Items where Research Area is "A. > School of Media and Performing Arts > Performing Arts > Theatre Arts group"

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Number of items at this level: 98.

2018

Beale, Samantha (2018) Gagging for it: irony, innuendo and the politics of subversion in women’s comic performance on the post-1880 London music-hall stage and its resonance in contemporary practice. PhD thesis, Middlesex University.

Butcher, Rosemary and Sachsenmaier, Stefanie (2018) Rosemary Butcher: after Kaprow – a visual journey. In: Artists in the Archive: Creative and Curatorial Engagements with Documents of Art and Performance. Clarke, Paul and Jones, Simon and Kaye, Nick and Linsley, Johanna, eds. Routledge, Abingdon, pp. 72-77. ISBN 9781138929784

Diedrich, Antje (2018) "Empathy for the entire spectrum of selves and other": George Tabori's Humanism. In: Nexus 4: Essays in German Jewish Studies. Donahue, William Collins and Helfer, Martha B. and Kagel, Martin, eds. Nexus: Essays in German Jewish Studies (4). Camden House. ISBN 9781571132949 (Accepted/In press)

Hussein, Nesreen (2018) Answer the question. Theatre, Dance and Performance Training, 9 (1). pp. 118-119. ISSN 1944-3927

Melrose, Susan (2018) "Nothing like Falling". Performance Research, 23 (4). ISSN 1352-8165 (Accepted/In press)

2017

Hussein, Nesreen and MacKenzie, Iain (2017) Issue 1 (June 2017): Cultural practices/resistant acts: cultural production and emerging democracies in revolutionary nations. Guest Editors: Nesreen Hussein and Iain MacKenzie, pp. iv-107 - special issue of Contention: The Multidisciplinary Journal of Social Protest, Volume 5, Issue 1. Berghahn.

Hussein, Nesreen and Papadelli, Vanio (2017) Training and…borders. Theatre, Dance and Performance Training, 8 (1). pp. 109-110. ISSN 1944-3927

Vesty, Robert (2017) Imagina(c)tion: Ruth Zaporah's Action Theater™ and the Feldenkrais Method® in dialogue about the coextensivity of imagination and action. IFF Feldenkrais Research Journal, 6 . ISSN 1817-4000 (Accepted/In press)

Vesty, Robert (2017) Ten Days in Tarbena: an evolutionary approach to moving through silence and sound to speech in Ruth Zaporah’s Action Theater™ training. In: The Oxford Handbook of Improvisation in Dance. Oxford University Press. (Accepted/In press)

Vesty, Robert and De la Fe, Antonio (2017) On ‘A Piece for Two (Lovers)’ - an unrehearsed performance piece. Research in Drama Education: The Journal of Applied Theatre and Performance, 22 (1). pp. 166-171. ISSN 1356-9783

2016

Machon, Josephine (2016) Watching, attending, sense-making: spectatorship in immersive theatres. Journal of Contemporary Drama in English, 4 (1). pp. 34-48. ISSN 2195-0156

Machon, Josephine (2016) On being immersed: the pleasure of being: washing, feeding, holding. In: Reframing Immersive Theatre: The Politics and Pragmatics of Participatory Performance. Frieze, James, ed. Palgrave Macmillan, Basingstoke, UK, pp. 29-42. ISBN 9781137366030

Machon, Josephine and Seitl, Martina and Lundahl, Christer (2016) ‘Blind(fold)ed by light in Lundahl & Seitl’s Symphony in a Missing Room:’ (Working title). In: Theatre in the Dark: Shadow, Gloom and Blackout in Contemporary Theatre. Alston, Adam and Welton, Martin, eds. Bloomsbury, London. (Accepted/In press)

Sachsenmaier, Stefanie (2016) Ways of doing, ways of thinking, ways of moving together: considerations for cross-cultural encounters and exchanges in and through dance practice. Choreographic Practices, 7 (2). pp. 305-326. ISSN 2040-5669

Vesty, Robert and Hamilton, Julyen (2016) Sand and Vision. [Performance]

2015

Butcher, Rosemary and Sachsenmaier, Stefanie (2015) Making marks and memories – the body in recorded time. In: Memory Sentiment Body Space Object Symposium, 15 May 2015, Coventry.

Diedrich, Antje and Carter, Mike (2015) Sandman. [Performance]

Hussein, Nesreen (2015) Gestures of resistance between the street and the theatre: documentary theatre in Egypt and Laila Soliman’s No Time For Art. In: New Anarchist Research Group Monthly Meeting, 25 April 2015, Torriano Meeting House, London.

Hussein, Nesreen (2015) Gestures of resistance between the street and the theatre: documentary theatre in Egypt and Laila Soliman’s No Time For Art. Contemporary Theatre Review, 25 (3). pp. 357-370. ISSN 1048-6801

Hussein, Nesreen (2015) Here, there, and the question of belonging in a time of revolution. In: Contested Exchanged: Space, Place and the Performance of Democracy, 28 March 2015, Artaud Performance Centre. Brunel University, London..

Hussein, Nesreen (2015) Here… there… and the question of belonging. In: Arab Women Artists Now (AWAN) Festival., 7 March 2015, Rich Mix, London..

Hussein, Nesreen (2015) Performance as a gesture of resistance in Laila Soliman’s No Time for Art. In: Theatre and Stratification. International Federation for Theatre Research’s world congress, 28 Jul - 01 Aug 2014, The University of Warwick.

Hussein, Nesreen and Papadelli, Vanio and Goely, Mohamed and Picknett, Michael (2015) My City, My Revolution. [Performance]

Hussein, Nesreen and Papadelli, Vanio and Goely, Mohamed and Picknett, Michael (2015) My city, my revolution. [Performance]

Machon, Josephine (2015) Audience improvisation in the immersive experience. In: Oxford Handbook of Improvisation in Dance. Midgelow, Vida L. and Hopf, Courtney, eds. Oxford University Press. (Accepted/In press)

Machon, Josephine (2015) Punchdrunk. In: British theatre companies: 1995-2014. Tomlin, Elizabeth, ed. British Theatre Companies: From Fringe to Mainstream . Methuen Drama. ISBN 9781408177273

Vesty, Robert (2015) Imagina(c)tion - The Feldenkrais Method® and Action Theater™ improvisation in conversation about the integration of imagination and action. In: re)storing performance - The Feldenkrais Method and Creative Practice, 27 June 2016, Bath Spa University, Bath, UK.

Vesty, Robert (2015) Space and words for dancers. [Digital artefact]

Vesty, Robert and De la Fe Guedes, Antonio (2015) A piece for two (lovers). [Performance]

Vesty, Robert and De la Fe Guedes, Antonio and Söör, Petra and Camiloti, Mariana (2015) Gjendin ridge. [Performance]

Vesty, Robert and Hanne, Billie and Burns, Laura (2015) Gwineverra, Tom and the enemy of man. [Performance]

2014

Akinleye, Adesola and Califano, Anton (2014) Light Steps promo. [Artefact]

Diedrich, Antje (2014) "The grey and the coloured truth": memory and post-memory in George Tabori's Holocaust plays. Journal of Literature and Trauma Studies, 3 (1). pp. 1-21. ISSN 2162-3627

Hussein, Nesreen (2014) Working with and supporting early career academics. A provocation. In: The Standing Conference of University Drama Departments' annual conference, 11 April 2014., Aberystwyth University..

Machon, Josephine (2014) Blind(fold)ed by light in Lundahl & Seitl’s Symphony in a Missing Room: thinking out loud in the dark. In: Theatre in the Dark., 12 Jul 2014, University of Surrey, SeedPOD Nodus Centre..

Machon, Josephine and Thompson, Charlotte (2014) Punchdrunk enrichment preliminary report. November 2014. Middlesex University.

Melrose, Susan and Sachsenmaier, Stefanie and Butcher, Rosemary (2014) Time’s markings/marking time/s: Rosemary Butcher’s Secrets of the Open Sea. In: IFTR (International Federation for Theatre Research) On Stratification, July 2014, Warwick.

Sachsenmaier, Stefanie (2014) Productive misapprehensions – Artscross as a trans-cultural collaborative zone of contestation of performance practice. In: PSi20 Avant-Garde, Tradition, Community, 04-08 July 2014, Shanghai, China.

Vesty, Robert and Söör, Petra (2014) The container. [Performance]

2013

Machon, Josephine (2013) Immersive theatres: intimacy and immediacy in contemporary performance. Palgrave Macmillan, Basingstoke. ISBN 9781137019844

Machon, Josephine (2013) Immersed in illusion, haunted by history: Marisa Carnesky’s ghost train. In: The Ashgate research companion to paranormal cultures. Jenzen, Olu and Munt, Sally R., eds. Ashgate, pp. 241-254. ISBN 9781409444671

Machon, Josephine (2013) Immersive performance, (syn)aesthetics and the phenomenology of technologies. In: Affective performance and cognitive science: body, brain and being. Shaughnessy, Nicola, ed. Bloomsbury. ISBN 9781408183984

Machon, Josephine (2013) (Syn)aesthetics and immersive theatre: embodied beholding in Lundahl & Seitl’s Rotating in a Room of Images. In: Affective performance and cognitive science. Shaughnessy, Nicola, ed. Bloomsbury Methuen Drama. ISBN 9781408185773

Machon, Josephine (2013) Naomi Wallace and the politics of desire. In: The innovative theatre of Naomi Wallace: embodied dialogues. Stevens Abbit, Erica and Palmer, Scott, eds. Palgrave Macmillan. ISBN 9781137017918

Maguire, Tom and Upton, Carole-Anne (2013) Myth and gender in contemporary Irish drama. In: Performing feminisms in contemporary Ireland. Fitzpatrick, Lisa, ed. Performing Ireland . Carysfort Press. ISBN 9781904505624

Melrose, Susan and Sachsenmaier, Stefanie and Butcher, Rosemary (2013) Just in time: ‘momentary’ events in the making of Rosemary Butcher’s signature practices. In: Performance Studies International Conference (PSi 19), 26-30 Jun 2013, Stanford, CA, United States.

Sachsenmaier, Stefanie (2013) Reinventing the past: Rosemary Butcher encounters Allan Kaprow's 18 happenings in 6 parts. Choreographic Practices, 4 (2). pp. 223-244. ISSN 2040-5669

Sachsenmaier, Stefanie and Franglen, Nick and Wragg, Gary (2013) Remote Collaboration. [Performance]

Saville, Ian (2013) The Free Money Magic Show. [Performance]

Saville, Ian (2013) Free money magic show. [Performance]

Saville, Ian (2013) The development of socialist magic: reflections on the place of power and ideology in magic performance. Journal of Performance Magic, 1 (1). pp. 2-18. ISSN 2051-6037

2012

Boddington, Ghislaine (2012) Woven bodies, woven cultures. In: Identity, performance and technology: practices of empowerment, embodiment and technicity. Broadhurst, Susan and Machon, Josephine, eds. Palgrave Studies in Performance and Technology . Pelgrave Macmillan, pp. 77-90. ISBN 9780230298880

Broadhurst, Susan and Machon, Josephine, eds. (2012) Identity, performance and technology: practices of empowerment, embodiment and technicity. Palgrave Studies in Performance and Technology . Palgrave Macmillan, Basingstoke. ISBN 9780230298880

Melrose, Susan (2012) Expert-performance-practitioner-centred modes of knowledge and models of intelligibility: disciplinary specificity and the digital submission. In: The Sage handbook of digital dissertations and theses. Andrews, Richard and Borg, Erik and Boyd Davis, Stephen and Domingo, Myrrh and England, Jude, eds. SAGE Publications, London, pp. 298-314. ISBN 9780857027399

Sachsenmaier, Stefanie (2012) Beyond Allan Kaprow: an interview with Rosemary Butcher. Journal of Dance and Somatic Practices, 4 (2). pp. 267-281. ISSN 1757-1871

Sachsenmaier, Stefanie (2012) Vom Archiv zur Neuerfindung. Fragen zur künstlerischen Handschrift im kreativen Schaffensprozess zeitgenössischer Performance. In: Tanzerfahrung und Weltkenntnis. Behrens, Claudia and Burkhard, Helga and Fleischle-Braun, Claudia and Obermaier, Krystyna, eds. Jahrbuch Tanzforschung . Henschel Verlag, Leipzig, pp. 95-107. ISBN 9783894877309

Sachsenmaier, Stefanie and Lammers, Christoph (2012) Lichtspur. [Performance]

2011

Broadhurst, Susan and Machon, Josephine, eds. (2011) Performance and technology: practices of virtual embodiment and interactivity. Palgrave Macmillan, Basingstoke, UK. ISBN 9780230293656

Machon, Josephine (2011) (Syn)aesthetics: redefining visceral performance. Palgrave Macmillan, Basingstoke, UK. ISBN 9780230336902

Melrose, Susan (2011) A cautionary note or two, amid the pleasures and pains of participation in performance-making as research. In: Participatory Research & Learning in the Performing Arts, 6 May 2011, Centre for Creative Collaboration London.

Melrose, Susan (2011) Postmodernism and performance. In: The Routledge companion to postmodernism. Sim, Stuart, ed. Routledge Companions . Routledge, London and New York, pp. 194-203. ISBN 9780415583329

Sachsenmaier, Stefanie (2011) Spontaneous combustion. In: Artistic Research in Action: Proceedings of CARPA2, Colloquium on Artistic Research in Performing Arts. Arlander, Annette, ed. Theatre Academy Helsinki, pp. 127-133. ISBN 9789529765621

Sachsenmaier, Stefanie and Lammers, Christoph and Franglen, Nick (2011) Spontaneous combustion. [Performance]

Sachsenmaier, Stefanie and Lammers, Christoph and Imori, Mie (2011) Lichtung. [Performance]

Thompson, Charlotte (2011) Story of a rude gal. [Performance]

Thompson, Charlotte (2011) Beyond borders: David Greig's transpersonal dramaturgy. In: Cosmotopia: transnational identities in David Greig's theatre. Muller, Anja and Wallace, Clare, eds. Litteraria Pragensia, pp. 103-117. ISBN 9788073083557

Upton, Carole-Anne (2011) Real people as actors: actors as real people. Studies in Theatre & Performance, 31 (2). pp. 209-222. ISSN 1468-2761

Upton, Carole-Anne (2011) The translator as metteur en scene, with reference to Les Aveugles [The Blind] by Maurice Maeterlinck. In: Staging and performing translation: text and theatre practice. Baines, Roger and Marinetti, Cristina and Perteghella, Manuela, eds. Palgrave Macmillan, Basingstoke, pp. 31-48. ISBN 9780230228191

2010

Broadhurst, Susan and Machon, Josephine, eds. (2010) Sensualities/textualities and technologies: writings of the body in 21st Century performance. Palgrave Macmillan, Basingstoke. ISBN 9780230220256

Sachsenmaier, Stefanie (2010) The invisible expert practitioner: theorising performer expertise in contemporary performance-making. PhD thesis, Middlesex University.

Sachsenmaier, Stefanie and Lammers, Christoph and Spengler, Simon (2010) Tanz auf dem Vulkan (Dancing on a volcano). [Performance]

2009

Melrose, Susan (2009) Rosemary Butcher: jottings on signature in the presence of the artist. In: Bodies of Thought, 3 April 2009, Siobhan Davies Studio, London.

Melrose, Susan (2009) Signs of life, signs of the times: and if all artists are semioticians? In: ADSA Conference, Boom or bust: economies of production and exchange in theatre, performance and culture., 30th June - 3rd July 2009, Edith Cowan University, Curtin University and Murdoch University, WA, Australia.

Melrose, Susan (2009) Expert-intuitive processing and the logics of production: struggles in (the wording of) creative decision: making in dance. In: Contemporary choreography: a critical reader. Butterworth, Jo and Wildschut, Liesbeth, eds. Routledge, London and New York, p. 23. ISBN 9780415490870

Upton, Carole-Anne (2009) The performance of truth and justice in Northern Ireland: the case of Bloody Sunday. In: Get real: documentary theatre past and present. Forsyth, Alison and Megson, Chris, eds. Performance Interventions . Palgrave Macmillan, Basingstoke, pp. 179-194. ISBN 9780230221154

2007

Melrose, Susan (2007) Practice as Research website: http://www.sfmelrose.u-net.com. Susan Melrose.

Melrose, Susan (2007) Still harping on (about expert practitioner-centred modes of knowledge and models of intelligibility). In: E-science institute workshop: digital representations in the performing arts, 18th July 2007, Edinburgh.

Melrose, Susan (2007) Not yet, and already no longer: loitering with intent between the expert practitioner at work, and the archive. In: (Capturing intention): documentatie, analyse en notatieonderzoek gebaseerd. DeLahunta, Scott and Bastien, Marion, eds. Emio Greco, Amsterdam, Netherlands, pp. 74-78. ISBN 9789081081337

2006

Bannerman, Christopher and Smith, Chris and Melrose, Susan and Alston, Richard and Baxter, Guy and Adawole, Funmi and Davis, Jacqueline (2006) Performance as knowledge. In: Performance as knowledge seminar, 3rd May 2006, Somerset house, London.

Broadhurst, Susan and Machon, Josephine, eds. (2006) Performance and technology: practices of virtual embodiment and interactivity. Palgrave Macmillan, Basingstoke, UK. ISBN 9781403999078

Melrose, Susan (2006) The vanishing, or little erasures without significance? Performance research: a journal of performing arts, 11 (2). pp. 95-107. ISSN 1352-8165

Melrose, Susan (2006) Bodies without bodies. In: Performance and Technology: Practices of Virtual Embodiment and Interactivity. Broadhurst, Susan Margaret and Machon, Josephine, eds. Palgrave Macmillan, Basingstoke, pp. 1-12. ISBN 9781403999078

Melrose, Susan (2006) Who knows - and who cares: about performance mastery? In: A performance cosmology: testimony from the future evidence of the past. Christie, Judie and Gough, Richard and Watt, Daniel Peter, eds. Routledge, London and New York, pp. 132-139. ISBN 9780415372589

Melrose, Susan (2006) Constitutive ambiguities: writing professional or expert performance practices, and the Theatre du Soleil, Paris. In: Contemporary theatres in Europe. Kelleher, Joe and Ridout, Nicholas, eds. Routledge, pp. 120-135. ISBN 0415329396

2005

Hunt, Nick and Melrose, Susan (2005) Techne, technology, technician: the creative practices of the mastercraftsperson. Performance Research: A Journal of Performing Arts, 10 (4). pp. 70-82. ISSN 1352-8165

Melrose, Susan (2005) Just intuitive. In: The impossibility of representation?, 23 April 2005., AHRC Research Centre for Cross-Cultural Music and Dance Performance, School of Oriental and African Studies, University of London.

Melrose, Susan (2005) Out of words. In: CHARM (AHRC Research Centre for the History and Analysis of Recorded Music) Symposium 1: Comparative perspectives in the study of recordings., 14-16 April 2005, Royal Holloway, University of London, Egham.

Melrose, Susan (2005) Words fail me: dancing with the other's familiar. In: Towards Tomorrow?, International gathering., 6-10 April 2005., Centre for Performance Research, Aberystwyth, University of Wales.

Melrose, Susan and Butcher, Rosemary (2005) Rosemary Butcher: choreography/collisions/collaborations. Performing Arts . Middlesex University Press, Hendon, London. ISBN 1904750478

2003

Melrose, Susan (2003) The eventful articulation of singularities - or, "Chasing angels". In: New alignments and emergent forms: dance-making, theory and knowledge., December 2003, School of Arts, Froebel College, Roehampton, University of Surrey.

2002

Melrose, Susan (2002) Before the posthuman can take [its] place: performing place and person in the early 21st century. Performance Arts International e-journal (Issue). ISSN 1027-0000

Melrose, Susan (2002) Textual turns - and a turn-up for the books. In: "Textual Conditions", September 2002., University of Nottingham,.

2001

Melrose, Susan (2001) (Re)marking the overlooked or, Stanislavski's napkin. Performance Research, 6 (2). pp. 4-19. ISSN 1352-8165

2000

Upton, Carole-Anne, ed. (2000) Moving target: theatre translation and cultural relocation. St Jerome Publishing. ISBN 9781900650274

1997

Upton, Carole-Anne (1997) Words in space: filling the empty space in francophone theatre. In: Black accents: writing in French from Africa, Mauritius and the Caribbean theatre. Proceedings of the ASCALF Conference, held in Dublin, 8-10 April 1995. Little, J. P. and Little, Roger, eds. Grant and Cutler, pp. 235-251. ISBN 9780729303903

Upton, Carole-Anne and Meech, Tony (1997) Botho Strauss on the English stage. Studies in Theatre Production, 16 . pp. 35-46. ISSN 1357-5341

1996

Upton, Carole-Anne (1996) Ananse's wealth: response and responsibility in modern African theatre. In: Popular theatres? Papers from the Popular Theatre Conference 1994. Merkin, Ros, ed. Liverpool John Moores University, pp. 140-160. ISBN 9780952797807

1994

Melrose, Susan (1994) A semiotics of the dramatic text. New directions in theatre . Macmillan, Basingstoke. ISBN 033341943x

This list was generated on Sun Jul 22 04:16:03 2018 BST.