Items where Research Area is "A. > School of Media and Performing Arts"

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Number of items at this level: 379.

A

Abugharsa, Aisha Fathi (2016) The Usefulness of Explicit Grammar Teaching: An lnvestigation of Syntactic Satiation Effects and Acceptability Judgements in Libyan EFL Contexts. PhD thesis, Middlesex University.

Akinleye, Adesola ORCID: https://orcid.org/0000-0001-7342-8292 (2018) Light Steps & Found - performances for young audiences. [Performance]

Akinleye, Adesola ORCID: https://orcid.org/0000-0001-7342-8292 (2012) Orientation for communication: embodiment, and the language of dance. Empedocles: European Journal for the Philosophy of Communication, 4 (2). pp. 101-112. ISSN 1757-1952 (doi:10.1386/ejpc.4.2.101_1)

Akinleye, Adesola ORCID: https://orcid.org/0000-0001-7342-8292 (2014) Untitled: women's work. [Film/Video]

Akinleye, Adesola ORCID: https://orcid.org/0000-0001-7342-8292 and Califano, Anton (2014) Light Steps promo. [Artefact]

Alibhai-Brown, Yasmin (2016) Blend it like Britain. The Sunday Times Magazine . ISSN 0956-1382

Alibhai-Brown, Yasmin (2018) Idi Amin's Uganda Retold. [Audio]

Alibhai-Brown, Yasmin (2017) The Khan Mutiny. [Audio]

Alibhai-Brown, Yasmin (2016) Shakespeare: love across the racial divide. [Audio]

Alibhai-Brown, Yasmin (2017) We were the sinners too. The Sunday Times Magazine . ISSN 0956-1382

Alliez, Eric (2005) La Pensée-Matisse: portrait de l'artiste en hyperfauve. Bonne, Jean-Claude, ed. Le Passage, Paris and New York. 2847420649.

Alliez, Eric (2004) Aion, Khronos. In: Vocabulaire Européen des Philosophies: dictionnaire des intraduisibles. Cassin, Barbara, ed. Seuil/Le Robert, Paris, pp. 44-52. 2020307308.

Alliez, Eric (2006) Anti-Oedipus - thirty years on: between art and politics. In: Deleuze and the social. Fuglsgang, Martin and Sorensen, Bent Meier, eds. Edinburgh University Press, Edinburgh, pp. 151-168. 9780748620937.

Alliez, Eric and Goffey, Andrew (2011) The Guattari effect. Continuum, London. 9781441121974.

Alliez, Eric (2007) L'Oeil-Cerveau: nouvelles histoires de la peinture moderne. Martin, Jean-Clet, ed. Vrin, Paris. 9782711619092.

B

Baker, Sarah (2011) Retro femininities and domestic labour. In: Social and Historical Studies Open Seminar, 22/03/11, Westminster University.

Baker, Sarah (2009) ‘… now that’s cultural studies!’: reconsidering a conference paper on retro style. In: Yearbook III: PhD research in progress. Robbins, Derek, ed. Humanities and Social Studies, University of East London, London, pp. 53-63. .

Barling, Kurt (2015) The R word: racism. Provocations . Biteback Publishing, London, UK. 9781849549424.

Barnard, Josie (2016) Tweets as microfiction: on Twitter’s live nature and 140 character limit as tools for developing storytelling skills. New Writing: the International Journal for the Practice and Theory of Creative Writing, 13 (1). pp. 3-16. ISSN 1479-0726 (doi:10.1080/14790726.2015.1127975)

Bartram, Angela (2009) The transgressive mouth in live art and its relationship to the audience. PhD thesis, Middlesex University.

Beaven, Zuleika, O'Dair, Marcus and Osborne, Richard, eds. (2018) Mute records: artists, business, history. Bloomsbury Academic. 9781501340604. (Accepted/In press)

Benjamin, Andrew and Osborne, Peter, eds. (1994) Walter Benjamin's philosophy: destruction and experience. Warwick studies in European philosophy. . Routledge. 0415083680.

Birchall, Clare (2005) Cultural studies in the corporate university. Cultural Studies, 19 (3). pp. 297-317. ISSN 0950-2386 (doi:10.1080/09502380500146899)

Birchall, Clare (2006) Knowledge goes pop: from conspiracy theory to gossip. Berg, Oxford. 9781845201432.

Birchall, Clare and Hall, Gary (2006) New cultural studies: adventures in theory. In: New Cultural Studies: Adventures in Theory. Edinburgh University Press, Edinburgh, pp. 1-28. 9780748622092.

Birchall, Clare (2002) The commodification of conspiracy theory. In: Conspiracy Nation: The Politics of Paranoia in Postwar America. Knight, Peter, ed. New York University Press, New York, pp. 233-253. 0-8147-4736-1.

Bird, Helen, Boykoff, Max, Goodman, Mike, Monbiot, George and Littler, Jo (2009) Mediating climate change. Soundings, 43 . pp. 47-64. ISSN 1362-6620

Black, Sarah (2018) Mother as curator: performance, family and ethics. PhD thesis, Middlesex University.

Boddington, Ghislaine (2002) 'Cluster': telematic performance viewed in situ and webcast. [Performance]

Boddington, Ghislaine (2008) Exploring the visual-sonic interface. In: Fast Forward, 23rd September 2008, Birkbeck Cinema, London.

Boddington, Ghislaine (2007) Virtual physical bodies-serious play. In: Die Welt als virtuelles Environment: Das Buch zur CYNETart_07encounter. Birringer, Johannes, Dumke, Thomas and Nikolai, Klaus, eds. Trans-Media-Akademie Hellerau. 9783981024739.

Boddington, Ghislaine, Hyde, Coralie and Lang, Andrew (2006) The Weave [website]: an interauthorship process. ResCen.

Boddington, Ghislaine and Lander, Debbi (2006) The Shinkansen Collection. The British Library Sound Archive.

Boddington, Ghislaine (2010) Collective collaborations through telematics. In: Excited atoms: an exploration of virtual mobility in the contemporary performing arts. Staines, Judith and Boddington, Ghislaine, eds. Culture360.org, pp. 27-38. .

Brassier, Ray (2003) Axiomatic heresy: the non-philosophy of François Laruelle. Radical Philosophy, 121 . pp. 24-35. ISSN 0300-211X

Brassier, Ray (2005) Badiou's materialist epistemology of mathematics. Angelaki, 10 (2). pp. 135-150. ISSN 0969-725X (doi:10.1080/09697250500417357)

Brassier, Ray (2004) Alain Badiou: theoretical writings. Badiou, Alain and Brassier, Ray and Toscano, Alberto, eds. Continuum International Publishing Group Ltd, London and New York. 0-8264-6145-X.

Brassier, Ray (2007) Nihil unbound: enlightenment and extinction. Brassier, Ray, ed. Palgrave Macmillan, Basingstoke and New York. 978-0-230-52204-6.

Brink, Joram ten (1999) The essay film. PhD thesis, Middlesex University.

Broadhead, Caroline and Miller, Graeme (2005) Breathing Space. [Show/Exhibition]

Broadhurst, Susan and Machon, Josephine, eds. (2012) Identity, performance and technology: practices of empowerment, embodiment and technicity. Palgrave Studies in Performance and Technology . Palgrave Macmillan, Basingstoke. 9780230298880.

C

Callard, Felicity and Papoulias, Constantina (2010) Affect and embodiment. In: Memory: histories, theories, debates. Radstone, Susannah and Schwarz, Bill, eds. Fordham University Press, New York, pp. 246-262. 9780823232604.

Campanello, Kimberly (2018) Writing the sheela-na-gig: semiotic complexity, ekphrasis, and poetic persona in the poetry collection Strange Country. PhD thesis, Middlesex University.

Chakrabortty, Aditya, Clark, Tom, Eturk, Ismail, Froud, Julie, Johal, Sukhdev, Lansley, Stewart, Leaver, Adam, Lloyd, Toby, Moran, Mick, Murphy, Richard, Reed, Howard, Rutherford, Jonathan, Weldon, Duncan and Williams, Karel (2010) Britain’s broken economy: and how to mend it. Soundings, London. .

Charles, Matthew (2009) Speculative experience and history: Walter Benjamin’s Goethean Kantianism. PhD thesis, Middlesex University.

Cole, Phillip (2007) Human rights and the national interest: migrants, health care and social justice. Journal of Medical Ethics, 33 (5). pp. 269-272. ISSN 0306-6800 (doi:10.1136/jme.2005.014829)

Cole, Phillip (2006) "La Valla Estadounidense: la teoria politica liberal y la Immoralidad de la pertenencia". [The American fence: liberal political theory and the immorality of membership]. Revista Internacional de Filosofia Politica, 27 . pp. 101-116. ISSN 1132-9432

Cole, Phillip (2007) The body politic: theorizing disability and impairment. Journal of Applied Philosophy, 24 (2). pp. 169-176. ISSN 1468-5930 (doi:10.1111/j.1468-5930.2007.00369.x)

Cole, Phillip (2006) The myth of evil. Edinburgh University Press, Edinburgh. 0748622004.

Colin, Noyale (2015) Becoming together: collaborative labour in contemporary performance practice. PhD thesis, Middlesex University.

Cottis, David (2018) The Boring Conference 2018. Wales Arts Review .

Cottis, David (2016) Richard III Programme note (Chapter Arts Centre, Cardiff). Chpater Arts Centre, Cardiff, Chpater Arts Centre, Cardiff.

Cottis, David (2018) TV: BBC's King Lear [Review]. Wales Arts Review .

Cottis, David (2016) Theatre of Blood programme notes (Chapter Arts Centre, Cardiff). Chapter Arts Centre, Cardiff, Chapter Arts Centre, Cardiff.

Cottis, David (2018) Theatre: A Recipe for Sloe Gin (Clock Tower) [Review]. Wales Arts Review .

Cottis, David (2017) Towards a British Concept Musical: the Shows of Anthony Newley and Leslie Bricusse. In: The Oxford Handbook of the British Musical. Gordon, Robert and Jubin, Olaf, eds. Oxford Handbooks . Oxford University Press, New York, pp. 309-330. 9780199988747. (doi:10.1093/oxfordhb/9780199988747.013.12)

Couldry, Nick and Littler, Jo (2008) The work of work: reality TV and the negotiation of neoliberal labour in the apprentice. In: Rethinking documentary: new perspectives and practices. Austin, Thomas and De Jong, Wilma, eds. Open University Press, Maidenhead. 9780335221929.

Crisp, Virginia (2012) BLOODY PIRATES!!! *shakes fist*: re-imagining East Asian film distribution and reception through online filesharing networks. Journal of Japanese and Korean Cinema, 3 (1). p. 65. ISSN 1756-4905 (doi:10.1386/jjkc.3.1.65_1)

Crisp, Virginia (2014) To name a thief: constructing the deviant pirate. In: Piracy: leakages from modernity. Fredriksson, Martin and Arvanitakis, James, eds. Litwin Books, pp. 39-53. 9781936117598.

Crisp, Virginia, Hickman, Jon, Janes, Stephanie and McCulloch, Richard (2013) Of proprietors and poachers: fandom as negotiated brand ownership. Participations: Journal of Audience and Reception Studies, 10 (1). pp. 319-328. ISSN 1749-8716

Cruddas, Jon and Rutherford, Jonathan (2010) Bottom of the class. New Statesman . ISSN 1364-7431

Cruddas, Jon and Rutherford, Jonathan (2009) Building the future politics on our toxic present. Tribune . ISSN 0041-2821

Cruddas, Jon and Rutherford, Jonathan (2010) Ethical socialism. Soundings (44). pp. 10-21. ISSN 1362-6620

Cruddas, Jon and Rutherford, Jonathan (2010) No right turn. New Statesman, 139 (5003). pp. 31-33. ISSN 1364-7431

Cruddas, Jon and Rutherford, Jonathan (2011) Selling England by the pound. Progress Online .

Cruddas, Jon and Rutherford, Jonathan (2009) The time has come for a new socialism. Independent . ISSN 0951-9467

Cruddas, Jon and Rutherford, Jonathan (2009) Return to society. In: What next for Labour? Ideas for progressive left: a collection of essays. Harrington, Peter and Burks, Beatrice Karol, eds. Demos, pp. 19-24. 9781906693176.

Cruddas, Jon and Rutherford, Jonathan (2010) A brief history of pension reform. In: A new state pension: a call to all parties. Hollis, Patricia and Kemp, Alexandra, eds. Soapbox Communications, pp. 11-12. .

Cruddas, Jon and Rutherford, Jonathan (2010) The common table. In: Crisis and recovery ethics, economics and justice. Williams, Rowan and Elliott, Larry, eds. Palgrave Macmillan, Basingstoke, pp. 54-76. 9780230252141.

Cullen, Catherine Ann (2017) A City Out of Old Songs: the influence of ballads, hymns and children’s songs on an Irish writer and broadcaster. [Doctorate by Public Works]

D

Davison, Sally and Rutherford, Jonathan (2008) Race, identity and belonging: a Soundings collection. Soundings on . Lawrence and Wishart. 9781905007653.

Day, Audri (2014) Variations on a theme: matrilinear relationships in Sybille Bedford’s novels. Other thesis, Middlesex University.

Drake, Philip and Haynes, Richard (2010) Television, deregulation and the reshaping of leisure. In: The new politics of leisure and pleasure. Bramham, Peter and Wagg, Stephen, eds. Palgrave Macmillan. 9780230216839.

Drake, Philip and Miah, Andy (2010) The cultural politics of celebrity. Cultural Politics: an International Journal, 6 (1). pp. 49-64. ISSN 1743-2197 (doi:10.2752/175174310X12549254318746)

Dwyer, Benjamin (2016) Barry Guy’s Time Passing... Music & Literature . ISSN 2165-4026

F

Fatah gen. Schiek, Ava, Boddington, Ghislaine and Fink, Peter (2009) Framework for the implementation of urban big screens in the public space. Project Report. University College London, London. .

Fordham, John (1997) James Hanley: modernism and the working class. PhD thesis, Middlesex University.

Fossey, Stephen (2018) Site specific performance and the mechanics of becoming social. PhD thesis, Middlesex University.

G

Gerbaudo, Paulo (2011) Berlusconi of the Left? Nichi Vendola and the narration of the new Italian Left. In: NYLON research group seminar: Alumni-led seminar | Politics and myth, March 17th 2011, LSE - Tower 2, Cities Programme.

Gibb, Lorna (2015) Blurring the lines between fiction and biography: writing about ghosts. Popular Culture review, 26 (2). pp. 14-18. ISSN 1060-8125 (doi:10.18278/pcr.26.2.2)

Gibb, Lorna (2015) A Ghost's story. Granta, London. 978-1783780341.

Gibb, Lorna (2015) Portia's choice. Granta Literary Magazine, London.

Gibb, Lorna (2014) Procedure. Journal of Bioethical Enquiry, 11 (3). pp. 279-293. ISSN 1176-7529 (doi:10.1007/s11673-014-9540-5)

Gibb, Lorna (2014) The ‘Red Cross’ Concentration Camp in Niš, Serbia. The Holocaust in History and Memory, 7 . pp. 47-52.

Glasman, Maurice, Rutherford, Jonathan, Stears, Marc and White, Stuart (2011) The Labour tradition and the politics of paradox. The Oxford London Seminars, London. .

Glynn, Basil (2019) The 1940s universal Mummy cycle: a decade of decay or regeneration? In: Literature/Film Association Conference: Reboot, Repurpose, Recycle, 12-14 Sep 2019, Portland, Oregon.

Goffey, Andrew (2008) Abstract experience. Theory, Culture and Society., 25 (4). pp. 15-30. ISSN 0263-2764 (doi:10.1177/0263276408091980)

Goffey, Andrew (2008) Reclaiming experience: 'Thinking with Whitehead' as an affair of active experimentation. Process Studies, 37 (2). pp. 140-163. ISSN 0360-6503

Goffey, Andrew (2008) Thinking with as a process of active experimentation. Process Studies, 37 (2). ISSN 0360-6503

Goffey, Andrew (2008) Algorithm. In: Software studies: a lexicon. Fuller, Matthew, ed. MIT Press, Cambridge, pp. 15-20. 9780262062749.

Goffey, Andrew (2008) Intelligence. In: Software studies: a lexicon. Fuller, Matthew, ed. MIT Press, Cambridge, pp. 132-142. 9780262062749.

Goffey, Andrew and Fuller, Matthew (2010) On the usefulness of anxiety: two evil media stratagems. In: Sarai reader 08: Fear. Narula, Monica, Sengrupta, Shuddhabrata and Bagchi, Jeebesh, eds. Centre for the study of developing societies, Delhi, pp. 156-163. 9788190585323.

Goffey, Andrew and Fuller, Matthew (2010) The usefulness of anxiety. In: The Sarai reader 8: fear. Narula, Monica, Sengupta, Shuddhabrata and Bagchi, Jeebesh, eds. Sarai, New Delhi. 9788190585323.

Goffey, Andrew and Fuller, Matthew (2009) Towards an evil media studies. In: The spam book: on viruses, porn, and other anomalies from the dark side of digital culture. Parikka, Jussi and Sampson, Tony D., eds. Hampton Press communication series . Hampton Press, Cresskill, N.J., pp. 141-159. 9781572739154.

Goffey, Andrew (2011) Introduction: on the witch's broomstick. In: Capitalist sorcery: breaking the spell. Pignarre, Philippe and Stengers, Isabelle, eds. Palgrave, London. 9780230237629.

Goffey, Andrew (2008) Heterogenesis and the problems of metaphysics in Deleuze and Whitehead. In: Deleuze, Whitehead, Bergson: rhizomatic connections. Robinson, Keith, ed. Palgrave MacMillan, Basingstoke. 9780230517721.

Goffey, Andrew (2008) Heterogenesis and the problems of metaphysics. In: Deleuze, Whitehead, Bergson: rhizomatic connections. Robinson, Keith, ed. Palgrave Macmillan, Basingstoke, pp. 106-127. 9780230517721.

Goffey, Andrew (2009) Mens sana in corpore sano (or, keep taking the tablets). In: Proud to be flesh: a Mute magazine anthology of cultural politics after the net. Slater, Josephine Berry, Broekman, Pauline van Mourik, Corris, Michael, Seymour, Benedict, Iles, Anthony and Worthington, Simon, eds. Mute, London, pp. 143-149. 9781906496272.

Gottlieb, Greg (2016) ‘Back-to-front’ Bassists: Idiodextrous Approaches to the Double Bass in Jazz. Masters thesis, Middlesex University.

Graham, James (2017) “A country with land but no habitat”: women, violent accumulation and negative-value in Yvonne Vera’s The Stone Virgins. Journal of Postcolonial Writing, 53 (3). pp. 355-366. ISSN 1744-9855 (doi:10.1080/17449855.2017.1337689)

Grayson, Richard S. and Rutherford, Jonathan (2010) After the crash: reinventing the left in Britain.[E-book]. Soundings, Social Liberal Forum and Compass. .

Gritten, Anthony (2005) Alibis, and why performers don't have them. Musicae Scientiae, 9 (1, Spr). pp. 137-156.

Gritten, Anthony (2007) Loopholes in performance. In: In(ter)discipline: New Languages for Criticism. Beer, Gillian, Bowie, Malcolm and Perrey, Beate, eds. Legenda, Oxford, pp. 114-125. .

Gritten, Anthony (2010) Is this collaborating? In search of an artistic attitude. In: Collision. Laycock, Kevin, ed. Gallery Oldham & University of Leeds, Leeds. 0955038588.

Gritten, Anthony (2011) Ethics. In: The Lyotard dictionary. Sim, Stuart, ed. Edinburgh University Press, Edinburgh. 9780748640065.

H

Haas, Michael (2017) Hitler’s musical 'Tabula Rasa' - Restitution - Restoration. [Doctorate by Public Works]

Hallward, Peter (2002) Absolutely postcolonial: writing between the singular and the specific. Manchester University Press, Manchester. 9780719061264.

Hallward, Peter (2008) Anything is possible. Radical philosophy. (152). pp. 51-57. ISSN 0300-211X

Hallward, Peter (2002) Badiou's politics: equality and justice. Culture machine (4). ISSN 1465-4121

Hallward, Peter (2003) Badiou: a subject to truth. University of Minnesota Press, Minneapolis and London. 0816634602.

Hallward, Peter (2005) Beyond salvage. South Atlantic Quarterly, 104 (2). pp. 237-244. ISSN 0038-2876 (doi:10.1215/00382876-104-2-237)

Hallward, Peter (2007) Damming the flood: Haiti, Aristide, and the politics of containment. Verso, London. 9781844671069.

Hallward, Peter (2005) Depending on inconsistency: Badiou's answer to the guiding question of all contemporary philosophy. Polygraph, Spring (17). pp. 7-21. ISSN 1533-9793

Hallward, Peter (2004) Enough imperial crusades. Guardian . p. 17. ISSN 0261-3077

Hallward, Peter (2000) Ethics without others: a reply to Simon Critchley. Radical philosophy (102). pp. 27-30. ISSN 0300-211X

Hallward, Peter (2007) A Haitian boat disaster. Radical Philosophy (145). pp. 53-55. ISSN 0300-211X

Hallward, Peter (2004) Haitian inspiration: notes on the bicentenary of independence. Radical Philosophy (123). pp. 2-7. ISSN 0300-211X

Hallward, Peter (2007) Insurgency and betrayal: an interview with Guy Philippe. HaitiAnalysis .

Hallward, Peter (2003) Interviews with Alain Badiou, Philippe Lacoue-Labarthe, Jean-Luc Nancy, Jacques Rancière, Michel Serres, and Bernard Stiegler. Angelaki, 8 (2). ISSN 0969-725X

Hallward, Peter (2003) Introductions to Christian Jambet, Guy Lardreau, Jacques Rancière, Alain Badiou, Monique David-Menard, Daniel Bensaïd. Angelaki, 8 (2). ISSN 0969-725X

Hallward, Peter (2007) Jean-Luc Nancy and the implosion of thought. Oxford literary review., Summer (27). pp. 159-180. ISSN 0305-1498

Hallward, Peter (2007) One step at a time: an interview with Jean-Bertrand Aristide. London Review of Books, 29 (4). ISSN 0260-9592

Hallward, Peter (2004) Option zero in Haiti. New left review (27). pp. 23-47. ISSN 0028-6060

Hallward, Peter (2006) Out of this world: Deleuze and the philosophy of creation. Verso, London and New York. 9781844675555.

Hallward, Peter (2006) Staging equality: Rancière's theatrocracy. New Left Review (37). pp. 109-129. ISSN 0028-6060

Hallward, Peter (2004) Think again: Alain Badiou and the future of philosophy. Continuum, London. 0826459064.

Hallward, Peter (2006) Voting for hope: elections in Haiti. Radical Philosophy (138). pp. 2-8. ISSN 0300-211X

Hallward, Peter (2001) Whose war? Radical philosophy (110). pp. 55-56. ISSN 0300-211X

Hallward, Peter (2004) Why they had to crush Aristide: Haiti's elected leader was regarded as a threat by France and the US. Guardian . p. 24.

Hallward, Peter (2000) The limits of individuation, or how to distinguish Deleuze from Foucault. Angelaki, 5 (2). pp. 93-112. ISSN 0969-725X (doi:10.1080/09697250020012223)

Hallward, Peter (2003) The one or the other: French philosophy today. Angelaki. 0038-2876.

Hallward, Peter (2005) The politics of prescription. South Atlantic Quarterly, 104 (4). pp. 771-791. ISSN 0038-2876

Hallward, Peter (2000) The singular and the specific: recent French philosophy. Radical philosophy (99). pp. 6-18. ISSN 0300-211X

Hallward, Peter (2009) The will of the people: notes towards a dialectical voluntarism. Radical philosophy (155). ISSN 0300-211X

Hallward, Peter (2006) Jacques Rancière et la théâtrocratie. In: La philosophie déplacée: autour de Jacques Rancière. Cornu, Laurence and Vermeren, Patrice, eds. Horlieu, Bourg-en-Bresse. 9782916617008.

Hallward, Peter (2004) Consequences of abstraction. In: Think again: Alain Badiou and the future of philosophy. Hallward, Peter, ed. Continuum, London, pp. 1-20. 0826459064.

Hallward, Peter (2007) What's the point: first notes towards a philosophy of determination. In: Material worlds: proceedings of the conference held at Glasgow University, 2005. Moffat, Rachel and Klerk, Eugene de, eds. Cambridge Scholars, Newcastle, pp. 148-158. 9781847182753.

Hallward, Peter (2004) Alain Badiou. In: Encyclopedia of modern French thought. Murray, Christopher John, ed. Fitzroy Dearborn, New York, pp. 36-39. 9786610347711.

Hallward, Peter (2004) Gilles Deleuze. In: Encyclopedia of modern French thought. Murray, Christopher John, ed. Fitzroy Dearborn, London, pp. 158-163. 9786610347711.

Hallward, Peter (2005) Rancière and the subversion of mastery. In: Jacques Rancière: aesthetics, politics, philosophy. Robson, Mark, ed. Edinburgh University Press, Edinburgh, pp. 26-45. .

Hallward, Peter (2007) Pierre Bourdieu. In: New makers of modern culture. Wintle, Justin, ed. Routledge, London. 9780415338318.

Hollands, Amanda (1997) The implementation of manufacturing concepts in a non-traditional manufacturing environment. Masters thesis, Middlesex University.

I

Igweonu, Kene ORCID: https://orcid.org/0000-0002-8937-4206 (2011) Culture and identity in African and Caribbean theatre [Book review]. South African Theatre Journal, 25 (2). pp. 175-177. ISSN 1013-7548 (doi:10.1080/10137548.2011.646791)

Igweonu, Kene ORCID: https://orcid.org/0000-0002-8937-4206 (2017) Dynamics of distancing in Nigerian drama: a functional approach to Metatheatre. By Nadia Anwar. Stuttgart: ibidem-Verlag, 2016. Pp. xiv + 256. £26.86/€29.90 Pb. [Book review]. Theatre Research International, 42 (2). pp. 204-205. ISSN 0307-8833 (doi:10.1017/S0307883317000505)

Igweonu, Kene ORCID: https://orcid.org/0000-0002-8937-4206 (2019) From posture to acture: developing awareness in movement and performer training in UK Higher Education using the Feldenkrais Method ®. Feldenkrais Research Journal, 6 . pp. 1-13. ISSN 1817-4000

Igweonu, Kene ORCID: https://orcid.org/0000-0002-8937-4206 (2016) Plays one. Kraft Books, Ibadan. 9789789183548.

Igweonu, Kene ORCID: https://orcid.org/0000-0002-8937-4206 (2011) Practice, theory and reflection: an examination of writing in performance training and research. Journal of Writing in Creative Practice, 4 (2). pp. 141-151. ISSN 1753-5190 (doi:10.1386/jwcp.4.2.141_1)

Igweonu, Kene ORCID: https://orcid.org/0000-0002-8937-4206, ed. (2011) Trends in twenty-first century African theatre and performance. Themes in Theatre - Collective Approaches to Theatre and Performance, 6 . Brill | Rodopi, Amsterdam and New York. 9789042033863. (doi:10.1163/9789401200820)

Igweonu, Kene ORCID: https://orcid.org/0000-0002-8937-4206 (2015) A ritual for survival: questions of identity and politics in one hundred year of Nigerian dance. Dance Journal of Nigeria, 2 . pp. 19-37. ISSN 2315-6317

Igweonu, Kene ORCID: https://orcid.org/0000-0002-8937-4206 (2014) African drama and the construction of an indigenous cultural identity: an examination of four major Nigerian plays. In: Syncretic arenas: essays on postcolonial African drama and theatre for Esiaba Irobi. Diala, Isidore, ed. Cross/Cultures - Readings in the Post/Colonial Literatures in English (177). Rodopi, Amsterdam and New York. 9789042038981.

Igweonu, Kene ORCID: https://orcid.org/0000-0002-8937-4206 (2014) Keeping it together: Talawa theatre company, britishness, aesthetics of scale and mainstreaming the black-British experience. In: Reverberations across Small-Scale British Theatre: Politics, Aesthetics and Forms. Duggan, Patrick and Ukaegbu, Victor I., eds. Intellect, Bristol. 9781783202973.

Igweonu, Kene ORCID: https://orcid.org/0000-0002-8937-4206 (2011) Interculturalism revisited: identity construction in African and African-Caribbean performance. In: Trends in twenty-first century African theatre and performance. Igweonu, Kene ORCID: https://orcid.org/0000-0002-8937-4206, ed. Themes in Theatre - Collective Approaches to Theatre and Performance, 6 (6). Brill | Rodopi, Amsterdam and New York, pp. 61-84. 9789042033863. (doi:10.1163/9789401200820_006)

Igweonu, Kene ORCID: https://orcid.org/0000-0002-8937-4206 (2015) Zakes Mda. In: The Methuen drama guide to contemporary South African theatre. Middeke, Martin, Schnierer, Peter Paul and Homann, Greg, eds. Guides to contemporary drama . Bloomsbury Methuen Drama, London, UK, pp. 177-193. 9781408176702.

Igweonu, Kene ORCID: https://orcid.org/0000-0002-8937-4206 and Okagbue, Osita, eds. (2013) Performative inter-actions in African theatre 1: diaspora representations and the interweaving of cultures. Cambridge Scholars Publishing, Newcastle upon Tyne. 9781443853781.

Igweonu, Kene ORCID: https://orcid.org/0000-0002-8937-4206 and Okagbue, Osita, eds. (2013) Performative inter-actions in African theatre 2: innovation, creativity and social change. Cambridge Scholars Publishing, Newcastle upon Tyne. 9781443853804.

Igweonu, Kene ORCID: https://orcid.org/0000-0002-8937-4206 and Okagbue, Osita, eds. (2013) Performative inter-actions in African theatre 3: making space, rethinking drama and theatre in Africa. Cambridge Scholars Publishing, Newcastle upon Tyne. 9781443852500.

Igweonu, Kene ORCID: https://orcid.org/0000-0002-8937-4206 (2017) Stanislavsky in Nigeria: convergences and counterpoints in actor training and practice. In: Stanislavsky in the World: The System and its Transformations Across Continents. Pitches, Jonathan and Aquilina, Stefan, eds. Bloomsbury Methuen Drama, London, pp. 277-289. 9781472587886.

Igweonu, Kene ORCID: https://orcid.org/0000-0002-8937-4206 (2015) Talawa theatre: a boundless leap into mainstream British theatre 1985-1994. In: British Theatre Companies 1980-1994. Saunders, Graham, ed. Bloomsbury Methuen Drama, London, pp. 237-255. 9781408175484.

Igweonu, Kene ORCID: https://orcid.org/0000-0002-8937-4206 (2016) 'The tree has four or five leaves': Talawa, Britishness and the first all-Black production of Waiting for Godot in Britain. In: Staging Beckett in Great Britain. Tucker, David and McTighe, Trish, eds. Bloomsbury Methuen, London, pp. 141-155. 9781474240178.

Inglis, Brian ORCID: https://orcid.org/0000-0003-0662-4693 (2015) Concerto for piano solo (homage to Alkan). [Composition]

Irvine, Rosanna (2015) Processual constructions: towards a non-representational poetics of choreography. PhD thesis, Middlesex University.

Ito, Kensuke and O'Dair, Marcus (2019) A critical examination of the application of blockchain technology for intellectual property management. In: Business Transformation through Blockchain: Volume II. Treiblmaier, Horst and Beck, Roman, eds. Palgrave. 9783319990576. (Accepted/In press)

J

Johansson, Ola (2017) Democratization as validation of applied theatre and vice versa. Oxford Artistic and Practice Based Research Platform (2). pp. 153-164. ISSN 2399-5092

Johansson, Ola (2011) Towards a politically efficacious community-based theatre. In: Trends in twenty-first-century African theatre and performance. Igweonu, Kene ORCID: https://orcid.org/0000-0002-8937-4206, ed. Themes in Theatre (6). Brill | Rodopi, Amsterdam, pp. 263-290. 9789042033863.

Johansson, Ola (2018) The democratic counter-occupation of The Freedom Theatre in the Palestinian Territories. In: The Freedom Theatre: Performing Cultural Resistance in Palestine. Johansson, Ola and Wallin, Johanna, eds. LeftWord Books, New Delhi. .

Johansson, Ola and Wallin, Johanna, eds. (2018) The freedom theatre: performing cultural resistance in Palestine. LeftWord Books, New Delhi. .

Jones, Janet (2009) Crypto-hierarchy and its discontents: Indymedia UK. In: Making our media: global initiatives toward a democratic public sphere. Vol. 1: Creating new communication spaces. Rodriguez, Clemencia, Kidd, Dorothy and Stein, Laura, eds. Hampton. 9781572737938.

Jones, Simon (1990) Black music and young people in Birmingham. In: Everyday Life, Cultural Production and Race, 27th-28th April 1989, Institute of Cultural Sociology, University of Copenhagen, Denmark.

Jones, Simon (1990) Style, fashion and symbolic creativity. In: Common Culture: Symbolic Work at Play in the Everyday Cultures of the Young. Willis, Paul, ed. Oxford University Press, Buckingham, pp. 84-97. 0335094317.

K

Kelly, Mark G. E. (2010) International biopolitics: Foucault, globalisation and imperialism. Theoria, 57 (123). pp. 1-26. ISSN 0040-5817 (doi:10.3167/th.2010.5712301)

Kelly, Mark G. E. (2004) Racism, nationalism and biopolitics. Contretemps (4). ISSN 1443-7619

Kelly, Mark G. E. (2008) The political philosophy of Michel Foucault. Routledge, Abingdon. 9780415991919.

Kelly, Mark G. E. (2009) The political subjectivity of animals. In: Encyclopedia of animal rights and animal welfare. Bekoff, Marc, ed. Greenwood, Santa Barbara, pp. 419-422. 9780313352553.

Kerslake, Christian (2007) Deleuze and the unconscious. Continuum Studies in Continental Philosophy . Continuum, London and New York. 9780826484888.

Kerslake, Christian (2004) Deleuze, Kant and the question of Metacritique. Southern Journal of Philosophy, 42 (4). pp. 481-508. ISSN 0038 4283

Kerslake, Christian (2002) The vertigo of philosophy: Deleuze and the problem of immanence. Radical Philosophy, 113 . pp. 10-23. ISSN 0300-211X

Kerslake, Christian and Brassier, Ray (2007) The origins and ends of the mind: philosophical essays on psychoanalysis. Kerslake, Christian, ed. Leuven University Press, Leuven. 9789058676177.

Kindred, Helen, Dwyer, Benjamin and Gomes, Pete (2018) KnowingUnknowing and the Corporeal. [Artefact]

Klika, D. T. (2015) Sandwich. [Film/Video]

L

Laws, David, Clark, Greg, Cruddas, Jon and Rutherford, Jonathan (2009) Equality in the UK. CentreForum., London. 1902622731.

Layzell, Richard (2004) [75 Year] Transition. [Show/Exhibition]

Layzell, Richard (2003) Art Work/Work art. [Performance]

Layzell, Richard (2009) Bricole di Venezia [public art project in Fortuna Park, Colchester]. [Show/Exhibition]

Layzell, Richard (2008) Digitalis [permanent exhibition in Shropshire]. [Show/Exhibition]

Layzell, Richard (2009) Everyday jewels. [Artefact]

Layzell, Richard (2011) Falling Phoebe. [Performance]

Layzell, Richard (2009) Key notes. [Performance]

Layzell, Richard (2009) One mile squared: the river flows in many directions at the same time. [Show/Exhibition]

Layzell, Richard (2008) Suit the action to the word. [Performance]

Layzell, Richard (2008) White on white. [Show/Exhibition]

Layzell, Richard (2008) The manifestation. [Show/Exhibition]

Layzell, Richard (2009) The river flows. [Performance]

Layzell, Richard (2008) The table. [Film/Video]

Layzell, Richard (2007) A great technician. In: "Dead History, Live Art? Spectacle, Subjectivity, and Subversion in Visual Culture since the 1960s. Harris, Jonathan, ed. Liverpool University Press, Liverpool, pp. 51-70. 9780853234388.

Layzell, Richard (2008) Cream pages: the dialogues of Tania Koswycz and Richard Layzell. Sofaer, Joshua, ed. Middlesex University: Res-Cen publications, London. 9780955059148.

Le Goff, Glwadys (2009) Black workers and politics in Martinique; 1870-1900. Masters thesis, Middlesex University.

Littler, Jo (2005) Beyond the boycott: anti-consumerism, cultural change and the limits of reflexivity. Cultural Studies, 19 (2). pp. 227-252. ISSN 0950-2386 (doi:10.1080/09502380500077771)

Littler, Jo (2004) Celebrity and 'meritocracy'. Soundings: a journal of politics and culture. (26). pp. 118-130. ISSN 1362-6620

Littler, Jo (2008) “I feel your pain”: cosmopolitan charity and the public fashioning of the celebrity soul. Social Semiotics, 18 (2). pp. 237-251. ISSN 1035-0330 (doi:10.1080/10350330802002416)

Littler, Jo (2004) Making fame ordinary: intimacy, reflexivity, and ‘keeping it real'. Mediactive: ideas/knowledge/culture (2). pp. 8-25.

Littler, Jo (2009) Radical consumption: shopping for change in contemporary culture. Open University Press. 9780335221523.

Littler, Jo (2008) Tackling turbo consumption. Cultural Studies, 22 (5). pp. 588-598. ISSN 1466-4348 (doi:10.1080/09502380802245837)

Littler, Jo (2000) Creative accounting: consumer culture, the creative economy and the cultural policies of New Labour. In: Cultural capitalism: politics after New Labour. Bewes, Timothy and Gilbert, Jeremy, eds. Lawrence & Wishart. 0853159173 ISBN13: 9780853159179.

Littler, Jo and Binkley, Sam (2008) Cultural studies and anti-consumerism: a critical encounter (Introduction). Cultural Studies, 22 (5). pp. 519-530. ISSN 0950-2386 (doi:10.1080/09502380802245795)

Littler, Jo (2006) 'Festering Britain': the 1951 Festival of Britain, decolonisation and the representation of the Commonwealth. In: Visual culture and decolonisation in Britain. Faulkner, Simon and Ramamurthy, Anandi, eds. British art and visual culture since 1750, new readings. . Ashgate, pp. 21-42. 0754640027 ISBN13: 9780754640028.

Littler, Jo and Gilbert, Jeremy (2009) Beyond gesture, beyond pragmatism. In: What is radical politics today? Pugh, Jonathan, ed. Palgrave Macmillan. 9780230236257. (doi:10.1057/9780230251144)

Littler, Jo (2008) Heritage and 'race'. In: The Ashgate research companion to heritage and identity. Graham, Brian and Howard, Peter, eds. Ashgate. 9780754649229.

Littler, Jo (2007) Celebrity CEOs and the cultural economy of tabloid intimacy. In: Stardom and Celebrity: A Reader. Holmes, Sean and Redmond, Su, eds. Sage Publications, London and New York, pp. 230-243. 9781412923217.

Littler, Jo (2005) Introduction: British heritage and the legacies of race. In: The politics of heritage: the legacies of race. Littler, Jo and Naidoo, Roshi, eds. Comedia . Routledge, London and New York, pp. 1-19. 9780415322119.

Littler, Jo and Moor, Liz (2008) Fourth worlds and neo-Fordism: American apparel and the cultural economy of consumer anxiety. Cultural Studies, 22 (5). pp. 700-723. ISSN 0950-2386 (doi:10.1080/09502380802245977)

Littler, Jo and Naidoo, Roshi, eds. (2005) The politics of heritage: the legacies of 'race'. Routledge. 9780415322102.

Littler, Jo and Naidoo, Roshi (2003) White past, multicultural present: heritage and national stories. In: History, nationhood and the question of Britain. Brocklehurst, Helen and Phillips, Robert, eds. Palgrave Macmillan. 9781403912961.

Littler, Jo (2008) Gendering anti-consumerism: consumer whores and conservative consumption. In: The politics and pleasures of consuming differently. Soper, Kate, Ryle, Martin and Thomas, Lyn, eds. Palgrave MacMillan, Basingstoke. 9780230537286.

Lukic, Vesna (2019) Film practice as interdisciplinary research: a case study. Media Practice and Education, 20 (2). pp. 194-207. ISSN 2574-1136 (doi:10.1080/25741136.2019.1619996)

M

Maartens, Brendan (2019) Your country needs you? Advertising, public relations and the promotion of Military Service in peacetime Britain. Media, War and Conflict . ISSN 1750-6360 (Published online first) (doi:10.1177/1750635219828774)

Mactaggart, Allister (2006) Surface attraction: hyphological encounters with the films of David Lynch. PhD thesis, Middlesex University.

Maguire, Tom and Upton, Carole-Anne (2013) Myth and gender in contemporary Irish drama. In: Performing feminisms in contemporary Ireland. Fitzpatrick, Lisa, ed. Performing Ireland . Carysfort Press. 9781904505624.

Markowski, Arja Marianne (2016) Designing online social interaction for and with older people. PhD thesis, Middlesex University.

Martin, Susanne (2016) Dancing age(ing): rethinking age(ing) in and through improvisation practice and performance. PhD thesis, Middlesex University.

McGettigan, Andrew (2006) Disputes in the "metaphysics" of ethico-political transformation: a re-assessment of the speculative philosophies of Jacques Derrida and Emmanuel Levinas. PhD thesis, Middlesex University.

McGrath, Martin (2017) Ayckbourn's Artificial People. Foundation: The International Review of Science Fiction, 46 (128). pp. 60-72. ISSN 0306-4964

McNeill, Tamara, Khatun, Afia, Giddens, Claire, Beaven, Zuleika and Shorley, Jennie (2014) In for the long haul – models of sustained graduate support and education. Industry and Higher Education, 28 (6). pp. 417-425. ISSN 0950-4222 (doi:10.5367/ihe.2014.0230)

McPherson, Alan (2009) The memory and expectation of aesthetics: a study of Adorno's aesthetic theory. PhD thesis, Middlesex University.

Melrose, Susan and Sachsenmaier, Stefanie (2019) Writing 'Practice' /Practising/ 'Writing' (in the doctoral research context). In: Researching (in/as) Motion: A Resource Collection - Artistic Doctorates in Europe. Midgelow, Vida L., Bacon, Jane, Hilton, Rebecca and Kramer, Paula, eds. Theatre Academy, University of the Arts Helsinki, Helsinki. 9789523530126. (Published online first)

Meyer, Henning and Rutherford, Jonathan, eds. (2012) The future of European social democracy: building the good society. Palgrave Macmillan, Hampshire, UK. 9780230290938.

Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209 (2017) Experiences and perceptions of the Artistic Doctorate: A survey report. Artistic Doctorates in Europe (Erasmus Plus). ADiE (Artistic Doctorates in Europe). (Published online first)

Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209 (2016) Improvisation as (methodological) paradigm for phenomenology. In: DANCING WORLD Phenomenologies of the Body in Performance (working title). University of Illinois Press. . (Accepted/In press)

Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209 (2017) A new kind of learning: somatics, dance improvisation and transdisciplinarity. In: Transdisciplinary Higher Education: A Theoretical Basis Revealed in Practice. Gibbs, Paul, ed. Springer, pp. 121-135. 978-3-319-56185-1. (doi:10.1007/978-3-319-56185-1)

Miller, Graeme (2004) Bassline. [Performance]

Miller, Graeme (2009) Bassline: London. [Show/Exhibition]

Miller, Graeme (2009) Beheld. [Show/Exhibition]

Miller, Graeme (2009) Conjunction. [Show/Exhibition]

Miller, Graeme (2006) Held (aka Beheld). [Show/Exhibition]

Miller, Graeme (2003) Linked: M11 Link Road, London. [Show/Exhibition]

Miller, Graeme (2003) Lonesome Way. [Show/Exhibition]

Miller, Graeme (2010) Moth theatre. [Show/Exhibition]

Miller, Graeme (2012) On air. [Show/Exhibition]

Miller, Graeme (2009) Requiem for the redhead. [Composition]

Miller, Graeme (2009) The Thinking Path. [Film/Video]

Miller, Graeme (2009) Unbeheld. [Show/Exhibition]

Miller, Graeme (2008) The flying machine. [Performance]

Miller, Graeme (2009) The moment I saw you I knew I could love you. [Composition]

Moor, Liz (2003) Branded spaces: the scope of "New Marketing". Journal of Consumer Culture, 3 (1). pp. 39-60. ISSN 1469-5405 (doi:10.1177/1469540503003001929)

Moor, Liz (2006) "The buzz of dressing": commodity culture, fraternity and football fandom. South Atlantic Quarterly, 105 (2). pp. 327-347. ISSN 0-8223-6654-1 (doi:10.1215/00382876-105-2-327)

Moor, Liz (2007) The rise of brands. Berg, Oxford. 9781845203849.

N

Nash, Mark (2003) Screen theory and film culture, 1977-1987. PhD thesis, Middlesex University.

O

O'Dair, Marcus (2018) Book Review: Sarah Baker, Andy Bennett and Jodie Taylor (eds). 2013. Redefining Mainstream Popular Music. Journal of World Popular Music, 5 (1). pp. 122-124. ISSN 2052-4900 (doi:10.1558/jwpm.29433)

O'Dair, Marcus (2014) Different every time: the authorised biography of Robert Wyatt. Serpent's Tail. 9781846687594.

O'Dair, Marcus (2019) Distributed creativity: how blockchain technology will transform the creative economy. Palgrave Macmillan. 9783030001896. (Accepted/In press) (doi:10.1007/978-3-030-00190-2)

O'Dair, Marcus (2017) "Even the ghost was more than one person": authorship and authorisation in I'm Not There. IASPM@Journal, 7 (1). pp. 88-106. ISSN 2079-3871 (doi:10.5429/2079-3871(2017)v7i1.7en)

O'Dair, Marcus (2017) How blockchain is transforming the creative industries: copyright and rights management in the second era of the internet. Working Paper. Blockchain Research Institute. .

O'Dair, Marcus (2018) Insight 4.5: Music sync – the evolving deals: Overview and analysis of the music sync landscape. Working Paper. Music 4.5. .

O'Dair, Marcus (2018) Music and AI: overview and analysis of the music AI landscape. Working Paper. Music 4.5. .

O'Dair, Marcus (2018) Music, blockchains and data: overview and analysis of the music blockchain and data landscape. Working Paper. Music 4.5. .

O'Dair, Marcus (2019) Pacts, paratext and polyphony: writing the authorised biography of Robert Wyatt. Life Writing, 16 (2). pp. 279-294. ISSN 1448-4528 (doi:10.1080/14484528.2019.1548265)

O'Dair, Marcus (2016) 'Pardon me, I'm very drunk': alcohol, creativity and performance anxiety in the case of Robert Wyatt. Popular Music, 35 (2). pp. 207-221. ISSN 0261-1430 (doi:10.1017/S0261143016000039)

O'Dair, Marcus (2018) Revitalising audience research: innovations in European audience research [Book Review]. Participations: Journal of Audience and Reception Studies, 15 (1). pp. 460-462. ISSN 1749-8716

O'Dair, Marcus (2014) The slow burn: questioning the discourse surrounding popular music success, and exploring opportunities for entrepreneurship in the long tail. In: Innovation in Music 2013, 4-6 Dec 2013, York, United Kingdom.

O'Dair, Marcus, Beaven, Zuleika, Neilson, David, Osborne, Richard and Pacifico, Paul (2016) Music on the blockchain. Working Paper. Middlesex University. .

O'Dair, Marcus (2016) Trouble with the neighbours: jazz, geopolitics and Finland's totalitarian shadow. In: Jazz and Totalitarianism. Johnson, Bruce, ed. Transnational Studies in Jazz . Routledge, pp. 136-154. 9781138887824.

O'Malley, Thomas and Jones, Janet, eds. (2009) The Peacock Committee and UK broadcasting policy. Palgrave Macmillan. 9780230524743.

Osborne, Peter (1989) Aesthetic autonomy and the crisis of theory: Greenberg, Adorno and the problem of postmodernism in the visual arts. New Formations: a journal of culture/theory/politics, 9 (Autumn). pp. 31-50. ISSN 0950-2378

Osborne, Peter (2004) Art beyond aesthetics: philosophical criticism, art history and contemporary art. Art History: Journal of the Association of Art Historians, 27 (4). pp. 651-670. ISSN 0141-6790 (doi:10.1111/j.0141-6790.2004.00442.x)

Osborne, Peter, ed. (2002) Conceptual Art. Phaidon Press. 0714839302 ISBN-13: 9780714839301.

Osborne, Peter, ed. (2000) From an aesthetic point of view: philosophy, art and the senses. Serpent's Tail, London. 1852426683 ISBN-13: 9781852426682.

Osborne, Peter (2005) How to read Marx. How to read . Granta, London. 1862077711.

Osborne, Peter (2010) Infinite exchange: the social ontology of the photographic image. Philosophy of Photography, 1 (1). pp. 59-68. ISSN 2040-3682 (doi:10.1386/pop.1.1.59/1)

Osborne, Peter (2001) Installation, performance, or what? (Review). Oxford Art Journal, 24 (2). pp. 147-154. ISSN 0142-6540

Osborne, Peter (2003) Interpreting the world - September 11, cultural criticism and the intellectual Left. Radical philosophy. (117). pp. 2-12. ISSN 0300-211X

Osborne, Peter (2008) Marx and the philosophy of time. Radical philosophy. (147). pp. 15-22. ISSN 0300-211X

Osborne, Peter (1992) A Marxism for the postmodern? Jameson's Adorno. New German Critique (56). pp. 171-192. ISSN 0094-033X

Osborne, Peter (2001) Modernism as translation. Traces: a multilingual journal of cultural theory and translation., 1 . pp. 319-329. ISSN 1533-3426

Osborne, Peter (1992) Modernity is a qualitative, not a chronological, category. New Left Review (I/192). pp. 65-84. ISSN 0028-6060

Osborne, Peter (2007) Neo-classic: Alain Badiou’s Being and Event. Radical philosophy. (142). pp. 19-29. ISSN 0300-211X

Osborne, Peter (2001) Non-places and the spaces of art. The Journal of Architecture, 6 (2). pp. 183-194. ISSN 1360-2365

Osborne, Peter (2005) On comparability: Kant and the possibility of comparative studies. Boundary 2, 32 (2). pp. 1-20. ISSN 1527-2141 (doi:10.1215/01903659-32-2-3)

Osborne, Peter (2000) Philosophy in cultural theory. Routledge. 0415238013.

Osborne, Peter (2000) Radicalism and philosophy. Radical philosophy. (103). pp. 6-11. ISSN 0300-211X

Osborne, Peter (1998) Remember the future? The Communist Manifesto as historical and cultural form. Socialist Register, 34 . pp. 190-204. ISSN 0081-0606

Osborne, Peter (1995) Tactics, ethics, or temporality? Heidegger's politics reviewed. Radical philosophy. . pp. 16-28. ISSN 0300-211X

Osborne, Peter (1996) Times (Modern), Modernity (Conservative): notes on the persistence of a temporal motif. New Formations: a journal of culture/theory/politics (28). pp. 132-141. ISSN 0950-2378

Osborne, Peter (2004) Walter Benjamin: critical evaluations in cultural theory. Routledge, London and New York. 0-415-32533-1.

Osborne, Peter (2006) Whoever speaks of culture speaks of administration as well. Cultural Studies, 20 (1). pp. 33-47. ISSN 0950-2386 (doi:10.1080/09502380500492566)

Osborne, Peter, ed. (1996) A critical sense: interviews with intellectuals. Routledge. 0415115051 ISBN-13:9780415115063.

Osborne, Peter (2006) The dreambird of experience: Utopia, possibility, boredom. Radical philosophy. (137). pp. 36-44. ISSN 0300-211X

Osborne, Peter (2009) An image of romanticism – fragment and project: from Schlegel's 'Athenaeum Fragments' to LeWitt's 'Sentences on Conceptual Art'. Verksted #11: Sol LeWitt's 'Sentences on Conceptual Art': manuscript and draft materials 1968–69. . pp. 5-27. ISSN 1503-8467

Osborne, Peter (1994) The politics of time. Radical philosophy . pp. 3-9. ISSN 0300-211X

Osborne, Peter (1995) The politics of time: modernity and avant-garde. Verso Books. 0860916529 ISBN13: 9780860916529.

Osborne, Peter (2004) The reproach of abstraction. Radical philosophy. (127). pp. 21-28. ISSN 0300-211X

Osborne, Peter (2010) A sudden topicality: Marx, Nietzsche and the politics of crisis. Radical philosophy (160). pp. 19-26. ISSN 0300-211X

Osborne, Peter (2009) Abstract images: sign, image and aesthetic in Gerhard Richter’s painting. In: Gerhard Richter. Buchloh, Benjamin H. D., ed. MIT Press, London, pp. 95-112. 9780262513128.

Osborne, Peter (2009) Starting up all over again: time and existence in some Conceptual Art of the 1960s. In: The quick and the dead. Eleey, Peter, ed. Walker Art Center, Minneapolis, pp. 91-106. 9780935640939.

Osborne, Peter (2009) Occasionalism. In: Matias Faldbakken: shocked into abstraction. Faldbakken, Matias, ed. Oslo: National Museum of Art, Architecture and Design; Birmingham, UK: IKON Gallery, pp. 44-71. 9781904864530.

Osborne, Peter (2008) Philosophy and contemporary art, after Adorno and Deleuze: an exchange. In: Gest: laboratory of synthesis#1. Garnett, Robert and Hunt, Andrew, eds. Book Works, pp. 35-64. 9781870699969.

Osborne, Peter (2003) Photography in an expanding field: distributive unity and dominant form. In: Where is the photograph? Green, David, ed. Photoworks, pp. 63-70. 1903796083 ISBN13: 9781903796085.

Osborne, Peter (2009) Modernisms and mediations. In: Rediscovering aesthetics: transdisciplinary voices from art history, philosophy, and art practice. Halsall, Francis, Jansen, Julia and O'Connor, Tony, eds. Stanford University Press, pp. 163-177. 9780804759915.

Osborne, Peter (2002) Greedy Kunst. In: The art of Tracey Emin. Merck, Mandy and Townsend, Chris, eds. Thames and Hudson, pp. 40-59. 0500283850 ISBN13:9780500283851.

Osborne, Peter (2004) Distracted reception: time, art, and technology. In: Time zones: recent film and video. Morgan, Jessica, ed. Tate Publishing, London, pp. 66-75. 1854375490 ISBN13: 9781854375490.

Osborne, Peter and Sandford, Stella, eds. (2002) Philosophies of race and ethnicity. Continuum. 0826459943 ISBN 13: 9780826459947.

Osborne, Peter and Sayers, Sean, eds. (1990) Socialism, feminism and philosophy: a Radical Philosophy reader. Routledge. 0415056284 ISBN-13:9780415056281.

Osborne, Richard (2017) Is equitable remuneration equitable? Performers' rights in the UK. Popular Music and Society, 40 (5). pp. 573-591. ISSN 0300-7766 (doi:10.1080/03007766.2017.1348660)

Osborne, Richard (2017) Success ratios, new music and sound recording copyright. Popular Music, 36 (3). pp. 393-409. ISSN 0261-1430 (doi:10.1017/S0261143017000319)

Osborne, Richard (2018) Six types of silence. In: Critical Approaches to the Production of Music and Sound. Bates, Eliot and Bennett, Samantha, eds. Bloomsbury Academic, New York, pp. 211-228. 9781501332050.

Osborne, Richard (2014) Audio books: the literary origins of grooves, labels and sleeves. In: LitPop: Writing and Popular Music. Carroll, Rachel and Hansen, Adam, eds. Popular and Folk Music . Ashgate, Farnham, pp. 201-215. 9781472410979.

P

Palermo, Settimio Fiorenzo (2015) The work of Hugh Davies in the context of experimental electronic music in Britain. PhD thesis, Middlesex University.

Papoulias, Constantina and Callard, Felicity (2010) Biology's gift: interrogating the turn to affect. Body & Society, 16 (1). pp. 29-56. ISSN 1357-034X (doi:10.1177/1357034X09355231)

Papoulias, Constantina and Callard, Felicity (2012) The rehabilitation of the drive in neuropsychoanalysis: from sexuality to self-preservation. In: Freuds referenzen. Kirchhoff, Christine and Scharbert, Gerhard, eds. Kulturverlag Kadmos, Berlin. 9783865991621.

Parker, Janice and Layzell, Richard (2009) Private dancer. [Performance]

Phungsoondara, Visarut (2003) Representing trauma: the image of atrocity in the cultural discourse of European modernity. PhD thesis, Middlesex University.

R

Robinson, Anne (2018) The viscosity of duration: Painterly surface and the phenomenology of time in the London paintings of Frank Auerbach. Journal of Contemporary Painting, 4 (1). pp. 199-217. ISSN 2052-6695 (doi:10.1386/jcp.4.1.199_1)

Robinson, Anne, Fox, Charlie and Smith, Grant (2015) Inspiral London: collaborative artists' walking project. [Performance]

Robson, James Edward (2004) Word and spirit in Ezekiel. PhD thesis, Middlesex University.

Rossiter, Andrew E. H. (1997) The infinite subiect: the transcendence of subjectivity from Descartes to Derrida. PhD thesis, Middlesex University.

Rustin, Michael and Rutherford, Jonathan (2004) Is there a future for social democracy? Soundings, 28 . pp. 108-130. ISSN 1362-6620

Rutherford, Jonathan (2002) After Seattle. Review of Education, Pedagogy and Cultural Studies, 24 (1-2). pp. 13-27. ISSN 1071-4413 (doi:10.1080/10714410212924)

Rutherford, Jonathan (2007) After identity [article]. Continuum, 21 (1). pp. 5-18. ISSN 1030-4312 (doi:10.1080/10304310601103893)

Rutherford, Jonathan (2007) After identity [book]. Lawrence and Wishart, London. 9781905007400.

Rutherford, Jonathan (2005) At war. Cultural Studies, 19 (5). pp. 622-642. ISSN 0950-2386 (doi:10.1080/09502380500372115)

Rutherford, Jonathan (2011) Big society, good society? Progess Online .

Rutherford, Jonathan (2009) Capitalism and ethical life. Social Europe Journal (SEJ), 4 (3).

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Rutherford, Jonathan (2005) The market comes to higher education. Learning and Teaching: the international journal of higher education in the social sciences, 2 (1). pp. 5-23. ISSN 1755-2273

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Rutherford, Jonathan (2005) Ghosts: heritage and the shape of things to come. In: The Politics of Heritage: The Legacies Of ‘Race'. Littler, Jo and Naidoo, Roshi, eds. Routledge, London and New York, pp. 82-93. 0-415-32211-1.

Rutherford, Jonathan and Lockey, Alan (2010) Labour’s future. Rutherford, Jonathan and Lockey, Alan, eds. Soundings and Open Left, London. .

Rutherford, Jonathan (2012) Dispossession. In: The future of European social democracy: building the good society. Meyer, Henning and Rutherford, Jonathan, eds. Palgrave Macmillan, Hampshire, UK, pp. 137-151. 9780230290938.

Rutherford, Jonathan and Shah, Hetan (2006) The good society. Rutherford, Jonathan and Shah, Hetan, eds. Compass, London. 1905007493.

S

Sachsenmaier, Stefanie (2014) Productive misapprehensions – Artscross as a trans-cultural collaborative zone of contestation of performance practice. In: PSi20 Avant-Garde, Tradition, Community, 04-08 July 2014, Shanghai, China.

Sandford, Stella (2003) Going back: Heidegger, East Asia and The West. Radical Philosophy, 120 . pp. 11-22. ISSN 0300-211X

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Sandford, Stella (2005) Thinking sex politically: rethinking 'Sex' in Plato's Republic. South Atlantic Quarterly, 104 (4). pp. 613-630. ISSN 00380-2876

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Sizer, Stephen R. (2002) The promised land: a critical investigation of Evangelical Christian Zionism in Britain and the United States of America since 1800. PhD thesis, Middlesex University.

Skrebowski, Luke (2009) Systems, contexts, relations: an alternative genealogy of conceptual art. PhD thesis, Middlesex University.

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Sofaer, Joshua (2004) The performance pack. Live Art Development Agency. 0-9546040-1-6.

Stacey, Paul Michael (2005) New technologies of democracy: how the information and communication technologies are shaping new cultures of radical democratic politics. PhD thesis, Middlesex University.

Stengers, Isabelle and Goffey, Andrew (2009) William James: an ethics of thought? Radical Philosophy (157). ISSN 0300-211X

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Thomas, Katie Lloyd (2010) Building materials: conceptualising materials via the architectural specification. PhD thesis, Middlesex University.

Thompson, Lara (2015) Film light: Meaning and emotion. Manchester University Press, 2015. 9780719086335.

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Upton, Carole-Anne (2011) Real people as actors: actors as real people. Studies in Theatre & Performance, 31 (2). pp. 209-222. ISSN 1468-2761 (doi:10.1386/stap.31.2.209_1)

Upton, Carole-Anne (2011) The translator as metteur en scene, with reference to Les Aveugles [The Blind] by Maurice Maeterlinck. In: Staging and performing translation: text and theatre practice. Baines, Roger, Marinetti, Cristina and Perteghella, Manuela, eds. Palgrave Macmillan, Basingstoke, pp. 31-48. 9780230228191.

Upton, Carole-Anne (2009) The performance of truth and justice in Northern Ireland: the case of Bloody Sunday. In: Get real: documentary theatre past and present. Forsyth, Alison and Megson, Chris, eds. Performance Interventions . Palgrave Macmillan, Basingstoke, pp. 179-194. 9780230221154.

Upton, Carole-Anne (1997) Words in space: filling the empty space in francophone theatre. In: Black accents: writing in French from Africa, Mauritius and the Caribbean theatre. Proceedings of the ASCALF Conference, held in Dublin, 8-10 April 1995. Little, J. P. and Little, Roger, eds. Grant and Cutler, pp. 235-251. 9780729303903.

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Varanda, Paula Gouveia (2015) Dance performance in cyberspace - transfer and transformation. PhD thesis, Middlesex University.

W

Watt, Jane (2006) Impact of networking. The Artists Information Company, Newcastle upon Tyne. 090773068X.

Watt, Jane (2004) Postcard Journeys. [Show/Exhibition]

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Wiedemann, Daniel P. O., Passmore, Peter J. ORCID: https://orcid.org/0000-0002-5738-6800 and Moar, Magnus ORCID: https://orcid.org/0000-0002-9489-9795 (2017) “VRification”: applying virtual reality to digital games. In: SciFi-It'2017: International Science Fiction Prototyping Conference, 10-11 Apr 2017, Bruges, Belgium.

Woodford-Smith, Rebecca Helen (2014) Working with Gekidan Kaitaisha: addressing the complexity of the self of the performer as other. PhD thesis, Middlesex University.

Woods, Nikki, Binyon, Claire, Turner, Jane, Igweonu, Kene ORCID: https://orcid.org/0000-0002-8937-4206, Woodall, Ed, Walton, Rachel and Brayshaw, Teresa (2013) Training and ... body parts. Theatre, Dance and Performance Training, 4 (1). pp. 124-125. ISSN 1944-3927 (doi:10.1080/19443927.2013.774815)

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Zargaryan, Tigran and Hopkinson, Alan (2009) Scientific publishing in Armenia. European Science Editing, 35 (2). pp. 43-44. ISSN 0258-3127

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Šimunjak, Maja and Caliandro, Alessandro (2019) Twiplomacy in the age of Donald Trump: Is the diplomatic code changing? The Information Society: An International Journal, 35 (1). pp. 13-25. ISSN 0197-2243 (doi:10.1080/01972243.2018.1542646)

This list was generated on Fri Oct 18 04:53:09 2019 BST.