Items where Research Area is "A. > School of Art and Design > Visual Arts > Visual Culture and Curating cluster"

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Number of items at this level: 162.

A

Akerman, Jeremy, Bartram, Ang, Bauer, Diann, Bird, Jon, Boyce, Sonia, Coutts, Nicky, Press, Gefn, Holmwood, Sigrid, Johanknecht, Susan, Meynell, Katharine, Mooney, Jim, Nimarkoh, Virginia, Poulson, Kit, Richardson, Emily, Stevens, Gary, Stone, Will, Walsh, Maria and Westley-Smith, H. F. (2011) Mutual dependencies. Meynell, Katharine, ed. Artwords Press, London. 9781906441258.

Augusto, Juan Carlos, Mulvenna, M., Zheng, H., Wang, H., Martin, S., McCullagh, P. and Wallace, J. (2014) Night optimised care technology for users needing assisted lifestyles. Behaviour and Information Technology, 33 (12). pp. 1261-1277. ISSN 0144-929X (doi:10.1080/0144929X.2013.816773)

Avermaete, Tom and Massey, Anne, eds. (2012) Hotel lobbies and lounges: the architecture of professional hospitality. Interior Architecture . Routledge. 9780415496537.

B

Bale, Robin (2018) And I half turn to go: Invocatio and negation of the Public. PhD thesis, Middlesex University.

Bayley, Lucy, Cranfield, Ben and Massey, Anne (2014) Institute of Contemporary Arts: an archival experiment. mnemoscape, 1 (1).

Bird, Jon (2019) Alfredo Jaar: Towards a Culture of Resistance [Curator]. [Show/Exhibition]

Bird, Jon (2017) Between the window and the screen: hiding in the light: Leon Golub's transparencies [Essay in retrospective exhibition catalogue]. [Artefact]

Bird, Jon (2017) Desperately seeking Cy: Mary Jacobus' reading Cy Twombly: poetry in paint, 2016 [Book review]. The Cambridge Humanities Review (14).

Bird, Jon (2005) Hubert Damisch. Oxford Art Journal, 28 (2). pp. 151-288. ISSN 0142-6540

Bird, Jon (2019) If you go down to the woods today: Alfredo Jaar's sites of resistance. In: Title of Book forthcoming. Yorshire Sculpture Park. . (Accepted/In press)

Bird, Jon (2017) Inside out, outside in [Review article]. Le Monde diplomatique . ISSN 0026-9395

Bird, Jon (2007) Interdeterminacy and (dis)order in the work of Cy Twombly. Oxford Art Journal . pp. 353-376. ISSN 1741-7287 (doi:10.1093/oxartj/kcm024)

Bird, Jon (2011) Leon Golub [retrospective catalogue]. Turner Ediciones. 9788475069753.

Bird, Jon (2011) Leon Golub [retrospective exhibition]. [Show/Exhibition]

Bird, Jon (2016) Leon Golub powerplay - The political portraits. Reaktion Books, London, UK. 9781780235820.

Bird, Jon (2016) Leon Golub powerplay [Lead Curator]. [Show/Exhibition]

Bird, Jon (2015) Leon Golub: Bite Your Tongue [Consultant / Curator]. [Show/Exhibition]

Bird, Jon (2010) Leon Golub: echoes of the real [2nd ed.]. Reaktion Books, London. 9781861897657 [Paperback] - 9781861897831 [Hardback 2nd ed.].

Bird, Jon (2003) Otherworlds: Nancy Spero and Kiki Smith. [Show/Exhibition]

Bird, Jon (2003) The mote in God's eye: 9/11, then and now. Journal of Visual Culture, 12 (1). pp. 82-97. ISSN 1470-4129

Bird, Jon (2005) The murmur of things. [essay]. In: Raffaela Mariniello [catalogue of an exhibition]. Ffotogallery, Cardifff. .

Bird, Jon (2004) Play time and the image: Massimo Vitali's scene's of leisure. In: Massimo photographer. Bazzini, Marco and Vitali, Massimo, eds. Centro per l'arte contemporanea, Prato. 9788885191327.

Bird, Jon (2006) Forward [to Tony Bevan]. In: Tony Bevan. Bevan, Tony, ed. Lund Humphries, Aldershot. 0853319510.

Bird, Jon (2007) Leon Golub interviewed by Bird, Jon. In: Talking art: interviews with artists since 1976. Bickers, Patricia and Wilson, Andrew, eds. Art Monthly, London. 9781905464043.

Bird, Jon, Blackwood, Michael, Grasskamp, Walter and Nesbit, Molly (2007) Four Decades: Hans Haacke (dvd); and Hans Haacke (book). [Film/Video]

Bird, Jon (2017) I do (not) challenge: Nancy Spero's war series. In: War and art - a visual history of modern conflict. Bourke, Joanna, ed. Reaktion Books, London, UK. 9781780238463.

Bird, Jon (2007) Gradiva redux [essay]. In: William Cobbing: Gradiva project [catalogue of an exhibition]. Cobbing, William, ed. Camden Arts Centre, pp. 10-17. 9781900470766.

Bird, Jon (2016) Myth and transformation in the art of Leon Golub. In: Monster Roster: existentialist art in postwar Chicago [Exhibition catalogue]. Corbett, John, Dempsey, Jim, Moss, Jessica and Born, Richard A., eds. Smart Museum of Art, University of Chicago, Chicago, Illinois. 9780935573480.

Bird, Jon and Garb, Tamar (2001) On installation. Oxford Art Journal, 24 (2). ISSN 0142-6540

Bird, Jon, Grasskamp, Walter and Nesbit, Molly (2004) Hans Haacke. Phaidon, London. 0714843199.

Bird, Jon (2004) Unscrambling Hans Haacke's "mixed messages". In: Hans Haacke. Grasskamp, Walter, Nesbit, Molly and Bird, Jon, eds. Phaidon, London. 0714843199.

Bird, Jon (2000) Memory's touch: the art of Louise Bourgeois. In: History painting reassessed: the representation of history in contemporary art. Green, David and Seddon, Peter, eds. Manchester University Press, Manchester. 0719051673.

Bird, Jon and Newman, Michael (1999) Rewriting conceptual art. Reaktion Books, London. 1861890524.

Bird, Jon and Strauss, David Levi (2006) Nancy Spero: The Drawing Center & Galerie Lelong. Brooklyn Rail .

Bird, Jon (2001) Olivo Barbieri: through a glass darkly. In: Olivo Barbieri: virtual truths. Tognon, Paolo, ed. Silvana, Milan. 9788882152789.

Bird, Jon (2000) Massimo Vitali. In: Beach & disco. Vitali, Massimo, ed. Steidl, Göttingen. 3882436468.

Brooker, Graeme (2012) Shifting spaces. In: Hotel lobbies and lounges: the architecture of professional hospitality. Avermaete, Tom and Massey, Anne, eds. Interior Architecture . Routledge, pp. 89-102. 9780415496537.

Brown, Camilla (2005) Foreword [to Generation yacht: Lee Valley leisure]. In: Generation yacht: Lee Valley leisure. Generation Press, pp. 1-3. 9780954596910.

Brown, Camilla (2007) Introduction. In: The hitcher / Chris Coekin. Walkout Books, pp. 3-5. 9780955596209.

Brown, Camilla (2010) Sally Mann: the family and the land. [Show/Exhibition]

Brown, Camilla and Chaney, Edward (2009) The grand tour: Gayle Chong Kwan. Boyd, Alexandra and Bonnell, Peter, eds. ArtSway, Hampshire. 9780955840647.

Brown, Camilla (2017) Camilla Brown: In the public domain - a curators perspective. In: Photographers and Research: The role of research in contemporary photographic practice. Read, Shirley and Simmons, Mike, eds. Routledge, New York, pp. 246-256. 9781138844315.

Brown, H. C. (2011) Foster carer reviews: process, practicalities and best practice. Good Practice Guide . BAAF, London. 9781907585227.

Brown, H. C. and Cocker, Christine (2011) Social work with lesbians and gay men. Sage, London. 9781847873903.

Buchan, Suzanne, ed. (2006) Animated 'worlds'. John Libbey. 0861966619.

Buchan, Suzanne (2008) Bob Godfrey: Satire, Surrealism, Sex. [Show/Exhibition]

Buchan, Suzanne, ed. (2013) Pervasive animation. AFI Film Readers . Routledge. 9780415807241.

Buchan, Suzanne (2011) The Quay Brothers: into a metaphysical playroom. University of Minnesota Press, Minneapolis. 9780816646593.

Buchan, Suzanne (1998) The Quay brothers: choreographed chiaroscuro, enigmatic and sublime. Film Quarterly, 51 (3). pp. 2-15. ISSN 0015-1386

Buchan, Suzanne (2002) Uncanny place, narrative space: the architectural imagination of animation. In: Co to jest architektura? Antologia tekstów = What is Architecture? An anthology of texts. Bunkier Sztuki Contemporary Art Gallery, Kraków, Poland, pp. 354-391. 9788386905454.

Buchan, Suzanne (2010) A curious chapter in the manual of animation: Stan VanDerBeek's animated spatial politics. Animation: an interdisciplinary journal, 5 (2). pp. 173-196. ISSN Print ISSN: 1746-8477 Online ISSN: 1746-8485 (doi:10.1177/1746847710368325)

Buchan, Suzanne (2011) Tricky spaces: animation, installation and spatial politics. In: Tricky women: Animationsfilmkunst von Frauen [= women in animation]. Grausgruber, Waltraud and Wagner, Birgitt, eds. Marburg, Germany. 9783894727239.

Buchan, Suzanne (2013) Short circuits and footnote traces: the Quay Brothers. In: The Quay Brothers' Universum. Guldemond, Jaap and Bloemheuvel, Marente, eds. nai010, Amsterdam, pp. 8-15. 9789462081277.

Buchan, Suzanne (2007) The animation fulcrum. In: Animated painting. Hertz, Betti-Sue, ed. San Diego Museum of Art, pp. 28-35. 9780937108376.

Buchan, Suzanne (2011) Ghosts in the machine: experiencing animation. In: Watch Me Move: The Animation Show. Hilty, Greg, ed. Merrell, London, pp. 28-38. 9781858945583.

Buchan, Suzanne (2012) Theatrical cartoon comedy: from animated portmanteau to the risus purus. In: A companion to film comedy. Horton, Andrew and Rapf, Joanna E., eds. Wiley-Blackwell, pp. 521-544. 9781444338591.

Buchan, Suzanne and Janser, Andres (2005) Trickraum: spacetricks. Christoph Merian Verlag. 9783856162535.

Buchan, Suzanne and Janser, Andres (2005) Trickraum_Spacetricks. [Show/Exhibition]

Buchan, Suzanne (2011) Bruno Schulz's Generatio aequivoca: sites of (dis-)enchantment in the Quay Brothers' Street of Crocodiles. In: Anti tales: the uses of disenchantment. McAra, Catriona and Calvin, David, eds. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 84-97. 9781443828697.

Buchan, Suzanne (2006) Animated chiaroscuro. In: 5th Norwich International Animation Festival. Pugh, Adam, ed. Norwich International Animation Festival, pp. 56-59. 9780955382208.

Buchan, Suzanne (2006) Playing with words: typography and text. In: 5th Norwich International Animation Festival. Pugh, Adam, ed. Norwich International Animation Festival, pp. 60-63. 9780955382208.

Buchan, Suzanne (2007) Oscillating at the 'high/low' art divide: curating and exhibiting animation. In: Issues in curating contemporary art and performance. Rugg, Judith and Sedgwick, Michèle, eds. Intellect, pp. 131-146. 9781841501628.

Buchan, Suzanne (2011) A metaphysics of space: the Quay Brothers atmospheric cosmogonies. In: Toward a New Interior: an Anthology of Interior Design Theory. Weinthal, Lois, ed. Princeton Architectural Press, New York, pp. 527-545. 9781616890308.

C

Cadringher, Gabriele and Massey, Anne (2011) Ocean liner posters. Antique Collectors' Club. 9781851496730.

D

D'Angelo, Alessio, Fumanti, Mattia and Brown, Robert (2009) Young homeless refugees in London: an exploratory research. Project Report. Middlesex University, London. .

G

Garson, Jeremy A., Clewley, J. P., Simmonds, P., Zhang, L. Q., Mori, J., Ring, Christopher J., Follett, E. A., Dow, B. C., Martin, S. and Gunson, H. (1992) Hepatitis C viraemia in United Kingdom blood donors: a multicentre study. Vox Sanguinis, 62 (4). pp. 218-223. ISSN 0042-9007 (doi:10.1111/j.1423-0410.1992.tb01202.x)

Goodwin, Dryden, Bode, Stephen, Brown, Camilla and Chandler, David (2009) Dryden Goodwin: cast. Chandler, David, ed. Steidl. 9783865217271.

Graziano, Valeria (2017) Partecipazione. In: Education_ART/Contest, Artissima Fair, 2016, October 2016, Turin, Italy.

Graziano, Valeria (2017) Partisan Welfare - group phantasy as social infrastructure. In: Solidarity Poiesis: I Will Come and Steal You. b_books, Berlin. 978 3 942214 50 6.

M

Mac an Bhreithiún, Bharain (2011) Ar seiz breur, linguistic hegemony, and graphic resistance in Brittany. Contemporary French Civilization, 35 (1). pp. 111-142. ISSN 0147-9156 (doi:10.3828/cfc.2011.35.1.7)

Mac an Bhreithiún, Bharain (2012) Graphic design, globalization, and placemaking in the neighbourhoods of Amsterdam. In: Imagining global Amsterdam: history, culture, and geography in a world city. De Waard, Marco, ed. Culture Studies . Amsterdam University Press, Amsterdam, pp. 255-272. 9789089643674.

Mac an Bhreithiún, Bharain (2011) Graphic design and the construction of gay masculinities in Kaiserin and Têtu. In: New queer images: representations of homosexualities in contemporary francophone visual cultures. Grandena, Florian and Johnston, Cristina, eds. Modern French Identities (97). Peter Lang, Oxford, pp. 195-212. 9783034301824.

Mac an Bhreithiún, Bharain (2012) Graphic design, the expansion of the public sphere and the mass market book in France after 1950: the visual identity of the livre de poche. In: Jaarboek voor Nederlandse boekgeschiedenis 19/2012. Proot, Goran, ed. Uitgeverij Vantilt, Netherlands. 9789460040948.

Martin, Stewart (2002) Adorno and the problem of philosophy. PhD thesis, Middlesex University.

Martin, Stewart (2009) Artistic communism – a sketch. Third Text, 23 (4). pp. 481-494. ISSN 0952-8822 (doi:10.1080/09528820903007750)

Martin, Stewart (2007) Critique of relational aesthetics. Third Text, 21 (4). pp. 386-396. ISSN 0952-8822 (doi:10.1080/09528820701433323)

Martin, Stewart (2011) Short treatise on art. In: Aesthetics and contemporary art. Avanessian, Armen and Skrebowski, Luke, eds. Sternberg Press, Berlin. 9781934105528.

Martin, Stewart (2011) Capitalist life in Lukács. In: Georg Lukacs: the fundamental dissonance of existence aesthetics, politics, literature. Bewes, Timothy and Hall, Timothy, eds. Continuum International Publishing Group Ltd, London. 9781441157904.

Martin, Stewart (2005) W. G. Sebald and the modern art of memory. In: Photography and Literature in the Twentieth Century. Cunningham, David, Fisher, Andrew and Mays, Sas, eds. Cambridge Scholars Publishing, pp. 180-202. 1904303463.

Martin, Stewart (2006) Literature and the modern system of the arts: sources of criticism in Adorno. In: Adorno and Literature. Cunningham, David and Mapp, Nigel, eds. Continuum International Publishing Group Ltd, pp. 9-25. 0826487521.

Martin, Stewart (2008) Visual culture or art? In: Bildwissenschaft und Visual Culture Studies in der Diskussion. Hemingway, Andrew and Schneider, Norbert, eds. Kunst und Politik (10). V&R unipress, University of Osnabrück. 9783899715309.

Massey, Anne (2008) Art Deco for swells at sea: the Normandie's magnificent glass mural graces the Met. Wall Street Journal .

Massey, Anne (1994) Blue guide to Berlin and Eastern Germany. Blue Guides . A & C Black, London. 9780713638714.

Massey, Anne (2014) Cataloguing the ICA’s history: an ephemeral past. In: Association of Art Historians Annual Conference, 10th-12th April 2014, Royal College of Art.

Massey, Anne (2011) Chair. Objekt . Reaktion Books Ltd, London. 9781861897589.

Massey, Anne (2006) Designing liners: a history of interior design afloat. Routledge. 9780415374668 (hbk), 9780415374682 (pbk).

Massey, Anne (2005) Developing creativity for the world of work: a case study. Art, Design & Communication in Higher Education, 4 (1). p. 17. ISSN 1474273X

Massey, Anne (2010) Ephemeral. In: Interior Wor(l)ds. Umberto Allemandi & C., Torino, pp. 161-165. 9788842219354.

Massey, Anne (2000) Hollywood beyond the screen: design and material culture. Materializing Culture . BERG, London. 9781859733165 (hbk), 9781859733219 (pbk).

Massey, Anne (2014) ICA exhibitions 1948-1961: from a Picasso picture to a headscarf: paintings into textiles. In: Post-War British Exhibitions, 1945-61, 13th June 2014, Paul Mellon Centre for the Study of British Art.

Massey, Anne (2014) ICA: 1946-68. ICA, London. 978-94-91843-13-6.

Massey, Anne (1995) The Independent Group: modernism and mass culture in Britain, 1945-1959. Critical Introductions to Art . Manchester University Press. 9780719042454.

Massey, Anne (1987) The Independent Group: towards a redefinition. The Burlington Magazine, 129 (1009).

Massey, Anne (1990) Interior design of the twentieth century. World of Art . Thames & Hudson. 9780500202470.

Massey, Anne (2008) Interior design since 1900. World of Art . Thames & Hudson, London. 9780500203972.

Massey, Anne (1993) Interior lifestyles. In: Biba: the Look, the Lifestyle, the Label: Exhibition Catalogue. Tyne & Wear Museums. 9780905974590.

Massey, Anne (2013) Introduction to the themed Issue: the Independent Group. Journal of Visual Culture, 12 (2). pp. 203-2014. ISSN 1470-4129

Massey, Anne (2001) Life in the UK: the creative partnership of Lawrence Alloway and Sylvia Sleigh. In: An unnerving romanticism : the art of Sylvia Sleigh and Lawrence Alloway (Catalogue of an exhibition held at Philadelphia Art Alliance (Philadelphia), 22 Mar. - 13 May 2001.). Philadelphia Art Alliance. .

Massey, Anne (2015) Love triangles: the hidden mechanisms of the independent group. In: Behind the Scenes: The hidden mechanisms of design and architectural culture, 10-11 Jun 2015, University for the Creative Arts, Canterbury, United Kingdom.

Massey, Anne (2008) Makes the Independent Group so different, so appealing? Kiosk Magazine (2). pp. 40-42. ISSN 1755-9626

Massey, Anne (2002) Nigel Henderson. Art Monthly (257). ISSN 0142-6702

Massey, Anne (2013) Out of the ivory tower: the independent group and popular culture. Studies in Design . Manchester University Press. 9780719088063.

Massey, Anne (2013) The mother of pop? Dorothy Morland and the Independent Group. Journal of Visual Culture, 12 (2). pp. 262-278. ISSN 1470-4129 (doi:10.1177/1470412913489865)

Massey, Anne (2013) Modern history and interior design. In: The handbook of interior architecture and design. Brooker, Graeme and Weinthal, Lois, eds. Bloomsbury, London. 9781847887450.

Massey, Anne (1985) The Independent Group as design theorists. In: From Spitfire to microchip: studies in the history of design from 1945 (Proceedings of a conference of the Design History Society held at the City of London Polytechnic, 1981.). Hamilton, Nicola, ed. Design Council. 9780850721348.

Massey, Anne and Hammond, Mike (1999) “...it was true! How can you laugh?”: the conflation of history and memory in the reception of Titanic in Britain and Southampton’. In: Titanic: Anatomy of a Blockbuster. Studlar, Gaylyn and Sandler, Kevin S., eds. Rutgers University Press, pp. 239-264. 9780813526690.

Massey, Anne (2002) The Independent Group : urban reality and the impact of science, the media and American popular culture. In: Blast to Freeze : British Art in the 20th Century (Catalogue of an exhibition held at Kunstmuseum Wolfsburg, Sept. 14, 2002-Jan. 19, 2003; Les Abattoirs, Toulouse, Feb. 24-May 11, 2003). Hughes, Henry Meyric, Van Tuyl, Gijs and Broeker, Holger, eds. Kunstmuseum, Wolfsburg. 9783775711807.

Massey, Anne and Micklethwaite, Paul (2009) Unsustainability: towards a new design history, with reference to British utility. Design Philosophy Papers (2). ISSN 1448-7136

Massey, Anne and Sparke, Penny, eds. (2013) Interior lives: biography and the interior. Ashgate, Farnham, Surrey, UK and Burlington, VT, USA. 978-1-4094-3944-8.

Massey, Anne (2009) Nationalism and design at the end of empire: interior design and the ocean liner. In: Designing the modern interior: from the Victorians to today. Sparke, Penny, Massey, Anne, Keeble, Trevor and Martin, Brenda, eds. BERG, Oxford, pp. 207-218. 9781847882882.

Massey, Anne and Williams, Matt (2013) Parallel of art & life: the Independent Group at the ICA. [Show/Exhibition]

O

Osborne, Peter (1999) Conceptual art and/as philosophy. In: Rewriting conceptual art. Newman, Michael and Bird, Jon, eds. Reaktion Books, London, pp. 47-65. 1861890524.

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Robinson, Hilary (2013) Actionmyth, historypanic: the entry of VALIE EXPORT’s aktionhose: genitalpanik into art history. n.paradoxa: international feminist art journal, 23 . pp. 84-89. ISSN 1461-0434

Robinson, Hilary (2013) Feminism meets the big exhibition: 2005 onwards. Anglo Saxonica, 3 (6). ISSN 0873-0628

Robinson, Hilary, ed. (2015) Feminism-art-theory 1968-2014: an anthology. Wiley Blackwell, Malden MA; Oxford UK. 9781118360606.

Robinson, Hilary, ed. (2001) Feminism-art-theory : 1968-2000. Wiley-Blackwell, Oxford. 9780631208495.

Robinson, Hilary Feminist and ... [Show/Exhibition]

Robinson, Hilary (2012) Pleasure, painting, politics: the three graces – or: why I like Adélaïde Labille-Guiard’s Self-Portrait With Two Pupils. In: Artistic Production and the Feminist Theory of Art: New Debates III. Ayuntamiento de Vitoria-Gastiezko Udalak, Victoria-Gastiez, Spain, pp. 306-316. 9788496845435.

Robinson, Hilary, ed. (2006) Reading art, reading Irigaray: the politics of art by women. I.B. Tauris, London. 9781860649530.

Robinson, Hilary (1997) Within the Pale in from: Beyond the Pale: the construction of femininity in the curating of an exhibition season at the Irish Museum of Modern Art, Dublin. Journal of Gender Studies, 6 (3). pp. 255-267. ISSN 0958-9236 (doi:10.1080/09589236.1997.9960686)

Robinson, Hilary Pleasure, painting, politics: the three graces - or: why I like Adélaïde Labille-Guiard's 'self-portrait with two pupils'. In: Artistic production and the feminist theory of art: new debates III. Arakistain, Xabier and Méndes, Lourdes, eds. Ayuntamiento de Vitoria-Gasteizko Udalak, Vitoria-Gasteiz, Spain, pp. 306-316. 9788496845435.

Robinson, Hilary (2003) Becoming women: Irigaray, Ireland and visual representation. In: Art, Gender and Nation: Ethnic Landscapes, Myths and Mother-Figures. Bhreathnach-Lynch, Sheila and Cusack, Tricia, eds. Ashgate, Aldershot, pp. 113-127. 9780754632252.

Robinson, Hilary (2000) Whose beauty? Women, art, and inter-subjectivity in Luce Irigaray’s writings. In: Beauty Matters. Brand, Peg Zeglin, ed. Indiana University Press, pp. 224-251. 9780253213754.

Robinson, Hilary, Harley, A., Reid, E., Reid, S. and Watson, Y. (2008) The third space: a paradigm for internationalisation. In: The Student Experience in Art and Design Higher Education: Drivers for Change. Drew, Linda, ed. Jill Rodgers Associates, Cambridge. 9780954711177.

Ryley, Marjolaine, Brown, Camilla and Ryley, Brigitte (2006) Ville Mona: a proper kind of house. TRACE editions, Dorset. 9780955094521.

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Sparke, Penny, Massey, Anne, Keeble, Trevor and Martin, Brenda (2009) Designing the modern interior: from the Victorians to today. BERG. 9781847882882 (hbk), 9781847882875 (pbk).

Sutton, Damian (2015) “Let the dance floor feel your leather”: set design, dance, and the articulation of audiences in RKO Radio’s Astaire-Rogers series. Journal of Popular Film and Television, 43 (1). pp. 2-13. ISSN 0195-6051 (doi:10.1080/01956051.2014.961997)

Sutton, Damian (2009) Photography, cinema, memory: the crystal image of time. University of Minnesota Press. 9780816647385.

Sutton, Damian (2011) Time-lapse, time map: the photographic body of San Francisco in David Fincher’s Zodiac. L’Atalante: Revista de Estudios Cinematográficos (12). ISSN 1885-3730

Sutton, Damian (2010) The platonic photographer: the role of political portraiture and the task of the photographer as author. Athens Dialogues E-Journal .

Sutton, Damian (2009) Cinema by design: Hollywood as network neighbourhood. In: Design and Creativity: policy, management and practice. Julier, Guy and Moor, Liz, eds. Berg, Oxford, pp. 174-190. 9781847883070.

Sutton, Damian (2010) Delay: notes on photography as non-representational thinking. In: PhotoEspaña 2010 catalogue: time expanded. Mah, Sergio, ed. La Fabrica, Madrid, pp. 145-151. 9788492841325.

Sutton, Damian and Martin-Jones, David (2008) Deleuze reframed: a guide for the arts student. Contemporary Thinkers Reframed . I. B. Tauris, London, UK. 9781845115470.

Sutton, Damian (2012) Philosophy, politics and homage in Tears of the Black Tiger. In: Deleuze and film. Martin-Jones, David and Brown, William, eds. Edinburgh University Press, Edinburgh. 9780748641215.

Sutton, Damian (2009) Immanent images: photography after mobility. In: Afterimages of Gilles Deleuze’s film philosophy. Rodowick, D. N., ed. University of Minnesota Press, Minneapolis, MN, USA. 9780816650071.

Sutton, Damian and Wenell, Karen (2009) Not just for Christmas. Working Paper. AHRC Workshop, Glasgow. .

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White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2018) Conference report: Bruce Lee’s cultural legacies. [Digital artefact]

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2009) Damien Hirst and the legacy of the sublime in contemporary art and culture. PhD thesis, Middlesex University.

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2007) Damien Hirst, Colley Cibber and the bathos of the commercialised sublime. In: Taste, vision, transcendence: sublimity 1700-1900., 5th January 2007, University of Sussex.

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2012) Damien Hirst: the capitalism sublime? In: Marxism in Culture, 1st June 2012, Institute of Historical Research, University College London.

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2010) Damien Hirst’s shark: nature, capitalism and the sublime. Tate Papers (Tate's Online Research Journal), 14 . ISSN 1753-9854

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2017) Enter the Xiaozi: youth in the Hong Kong Kung Fu comedy film. In: World Youth Martial Arts Mastership International Academic Conference, 03-04 Nov 2017, Cheongju University, Korea.

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2018) How Jeff Koons sold out – and why his jumbo tulips don’t belong in Paris. [Digital artefact]

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2007) Ideal homes/artificial horizons. Museum of Domestic Design & Architecture.

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2017) Jackie Chan vs. Walter Benjamin: postcolonial “Utopias of the Body” in Kung Fu comedy. In: Research Seminar Series, Department of English Literature, Linguistics and Cultural Studies, 08 Mar 2017, University of Westminster, London, United Kingdom.

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2012) Kung-fu cinema's Shaolin heroes in the Longue Durée of Chinese revolt. In: Riot, Revolt, Revolution, 5-7 Sept 2012, University of Brighton.

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2014) Lau Kar-leung with Walter Benjamin: storytelling, authenticity, film performance and martial arts pedagogy. Journalism Media and Cultural Studies (JOMEC), 5 . pp. 1-17. ISSN 2049-2340 (doi:10.18573/j.2014.10277)

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2018) Legacies of the drunken master: politics of the body in Hong Kong Kung Fu comedy. Asia Pop! . University of Hawai'i Press, Honolulu, USA. . (Accepted/In press)

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2017) Marvel’s Daredevil: Ninjas, Blind Swordsmen and the Oriental Obscene. In: Them! The Visual Cultures of 'Othering' in Post-Referendum UK and Post-General-Election USA, 13 Jan 2017, Middlesex University, London, United Kingdom.

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2012) Nature, the metropolis and the apocalyptic sublime. In: Landscape & Eschatology, Friday, 13 January 2012, Tate Britain.

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2018) Netflix ninjas and the legacy of the Kung Fu craze: asiaphilia and asiaphobia in Marvel’s Daredevil. In: 4th Annual Martial Arts Studies Conference: Bruce Lee’s Cultural Legacies, 11-12 Jul 2018, Cardiff University, UK.

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2011) Radical, like in the 80s. Radical philosophy, 168 . pp. 56-58. ISSN 0300-211X

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2011) Towards a radical aesthetics of kung fu cinema: authenticity and the pedagogy of performing bodies in Lau Kar-leung’s Shaolin Cycle. In: Radical Aesthetics and Politics: Intersections in Music, Art and Critical Social Theory, 9 December 2011, Roosevelt House, Hunter College, CUNY.

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2012) Vicissitudes of violence: Hong Kong martial arts cinema and the 1966/7 unrest. In: Genre Beyond Hollywood, 8 July 2012, University of Southampton.

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2017) The ethics of violence in the Kung Fu comedy. In: Martial Arts Studies Conference, 2017, 11-13 Jul 2017, Cardiff University, Wales, United Kingdom.

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2015) A ‘narrow world, strewn with prohibitions’: Chang Cheh’s The Assassin and the 1967 Hong Kong riots. Asian Cinema, 26 (1). pp. 79-98. ISSN 1059-440X (doi:10.1386/ac.26.1.79_1)

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2018) Carnival of the drunken master: the politics of the Kung Fu comedic body. In: The Martial Arts Studies Reader. Bowman, Paul, ed. Martial Arts Studies . Rowman and Littlefield, London, pp. 199-212. 9781786605498.

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 and Pajaczkowska, Claire (2009) The sublime in the work of Cornelia Parker. In: The Sublime Now. White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 and Pajaczkowska, Claire, eds. Cambridge Scholars Publishing, Newcastle Upon Tyne, pp. 181-196. 9781443813020.

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 and Pajaczkowska, Claire (2009) The sublime now. White, Luke and Pajaczkowska, Claire, eds. Cambridge Scholars Publishing, Newcastle Upon Tyne. 9781443813020.

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2007) Sublimity, beauty and decorum. In: Richmond Burton and Maisie Kendall: decorum. Petry, Michael, ed. MOCA in conjunction with the Royal Academy Schools, Hornsey, pp. 5-10. 9780955257797.

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2009) Damien Hirst's diamond skull and the capitalist sublime. In: The Sublime Now. White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 and Pajaczkowska, Claire, eds. Cambridge Scholars Publishing, Newcastle Upon Tyne, pp. 155-171. 9781443813020.

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2017) Toward an aesthetic of weightlessness: Qinggong and Wire-fu. In: RoCH Fans and Legends. lok, susan pui san, ed. QUAD / Centre for Chinese Contemporary Art, Derby / Manchester. 9780995461109.

This list was generated on Wed Oct 16 04:44:30 2019 BST.