Bird, Jon (2003) Otherworlds: Nancy Spero and Kiki Smith. [Show/Exhibition]

Brown, Camilla (2010) Sally Mann: the family and the land. [Show/Exhibition]

Buchan, Suzanne (2008) Bob Godfrey: Satire, Surrealism, Sex. [Show/Exhibition]

Buchan, Suzanne and Janser, Andres (2005) Trickraum_Spacetricks. [Show/Exhibition]

Massey, Anne and Williams, Matt (2013) Parallel of art & life: the Independent Group at the ICA. [Show/Exhibition]

Robinson, Hilary Feminist and ... [Show/Exhibition]

Performance

Bacon, Thomas John ORCID: https://orcid.org/0000-0001-9859-6946 (2019) CHTHONIC. [Performance]

Bacon, Thomas John ORCID: https://orcid.org/0000-0001-9859-6946 (2015) PERCEPTION:Lab. [Performance]

Bacon, Thomas John ORCID: https://orcid.org/0000-0001-9859-6946 (2014) The lived body: REDUX. [Performance]

Bacon, Thomas John ORCID: https://orcid.org/0000-0001-9859-6946 and Alexander, FK (2015) FIRE. [Performance]

Bacon, Thomas John ORCID: https://orcid.org/0000-0001-9859-6946 and Lanz, Joke (2015) PRESENCE/s. [Performance]

Fischer, Ernst and Bacon, Thomas John ORCID: https://orcid.org/0000-0001-9859-6946 (2014) PASSION/Flower. [Performance]

Film/Video

Bird, Jon, Blackwood, Michael, Grasskamp, Walter and Nesbit, Molly (2007) Four Decades: Hans Haacke (dvd); and Hans Haacke (book). [Film/Video]

Other

Bacon, Thomas John ORCID: https://orcid.org/0000-0001-9859-6946 (2017) Lines in the Landscape Residency 2017 - Sidney Nolan Trust [Blog post]. Sidney Nolan Trust, United Kingdom. (Published online first)

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2007) Ideal homes/artificial horizons. Museum of Domestic Design & Architecture.

This list was generated on Sat May 30 04:49:43 2020 BST.