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Article

Alibhai-Brown, Yasmin (2016) Why the veil should be repudiated. Nottingham law journal, 25 . pp. 112-118. ISSN 0965-0660

Arthurs, Jane (2009) Brands, markets and charitable ethics: MTVs EXIT campaign. Participations: Journal of Audience and Reception Studies, 6 (2). pp. 301-319. ISSN 1749-8716

Arthurs, Jane (2012) Distant suffering, proper distance: cosmopolitan ethics in the film portrayal of trafficked women. International Journal of Media & Cultural Politics, 8 (2). pp. 141-158. ISSN 1740-8296 (doi:10.1386/macp.8.2-3.141_1)

Arthurs, Jane, Drakopoulou, Sophia and Gandini, Alessandro (2018) Researching YouTube. Convergence, 24 (1). pp. 3-15. ISSN 1354-8565 (doi:10.1177/1354856517737222)

Arvidsson, Adam and Caliandro, Alessandro (2015) Brand public. Journal of Consumer Research, 42 (5). pp. 727-748. (doi:10.1093/jcr/ucv053)

Arvidsson, Adam, Caliandro, Alessandro, Airoldi, Massimo and Barina, Stefania (2016) Crowds and value. Italian Directioners on Twitter. Information, Communication & Society, 19 (7). pp. 921-939. ISSN 1369-118X (doi:10.1080/1369118X.2015.1064462)

Attwood, Feona (2009) Intimate adventures: sex blogs, sex 'blooks' and women's sexual narration. European Journal of Cultural Studies, 12 (1). pp. 5-20. ISSN 1367-5494 (doi:10.1177/1367549408098702)

Attwood, Feona (2009) deepthroatfucker and Discerning Adonis: men and cybersex. International Journal of Cultural Studies, 12 (3). pp. 279-294. ISSN 1367-8779 (doi:10.1177/1367877908101573)

Attwood, Feona, Barker, Meg John, Boynton, Petra and Hancock, Justin (2015) Sense about sex: media, sex advice, education and learning. Sex Education, 15 (5). pp. 528-539. ISSN 1468-1811 (doi:10.1080/14681811.2015.1057635)

Attwood, Feona and Smith, Clarissa (2014) Porn Studies: an introduction. Porn Studies, 1 (1-2). pp. 1-6. ISSN 2326-8743 (doi:10.1080/23268743.2014.887308)

Barling, Kurt and Akinrinade, Olusola (1998) Nigeria: the edge of the abyss. The World Today, 54 (7). pp. 200-202.

Barnard, Josie (2014) Literary festival as pedagogy. Writing in education, 62 . pp. 32-36. ISSN 1361-8539

Barnard, Josie (2012) Parliamentary business: HC 743 support for the creative economy: written evidence submitted by Josie Barnard [SCE 088]. Parliamentary Business Session 2012-13 HC 743 Support for the Creative Economy .

Bendon, Helen (2008) Skirting around the edges: a creative practice-led research project into notions of resistance and continuity of life experience in the city fringes (case study area: Clerkenwell, London, UK). Interdisciplinary design and research e-Journal, Volume . pp. 1-19. ISSN 1939-4659

Bleakley, Paul (2016) 'Love me or hate me – I don’t care': Katie Hopkins, Celebrity Big Brother and the destruction of a negative image. Continuum: Journal of Media & Cultural Studies, 30 (4). pp. 419-432. ISSN 1030-4312 (doi:10.1080/10304312.2016.1186605)

Bleakley, Paul (2019) 'Naive Kid' or 'Viruoso of Deceit'?: Tabloid media parochialism and the trials of Amanda Knox. Journal of Criminal Justice and Popular Culture, 19 (1). pp. 3-18. ISSN 1070-8286

Bonini, Tiziano, Caliandro, Alessandro and Massarelli, Alessandra (2016) Understanding the value of networked publics in radio: employing digital methods and social network analysis to understand the Twitter publics of two Italian national radio stations. Information, Communication & Society, 19 (1). pp. 40-58. ISSN 1369-118X (doi:10.1080/1369118X.2015.1093532)

Boyd Davis, Stephen, Moar, Magnus ORCID: https://orcid.org/0000-0002-9489-9795, Jacobs, Rachel, Watkins, Matt, Riddoch, Chris and Cooke, Karl (2006) 'Ere be dragons: heartfelt gaming. Digital Creativity, 17 (3). pp. 157-162. ISSN 1462-6268 (doi:10.1080/14626260600882430)

Caliandro, Alessandro (2018) Digital methods for ethnography: analytical concepts for ethnographers exploring social media environments. Journal of Contemporary Ethnography, 47 (5). pp. 551-578. ISSN 0891-2416 (doi:10.1177/0891241617702960)

Charlton, James Martin (2015) Adapting The Pilgrim's Progress for the stage (2). The Recorder, 21 . pp. 20-22. ISSN 1198-8894

Charlton, James Martin (2009) Teaching screenwriting. Writing in education (48). pp. 61-64. ISSN 1361-8539

Charlton, James Martin (2016) Telling and retelling the tale. adapting the murder ballad ‘Duncan and Brady’ for the stage as past and future visions of a folk crime. Writing in Practice: The Journal of Creative Writing Research, 2 . ISSN 2058-5535

Charlton, James Martin and Moar, Magnus ORCID: https://orcid.org/0000-0002-9489-9795 (2018) VR and the dramatic theatre: are they fellow creatures? International Journal of Performance Arts and Digital Media, 14 (2). pp. 187-198. ISSN 2040-0934 (doi:10.1080/14794713.2018.1511137)

Cobley, Paul ORCID: https://orcid.org/0000-0002-8222-159X (2014) Codes and coding: Sebeok’s zoosemiotics and the dismantling of the fixed-code fallacy. Semiotica, 2014 (198). pp. 32-45. ISSN 0037-1998 (doi:10.1515/sem-2013-0100)

Cobley, Paul ORCID: https://orcid.org/0000-0002-8222-159X (2010) Cybersemiotics and human modelling. Entropy, 12 (9). pp. 2045-2066. ISSN 1099-4300 (doi:10.3390/e12092045)

Cobley, Paul ORCID: https://orcid.org/0000-0002-8222-159X (2019) Growth as constraint. Recherches sémiotiques / Semiotic Inquiry . ISSN 0229-8651 (Accepted/In press)

Cobley, Paul ORCID: https://orcid.org/0000-0002-8222-159X (2007) Semioethics, voluntarism and anti-humanism. New Formations: a Journal of Culture/Theory/Politics (62). pp. 44-60. ISSN 0950-2378

Cobley, Paul ORCID: https://orcid.org/0000-0002-8222-159X (2014) What the humanities are for - a semiotic perspective. American Journal of Semiotics, 30 (3-4). pp. 205-228. ISSN 0277-7126 (doi:10.5840/ajs2014303/411)

Cobley, Paul ORCID: https://orcid.org/0000-0002-8222-159X (2015) The deaths of semiology and mythoclasm: Barthes and media studies. Signs and Media (10). pp. 1-25. (doi:10.13760/b.cnki.sam.2015.01.001)

Cobley, Paul ORCID: https://orcid.org/0000-0002-8222-159X and Randviir, Anti (2009) Introduction: what is sociosemiotics? Semiotica, 2009 (173). pp. 1-39. ISSN 0037-1998 (doi:10.1515/SEMI.2009.001)

Cobley, Paul ORCID: https://orcid.org/0000-0002-8222-159X and Stjernfelt, Frederik (2015) Scaffolding development and the human condition. Biosemiotics, 8 (2). pp. 291-304. ISSN 1875-1342 (doi:10.1007/s12304-015-9238-z)

Cronin, Theresa (2007) Fear of the dark: regulating the film experience. Quest (4).

Cronin, Theresa (2009) Media effects and the subjectification of film regulation. The Velvet Light Trap, 63 . pp. 3-21. ISSN 0149-1830

Drakopoulou, Sophia (2018) Open data today and tomorrow: the present challenges and possibilities of open data. International Journal of Electronic Governance, 10 (2). pp. 151-171. ISSN 1742-7517 (doi:10.1504/IJEG.2018.093836)

Drakopoulou, Sophia (2013) Pixels, bits and urban space. Observing the intersection of the space of information with actual physical space in augmented reality smartphone applications and peripheral vision displays. First Monday, 18 (11). ISSN 1396-0466 (doi:10.5210/fm.v18i11.4965)

Drakopoulou, Sophia (2017) "We can remember it for you": location, memory, and commodification in social networking sites. SAGE Open, 7 (3). pp. 1-13. ISSN 2158-2440 (doi:10.1177/2158244017712026)

Drakopoulou, Sophia (2010) A moment of experimentation: spatial practice and representation of space as narrative elements in location-based games. Aether: The Journal of Media Geography, 5A . pp. 63-76. ISSN 2158-6608

Drakopoulou, Sophia (2006) A wireless future. Node. London [Networked, Open, Distributed, Events. London] publication .

Drakopoulou, Sophia and Barbrook, Richard (2000) Cybersalon manifesto. Cybersalon .

Drakopoulou, Sophia (2006) Kino phone: location, broadcast and autonomy. Communication, Politics & Culture, 38 (3). pp. 97-111. ISSN 1836-0645

Drakopoulou, Sophia, Grossman, Wendy and Moore, Phoebe Veronica (2016) The campaign for digital citizenship. Soundings . pp. 107-120. ISSN 1362-6620 (Published online first)

Durst-Andersen, Per and Cobley, Paul ORCID: https://orcid.org/0000-0002-8222-159X (2018) The communicative wheel: Symptom, signal, and model in multimodal communication. Semiotica, 2018 (225). pp. 77-102. ISSN 0037-1998 (doi:10.1515/sem-2016-0228)

Foreman, Nigel, Boyd Davis, Stephen, Moar, Magnus ORCID: https://orcid.org/0000-0002-9489-9795, Korallo, Liliya and Chappell, Emma (2008) Can virtual environments enhance the learning of historical chronology? Instructional Science, 36 (2). pp. 155-173. ISSN 0020-4277 (doi:10.1007/s11251-007-9024-7)

Gandini, Alessandro (2016) Digital work: self-branding and social capital in the freelance knowledge economy. Marketing Theory, 16 (1). pp. 123-141. ISSN 1470-5931 (doi:10.1177/1470593115607942)

Gandini, Alessandro (2015) The rise of coworking spaces: a literature review. Ephemera : Theory and Politics in Organization, 15 (1). pp. 193-205. ISSN 2052-1499

Glynn, Basil ORCID: https://orcid.org/0000-0001-5880-6486 (2019) 'New television: the aesthetics and politics of a genre' [Book Review]. Visual Studies . pp. 1-2. ISSN 1472-586X (Published online first) (doi:10.1080/1472586X.2019.1655264)

Glynn, Basil ORCID: https://orcid.org/0000-0001-5880-6486 and Kim, Jeongmee (2017) Life is beautiful: gay representation, moral panics, and South Korean television drama beyond Hallyu. Quarterly Review of Film and Video, 34 (4). pp. 333-347. ISSN 1050-9208 (doi:10.1080/10509208.2016.1241615)

Glynn, Basil ORCID: https://orcid.org/0000-0001-5880-6486 and Kim, Jeongmee (2013) ‘”Oppa”-tunity knocks: Psy, Gangnam Style and the critical reception of K-pop in Britain.’. Situations: Cultural Studies in the East Asian Context, 7 (1). pp. 1-20. ISSN 2288-7822

Graham, James (2016) At home in Johannesburg?: Rethinking cosmopolitanism through TJ/Double Negative, the joint project between David Goldblatt and Ivan Vladislavić. ariel: A Review of International English Literature, 47 (1-2). pp. 193-222. ISSN 0004-1327 (doi:10.1353/ari.2016.0017)

Graham, James (2017) The quiet editor: Ivan Vladislavić and South African cultural production. Journal of Commonwealth Literature, 52 (1). pp. 56-59. ISSN 0021-9894 (doi:10.1177/0021989416675017)

Heinemann, David (2013) Siren song: the narrating voice in two films by Raúl Ruiz. Cinema Comparat/ive Cinema, 1 (3). pp. 66-75. ISSN 2014-8933

Heinemann, David (2012) The creative voice: free indirect speech in the cinema of Rohmer and Bresson. The New Soundtrack, 2 (1). pp. 39-49. ISSN 2042-8855 (doi:10.3366/sound.2012.0024)

Heinemann, David and Tay, Sharon Lin (2014) The French documentary in context: genealogy, aesthetics, ethics. Studies in French Cinema, 14 (3). pp. 157-166. ISSN 1471-5880 (doi:10.1080/14715880.2014.949452)

Hester, Helen (2013) Rethinking transgression: disgust, affect, and sexuality in Charlotte Roche's Wetlands. Journal of Lesbian Studies, 17 (3-4). pp. 240-252. ISSN 1089-4160 (doi:10.1080/10894160.2013.731862)

Jones, Simon and Schumacher, Thomas (1992) Muzak: on functional music and power. Critical Studies in Mass Communication, 9 (2). pp. 156-169.

Keller, Jessalynn Marie (2012) Virtual feminisms: girls’ blogging communities, feminist activism, and participatory politics. Information, Communication & Society, 15 (3). pp. 429-447. ISSN 1369-118X (doi:10.1080/1369118X.2011.642890)

Kerr, Paul (2015) Authorship, autobiography and the archive: Marilyn on Marilyn, television and documentary theory. VIEW: Journal of European Television History and Culture, 4 (8). pp. 67-79. ISSN 2213-0969 (doi:10.18146/2213-0969.2015.jethc094)

Kerr, Paul (2010) Babel's network narrative: packaging a globalized art cinema. Transnational Cinemas, 1 (1). pp. 37-51. ISSN 2040-3526 (doi:10.1386/trac.1.1.37/1)

Kerr, Paul (2013) Making film programmes for the BBC and Channel 4: the shift from in-house producer unit to independent package-unit production. Historical Journal of Film, Radio and Television, 33 (3). pp. 434-453. ISSN 0143-9685 (doi:10.1080/01439685.2013.823028)

Kerr, Paul (2009) The last slave (2007): the genealogy of a British television history programme. Historical Journal of Film, Radio and Television, 29 (3). pp. 381-397. ISSN 0143-9685 (doi:10.1080/01439680903145629)

Klika, D. T. (2019) Caught in the second act: the relationship between film comedy and the TV sitcom. Journal of Screenwriting . ISSN 1759-7137 (Accepted/In press)

Knowles, Sophie and Phillips, Gail (2013) The framing of the global financial crisis 2005-2008: a cross-country comparison of the US, UK and Australia. Australian Journalism Review, 35 (2). pp. 59-72. ISSN 0810-2686

Knowles, Sophie, Phillips, Gail and Lidberg, Johan (2015) Reporting the global financial crisis. Journalism Studies . ISSN 1461-670X (Published online first) (doi:10.1080/1461670X.2015.1058182)

Korallo, Liliya, Foreman, Nigel, Boyd Davis, Stephen, Moar, Magnus ORCID: https://orcid.org/0000-0002-9489-9795 and Coulson, Mark (2012) Can multiple “spatial” virtual timelines convey the relatedness of chronological knowledge across parallel domains? Computers and Education, 58 (2). pp. 856-862. ISSN 0360-1315 (doi:10.1016/j.compedu.2011.10.011)

Korallo, Liliya, Foreman, Nigel, Boyd Davis, Stephen, Moar, Magnus ORCID: https://orcid.org/0000-0002-9489-9795 and Coulson, Mark (2012) Do challenge, task experience or computer familiarity influence the learning of historical chronology from virtual environments in 8–9 year old children? Computers and Education, 58 (4). pp. 1106-1116. ISSN 0360-1315 (doi:10.1016/j.compedu.2011.12.011)

Lee, Yunhee and Cobley, Paul ORCID: https://orcid.org/0000-0002-8222-159X (2019) Peirce’s diagrammatic reasoning and the cinema: image, diagram, and narrative in The Shape of Water. Semiotica . ISSN 0037-1998 (Accepted/In press)

Lukic, Vesna (2019) Two emperors and a queen. Screenworks – the peer-reviewed online publication of practice research in film and screen media, 9.1 . ISSN 2514-3123

Machin, David and Cobley, Paul ORCID: https://orcid.org/0000-0002-8222-159X (2019) Ethical food packaging and designed encounters with distant and exotic others. Semiotica . ISSN 0037-1998 (Accepted/In press)

Makinen, Merja and Phillips, Patrick (2016) Transforming justice? Murder on the Orient Express 1934-2010. Clues: A Journal of Detection, 34 (1). pp. 41-54. ISSN 0742-4248

Malmkjaer, Kirsten (2009) What is translational competence? French Review of Applied Linguistics, XIV (1). pp. 121-134. ISSN 1386-1204

Moar, Magnus ORCID: https://orcid.org/0000-0002-9489-9795 and Bailey, Fiona (2003) The VERTEX Project: designing and populating shared 3D virtual worlds in the primary (elementary) classroom. Computers and Graphics, 27 (3). pp. 353-359. ISSN 0097-8493 (doi:10.1016/S0097-8493(03)00030-X)

Reid, Katie and Graham, James (2017) Introduction to the symposium: Ivan Vladislavić, writing visual culture, and the globalization of a South African “artworld”. Journal of Commonwealth Literature, 52 (1). pp. 3-10. ISSN 0021-9894 (doi:10.1177/0021989416683426)

Rialti, Riccardo, Zollo, Lamberto, Caliandro, Alessandro and Ciappei, Cristiano (2016) Social media strategies to protect brand image and corporate reputation in the digital era: a digital investigation of the Eni vs. Report case. Mercati & Competitività (4). pp. 65-84. ISSN 1826-7386 (doi:10.3280/MC2016-004005)

Riley, Tim (2017) Work-based learning for the creative industries: a case study of the development of BA (Hons) web design and social media. Higher Education, Skills and Work-based Learning, 7 (1). pp. 79-91. ISSN 2042-3896 (doi:10.1108/HESWBL-08-2016-0063)

Robinson, Anne (2016) Through the air with the greatest of ease: phonogenie. Seismograf/DMT journal .

Salisbury, John Hamon and Tomlinson, Penda (2014) Contextualizing flow in games. Proceedings of the 2014 DiGRA International Conference, 8 . ISSN 2342-9666

Salisbury, John Hamon and Tomlinson, Penda (2016) Reconciling Csikszentmihalyi’s broader flow theory: with meaning and value in digital games. Transactions of the Digital Games Research Association (ToDIGRA), 2 (2). pp. 55-77. ISSN 2328-9422 (doi:10.26503/todigra.v2i2.34)

Sinčić Ćorić, Dubravka, Brečić, Ružica and Šimunjak, Maja (2017) Reaching, engaging and bonding with voters on social media: the case of 2014/2015 Croatian presidential elections. Medijske studije / Media Studies, 8 (16). pp. 61-77. ISSN 1847-9758 (doi:10.20901/ms.8.16.5)

Smith, Clarissa and Attwood, Feona (2014) Anti/pro/critical porn studies. Porn Studies, 1 (1-2). pp. 7-23. ISSN 2326-8743 (doi:10.1080/23268743.2014.887364)

Tay, Sharon Lin (2009) Bodily traces in digital encounters: materializing virtualities for the political documentary. Afterimage, 36 (4). pp. 20-22. ISSN 0300-7472

Tay, Sharon Lin (2009) Cinema on the pulse: the 52nd London film festival. Afterimage, 36 (4). pp. 4-5. ISSN 0300-7472

Tay, Sharon Lin (2007) Conceiving Ada: conceiving feminist possibilities in the new mediascape. Women: a cultural review, 18 (2). pp. 182-198. ISSN 0957-4042

Tay, Sharon Lin (2003) Constructing a feminist cinematic genealogy: the gothic woman's film beyond psychoanalysis. Women: a cultural review, 14 (3). pp. 263-280. ISSN 0957-4042

Tay, Sharon Lin (2005) Stunning simplicity: Abbas Kiarostami, visions of the artist. Afterimage, 33 (2). pp. 47-48. ISSN 0300-7472

Tay, Sharon Lin and Hudson, Dale (2008) Undisclosed recipients: documentary in an era of digital convergence. Studies in Documentary Film, 2 (1). pp. 79-88. ISSN 1750-3280 (doi:10.1386/sdf.2.1.79_1)

Tay, Sharon Lin and Simmermsnn, Patricia (2003) Contingencies: an introduction to the exhibition. Substation (8).

Tay, Sharon Lin and Zimmermann, Patricia (2007) Throbs and pulsations: Les LeVeque and the digitization of desire. Afterimage, 34 (4). pp. 12-16. ISSN 0300-7472

Vodanovic, Lucia (2010) Luxurious dump: wasted buildings and the landscape of pure suspension. M/C Journal: a journal of media and culture, 13 (4). ISSN 1441-2616

Vodanovic, Lucia (2007) Obsolescence and exchange in Cedric Price's dispensable museum. Invisible Culture: an Electronic Journal for Visual Culture (11). ISSN 1097-3710

Vodanovic, Lucia (2014) Reception and contingency in recent art from Chile. Journal of Latin American Cultural Studies: Travesia . pp. 1-22. ISSN 1356-9325 (doi:10.1080/13569325.2014.922937)

Vodanovic, Lucia (2013) The new art of being amateur: distance as participation. Journal of Visual Art Practice, 12 (2). pp. 169-179. ISSN 1470-2029 (doi:10.1386/jvap.12.2.169_1)

Warren, Giannina and Dinnie, Keith (2018) Cultural intermediaries in place branding: who are they and how do they construct legitimacy for their work and for themselves? Tourism Management, 66 . pp. 302-314. ISSN 0261-5177 (doi:10.1016/j.tourman.2017.12.012)

Warren, Giannina and Dinnie, Keith (2017) Exploring the dimensions of place branding: an application of the ICON model to the branding of Toronto. International Journal of Tourism Cities, 3 (1). pp. 56-68. ISSN 2056-5607 (doi:10.1108/IJTC-10-2016-0035)

Winch, Alison (2012) We can have it all: the girlfriend flick. Feminist Media Studies, 12 (1). pp. 69-82. ISSN 1468-0777 (doi:10.1080/14680777.2011.558349)

Šimunjak, Maja (2017) (De-)personalization of mediated political communication: comparative analysis of Yugoslavia, Croatia and the UK from 1945 to 2015. European Journal of Communication, 32 (5). pp. 473-489. ISSN 0267-3231 (doi:10.1177/0267323117725972)

Šimunjak, Maja (2018) From a leader-centred to a party-centred system? The curious case of media (de-)personalisation in Yugoslavia and Croatia, 1945–2015. Europe-Asia Studies, 70 (9). pp. 1496-1514. ISSN 1465-3427 (doi:10.1080/09668136.2018.1533915)

Šimunjak, Maja (2016) Monitoring political independence of public service media: comparative analysis across 19 European Union member states. Journal of Media Business Studies, 13 (3). ISSN 1652-2354 (doi:10.1080/16522354.2016.1227529)

Šimunjak, Maja, Sinčić Ćorić, Dubravka and Brečić, Ružica (2017) Political impression management through direct and mediated communication: The 2014/2015 Croatian presidential elections. Društvena istraživanja: časopis za opća društvena pitanja, 26 (4). pp. 539-560. ISSN 1330-0288 (doi:10.5559/di.26.4.05)

Book Section

Alibhai-Brown, Yasmin (2017) Discovering Europe. In: Goodbye Europe. Weidenfeld & Nicolson, pp. 279-285. 9781409177548.

Alibhai-Brown, Yasmin (2014) [Letter to an unknown soldier]. In: Letter to an Unknown Soldier: A New Kind of War Memorial. Bartlett, Neil and Pullinger, Kate, eds. William Collins, pp. 184-185. 9780008116842.

Arthurs, Jane (2013) Celebrity, gender and reputation management at the BBC. In: Gender and public relations: critical perspectives on voice, image and identity. Daymon, Christine and Demetrious, Kristin, eds. Routledge New Directions in Public Relations & Communication Research . Routledge, pp. 132-155. 9780415505550.

Arthurs, Jane (2011) Deliciously consumable: the uses and abuses of irony in sex trafficking campaign films. In: The handbook of gender, sex and media. Ross, Karen, ed. Wiley-Blackwell, pp. 470-486. 9781444338546.

Attwood, Feona (2011) Through the looking glass? Sexual agency and subjectification in cyberspace. In: New femininities : postfeminism, neoliberalism and subjectivity. Palgrave Macmillan, Basingstoke, pp. 203-214. 9780230223349.

Attwood, Feona (2010) Younger, paler, decidedly less straight: the new porn professionals. In: Porn.com: making sense of online pornography. Attwood, Feona, ed. Digital Formations (48). Peter Lang, New York, pp. 88-106. 9781433102073.

Attwood, Feona (2012) Art school sluts: art, porn and aesthetics. In: Hard to swallow: reading pornography on screen. Hines, Claire and Kerr, Darren, eds. Columbia University Press. 9780231162135.

Baker, Sarah (2010) Debt and consumerism. In: Radical future: politics for the next generation. Little, Ben, ed. Lawrence & Wishart, London, pp. 64-68. .

Barling, Kurt (2017) Foreword to Darkness Over Germany. In: Darkness over Germany: A Warning from History by E. Amy Buller. Arcadia Books, London, vii-xxxiv. 9781911350194.

Barling, Kurt (2018) Foreword to Darkness Over Germany. In: Darkness Over Germany: A Warning from History by E. Amy Buller. Interlink Books, Northampton Massachusetts USA, vii-xxxvi. 9781623719968.

Barling, Kurt (2018) Foreword to Darkness Over Germany Audiobook. In: Darkness over Germany: A Warning from History by E. Amy Buller. Audible Audiobooks. . (Accepted/In press)

Barnard, Josie (2019) Twitter and creative writing: generating an 'authentic' online voice. In: Twitter: Global Perspectives, Uses and Research Technique. Chiluwa, Innocent and Bouvier, Gwen, eds. Media and Communications – Technologies, Policies and Challenges . Nova Science Publishers, New York, pp. 191-214. 9781536153071.

Basu, Laura, Schifferes, Steve and Knowles, Sophie (2018) Introduction: the media as messenger. In: The Media and Austerity: Comparative perspectives. Basu, Laura, Schifferes, Steve and Knowles, Sophie, eds. Routledge, London, pp. 1-12. 9781138897304.

Bendon, Helen (2009) The role of art practice within VivaCity2020. In: Designing sustainable cities. Cooper, Rachel, Evans, Graeme and Boyko, Christopher, eds. Wiley-Blackwell, Chichester, pp. 263-278. 9781405179157.

Bonini, Tiziano and Gandini, Alessandro (2015) Invisible workers in an invisible medium: an ethnographic approach to Italian public and private freelance radio producers. In: Production Studies, The Sequel!: Cultural Studies of Global Media Industries. Routledge. .

Boyd Davis, Stephen, Jacobs, Rachel, Moar, Magnus ORCID: https://orcid.org/0000-0002-9489-9795 and Watkins, Matt (2007) Exploring the subjective city. In: Space time play: computer games, architecture and urbanism: the next level. Borries, Friedrich von, Walz, Steffen P. and Böttger, Matthias, eds. Birkhäuser, Basel. 9783764384142.

Boyd Davis, Stephen, Moar, Magnus ORCID: https://orcid.org/0000-0002-9489-9795, Jacobs, Rachel, Watkins, Matt, Capra, Mauricio, Shackford, Robin and Oppermann, Leif (2007) Mapping inside out. In: Pervasive gaming applications: a reader for pervasive gaming research. Magerkurth, Carsten and Röcker, Carsten, eds. Shaker, Aachen, pp. 199-226. 9783832262242.

Boyd Davis, Stephen, Moar, Magnus ORCID: https://orcid.org/0000-0002-9489-9795, Jacobs, Rachel, Watkins, Matt, Riddoch, Chris and Cooke, Karl (2006) 'Ere be dragons: heart and health. In: Pervasive 2006. Strang, T., Cahill, V. and Quigley, A., eds. Springer, pp. 157-164. 3000184112.

Boyd Davis, Stephen, Moar, Magnus ORCID: https://orcid.org/0000-0002-9489-9795, Jacobs, Rachel, Watkins, Matt, Shackford, Robin, Oppermann, Leif and Capra, Mauricio (2009) Art and technology for health. In: Handbook of research on information technology management and clinical data administration in healthcare. Dwivedi, Ashish N., ed. IGI Global, Hershey, PA, USA, pp. 616-630. 9781605663562.

Buchan, Suzanne (2014) 'Animation' and 'Expanded Animation'. In: AnArchive(s) : [eine minimale Enzyklopädie zur Archäologie und Variantologie der Künste und Medien] / Edith-Ruß-Haus für Medienkunst. Nach einer Idee von Siegfried Zielinski. Hrsg. von Claudia Giannetti. Ed. von Eckhard Fürlus. [Mit Beitr. von Hans Belt. König, Köln, 32-33, 74. 9783000460180.

Charlton, James Martin (2007) Whose journey is this? A radical approach to the question of the 'journey' taken in scripts. In: Story: the heart of the matter. Butt, Maggie, ed. Greenwich Exchange, London, pp. 111-123. 1871551935.

Cobley, Paul ORCID: https://orcid.org/0000-0002-8222-159X (2018) Practice as research: a cybersemiotic overview of knowing. In: Introduction to Cybersemiotics. Brier, Søren and Vidales, Carlos, eds. Biosemiotics . Springer, Dordrecht. . (Accepted/In press)

Cobley, Paul ORCID: https://orcid.org/0000-0002-8222-159X (2019) Re-imagining semiotics in communication. In: Re-imagining Communication. Filimowicz, Michael and Tzankova, Veronika, eds. Routledge. . (Accepted/In press)

Cobley, Paul ORCID: https://orcid.org/0000-0002-8222-159X (2018) Peirce in contemporary semiotics. In: The Bloomsbury Companion to Peircean Semiotics. Jappy, Tony, ed. Bloomsbury, London. . (Accepted/In press)

Cobley, Paul ORCID: https://orcid.org/0000-0002-8222-159X (2016) Semiotics. In: The International Encyclopedia of Communication Theory and Philosophy. Jensen, Klaus Bruhn, Rothenbuhler, Eric W., Pooley, Jefferson D. and Craig, Robert T., eds. The Wiley Blackwell-ICA International Encyclopedias of Communication . John Wiley & Sons, Chichester. 9781118290736. (doi:10.1002/9781118766804.wbiect146)

Cobley, Paul ORCID: https://orcid.org/0000-0002-8222-159X (2016) Signs. In: The International Encyclopedia of Communication Theory and Philosophy. Jensen, Klaus Bruhn, Rothenbuhler, Eric W., Pooley, Jefferson D. and Craig, Robert T., eds. The Wiley Blackwell-ICA International Encyclopedias of Communication . John Wiley & Sons, Chichester. 9781118290736. (doi:10.1002/9781118766804.wbiect139)

Cobley, Paul ORCID: https://orcid.org/0000-0002-8222-159X (2019) Crime fiction and realism. In: The Routledge Companion to Crime Fiction. Pepper, Andrew, Allan, Janice, Gulddal, Jesper and King, Stewart, eds. Routledge, London. . (Accepted/In press)

Cotton, Elizabeth (2010) CSR and HRM. In: Critical issues in human resource management. Roper, Ian, Prouska, Rea and Chatrakul Na Ayudhya, Uracha, eds. CIPD, London, UK. 9781843982425.

Cronin, Theresa (2014) Historicizing the media effects debate. In: The Routledge Companion to British Media History. Conboy, Martin and Steel, John, eds. Routledge, London, pp. 85-99. 9780415537186.

Croucher, Richard (2010) Critical issues in employee relations (2): global unions. In: Critical issues in human resource management. Roper, Ian, Prouska, Rea and Chatrakul Na Ayudhya, Uracha, eds. Chartered Institute of Personnel Development, London, pp. 195-211. 9781843982425.

Delistathi, Christina (2011) Translation as a means of ideological struggle. In: Translation and opposition. Asimakoulas, Dimitris and Rogers, Margaret, eds. Multilingual Matters, Clevedon, pp. 204-222. 9781847694317.

Drake, Philip (2012) Reputational capital, creative conflict and Hollywood independence: the case of Hal Ashby. In: American independent cinema: indie, indiewood and beyond. King, Geoff, Molloy, Claire and Tzioumakis, Yannis, eds. Routledge, pp. 140-152. 9780415684293.

Drakopoulou, Sophia (2013) Athens as a hybrid city. An analysis and exploration of the rhythms of everyday life and the lived experience as documented in locative-mediated projects produced in Athens. In: Subtle Revolutions. Proceedings of the 2nd International Hybrid City Conference. University Research Institute Of Applied Communication, Athens, pp. 85-91. 978-960-99791-1-5.

Drakopoulou, Sophia (2011) User generated content: an exploration and analysis of the temporal qualities and elements of authenticity and immediacy in UGC. In: Conference proceedings. First International Conference on Emerging Research Paradigms in Business and Social Sciences. 22 Nov 2011 - 24 Nov 201. Hotel Pullman Dubai Mall of the Emirates, United Arab Emirates. Middlesex University, Dubai, United Arab Emirates. 978-9948-16-372-5.

Drakopoulou, Sophia (2014) Urban Praxis Athens 2012. An analysis and exploration of locative-media projects made in Athens, based on Lefebvre’s lived experience analysis and rhythmology method. In: MediaCities: Proceedings. Geiger, Jordan, Shepard, Mark and Khan, Omar, eds. University of Buffalo The State University of New York, pp. 132-139. 9780991254408.

Drakopoulou, Sophia (2017) The Digital Liberties cross-party campaign. In: Our Digital Rights to the City. Graham, Mark and Shaw, Joe, eds. Meatspace, UK, pp. 28-29. 978-0-9955776-0-2. (Published online first)

Drakopoulou, Sophia (2006) Return to the playground: location based gaming. In: Gaming realities: a challenge for digital culture. Santorineos, Manthos and Dimitriadi, Nefeli, eds. FOURNOS Centre for Digital Culture, Athens, pp. 123-130. 9789607687012.

Gandini, Alessandro (2014) Online social influence and the evaluation of creative practice. A critique of Klout. In: Online Evaluation of Creativity and the Arts, (Suhr, C., eds). Suhr, Hiesun Cecilia, ed. New Media and Cyberculture . Routledge. 9780415749855.

Glynn, Basil ORCID: https://orcid.org/0000-0001-5880-6486 (2012) The conquests of Henry VIII: masculinity, sex and the national past in the Tudors’. In: Television, Sex and Society: Analyzing Contemporary Representations. Glynn, Basil ORCID: https://orcid.org/0000-0001-5880-6486, Johnson, Beth and Aston, James, eds. Continuum, New York, pp. 157-173. 9780826434982.

Glynn, Basil ORCID: https://orcid.org/0000-0001-5880-6486 (2013) Approximating cultural proximity and accentuating cultural difference: cross-border transformations in Asian television drama. In: Reading Asian Television Drama: Crossing Borders and Breaking Boundaries. Kim, Jeongmee, ed. Reading Contemporary Television . I.B. Tauris, London, pp. 43-64. 9781845118600.

Glynn, Basil ORCID: https://orcid.org/0000-0001-5880-6486 and Kim, Jeongmee (2009) Corpse, spectacle, illusion: the body as abject and object. In: The CSI Effect: Television Crime and Governance. Byers, Michelle and Johnson, Val, eds. Critical Studies in Television . Lexington, New York, pp. 93-110. 9780739124703.

Glynn, Basil ORCID: https://orcid.org/0000-0001-5880-6486 and Kim, Jeongmee (2014) International circulation and local retaliation: East Asian television drama and its Asian connotations. In: Reading Asian Television Drama: Crossing Borders and Breaking Boundaries. Kim, Jeongmee, ed. Reading Contemporary Television . I.B. Tauris, London, pp. 27-46. 9781845118600.

Glynn, Basil ORCID: https://orcid.org/0000-0001-5880-6486 (2016) The Tudors and the post-national, post-historical Henry VIII. In: The British Monarchy on Screen. Merck, Mandy, ed. Manchester University Press, Manchester, pp. 411-447. 9780719099564.

Graham, James and Gandini, Alessandro (2017) Introduction: collaborative production in the creative industries. In: Collaborative Production in the Creative Industries. Graham, James and Gandini, Alessandro, eds. University of Westminster Press, London, pp. 1-14. 9781911534280. (doi:10.16997/book4.a)

Graham, James (2017) The cultural economy of auteurship in independent publishing: the symbolic success of the photobook Ponte City. In: Collaborative Production in the Creative Industries. Graham, James and Gandini, Alessandro, eds. University of Westminster Press, London, pp. 69-85. 9781911534280. (doi:10.16997/book4.e)

Heinemann, David (2012) Michael and Gertrud: art and the artist in the films of Carl Theodor Dreyer. In: Framing film: cinema and the visual arts. Allen, Steven and Hubner, Laura, eds. Intellect Books, Bristol, UK, pp. 149-164. 9781841505077.

Jones, Janet (2013) Creative partnerships: a case study in BBC news co-production. In: Public service media in the digital age: international perspectives. Gulyás, Ágnes and Hammer, Ferenc, eds. Cambridge Scholars, Newcastle upon Tyne, UK, pp. 89-108. 9781443853033. (Accepted/In press)

Jones, Simon (1990) Music and symbolic creativity. In: Common Culture: Symbolic Work at Play in the Everyday Cultures of Young People. Willis, Paul, ed. Oxford University Press, Buckingham, pp. 59-83. 0335094317.

Kerr, Paul (2019) The magnificent seven Mirisch companies: competitive strategy and corporate authorship. In: United Artists. Balio, Agatino, Kramer, Peter, Needham, Gary and Tzioumakis, Yannis, eds. The Routledge Hollywood Centenary Series . Routledge. . (Accepted/In press)

Kerr, Paul (2016) Case study: The apprentice’s sorcerer: television in/and the academy. In: Industrial Approaches to Media: A methodological gateway to industry studies. Freeman, Matthew, ed. Palgrave MacMillan, pp. 29-38. 9781137551757. (doi:10.1057/978-1-137-55176-4_2)

Kerr, Paul (2011) “A small, effective organization”: The Mirisch Company, the package-unit system and the production of ‘Some Like It Hot’. In: Billy Wilder, Movie-Maker: Critical Essays on the Films. McNally, Karen, ed. McFarland, North Carolina, pp. 117-131. 9780786442119.

Knowles, Sophie (2018) Financial journalists, the financial crisis and the 'crisis' in journalism. In: The Media and Austerity: Comparative Perspectives. Basu, Laura, Schifferes, Steve and Knowles, Sophie, eds. Routledge, London, pp. 183-195. 9781138897304.

Malmkjaer, Kirsten (2009) Wreaking havoc: on forgetting the poetry in the prose. In: Northern Lights: translation in the Nordic Countries. Epstein, B J, ed. Peter Lang Publishing Group., pp. 137-150. 9783039118496.

Moar, Magnus ORCID: https://orcid.org/0000-0002-9489-9795 and Bailey, Fiona (2001) Children's creation of shared 3D worlds. In: Digital Content Creation. Vince, J. and Earnshaw, R., eds. Springer, London, pp. 304-315. 1852333790.

Moar, Magnus ORCID: https://orcid.org/0000-0002-9489-9795 and Boyd Davis, Stephen (2005) The amateur creator. In: Creativity and Cognition Conference, London, 12-15 April, 2005. Creativity and Cognition Studios, pp. 158-165. 1-59593-025-6. (doi:10.1145/1056224.1056247)

Parry, Nye, Bendon, Helen, Boyd Davis, Stephen and Moar, Magnus ORCID: https://orcid.org/0000-0002-9489-9795 (2008) Locating drama: a demonstration of location-aware audio drama. In: Interactive storytelling : First Joint International Conference on Interactive Digital Storytelling, ICIDS 2008 Erfurt, Germany, November 26-29, 2008, proceedings. Spierling, Ulrike and Szilas, Nicolas, eds. Lecture Notes in Computer Science (5334). Springer, Berlin, pp. 41-43. 9783540894247.

Prouska, Rea (2010) Critical issues in people resourcing (2): the dilemmas with outsourcing and offshoring. In: Critical Issues in Human Resource Management. Roper, Ian, Prouska, Rea and Chatrakul Na Ayudhya, Uracha, eds. Chartered Institute of Personnel Development, London, pp. 161-177. 9781843982425.

Rain, David (2007) Believing stories. In: Story: the heart of the matter. Butt, Maggie, ed. Greenwich Exchange, London, pp. 1-6. 9781871551938.

Rain, David (2007) Storyworld: or, how I learned how to write a novel. In: Story: the heart of the matter. Butt, Maggie, ed. Greenwich Exchange, London, pp. 59-69. 9781871551938.

Rain, David (2007) Literary genres. In: The handbook of creative writing. Earnshaw, Steven, ed. Edinburgh University Press, Edinburgh, pp. 54-63. 9780748621354.

Schifferes, Steve and Knowles, Sophie (2014) The British media and the 'first crisis of globalization'. In: The Media and Financial Crises: Comparative and Historical Perspectives. Routledge, London, pp. 42-58. 9781138022799. (Published online first)

Schifferes, Steve and Knowles, Sophie (2018) The UK news media and austerity: trends since the global financial crisis. In: The Media and Austerity: Comparative perspectives. Basu, Laura, Schifferes, Steve and Knowles, Sophie, eds. Routledge, London, pp. 15-29. 9781138897304.

Tay, Sharon Lin (2001) Sally Potter. In: Contemporary British and Irish film directors: a Wallflower critical guide. Allon, Yoram, Cullen, Del and Patterson, Hannah, eds. Wallflower Critical Guide . Wallflower, London, pp. 271-273. 1903364221.

Tay, Sharon Lin (2015) Architectures of control and points of resistance: surveillance culture and digital documentaries. In: A Companion to Contemporary Documentary Film. Juhasz, Alexandra and Lebow, Alisa, eds. Wiley-Blackwell, pp. 566-579. 9780470671641.

Tay, Sharon Lin (2004) Sustaining the cinematic bitch from hell: the politics of Dolores Claiborne within a feminist genealogy. In: Femme fatalities: representations of strong women in the media. Schubart, Rikke and Gjelsvik, Anne, eds. Nordicom, Göteborg, pp. 219-230. 9189471253.

Tay, Sharon Lin (2010) Abbas Kiarostami. In: Fifty Contemporary Film Directors. Tasker, Yvonne, ed. Routledge Key Guides . Routledge, pp. 233-239. .

Tay, Sharon Lin (2002) Abbas Kiarostami: new waves, authorship, and the politics of the festival circuit. In: Fifty Contemporary Filmmakers. Tasker, Yvonne, ed. Routledge key guides . Routledge, London, pp. 203-210. 041518973X.

Tay, Sharon Lin (2006) Gendering the auteur: time, narrative, and intertextuality in scenes from a marriage and faithless. In: Northern constellations: new readings in Nordic cinema. Thomson, C. Claire, ed. Norvik Press Series A (26). Norvik Press, Norwich, pp. 217-229. 9781870041638.

Tay, Sharon Lin (2006) Activating the future: political documentaries and media activism. In: Afterimage : the journal of media arts and the cultural activism vol. 34, nos. 1 & 2. VanMeenen, Karen, ed. Visual Studies Workshop., New York, pp. 46-47. .

Tay, Sharon Lin and Zimmermann, Patricia (2008) Les LeVeque et la numérisation du désir. In: Des mouvants indices du monde: documentaire, traces, aléas. Lioult, Jean-Luc, ed. Université de Provence. 9782853996983.

Šimunjak, Maja and Milanović, Lana (2017) The first time for everything: political advertising in a new member state. In: Political Advertising in the 2014 European Parliament Elections. Holtz-Bacha, Christina, Novelli, Edoardo and Rafter, Kevin, eds. Palgrave Macmillan, pp. 153-168. 978-1137569806.

Šimunjak, Maja, Nenadić, Iva and Žuvela, Lana (2019) National report: Croatia. In: 2019 European Elections Campaign: Images, topics, media in the 28 Member States. Novelli, Edoardo and Johansson, Bengt, eds. European Parliament, Brussels, pp. 59-66. 9789284649853. (doi:10.2861/167439)

Šimunjak, Maja and Street, John (2016) Media portrayals: from leadership cults to celebrity politicians. In: The Routledge Companion to Leadership. Storey, John, Hartley, Jean, Denis, Jean-Louis, Hart, Paul 't. and Ulrich, Dave, eds. Routledge Companions in Business, Management and Accounting . Routledge, Oxon, pp. 450-464. 9781138825574.

Monograph

Barling, Kurt (2018) Script Consultant [for End of the Pier By Danny Robins]. Other. Playdead Press, London. 9781910067673.

Brogi, Elda, Ginsborg, Lisa, Ostling, Alina, Parcu, Pier Luigi and Šimunjak, Maja (2016) Monitoring media pluralism in Europe: testing and implementation of the media pluralism monitor 2015: policy report. Project Report. European University Institute. . (doi:10.2870/374068)

McCaffrey, Edward and Healey, Phil (2018) Animation Industry 'Listening Tour' Report. Project Report. Middlesex University. . (Accepted/In press)

Street, John, Zhang, Li, Šimunjak, Maja and Wang, Qingning (2015) Copyright and music policy in China: a literature review. Working Paper. CREATe. . (doi:10.5281/zenodo.29125)

Šimunjak, Maja (2016) Comparative analysis of risks for political independence of public service media across 19 European Union member states. Working Paper. European University Institute, Italy. . (doi:EUI RSCAS; 2016/34)

Šimunjak, Maja (2016) Media pluralism in Malta: a test implementation of the media pluralism monitor 2015. Project Report. European University Institute. . (doi:10.2870/374068)

Conference or Workshop Item

Barling, Kurt (2018) Experiential learning: is critical reflection a bridge from practice to theory? In: AJE Annual Conference 2018, 29 Jun 2018, Canterbury Christ Church University.

Barling, Kurt (2017) Grenfell Tower - social media & public narrative. In: Fourth International Conference on Emerging Research Paradigms in Business and Social Sciences (ERPBSS-2018), 16-18 Jan 2018, Dubai. (Accepted/In press)

Barling, Kurt (2018) Is Our Curriculum too White? Don't BAME me.... In: HEA Annual Conference 2018,Teaching in the spotlight : Learning from global communities, 03-05 Jul 2018, Birmingham, Univeristy of Aston.

Barling, Kurt and Chamil, Rathnayake (2018) A topic model analysis approach to understand Twitter public discourse: Grenfell Tower Fire case study. In: Internet, Policy & Politics Conference: IPP2018 Long Live Democracy!, 20-21 Sept 2018, St Anne's College, Oxford University.

Buchan, Suzanne (2016) The aesthetic of the mistake in digital and analogue animation. In: Symposium Zur Ästhetik des Gemachten in Animation und Comic: Interdisziplinäres Symposium deutschsprachiger Animations und Comicforschung, 09-11 Nov 2016, Tagungszentrum der Volkswagen-Stiftung, Schloss Herrenhausen, Hannover, Germany.

Charlton, James Martin (2014) Been on the job too long: past and present visions of a folk crime. In: Stage the Future: The First International Conference of Science Fiction Theatre, 26-27 Apr 2014, Royal Holloway, University of London, Egham Hill, TW20 0EX, UK.

Charlton, James Martin (2014) If a thing’s worth doing, it’s worth doing on public television – Joe Orton’s plays on television. In: Theatre and Television: Adaptation, Production, Performance, 19-20 Feb 2015, Alexandra Palace.

Charlton, James Martin (2017) The Theatrum Mundi and Everyman/Everywoman: traditionalist dramaturgical devices in the contemporary stage Poetics of the author, James Martin Charlton. In: 3rd International Conference in Creative Writing (University of Western Macedonia), 06-08 Oct 2017, Corfu, Greece.

Charlton, James Martin (2013) The anti-didactic hypothesis. In: Great Writing 2013, 29-30 June 2013, Imperial College London.

Charlton, James Martin and Moar, Magnus ORCID: https://orcid.org/0000-0002-9489-9795 (2015) A desire for immersion: the panorama to the Oculus Rift. In: 24th International Panorama Conference 2015, 9-12 Sep 2015, Namur, Belgium.

Cottis, David (2013) Character as medium; Don Quixote, Hamlet, Superman, Citizen Kane and the Doctor. In: Walking in Eternity: the first academic conference on Doctor Who, 3/5 September 2013, University of Hertfordshire.

Cronin, Theresa (2014) The BBFC and the regulation of BDSM. In: 1984: Freedom and Censorship in the Media – Where Are We Now?, 23-24 Apr 2014, London, UK.

Cronin, Theresa (2014) Censorship cultures: the search for authenticity - the case of A Serbian Film. In: Society for Cinema and Media Studies (SCMS) Annual Conference, 19-23 Mar 2014, Seattle, USA.

Cronin, Theresa (2009) Disciplining the spectator: the subjectification of film regulation. In: Screen Studies Conference 2009: Screen Theorizing Today., 3-5 July 2009., University of Glasgow, Scotland..

Cronin, Theresa (2007) Fear of the dark: regulating the cinematic experience. In: Perspectives on Power: an Interdisciplinary QUB/Quest Postgraduate Conference, 02-03 Mar 2007, Belfast, UK.

Cronin, Theresa (2015) Film as rape culture: the ethics of aversion in Srdan Spasojevic’s A Serbian Film (2010). In: International Association of Media and Communication Research annual Conference, IAMCR 2015, 12-16 Jul 2015, Montreal, Canada.

Cronin, Theresa (2009) Guilty pleasures: media effects and technologies of the self. In: The International Association for Media and History (IAMHIST) Conference 2009: Social Fears and Moral Panics, 08-11 Jul 2009, Aberystwyth, UK.

Cronin, Theresa (2009) Horrific subjects: transgression and alienation in Michael Haneke’s 'Funny Games' and Gaspar Noe’s 'Irreversible'. In: The New Extremism: Contemporary European Cinema Conference, 24-25 Apr 2009, Cambridge, UK.

Cronin, Theresa (2014) Questions of censorship and textual authenticity: A Serbian Film. In: FILM AND MEDIA 2014 'Visions of Identity: Global Film & Media', 26-28 Jun 2014, London.

Cronin, Theresa (2007) Reading Wolf Creek: normative social strategies in the reception of contemporary film. In: ‘Sharing Experience’: audiences in media, communication and cultural studies., 3-4 April 2007., Department of Theatre, Film and Television Studies, University of Wales, Aberystwyth..

Cronin, Theresa (2003) The limits of cinema: corporeal spectatorship and the desire for sensation. In: Multimedia Histories: from magic lantern to the Internet., 21-23 July 2003., Exeter University..

Cronin, Theresa (2011) The monstrous masculine: constructions of masculinity in the discourses of extreme cinema. In: The Monster Inside Us, The Monsters Around Us: Monstrosity and Humanity, November 2011, De Montford University.

Drakopoulou, Sophia (2007) Collective participation and broadcast: how data bound to locality re-appropriate physical space. In: Locative media summer conference, 3-5 September 2007, Museum of Contemporary Art, Siegen, Germany.

Drakopoulou, Sophia (2013) Observing rhythms of everyday life in content made by smart devices and uploaded on electronic maps and social media. A methodological enquiry. In: Spectacular /Ordinary /Contested Media City, 15-17 May, University of Helsinki.

Drakopoulou, Sophia (2012) Spatiotemporal experience through the use of ICTs and smart devices: a comparative analysis of the theories of Bergson and Lefebvre. In: Space: From Theory to Practice, 16 -17 November, Birkbeck School of Arts.

Drakopoulou, Sophia (2007) Toothing and bluetoothing: network-fantasy-reality. In: New Network Theory Conference Institute of Network Cultures, June 28 - 30 2007, University of Amsterdam.

Drakopoulou, Sophia (2007) Where are you now? Time-duration and instantaneous mobile messaging. In: Ubiquitous Media: Asian Transformations Theory, Culture & Society 25th Anniversary Conference, 13-16 July 2007, The University of Tokyo.

Drakopoulou, Sophia (2013) The ‘lived now’. Observing the changes in the spatiotemporal experience of everyday life through the use of ICTs. In: Theorising the Web, 1-2 March, The Graduate Center (CUNY) NYC.

Drakopoulou, Sophia, Pascoe, Eva, Greenaway, Benjamin, Moulding, James, Grossman, Wendy and Black, Ilze (2015) Data and the city – accessibility and openness. a cybersalon paper on open data. Theona, Iouliani and Charitos, Dimitris, eds. In: 3rd International Biennial Conference Hybrid City 2015 Data to the People, 17-19 Sept 2015, Athens, Greece.

Glynn, Basil ORCID: https://orcid.org/0000-0001-5880-6486 (2009) Asian TV comes to Britain: but does it survive the trip?: The re-authoring of The Water Margin. In: Cultural Typhoon: Cultural Studies and Asia, Past, Present and Future, 3rd-5th July 2009, University of Foreign Studies, Tokyo.

Glynn, Basil ORCID: https://orcid.org/0000-0001-5880-6486 (2015) Like a version?: Balancing the foreign and domestic in imported television drama. In: TV in the Age of Transnationalisation and Transmedialisation: A Two Day International Conference, 22-23 Jun 2015, University of Roehampton, London, United Kingdom.

Glynn, Basil ORCID: https://orcid.org/0000-0001-5880-6486 (2012) Masculinity, sex and the national past. In: Adapting Historical Narratives Conference, 28th February 2012, De Montfort University.

Glynn, Basil ORCID: https://orcid.org/0000-0001-5880-6486 (2004) Moving the Greeks to London: Tony Harrison’s classical theatre of the 1980s. In: Nation, Region, Belonging, 10th International Conference on the Literature of Region and Nation, 3rd-6th August 2004, Manchester Metropolitan University.

Glynn, Basil ORCID: https://orcid.org/0000-0001-5880-6486 (2015) The Mummy’s revenge: secularism, religion and the sacred dead in Universal and Hammer’s Mummy movies. In: Reflections on revenge: a conference on the culture and politics of vengeance, 4 Sept 2015, Leicester, United Kingdom.

Glynn, Basil ORCID: https://orcid.org/0000-0001-5880-6486 (2019) The Mutating Mummy: from ancient artefact to modern attraction. In: Popular Culture Association/American Culture Association, 17-20 Apr 2019, Washington DC, USA.

Glynn, Basil ORCID: https://orcid.org/0000-0001-5880-6486 (2004) Preserved on film: The Mummy, silent cinema and Egyptomania. In: Screen Studies Conference, 2nd-4th July 2004, University of Glasgow.

Glynn, Basil ORCID: https://orcid.org/0000-0001-5880-6486 (2009) Sex and digs and wrap and role: orientalism, transgressive romance and the resurrection of the Mummy. In: Beyond Life: The Undead in Global Cult Media, Cine Excess: The Third International Conference on Cult Film Traditions, 30th April-2nd May 2009, Curzon Soho Cinema and Odeon Covent Garden.

Glynn, Basil ORCID: https://orcid.org/0000-0001-5880-6486 (2012) The Tudors (2007-2010) and the international, post-national and post-historical TV series. In: The Monarchy on Screen, 23-24 November 2012, Senate House, University of London.

Glynn, Basil ORCID: https://orcid.org/0000-0001-5880-6486 (2013) The Tudors, the national past and the re-shaping of generic traditions in contemporary TV costume drama. In: Media Mutations 6, Modes of Production and Narrative Forms in the Contemporary TV series, 27th-28th May 2013, Dipartimento delle Arti visive, performative, mediali of the Università di Bologna.

Glynn, Basil ORCID: https://orcid.org/0000-0001-5880-6486 (2010) Viscous victorians: Hammer, colour and realism. In: Bloodlines: British Horror Past and Present, 4th-5th March 2010, De Montfort University.

Glynn, Basil ORCID: https://orcid.org/0000-0001-5880-6486 (2015) The clash of past, present and cultures in Hammer’s The Mummy (1959). In: Hammer Film Productions: A Laboratory for Modern Horror / Le studio Hammer: Laboratoire de l'horreur moderne, 10-12 Jun 2015, Université Paris Ouest Nanterre, Sorbonne Nouvelle, Paris, France.

Glynn, Basil ORCID: https://orcid.org/0000-0001-5880-6486 and Kim, Jeongmee (2006) Corpse, spectacle, illusion: mainstreaming extreme images in CSI. In: TV Fiction Exchange: Local/Regional/National/Global, 5th-8th September 2006, Manchester Metropolitan University.

Glynn, Basil ORCID: https://orcid.org/0000-0001-5880-6486 and Kim, Jeongmee (2016) Korean wave drama: transnationalism, celebration and resistance. In: Transnational Screens Conference: Volatility and Compounding Transnational Traffic, 15-16 Sept 2016, De Montfort University, Leicester, United Kingdom.

Glynn, Basil ORCID: https://orcid.org/0000-0001-5880-6486 and Kim, Jeongmee (2016) Mortality and morality in CSI: getting away with gore. In: Death and Culture Conference, 01-03 Sept 2016, The University of York, York, UK.

Houssart, Mark (2011) The infernal affairs trilogy and Hong Kong cinema's relationship with the external world. In: Chinese Cities and the Outside World: A Workshop for City, Culture and Society, 2011, Urban Research Plaza, Osaka City University.

Jones, Simon (1995) "Crossover" and the politics of "race". In: International Association for the Study of Popular Music, July 1993, Stockton, California, USA.

Klika, D. T. (2018) The ghost in the second act. The structural relationship between film and TV sitcoms. In: Screenwriting Research Network International Conference, 13-15 Sept 2018, Milan, Italy.

Klika, D. T. (2016) The inescapable narrative structure of the TV sitcom. In: Screenwriting Research Network: Annual Conference 2016, 8-10 Sept 2016, Leeds Beckett University, Leeds, United Kingdom.

Klika, D. T. (2012) The key character in the sitcom. In: Colloquium on Humor in Film and Literature, June 2012, West Virginia University, USA.

Klika, D. T. (2015) (re)Developing the TV sitcom. In: Screenwriting Research Network, 10-12 Sept 2015, London, United Kingdom.

Klika, D. T. (2015) (re)Reading the TV sitcom. In: International Society for Humor Studies Conference, 29 June - 03 July 2015, Oakland, CA.

Knowles, Sophie (2016) Neo-liberalism, mainstream financial journalism and the concurrent crisis in journalism. In: Beyond the Crisis: The Media and Austerity, 10 May 2016, City University, London, United Kingdom.

Korallo, Liliya, Foreman, Nigel, Boyd Davis, Stephen, Moar, Magnus ORCID: https://orcid.org/0000-0002-9489-9795 and Molife, Peter (2009) Using VEs to enhance chronological understanding of history in middle school children. In: Cognitive Psychology Section Annual Conference, 1-3 September 2009, University of Hertfordshire.

Lutschinger, Stefan (2016) Lecture "German Video Art in the Russian Museum: Akiko Hada". In: German Video Art in the Russian Museum, 01 Sep 2016, The State Russian Museum, Saint Petersburg.

Lutschinger, Stefan (2014) Malevich - a suprematist board game. In: perceptionWars. Week of Contemporary Art, 30 Aug - 03 Sep 2014, Center for Urban History of East Central Europe.

Lutschinger, Stefan (2017) Open pedagogy and student wellbeing: academic confidence building with Wikipedia assignments. In: #OER17: The Politics of Open, 05-06 Apr 2017, Resource for London.

Lutschinger, Stefan (2019) Review of 'On The Surface' by The Challenge. In: Cybersalon: Games For Good 2.0, 18 Mar 2019, Newspeak House, London.

Lutschinger, Stefan (2019) Wikidata in Higher Education: opening minds with open data. In: transmediale Student Forum, 29 Jan 2019, Haus der Kulturen der Welt, Berlin.

Lutschinger, Stefan (2019) The rebirth of Austrian cinema through the 70s avant-garde. In: 8th New Austrian Cinema Festival, 26-30 June 2019, Kinoteatr Bolshoi, Rostov-on-Don.

McGorrian, Tom (2015) Developing documentary practices for sensitive contexts – video ethnography in the UK hospice sector. In: Silver Stories: Digital Storytelling International Conference, 26-27 May 2015, Escola Superior de Saúde - Instituto Politécnico de Leiria, Portugal.

McGorrian, Tom (2018) 'Hospice Stories' – Developing documentary practices for sensitive contexts – Video Ethnography in the UK Hospice Sector. In: IOHA 2018 Memory & Narration - 20th International Oral History Association (IOHA) Conference, 18-21 June 2018, University of Jyvaskyla, Finland.

Parry, Nye, Bendon, Helen, Boyd Davis, Stephen and Moar, Magnus ORCID: https://orcid.org/0000-0002-9489-9795 (2009) Moving tales, exploring narrative strategies for scalable locative audio drama. In: ISEA09 International Symposium on Electronic Art, 23 Aug - 01 Sep 2009, Belfast, Northern Ireland.

Rialti, Riccardo, Zollo, Lamberto, Caliandro, Alessandro and Ciappei, Cristiano (2017) Exploring the link between consumers’ engagement and e-word of mouth in social media brand communities: a path analysis. In: 2017 Global Fashion Management Conference, 06-09 Jul 2017, Vienna, Austria. (doi:10.15444/GFMC2017.06.05.01)

Robinson, Anne (2015) Enlarger than life: song-films and irrational gestures. In: PSi20 Avant-Garde, Tradition, Community, 04-08 July 2014, Shanghai, China. (Published online first)

Robinson, Anne (2017) Feminist posters: 'Stuff This' Thinks Jane. In: Gender & Education Association 12th Biennial Conference, 21-23 June 2017, Middlesex University, London, UK.

Robinson, Anne (2015) Que sera: time travel and physical thinking. In: Psi19 Now and Then, 26-30 Jun 2013, Stanford University, Palo Alto, US.

Schifferes, Steve and Knowles, Sophie (2016) Financial capability, the financial crisis, and trust in news media. In: The 2016 Conference of the International Association of Media and Communication Research, 27-31 July, Leicester, United Kingdom.

Schifferes, Steve and Knowles, Sophie (2016) The UK news media and austerity: trends since the global financial crisis. In: The 2016 Conference of the International Association of Media and Communication Research, 27-31 July, Leicester, United Kingdom.

Tay, Sharon Lin (2010) Beyond trauma: politicising the expository documentary. In: Research Seminar at the Wee Kim Wee School of Communications and Information, 24 March 2010, Nanyang Technological University, Singapore.

Tay, Sharon Lin (2005) Conceiving Ada: the weaving of a feminist imperative into the cinematic new mediascape. In: Cinema and Technology International Conference, 7th April 2005, Lancaster University, UK,.

Tay, Sharon Lin (2011) Culture and aesthetics in transnational contexts. In: The Language of Art and Music: A Three Piece Puzzle in the Relationship between Culture, International Relations and Globalization, 26 Aug 2011, London, UK.

Tay, Sharon Lin (2002) Deleuze meets Hitchcock; and the horror thereafter. In: Screen Studies Conference, 30 June 2002, Glasgow University, Scotland..

Tay, Sharon Lin (2004) Digitising desire: sustaining the throb and pulsation of desire in film theory. In: The Spectacle and the Spectacular Conference, 24 April 2004, Buckinghamshire Chilterns University College, High Wycombe.

Tay, Sharon Lin (2010) Geographical dislocations, personal upheavals, and feminist politics in Guo Xiaolu and Deepa Mehta's film practices. In: Conference on China and the West: Cosmopolitics, Memory and Visual Media in the 21st Century, 11-12 Jun 2010, Hong Kong, China.

Tay, Sharon Lin (2011) Geography, politics and location in transnational media practices. In: First International Conference on Emerging Paradigms in Business and Social Sciences, Middlesex University, Dubai, 24 November 2011, Dubai, UAE.

Tay, Sharon Lin (2011) Geopolitics and the Location of Cultural Memories. In: Documentary Now!, 29 January 2011, University of Westminster, London.

Tay, Sharon Lin (2003) How to theorise the cinematic bitches from hell: the genealogy from abjection to resistance. In: Screen Studies Conference, 6 July 2003, Glasgow University, Scotland.

Tay, Sharon Lin (2008) Psychogeography, locative media, and performativity. In: Visible Evidence XV, 5 August 2008, University of Lincoln, UK.

Tay, Sharon Lin and Hudson, Dale (2007) Undisclosed recipients: online digital art and global political imaginaries. In: Visible Evidence XIV, 20 December 2007, Ruhr-Universität, Bochum, Germany..

Tay, Sharon Lin and Zimmermann, Patricia (2005) Digitising desire in documentary: image, contingency, theory, and copyright. In: Visible Evidence XII, 23 August 2005, Concordia University, Montreal, Canada,.

Wiedemann, Daniel P. O., Passmore, Peter J. ORCID: https://orcid.org/0000-0002-5738-6800 and Moar, Magnus ORCID: https://orcid.org/0000-0002-9489-9795 (2016) Virtual Reality 3rd person camera behavior modes. In: GAME-ON'2016: 17th International Conference on Intelligent Games and Simulation, 13-15 Sept 2016, Lisbon, Portugal.

Wiedemann, Daniel P. O., Passmore, Peter J. ORCID: https://orcid.org/0000-0002-5738-6800 and Moar, Magnus ORCID: https://orcid.org/0000-0002-9489-9795 (2017) An experiment design: investigating VR locomotion & virtual object interaction mechanics. In: GAME-ON'2017: 18th International Conference on Intelligent Games and Simulation, 06-08 Sept 2017, Carlow, Ireland.

Book

Akinrinade, Olusola and Barling, Kurt (2013) Economic development in Africa: international efforts, issues and prospects. Bloomsbury Academic Collections Economic . Bloomsbury Academic, UK. 9781472512727.

Alibhai-Brown, Yasmin (2015) Exotic England: the making of a curious nation. Portobello Books, London. 9781846274190.

Alibhai-Brown, Yasmin (2018) In defence of political correctness. Provocations . Biteback Publishing, London. 9781785904141.

Alibhai-Brown, Yasmin (2014) Refusing the veil. Provocations . Biteback Publishing, London. 9281849547505.

Arthurs, Jane and Little, Ben (2016) Russell Brand: Comedy, Celebrity, Politics. Palgrave Studies in Comedy . Palgrave Macmillan, UK. 9781349955527. (doi:10.1057/978-1-137-59628-4)

Barling, Kurt and Hassaïne, Réda (2014) Abu Hamza: guilty: the fight against radical Islam. Redshank Books, London. 9780993000201.

Barnard, Josie (2011) The book of friendship. Virago. 9781844085484.

Barnard, Josie (2019) The multimodal writer: creative writing across genres and media. Macmillan International Higher Education / Red Globe, London. 9781137607911.

Buchan, Suzanne, ed. (2006) Animated 'worlds'. John Libbey. 0861966619.

Buchan, Suzanne (2013) Pervasive Animation. An AFI Film Reader. AFI Film Readers . Routledge, New York. 9780415807241.

Buchan, Suzanne, ed. (2013) Pervasive animation. AFI Film Readers . Routledge. 9780415807241.

Buller, Amy Ernestine and Barling, Kurt (2016) Finsternis in Deutschland: wie die Deutschen dachten. Elisabeth Sandmann Verlag GmbH, Munchen. 9783945543092.

Caliandro, Alessandro and Gandini, Alessandro (2017) Qualitative research in digital environments: a research toolkit. Taylor & Francis (Routledge). 9781138188693.

Charlton, James Martin (2013) Coward: a speculative play about the life of Noël Coward. Playdead Press, London. 0957679297.

Charlton, James Martin (2015) Fat souls (plays volume one). Playdead Press, London. 1910067334.

Charlton, James Martin (2019) Reformation. Playdead Press, Portsmouth. 1910067806.

Cobley, Paul ORCID: https://orcid.org/0000-0002-8222-159X (2013) Narrative. 2nd ed. The New Critical Idiom . Routledge. 9780415834445.

Cobley, Paul ORCID: https://orcid.org/0000-0002-8222-159X and Schulz, Peter J., eds. (2013) Theories and models of communication. Handbooks of Communication Science . De Gruyter. 9783110240443.

Gandini, Alessandro (2016) The reputation economy: understanding knowledge work in a digital society. Palgrave Macmillan. 9781137561053. (doi:10.1057/978-1-137-56107-7)

Gibb, Lorna (2013) West's world: the extraordinary life of Dame Rebecca West. Macmillan. 9780230714625.

Glynn, Basil ORCID: https://orcid.org/0000-0001-5880-6486 (2019) The Mummy on screen: Orientalism and monstrosity in horror cinema. International library of the moving image . Bloomsbury Academic, London/New York. ISBN 9781788314084. (Accepted/In press)

Glynn, Basil, Johnson, Beth and Aston, James, eds. (2012) Television, sex and society: analysing contemporary representations. Continuum, New York. 9780826434982.

Graham, James and Gandini, Alessandro, eds. (2017) Collaborative Production in the Creative Industries. University of Westminster Press, London. 978-1-911534-28-0. (doi:10.16997/book4)

Jones, Janet and Salter, Lee (2012) Digital journalism. SAGE. 9781412920827.

Jones, Simon (2016) Black culture, white youth: the reggae tradition from JA to UK. Bassline Books, London. 9780995611108. (Published online first)

Klika, D. T. (2018) Situation comedy, character and psychoanalysis: on the couch with Lucy, Basil and Kimmie. Bloomsbury Academic, New York. 9781501327414.

Knowles, Sophie (2019) Mediating the global financial crisis: watchdogs, lapdogs or canaries in the coalmine. Global Crises and the Media . Peter Lang, London, New York. . (Accepted/In press)

Robinson, Anne, Stevenson, Pru, Baines, Jess and Mackie, Suzy (2016) See red women's workshop: feminist posters 1974 -1990. Four Corners Books, London. 9781909829077.

Roper, Ian, Prouska, Rea and Chatrakul Na Ayudhya, Uracha (2010) Critical issues in human resource management. Chartered Institute of Personnel Development, London. 9781843982425.

Shrubsole, Guy, Clare, Coatman, Little, Ben and Malik, Shiv, eds. (2012) Regeneration. Radical Future . Lawrence and Wishart, London. 9781907103490.

Tay, Sharon Lin (2009) Women on the edge: twelve political film practices. Palgrave Macmillan, Basingstoke. 9780230217768.

Vodanovic, Lucia and Vodanovic, Jose Ossandón, eds. (2012) Disturbios culturales. Social Sciences and History Collection . Ediciones UDP, Santiago. 9789563141719.

Wardle, Sarah (2014) Beyond. Bloodaxe Books. 9781780370972.

Wardle, Sarah (2003) Fields away. Bloodaxe Books. 1852246200.

Wardle, Sarah (2005) Score! Bloodaxe Books. 1852247061.

Wardle, Sarah (2009) A knowable world. Bloodaxe Books. 9781852248192.

Winch, Alison (2013) Girlfriends and postfeminist sisterhood. Palgrave Macmillan. 9780230348752.

Thesis

Basu, Maitrayee Basu (2018) Assembling the field: Literary journalism about marginalised subjects by Indian writers. PhD thesis, Middlesex University.

Bolas, Terry (2007) The Screen Education years 1960-1982: the academic accession of the abject art. PhD thesis, Middlesex University.

Goro, Wangũi Wa (2005) Hecterosexism in translation: a comparative study of Ngũgi Wa Thiong'o's Caitani Mutharabaini (Devil on the cross) and Matigari Ma Njirũũngi (Matigari). PhD thesis, Middlesex University.

Macleod, Patricia (2018) Conscionable consumption: a feminist grounded theory of porn consumer ethics. PhD thesis, Middlesex University.

Milsom, Anna-Marjatta (2008) Picturing voices, writing thickness: a multimodal approach to translating the Afro-Cuban tales of Lydia Cabrera. PhD thesis, Middlesex University.

Robinson, Anne (2012) The elusive digital frame and the elasticity of time in painting. PhD thesis, The Cass, London Metropolitan University.

Togame, Naoko (2016) Irony in a second language: exploring the comprehension of Japanese speakers of English. PhD thesis, Middlesex University.

Wayne, Michael (1999) Travels in modernity: spectatorship and narratives in British film culture. PhD thesis, Middlesex University.

Doctorate by Public Works

Bendon, Helen (2018) The artist as historyteller within museum and heritage sites. [Doctorate by Public Works]

Artefact

Glynn, Basil ORCID: https://orcid.org/0000-0001-5880-6486, Kerr, Paul and McGorrian, Tom (2016) Emmaus in the UK 1991-2016 - Brochure / Booklet. [Artefact]

Robinson, Anne (2016) Thrashing in the static. [Artefact]

Digital artefact

Barling, Kurt (2017) Investigation of Lakanal House Fire. [Digital artefact] (Published online first)

Bendon, Helen and Butt, Maggie (2015) Time stands still. [Digital artefact]

Show/Exhibition

Barling, Kurt (2015) Hidden heroes: soldiers from the empire. [Show/Exhibition]

Barling, Kurt (2017) Urge to Paint. [Show/Exhibition]

Bendon, Helen and Thom, Jessica (2006) Being there: detailing the city experience. [Show/Exhibition]

Billingham, Richard ORCID: https://orcid.org/0000-0002-6474-5656 (2001) Landscapes 2001 - 2003, 3 solo exhibitions, London, Budapest and Brussels. [Show/Exhibition]

Felch, Alexander and Lutschinger, Stefan (2018) Transient Hole (Variations) VII. [Show/Exhibition]

Felch, Alexander and Lutschinger, Stefan (2018) Transient Hole (Variations) X. [Show/Exhibition]

Hudson, Dale and Tay, Sharon Lin (2008) Sticky-content. [Show/Exhibition]

Hudson, Dale and Tay, Sharon Lin (2007) Undisclosed recipients. [Show/Exhibition]

Robinson, Anne, Baines, Jess, Mackie, Suzy and Stevenson, Pru (2015) See Red Women's workshop: exhibitions. [Show/Exhibition]

Robinson, Anne, Evans, Michael and Tucker, Judith (2014) Vital excess. [Show/Exhibition]

Skinner, Penelope, Parry, Nye, Bendon, Helen, Moar, Magnus ORCID: https://orcid.org/0000-0002-9489-9795, Boyd Davis, Stephen, Collingwod, Faith and Mortimer, Jeremy (2008) Scratch. [Show/Exhibition]

Tay, Sharon Lin and Hudson, Dale (2011) Digital checkpoints. [Show/Exhibition]

Tay, Sharon Lin and Hudson, Dale (2010) Map open space. [Show/Exhibition]

Tay, Sharon Lin and Hudson, Dale (2011) Trafficked identities. [Show/Exhibition]

Tay, Sharon Lin and Hudson, Dale (2008) Ubuntu kuqala. [Show/Exhibition]

Tay, Sharon Lin, Zimmermann, Patricia and Draper, Nikki (2010) Open space. [Show/Exhibition]

Performance

Charlton, James Martin (2013) Battis boy. [Performance]

Charlton, James Martin (2015) Been on the job too long. [Performance]

Charlton, James Martin (2012) Coward. [Performance]

Charlton, James Martin (2009) Fellow creature. [Performance]

Charlton, James Martin (2019) Reformation. [Performance]

Charlton, James Martin and Kenworth, James (2014) Revolution Farm. [Performance]

Kenworth, James and Charlton, James Martin (2019) Alice in Canning Town. [Performance]

Kenworth, James and Charlton, James Martin (2016) A Splotch of Red: Keir Hardie in West Ham. [Performance]

Lutschinger, Stefan (2014) Cultures of work. [Performance]

Film/Video

Akinleye, Adesola ORCID: https://orcid.org/0000-0001-7342-8292 (2014) Untitled: women's work. [Film/Video]

Bendon, Helen (2007) Egg and spoon. [Film/Video]

Charlton, James Martin (2011) Academic. [Film/Video]

Charlton, James Martin (2007) Apeth. [Film/Video]

Glynn, Basil (2019) Showcase: The Mummy turns 20. [Film/Video]

Harris, Vron (2018) Spring, Summer, Autumn, Winter. [Film/Video]

Heinemann, David and Nevardauskaite, Elvina (2017) Remember, thou art clay. [Film/Video]

Heinemann, David and Nevardauskaite, Elvina (2018) Unburied. [Film/Video]

Heinemann, David and Nevardauskaite, Elvina (2019) Voices apart. [Film/Video] (Accepted/In press)

Kelleher, Andy, Charlton, James Martin and Thorn, Mike (2006) Best shot. [Film/Video]

Kenworth, James (2016) Film of a splotch of red: Keir Hardie in West Ham at community links, Canning Town. [Film/Video] (Published online first)

Kenworth, James (2014) Revolution Farm. [Film/Video] (Published online first)

Kerr, Paul (2014) Alexandra Palace: war on the home front. [Film/Video]

Klika, D. T. (2018) At the Bar. [Film/Video] (Published online first)

Klika, D. T. (2018) Unifinshed Business reading at Comedy Festival Los Angeles USA. [Film/Video]

McGorrian, Tom (1989) Bridge builders. [Film/Video] (Accepted/In press)

McGorrian, Tom (1988) Close-up north series 1 and 2. [Film/Video] (Accepted/In press)

McGorrian, Tom (2016) Emmaus research history project (2015-16). [Film/Video]

McGorrian, Tom (2014) FAST video series. [Film/Video]

McGorrian, Tom (2014) Forward! Italy. [Film/Video]

McGorrian, Tom (1990) Lords of the rink. [Film/Video]

McGorrian, Tom (1989) Mirror image. [Film/Video] (Accepted/In press)

McGorrian, Tom (2006) Project Raja - an embassy for elephants. [Film/Video]

McGorrian, Tom (1996) Series of weekly news and monthly marketing employee programmes. [Film/Video]

McGorrian, Tom (2014) The Unisys security index. [Film/Video]

McGorrian, Tom (1992) The boarding house. [Film/Video]

McGorrian, Tom (2001) A range of business television programmes. [Film/Video]

Robinson, Anne (2018) 'Sunday School' in 'Temporalities, curated by Steven Ball, Lethaby Gallery, UAL/CSM, London. [Film/Video]

Robinson, Anne (2018) Wakeful. [Film/Video] (Accepted/In press)

Ward, Chris and Charlton, James Martin (2011) What shall we do with the drunken sailor. [Film/Video]

Audio

Barnard, Josie (2019) Digital future: the new underclass. [Audio]

Heinemann, David, Vahey, Shane, Boulifa, Fyzal and Berliner, Michael (2008) Whore. [Audio]

Heinemann, David, Vahey, Shane, Boulifa, Fyzal and Ng, Sue (2008) Afternoon. [Audio]

Other

Klika, D. T. (2017) At the Bar. Deborah Klika.

Klika, D. T. (2015) Sandwich. London Film Awards; 4th place Best Television Pilot.

Klika, D. T. (2017) Unfinished Business - a comedy about politics in this life and the next. Deborah Klika.

Robinson, Anne (2014) Over Time: art project 2014. Stephen Lawrence Gallery, University of Greenwich, National Maritime Museum, Thames Foreshore, London.

This list was generated on Tue Oct 22 04:42:59 2019 BST.