Items where Research Area is "A. > School of Media and Performing Arts > Performing Arts > Theatre Arts group"

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Number of items at this level: 113.

Akinleye, Adesola ORCID: https://orcid.org/0000-0001-7342-8292 and Califano, Anton (2014) Light Steps promo. [Artefact]

Bannerman, Christopher, Smith, Chris, Melrose, Susan, Alston, Richard, Baxter, Guy, Adawole, Funmi and Davis, Jacqueline (2006) Performance as knowledge. In: Performance as knowledge seminar, 3rd May 2006, Somerset house, London. .

Beale, Samantha (2018) Gagging for it: irony, innuendo and the politics of subversion in women’s comic performance on the post-1880 London music-hall stage and its resonance in contemporary practice. PhD thesis, Middlesex University.

Beale, Samantha (2017) Gagging for it: irony, innuendo and the politics of subversion in women’s comic performances on the London music hall stage. In: Mixed Bill - Women and Comedy Symposium, 19 Oct 2017, Salford University, United Kingdom. .

Beale, Samantha (2019) Kitty Marion: actor and activist edited by Viv Gardner and Diane Atkinson, Manchester, Manchester University Press, 2019, 282 pp., ISBN 978-1-5261-3804-0 [Book review]. Women's History Review, 28 (6) . pp. 1011-1012. ISSN 0961-2025 (doi:10.1080/09612025.2019.1650700)

Beale, Samantha (2018) A funny thing happened on the way to the checkpoint: teaching stand-up comedy in occupied Palestine. Teaching Artist, 16 (3-4) . pp. 91-99. ISSN 1541-1796 (doi:10.1080/15411796.2018.1530520)

Boddington, Ghislaine (2012) Woven bodies, woven cultures. In: Identity, performance and technology: practices of empowerment, embodiment and technicity. Broadhurst, Susan and Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947, eds. Palgrave Studies in Performance and Technology . Pelgrave Macmillan, pp. 77-90. ISBN 9780230298880.

Broadhurst, Susan and Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947, eds. (2012) Identity, performance and technology: practices of empowerment, embodiment and technicity. Palgrave Studies in Performance and Technology . Palgrave Macmillan, Basingstoke. ISBN 9780230298880.

Broadhurst, Susan and Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947, eds. (2006) Performance and technology: practices of virtual embodiment and interactivity. Palgrave Macmillan, Basingstoke, UK. ISBN 9781403999078. (doi:10.1057/9780230288157)

Broadhurst, Susan and Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947, eds. (2011) Performance and technology: practices of virtual embodiment and interactivity. Palgrave Macmillan, Basingstoke, UK. ISBN 9780230293656. (doi:10.1057/9780230288157)

Broadhurst, Susan and Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947, eds. (2010) Sensualities/textualities and technologies: writings of the body in 21st Century performance. Palgrave Macmillan, Basingstoke. ISBN 9780230220256.

Butcher, Rosemary and Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607 (2015) Making marks and memories – the body in recorded time. In: Memory Sentiment Body Space Object Symposium, 15 May 2015, Coventry. .

Butcher, Rosemary and Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607 (2018) Rosemary Butcher: after Kaprow – a visual journey. In: Artists in the Archive: Creative and Curatorial Engagements with Documents of Art and Performance. Clarke, Paul, Jones, Simon, Kaye, Nick and Linsley, Johanna, eds. Routledge, Abingdon, pp. 72-77. ISBN 9781138929784.

De Senna, Pedro ORCID: https://orcid.org/0000-0002-6032-0132 (2018) Diversity in the discipline working group: chair’s report 2015-17. Project Report. SCUDD. . (Published online first)

Diedrich, Antje (2014) "The grey and the coloured truth": memory and post-memory in George Tabori's Holocaust plays. Journal of Literature and Trauma Studies, 3 (1) . pp. 1-21. ISSN 2162-3627 (doi:10.1353/jlt.2014.0017)

Diedrich, Antje and Carter, Mike (2015) Sandman. [Performance]

Diedrich, Antje (2018) "Empathy for the entire spectrum of selves and other": George Tabori's Humanism. In: Nexus 4: Essays in German Jewish Studies. Donahue, William Collins and Helfer, Martha B., eds. Nexus: Essays in German Jewish Studies, 4 . Camden House, pp. 151-164. ISBN 9781571132949. (doi:10.1017/9781787443563.014)

Diedrich, Antje and Malten, Trui (2017) My heart, my heart: live poetry jukebox. [Performance]

Hunt, Nick and Melrose, Susan (2005) Techne, technology, technician: the creative practices of the mastercraftsperson. Performance Research: A Journal of Performing Arts, 10 (4) . pp. 70-82. ISSN 1352-8165 (doi:10.1080/13528165.2005.10871452)

Hussein, Nesreen ORCID: https://orcid.org/0000-0001-5160-8209 (2018) Answer the question. Theatre, Dance and Performance Training, 9 (1) . pp. 118-119. ISSN 1944-3927 (doi:10.1080/19443927.2018.1428435)

Hussein, Nesreen ORCID: https://orcid.org/0000-0001-5160-8209 (2015) Gestures of resistance between the street and the theatre: documentary theatre in Egypt and Laila Soliman’s No Time For Art. In: New Anarchist Research Group Monthly Meeting, 25 April 2015, Torriano Meeting House, London. .

Hussein, Nesreen ORCID: https://orcid.org/0000-0001-5160-8209 (2015) Gestures of resistance between the street and the theatre: documentary theatre in Egypt and Laila Soliman’s No Time For Art. Contemporary Theatre Review, 25 (3) . pp. 357-370. ISSN 1048-6801 (doi:10.1080/10486801.2015.1049822)

Hussein, Nesreen ORCID: https://orcid.org/0000-0001-5160-8209 (2015) Here, there, and the question of belonging in a time of revolution. In: Contested Exchanged: Space, Place and the Performance of Democracy, 28 March 2015, Artaud Performance Centre. Brunel University, London.. .

Hussein, Nesreen ORCID: https://orcid.org/0000-0001-5160-8209 (2015) Here… there… and the question of belonging. In: Arab Women Artists Now (AWAN) Festival., 7 March 2015, Rich Mix, London.. .

Hussein, Nesreen ORCID: https://orcid.org/0000-0001-5160-8209 (2015) Performance as a gesture of resistance in Laila Soliman’s No Time for Art. In: Theatre and Stratification. International Federation for Theatre Research’s world congress, 28 Jul - 01 Aug 2014, The University of Warwick. .

Hussein, Nesreen ORCID: https://orcid.org/0000-0001-5160-8209 (2017) Rewriting Narratives in Egyptian Theatre: Translation, Performance, Politics. Edited by Sirkku Aaltonen and Areeg Ibrahim . Abingdon and New York: Routledge, 2016. Pp. 288 17 illus. £110 Hb [Book Review]. Theatre Research International, 42 (3) . pp. 353-355. ISSN 0307-8833 (doi:10.1017/S0307883317000669)

Hussein, Nesreen ORCID: https://orcid.org/0000-0001-5160-8209 (2014) Working with and supporting early career academics. A provocation. In: The Standing Conference of University Drama Departments' annual conference, 11 April 2014., Aberystwyth University.. .

Hussein, Nesreen ORCID: https://orcid.org/0000-0001-5160-8209 and MacKenzie, Iain (2017) Introduction: Creative practices/resistant acts. Contention: The Multidisciplinary Journal of Social Protest, 5 (1) . pp. 1-13. ISSN 2572-7184 (doi:10.3167/cont.2017.050102)

Hussein, Nesreen ORCID: https://orcid.org/0000-0001-5160-8209 and MacKenzie, Iain (2017) Issue 1 (June 2017): Cultural practices/resistant acts: cultural production and emerging democracies in revolutionary nations. Guest Editors: Nesreen Hussein and Iain MacKenzie, pp. iv-107 - special issue of Contention: The Multidisciplinary Journal of Social Protest, Volume 5, Issue 1. Berghahn.

Hussein, Nesreen ORCID: https://orcid.org/0000-0001-5160-8209 and Papadelli, Vanio (2017) Training and…borders. Theatre, Dance and Performance Training, 8 (1) . pp. 109-110. ISSN 1944-3927 (doi:10.1080/19443927.2017.1275208)

Hussein, Nesreen ORCID: https://orcid.org/0000-0001-5160-8209, Papadelli, Vanio, Goely, Mohamed and Picknett, Michael (2015) My City, My Revolution. [Performance]

Lane, Kate (2015) Costume at the Turn of the Century, 1990 - 2015. [Artefact]

Lane, Kate (2016) It’s alive! Design as a visual dramaturgy in a collaborative practice. In: Costume & Fashion in Context and Practice, 05 - 06 Dec 2016, University of Huddersfield, United Kingdom. .

Lane, Kate (2015) Make/Believe - UK Design for Performance 2011 - 15. [Artefact]

Lane, Kate, Ceschi, Valentina and Jaruseviciute, Guoda (2015) Trinity. [Performance]

Lane, Kate, Ceschi, Valentina and Jaruseviciute, Guoda (2014) Utopia. [Performance]

Lane, Kate and Wild, Joe (2017) Axiom; performance machine. [Show/Exhibition]

Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947 (2014) Blind(fold)ed by light in Lundahl & Seitl’s Symphony in a Missing Room: thinking out loud in the dark. In: Theatre in the Dark., 12 Jul 2014, University of Surrey, SeedPOD Nodus Centre.. .

Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947 (2013) Immersive theatres: intimacy and immediacy in contemporary performance. Palgrave Macmillan, Basingstoke. ISBN 9781137019844.

Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947, ed. (2018) The Punchdrunk encyclopaedia. Routledge, London. ISBN 9781138556782, pbk-ISBN 9781138556799, e-ISBN 9781315150352. (doi:10.4324/9781315150352)

Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947 (2011) (Syn)aesthetics: redefining visceral performance. Palgrave Macmillan, Basingstoke, UK. ISBN 9780230336902.

Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947 (2016) Watching, attending, sense-making: spectatorship in immersive theatres. Journal of Contemporary Drama in English, 4 (1) . pp. 34-48. ISSN 2195-0156 (doi:10.1515/jcde-2016-0004)

Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947 (2017) The aesthetics of immersion in Punchdrunk's The Drowned Man: A Hollywood Fable. In: Live Cinema: Cultures, Economies, Aesthetics. Atkinson, Sarah and Kennedy, Helen W., eds. Bloomsbury Academic, London, pp. 219-230. ISBN 9781501324833, pbk-ISBN 9781501353970, e-ISBN 9781501324840, e-ISBN 9781501324857. (doi:10.5040/9781501324840.ch-018)

Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947 (2016) On being immersed: the pleasure of being: washing, feeding, holding. In: Reframing Immersive Theatre: The Politics and Pragmatics of Participatory Performance. Frieze, James, ed. Palgrave Macmillan, Basingstoke, UK, pp. 29-42. ISBN 9781137366030. (doi:10.1057/978-1-137-36604-7_2)

Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947 (2013) Immersed in illusion, haunted by history: Marisa Carnesky’s ghost train. In: The Ashgate research companion to paranormal cultures. Jenzen, Olu and Munt, Sally R., eds. Ashgate, pp. 241-254. ISBN 9781409444671.

Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947, Lundahl, Christer and Seitl, Martina (2017) Missing rooms and unknown clouds: darkness and illumination in the work of Lundahl & Seitl. In: Theatre in the Dark: Shadow, Gloom and Blackout in Contemporary Theatre. Alston, Adam and Welton, Martin, eds. Methuen Drama Engage . Bloomsbury Methuen Drama, London, pp. 147-168. ISBN 9781474251181, pbk-ISBN 9781350099401, e-ISBN 9781474251198, e-ISBN 9781474251204.

Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947 (2019) Audience improvisation in the immersive experience: the sensuous world of the body in the work of Lundahl & Seitl. In: Oxford Handbook of Improvisation in Dance. Midgelow, Vida L., ed. Oxford Handbooks . Oxford University Press. ISBN 9780199396986. (Accepted/In press)

Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947 (2013) Immersive performance, (syn)aesthetics and the phenomenology of technologies. In: Affective performance and cognitive science: body, brain and being. Shaughnessy, Nicola, ed. Bloomsbury. ISBN 9781408183984.

Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947 (2013) (Syn)aesthetics and immersive theatre: embodied beholding in Lundahl & Seitl’s Rotating in a Room of Images. In: Affective performance and cognitive science. Shaughnessy, Nicola, ed. Bloomsbury Methuen Drama. ISBN 9781408185773.

Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947 (2013) Naomi Wallace and the politics of desire. In: The innovative theatre of Naomi Wallace: embodied dialogues. Stevens Abbit, Erica and Palmer, Scott, eds. Palgrave Macmillan. ISBN 9781137017918.

Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947 and Thompson, Charlotte (2014) Punchdrunk enrichment preliminary report. November 2014. Middlesex University.

Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947 (2015) Punchdrunk. In: British theatre companies: 1995-2014. Tomlin, Elizabeth, ed. British Theatre Companies: From Fringe to Mainstream . Methuen Drama. ISBN 9781408177273.

Maguire, Tom and Upton, Carole-Anne (2013) Myth and gender in contemporary Irish drama. In: Performing feminisms in contemporary Ireland. Fitzpatrick, Lisa, ed. Performing Ireland . Carysfort Press. ISBN 9781904505624.

Melrose, Susan (2002) Before the posthuman can take [its] place: performing place and person in the early 21st century. Performance Arts International e-journal (Issue) . ISSN 1027-0000

Melrose, Susan (2005) Just intuitive. In: The impossibility of representation?, 23 April 2005., AHRC Research Centre for Cross-Cultural Music and Dance Performance, School of Oriental and African Studies, University of London. .

Melrose, Susan (2018) Nothing like...falling... Performance Research, 23 (4-5) . pp. 151-161. ISSN 1352-8165 (doi:10.1080/13528165.2018.1511037)

Melrose, Susan (2005) Out of words. In: CHARM (AHRC Research Centre for the History and Analysis of Recorded Music) Symposium 1: Comparative perspectives in the study of recordings., 14-16 April 2005, Royal Holloway, University of London, Egham. .

Melrose, Susan (2007) Practice as Research website: http://www.sfmelrose.u-net.com. Susan Melrose.

Melrose, Susan (2001) (Re)marking the overlooked or, Stanislavski's napkin. Performance Research, 6 (2) . pp. 4-19. ISSN 1352-8165

Melrose, Susan (2009) Rosemary Butcher: jottings on signature in the presence of the artist. In: Bodies of Thought, 3 April 2009, Siobhan Davies Studio, London. .

Melrose, Susan (2009) Signs of life, signs of the times: and if all artists are semioticians? In: ADSA Conference, Boom or bust: economies of production and exchange in theatre, performance and culture., 30th June - 3rd July 2009, Edith Cowan University, Curtin University and Murdoch University, WA, Australia. .

Melrose, Susan (2007) Still harping on (about expert practitioner-centred modes of knowledge and models of intelligibility). In: E-science institute workshop: digital representations in the performing arts, 18th July 2007, Edinburgh. .

Melrose, Susan (2002) Textual turns - and a turn-up for the books. In: "Textual Conditions", September 2002., University of Nottingham,. .

Melrose, Susan (2005) Words fail me: dancing with the other's familiar. In: Towards Tomorrow?, International gathering., 6-10 April 2005., Centre for Performance Research, Aberystwyth, University of Wales. .

Melrose, Susan (2011) A cautionary note or two, amid the pleasures and pains of participation in performance-making as research. In: Participatory Research & Learning in the Performing Arts, 6 May 2011, Centre for Creative Collaboration London. .

Melrose, Susan (2003) The eventful articulation of singularities - or, "Chasing angels". In: New alignments and emergent forms: dance-making, theory and knowledge., December 2003, School of Arts, Froebel College, Roehampton, University of Surrey. .

Melrose, Susan (1994) A semiotics of the dramatic text. New directions in theatre . Macmillan, Basingstoke. ISBN 033341943x.

Melrose, Susan (2006) The vanishing, or little erasures without significance? Performance research: a journal of performing arts, 11 (2) . pp. 95-107. ISSN 1352-8165 (doi:10.1080/13528160600812042)

Melrose, Susan (2012) Expert-performance-practitioner-centred modes of knowledge and models of intelligibility: disciplinary specificity and the digital submission. In: The Sage handbook of digital dissertations and theses. Andrews, Richard, Borg, Erik, Boyd Davis, Stephen, Domingo, Myrrh and England, Jude, eds. SAGE Publications, London, pp. 298-314. ISBN 9780857027399.

Melrose, Susan (2006) Bodies without bodies. In: Performance and Technology: Practices of Virtual Embodiment and Interactivity. Broadhurst, Susan Margaret and Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947, eds. Palgrave Macmillan, Basingstoke, pp. 1-12. ISBN 9781403999078.

Melrose, Susan and Butcher, Rosemary (2005) Rosemary Butcher: choreography/collisions/collaborations. Performing Arts . Middlesex University Press, Hendon, London. ISBN 1904750478.

Melrose, Susan (2009) Expert-intuitive processing and the logics of production: struggles in (the wording of) creative decision: making in dance. In: Contemporary choreography: a critical reader. Butterworth, Jo and Wildschut, Liesbeth, eds. Routledge, London and New York, p. 23. ISBN 9780415490870.

Melrose, Susan (2006) Who knows - and who cares: about performance mastery? In: A performance cosmology: testimony from the future evidence of the past. Christie, Judie, Gough, Richard and Watt, Daniel Peter, eds. Routledge, London and New York, pp. 132-139. ISBN 9780415372589.

Melrose, Susan (2007) Not yet, and already no longer: loitering with intent between the expert practitioner at work, and the archive. In: (Capturing intention): documentatie, analyse en notatieonderzoek gebaseerd. DeLahunta, Scott and Bastien, Marion, eds. Emio Greco, Amsterdam, Netherlands, pp. 74-78. ISBN 9789081081337.

Melrose, Susan (2006) Constitutive ambiguities: writing professional or expert performance practices, and the Theatre du Soleil, Paris. In: Contemporary theatres in Europe. Kelleher, Joe and Ridout, Nicholas, eds. Routledge, pp. 120-135. ISBN 0415329396.

Melrose, Susan, Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607 and Butcher, Rosemary (2013) Just in time: ‘momentary’ events in the making of Rosemary Butcher’s signature practices. In: Performance Studies International Conference (PSi 19), 26-30 Jun 2013, Stanford, CA, United States. .

Melrose, Susan (2011) Postmodernism and performance. In: The Routledge companion to postmodernism. Sim, Stuart, ed. Routledge Companions . Routledge, London and New York, pp. 194-203. ISBN 9780415583329.

Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607 (2012) Beyond Allan Kaprow: an interview with Rosemary Butcher. Journal of Dance and Somatic Practices, 4 (2) . pp. 267-281. ISSN 1757-1871 (doi:10.1386/jdsp.4.2.267_1)

Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607 Intuition. [Digital artefact]

Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607 (2014) Productive misapprehensions – Artscross as a trans-cultural collaborative zone of contestation of performance practice. In: PSi20 Avant-Garde, Tradition, Community, 04-08 July 2014, Shanghai, China. .

Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607 (2013) Reinventing the past: Rosemary Butcher encounters Allan Kaprow's 18 happenings in 6 parts. Choreographic Practices, 4 (2) . pp. 223-244. ISSN 2040-5669 (doi:10.1386/chor.4.2.223_1)

Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607 (2016) Ways of doing, ways of thinking, ways of moving together: considerations for cross-cultural encounters and exchanges in and through dance practice. Choreographic Practices, 7 (2) . pp. 305-326. ISSN 2040-5669 (doi:10.1386/chor.7.2.305_1)

Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607 (2010) The invisible expert practitioner: theorising performer expertise in contemporary performance-making. PhD thesis, Middlesex University.

Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607 (2011) Spontaneous combustion. In: Artistic Research in Action: Proceedings of CARPA2, Colloquium on Artistic Research in Performing Arts. Arlander, Annette, ed. Theatre Academy Helsinki, pp. 127-133. ISBN 9789529765621.

Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607 (2012) Vom Archiv zur Neuerfindung. Fragen zur künstlerischen Handschrift im kreativen Schaffensprozess zeitgenössischer Performance. In: Tanzerfahrung und Weltkenntnis. Behrens, Claudia, Burkhard, Helga, Fleischle-Braun, Claudia and Obermaier, Krystyna, eds. Jahrbuch Tanzforschung . Henschel Verlag, Leipzig, pp. 95-107. ISBN 9783894877309.

Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607, Franglen, Nick and Wragg, Gary (2013) Remote Collaboration. [Performance]

Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607 and Lammers, Christoph (2012) Lichtspur. [Performance]

Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607, Lammers, Christoph and Franglen, Nick (2011) Spontaneous combustion. [Performance]

Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607, Lammers, Christoph and Imori, Mie (2011) Lichtung. [Performance]

Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607, Lammers, Christoph and Spengler, Simon (2010) Tanz auf dem Vulkan (Dancing on a volcano). [Performance]

Saville, Ian (2013) Free money magic show. [Performance]

Saville, Ian (2013) The development of socialist magic: reflections on the place of power and ideology in magic performance. Journal of Performance Magic, 1 (1) . pp. 2-18. ISSN 2051-6037 (doi:10.5920/jpm.2013.112)

Saville, Ian (2013) The free money magic show. [Performance]

Thompson, Charlotte (2011) Story of a rude gal. [Performance]

Thompson, Charlotte (2011) Beyond borders: David Greig's transpersonal dramaturgy. In: Cosmotopia: transnational identities in David Greig's theatre. Muller, Anja and Wallace, Clare, eds. Litteraria Pragensia, pp. 103-117. ISBN 9788073083557.

Upton, Carole-Anne, ed. (2000) Moving target: theatre translation and cultural relocation. St Jerome Publishing. ISBN 9781900650274.

Upton, Carole-Anne (2011) Real people as actors: actors as real people. Studies in Theatre & Performance, 31 (2) . pp. 209-222. ISSN 1468-2761 (doi:10.1386/stap.31.2.209_1)

Upton, Carole-Anne (2011) The translator as metteur en scene, with reference to Les Aveugles [The Blind] by Maurice Maeterlinck. In: Staging and performing translation: text and theatre practice. Baines, Roger, Marinetti, Cristina and Perteghella, Manuela, eds. Palgrave Macmillan, Basingstoke, pp. 31-48. ISBN 9780230228191.

Upton, Carole-Anne (2009) The performance of truth and justice in Northern Ireland: the case of Bloody Sunday. In: Get real: documentary theatre past and present. Forsyth, Alison and Megson, Chris, eds. Performance Interventions . Palgrave Macmillan, Basingstoke, pp. 179-194. ISBN 9780230221154.

Upton, Carole-Anne (1997) Words in space: filling the empty space in francophone theatre. In: Black accents: writing in French from Africa, Mauritius and the Caribbean theatre. Proceedings of the ASCALF Conference, held in Dublin, 8-10 April 1995. Little, J. P. and Little, Roger, eds. Grant and Cutler, pp. 235-251. ISBN 9780729303903.

Upton, Carole-Anne and Meech, Tony (1997) Botho Strauss on the English stage. Studies in Theatre Production, 16 . pp. 35-46. ISSN 1357-5341

Upton, Carole-Anne (1996) Ananse's wealth: response and responsibility in modern African theatre. In: Popular theatres? Papers from the Popular Theatre Conference 1994. Merkin, Ros, ed. Liverpool John Moores University, pp. 140-160. ISBN 9780952797807.

Vesty, Robert (2015) Imagina(c)tion - The Feldenkrais Method® and Action Theater™ improvisation in conversation about the integration of imagination and action. In: re)storing performance - The Feldenkrais Method and Creative Practice, 27 June 2016, Bath Spa University, Bath, UK. .

Vesty, Robert (2015) Space and words for dancers. [Digital artefact]

Vesty, Robert (2017) Words and dance. Choreographic Practices, 8 (1) . pp. 3-8. ISSN 2040-5669 (doi:10.1386/chor.8.1.3_2)

Vesty, Robert, Andrews, Maria, de la Fe, Antonio, Hamilton, Julyen, Hanne, Billie and Di Giovanni, Tomas (2017) Artefacts: a multi-voiced collection of paraphernalia, documentation and reflection on the space and words for dancers work-week. Choreographic Practices, 8 (1) . pp. 131-167. ISSN 2040-5669 (doi:10.1386/chor.8.1.131_1)

Vesty, Robert and De la Fe, Antonio (2017) On ‘A Piece for Two (Lovers)’ - an unrehearsed performance piece. Research in Drama Education: The Journal of Applied Theatre and Performance, 22 (1) . pp. 166-171. ISSN 1356-9783 (doi:10.1080/13569783.2016.1262252)

Vesty, Robert and De la Fe Guedes, Antonio (2015) A piece for two (lovers). [Performance]

Vesty, Robert, De la Fe Guedes, Antonio, Söör, Petra and Camiloti, Mariana (2015) Gjendin ridge. [Performance]

Vesty, Robert and Hamilton, Julyen (2016) Sand and Vision. [Performance]

Vesty, Robert, Hanne, Billie and Burns, Laura (2015) Gwineverra, Tom and the enemy of man. [Performance]

Vesty, Robert (2019) Ten Days in Tarbena: an evolutionary approach to moving through silence and sound to speech in Ruth Zaporah’s Action Theater™ training. In: The Oxford Handbook of Improvisation in Dance. Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209, ed. Oxford University Press. ISBN 9780199396986. (Accepted/In press)

Vesty, Robert and Söör, Petra (2014) The container. [Performance]

This list was generated on Thu Dec 12 04:52:05 2019 GMT.