Items where Research Area is "A. > School of Art and Design > Visual Arts > Electronic and Digital Arts cluster"

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Number of items at this level: 113.

2016

Buchan, Suzanne (2016) (Re)Claiming cultural identity: Aboriginal animation from Cape Dorset to Quickdraw. In: The Oxford Handbook to Canadian Cinema. Straw, Will and Marchessault, Janine, eds. Oxford University Press. (Accepted/In press)

Dack, John (2016) La musique électroacoustique mixte: Interactions entre le ‘réel’ et le ‘virtuelle’. In: Les Musiques Electro-acoustiques ‘Mixtes’. INA/GRM, Paris, pp. 9-41. (Accepted/In press)

Spinks, Tansy (2016) The echo of Henry's ballad. [Performance]

Spinks, Tansy and Cottell, Fran and Mueller, Maryanne (2016) Interpreting Bruce Nauman's 'walking round (the studio) playing one note on the violin' as an invited response to the site specific work Pentagon Petal. [Performance]

Spinks, Tansy and Garrelfs, Iris (2016) Bowed lamps. [Performance]

Spinks, Tansy and Garrelfs, Iris (2016) Performance for microphone and beach performed by The Lab of Sonic Possibility. [Performance]

Spinks, Tansy and Nagle, Pete and Kraft, Rahel (2016) Black rice 1. [Performance]

2015

Buchan, Suzanne (2015) Abjection, the performative and creativity in the works of Suzan Pitt, Tabaimo and Miwa Matreyek. In: 27th Annual International Society for Animation Studies Conference: Beyond the Frame, 13-16 Jul 2015, Canterbury, Kent, United Kingdom.

Buchan, Suzanne (2015) ‘I see you’: agency and empathy in animation. In: Life Remade: The Politics and Aesthetics of Animation, Simulation and Rendering, 5-6 Jun 2015, Birkbeck London, UK.

Buchan, Suzanne (2015) (Re)claiming Aboriginal identity: Inuit animation from Cape Dorset to Quickdraw. In: Society for Cinema and Media Studies Conference, 25-29 Mar 2015, Montreal, Canada.

Buchan, Suzanne and Janser, Andres (2015) Animated Wonderworlds / Animierte Wunderwelten Exhibition. [Show/Exhibition]

Buchan, Suzanne and Janser, Andres and Emmerling, Anna (2015) Animierte Wunderwelten / Animated Wonderworlds. Buchan, Suzanne and Janser, Andres, eds. Museum für Gestaltung Zürich, Zürich, Switzerland. ISBN 9783907265062

Hodgson, Jonathan (2015) Guantanamo Bay: the hunger strikes, animated documentary film [included in Animated Wonderworlds exhibition]. [Artefact]

Hodgson, Jonathan (2015) RUG. [Film/Video] (Published online first)

Hodgson, Jonathan (2015) [Film stills from 'Feel my way' (1997) and 'The man with the beatiful eyes' (1999) in TYPEMOTION: Type as Image in Motion]. In: TYPEMOTION: Type as Image in Motion. Scheffer, Bernd and Stenzer, Christine and Weibel, Peter and Zehle, Soenke, eds. Hatje Cantz Verlag, Centre fort Art and Media,Karlsruhe, Germany, pp. 251-258. ISBN 9783775737838

Hodgson, Jonathan and de Botton, Alain (2015) What comes after religion. [Film/Video] (Published online first)

Sandiland, Nic (2015) Weighting. [Show/Exhibition]

2014

Barritt, Paul (2014) The magic flute: animations. [Artefact]

Buchan, Suzanne (2014) Animation, in theory. In: Animating Film Theory. Beckman, Karen, ed. Duke University Press, Durham and London, pp. 111-127. ISBN 9780822356400

Buchan, Suzanne (2014) Visual heteronym and animation as process in Frank Geßner’s Alias Yederbeck. In: Alias Yederbeck. Expanded Animation Cinema. Gessner, Frank, ed. HFF "Konrad Wolf / RE-Voir, Potsdam-Babelsberg/ Paris, pp. 225-247. ISBN 9783000440809

Dack, John (2014) Forschung im inneren des klangs. Neue Zeitschrift für Musik.

Hodgson, Jonathan (2014) The Banana Massacre [animation excerpt from ‘Banana land: blood, bullets and poison’]. [Film/Video] (Published online first)

Hodgson, Jonathan (2014) Guantanamo Bay: the hunger strikes - based on the personal statements of five detainees at Guantánamo prison camp. Art Journal, 73 (2). pp. 5-13. ISSN 0004-3249

Hodgson, Jonathan (2014) Meron's story. [Film/Video] (Published online first)

2013

Buchan, Suzanne (2013) Die Quay Brothers oder: «Die Produktivität des Fehlers». Montage AV. Zeitschrift fur Theorie und Geschichte audiovisueller Kommunikation, 22 (2). pp. 17-31. ISSN 0942-4954

Buchan, Suzanne, ed. (2013) Pervasive animation. AFI Film Readers . Routledge. ISBN 9780415807241

Buchan, Suzanne (2013) A cinema of apprehension: a third entelechy of the vitalist machine. In: Pervasive Animation. Buchan, Suzanne, ed. AFI Film Readers . Routledge, New York and London, pp. 143-171. ISBN 9780415807241

Buchan, Suzanne (2013) Pervasive animation : an introduction. In: Pervasive Animation. Buchan, Suzanne and Branigan, Edward and Wolfe, Charles, eds. AFI Film Readers . Routledge, New York and London, pp. 1-21. ISBN 9780415807241

Hodgson, Jonathan (2013) Guantánamo Bay: the hunger strikes - video animation. [Film/Video]

Hodgson, Jonathan (2013) The trouble with love & sex. [Artefact]

Hodgson, Jonathan (2013) Jonathan Hodgson [Animation Sketchbook]. In: Animation Sketchbooks. Heit, Laura, ed. Thames & Hudson Ltd, London, United Kingdon, pp. 114-117. ISBN 9780500516751

Parker, Osbert (2013) Misfits: strung out. [Film/Video]

Sandiland, Nic (2013) Trip hazard. [Show/Exhibition]

Sandiland, Nic (2013) Trip hazard. [Show/Exhibition]

2012

Buchan, Suzanne (2012) Theatrical cartoon comedy: from animated portmanteau to the risus purus. In: A companion to film comedy. Horton, Andrew and Rapf, Joanna E., eds. Wiley-Blackwell, pp. 521-544. ISBN 9781444338591

Dack, John (2012) The nature of the instrument: Luciano Berio, instrumental thought and Schaefferian theory. In: Luciano Berio: nuove prospettive / new perspectives. De Benedictis, Angela Ida, ed. Chigiana (XLVIII). Leo S. Olschki, Florence, Italy, pp. 337-358. ISBN 9788822261106

Hodgson, Jonathan (2012) Mostafaei: end the death penalty. [Film/Video]

Novati, Maria Maddalena and Dack, John, eds. (2012) The Studio Di Fonologia: a musical journey 1954-1983, update 2008-2012. Ricordi, Milan, Italy. ISBN 9788875929183

2011

Buchan, Suzanne (2011) The Quay Brothers: into a metaphysical playroom. University of Minnesota Press, Minneapolis. ISBN 9780816646593

Buchan, Suzanne (2011) Tricky spaces: animation, installation and spatial politics. In: Tricky women: Animationsfilmkunst von Frauen [= women in animation]. Grausgruber, Waltraud and Wagner, Birgitt, eds. Marburg, Germany. ISBN 9783894727239

Buchan, Suzanne (2011) Ghosts in the machine: experiencing animation. In: Watch Me Move: The Animation Show. Hilty, Greg, ed. Merrell, London, pp. 28-38. ISBN 9781858945583

Buchan, Suzanne (2011) Bruno Schulz's Generatio aequivoca: sites of (dis-)enchantment in the Quay Brothers' Street of Crocodiles. In: Anti tales: the uses of disenchantment. McAra, Catriona and Calvin, David, eds. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 84-97. ISBN 9781443828697

Buchan, Suzanne (2011) A metaphysics of space: the Quay Brothers atmospheric cosmogonies. In: Toward a New Interior: an Anthology of Interior Design Theory. Weinthal, Lois, ed. Princeton Architectural Press, New York, pp. 527-545. ISBN 9781616890308

Hodgson, Jonathan (2011) Wonderland: the trouble with love and sex. [Film/Video]

Nuhn, Ralf and Colle, Cecile (2011) ParaSites: new propositions. In: Music and Sonic Art: practices and theories. Lasker, George and Dack, John and Dogantan-Dack, Mine, eds. The International Institute for Advanced Studies in Systems Research and Cybernetics, Ontario, pp. 11-15. ISBN 9781897233511

Sandiland, Nic (2011) Points of view. [Performance]

2010

Buchan, Suzanne (2010) A curious chapter in the manual of animation: Stan VanDerBeek's animated spatial politics. Animation: an interdisciplinary journal, 5 (2). pp. 173-196. ISSN Print ISSN: 1746-8477 Online ISSN: 1746-8485

Dack, John (2010) La musique électro-acoustique 'mixte'. In: Une étude des interactions entre le ‘réel’ et le ‘virtuel’. MINT-OMF Université Paris-Sorbonne, Paris. (Accepted/In press)

Dack, John (2010) From sound to music: from recording to theory. In: Recorded music: performance, culture and technology. Bayley, Amanda, ed. Cambridge University Press, Cambridge, pp. 271-290. ISBN 9780521863094

Sandiland, Nic (2010) Everything looks beautiful in slow motion. [Show/Exhibition]

Sandiland, Nic (2010) Gravity shift. [Show/Exhibition]

Sandiland, Nic (2010) SPDT. [Artefact]

Sandiland, Nic (2010) The blind man’s stick. [Show/Exhibition]

Sandiland, Nic and Flexer, Yael (2010) ByPasser [Commissioned by Dance Digital]. [Show/Exhibition]

Sandiland, Nic and Parry, Nye and Flexer, Yael (2010) Orbital. [Show/Exhibition]

2009

Dack, John (2009) Instrument, what do you want of us? In: Pierre Schaeffer. Gayou, Evelyne, ed. Portraits Polychromes (14). Institut National de l'Audiovisuel, Paris, France, pp. 57-65. ISBN 9782869382107

Dack, John (2009) The electroacoustic music of Henri Pousseur and the open form. In: The modernist legacy: essays on new music. Heile, Bjorn, ed. Ashgate, Aldershot, pp. 177-188. ISBN 9780754662600

Hodgson, Jonathan (2009) Alko. [Film/Video]

Hodgson, Jonathan (2009) The age of stupid. [Film/Video]

2008

Dack, John (2008) Instrument, que nous veux-tu? In: Pierre Schaeffer. Portraits Polychromes (14). Ina GRM, France, pp. 57-66. ISBN 2869382091

Dack, John (2008) Music in space, space in music. Society for the Promotion of New Music: New Notes (6). pp. 2-4.

Dack, John and Gibbs, Tony (2008) A sense of place: a sense of space. In: Recorded Music: Philosophical and Critical Reflections. Dogantan-Dack, Mine, ed. Middlesex University Press, London. ISBN 9781904750277

Dack, John (2008) Spectral music and Schaefferian methodology. In: Spectral World Musics: proceedings of the Istanbul Spectral Music Conference. Reigle, Robert and Whitehead, Paul, eds. Pan Yayincilik, Istanbul, pp. 75-92. ISBN 9789944396271

Nuhn, Ralf (2008) i'Nstall. In: Systems research in the arts and humanities: on interaction/ interactivity in music, design, visual and performative arts. Lasker, George and Luz, Ana and Dack, John and Dogantan-Dack, Mine, eds. The International Institute for Advanced Studies in Systems Research and Cybernetics, Ontario, pp. 12-16. ISBN 9781897233092

Sandiland, Nic and Flexer, Yael (2008) Doing. [Show/Exhibition]

2007

Buchan, Suzanne (2007) The animation fulcrum. In: Animated painting. Hertz, Betti-Sue, ed. San Diego Museum of Art, pp. 28-35. ISBN 9780937108376

Buchan, Suzanne (2007) Oscillating at the 'high/low' art divide: curating and exhibiting animation. In: Issues in curating contemporary art and performance. Rugg, Judith and Sedgwick, Michèle, eds. Intellect, pp. 131-146. ISBN 9781841501628

Dack, John (2007) Acoulogie: an answer to Lévi-Strauss? In: EMS07 Online Proceedings. EMS07 Online Proceedings.

2006

Buchan, Suzanne, ed. (2006) Animated 'worlds'. John Libbey. ISBN 0861966619

Buchan, Suzanne (2006) Animated chiaroscuro. In: 5th Norwich International Animation Festival. Pugh, Adam, ed. Norwich International Animation Festival, pp. 56-59. ISBN 9780955382208

Buchan, Suzanne (2006) Playing with words: typography and text. In: 5th Norwich International Animation Festival. Pugh, Adam, ed. Norwich International Animation Festival, pp. 60-63. ISBN 9780955382208

Dack, John (2006) Henri Pousseur's 'Huit Etudes Paraboliques': the 'open' form as 'Remix'? In: IIASSRC Conference Proceedings. IIASSRC Conference Proceedings, pp. 19-24. ISBN 1-894613-53-8

Dack, John (2006) Translating Pierre Schaeffer: symbolism, literature and music. Musicacoustica 2006 .

Parker, Osbert and Gouldstone, Ian W. and McKinnon, Matthew and Hill, Laurie and Bisineer, Meghana (2006) Yours truly (aka Head over heels). [Film/Video]

Sandiland, Nic (2006) Benchmark. ArtsDepot arts centre, North Finchley, London.

2005

Buchan, Suzanne and Janser, Andres (2005) Trickraum: spacetricks. Christoph Merian Verlag. ISBN 9783856162535

Dack, John (2005) Sonic Art: Interactions between practice and theory. In: IIASSRC Conference Proceedings. IIASSRC Conference Proceedings, pp. 33-40. ISBN 1-894613-45-7

Dack, John (2005) Soundscape: the school of sound lectures. Sound Journal .

2004

Dack, John (2004) Electroacoustic music: analytical perspectives. Organised Sound, 9 (1). pp. 115-117. ISSN 1355-7718

Dack, John (2004) Virtuosity and the virtual. Working Paper. John Dack.

Dack, John (2004) The artist-couple (Sabine Schäfer and Joachim Krebs). In: AquaAngelusVox. MDG, pp. 7-9.

Dack, John (2004) The open form in the arts. In: IIASSRC Conference Proceedings. IIASSRC Conference Proceedings, pp. 7-13. ISBN 1-894613-40-6

Dack, John (2004) "Open" forms and the computer. In: Musiques, arts, technologie. Pour une Approche Critique. Collection: 'Musique-philosophie'. Barbanti, Roberto, ed. Harmattan, Paris, pp. 401-412. ISBN 2-7475-6691-9

Nuhn, Ralf and Dack, John (2004) Foreword, afterword and translation of "Sound - Time - Space - Movement: The Space-Sound Installations of the artist couple Sabine Schäfer/Joachim Krebsâ. Organised Sound, 8 (2). pp. 213-225. ISSN 1355-7718

Sandiland, Nic and Lee, Rosemary (2004) Remote dancing. [Film/Video]

2003

Dack, John (2003) Ear-training using the computer and PROGREMU Recueil des actes. In: 10e Journées d’Informatique Musicale. 10e Journées d’Informatique Musicale, pp. 1-10.

Dack, John (2003) Sound, installations and music. In: MAXIS II Conference Proceedings. MAXIS II Conference Proceedings, pp. 35-39. ISBN 1-84387-011-8

Dack, John (2003) Writing aloud: the sonics of language. Computer Music Journal, 27 (1). pp. 86-88. ISSN 0148-9267

Dack, John (2003) The 'series' in Music and Art. In: IIASSRC Conference Proceedings. IIASSRC Conference Proceedings, pp. 21-28.

Dack, John and Nuhn, Ralf (2003) Introduction and Afterword to Sound - Time - Space - Movement by Sabine Schäfer/Joachim Krebs. Organised Sound, 8 (2). pp. 213-225. ISSN 1355-7718

2002

Buchan, Suzanne (2002) Uncanny place, narrative space: the architectural imagination of animation. In: Co to jest architektura? Antologia tekstów = What is Architecture? An anthology of texts. Bunkier Sztuki Contemporary Art Gallery, Kraków, Poland, pp. 354-391. ISBN 9788386905454

Dack, John (2002) Abstract and concrete. Journal of Electroacoustic Music, 14 . pp. 2-7. ISSN 1355-7726

Dack, John (2002) CD review: The British 'school' of acousmatic music. Computer Music Journal, 26 (3). pp. 91-94. ISSN 0148-9267

Dack, John (2002) Histories and ideologies of synthesis. In: Maxis Conference Proceedings. Maxis Conference Proceedings, pp. 35-40. ISBN 0-86339-969-X

Dack, John (2002) Review: the 'Nowalls' Conference at De Montfort University. Computer Music Journal . pp. 91-93. ISSN 0148-9267

Dack, John (2002) Webern's Op.21 and the unity of musical space. In: Systems Research in the Arts. IIASSRC Conference, pp. 31-42. ISBN 1-894613-10-4

Dack, John (2002) Technology and the instrument. In: Musik netz werke - Konturen der neuen Musikkultur. Grün, Lydia and Wiegand, Frank, eds. Taschenbuch, Germany, pp. 39-54. ISBN 393312798X

Dack, John (2002) Instrument und Pseudoinstrument - Akusmatische Konzepte. In: Elektroakustische Musik. Ungeheuer, Elena and Bottenberg, Ernst Heinrich, eds. Laaber-Verlag, pp. 243-259. ISBN 3-89007-425-1

2001

Dack, John (2001) At the limits of Schaeffer's TARTYP. [Audio]

Dack, John (2001) Diffusion as performance. In: IIASSRC Conference Proceedings. IIASSRC Conference Proceedings, pp. 81-88. ISBN 1-894613-33-3

Dack, John (2001) Report on the Sonic Arts Network Conference, Newcastle. Diffusion . pp. 4-5. ISSN 0955-4602

2000

Dack, John (2000) Die Herausforderung traditioneller Konzepte. MusikTexte, 84 . ISSN 0178-8884

Dack, John (2000) Francis Dhomont in London. Electroacoustic Music and History Diffusion, May . pp. 2-3.

Dack, John (2000) Introduction to the work of Sabine Schäfer. Diffusion (2). ISSN 0955-4602

Dack, John (2000) Ludwig van Henry: an interview with Pierre Henry. Journal of Electroacoustic Music, 13 . pp. 27-30. ISSN 1355-7726

Dack, John (2000) The evocation of space as a compositional determinant. In: IIASSRC Conference Proceedings. IIASSRC Conference Proceedings, pp. 61-66. ISBN 0-921836-90-2

Dack, John (2000) The 'open' score as source for interaction. In: IIASSRC Conference Proceedings: On Interaction/Interactivity in Music, Design, Visual and Performing Arts. IIASSRC Conference Proceedings, pp. 87-91.

Hodgson, Jonathan and Hannah, Jonnie (2000) The man with the beautiful eyes. [Artefact]

1999

Dack, John (1999) Karlheinz Stockhausen's kontakte and narrativity. In: Kontakte and Narrativity.

1998

Buchan, Suzanne (1998) The Quay brothers: choreographed chiaroscuro, enigmatic and sublime. Film Quarterly, 51 (3). pp. 2-15. ISSN 0015-1386

1997

Hodgson, Jonathan (1997) Feeling my way. [Film/Video]

Hodgson, Jonathan (1997) Feeling my way [in TYPE MOTION exhibition]. [Artefact]

1989

Dack, John (1989) The relationship between electro-acoustic music and instrumental/vocal composition in Europe in the period 1948-1970. PhD thesis, Middlesex Polytechnic.

This list was generated on Sun Oct 22 04:15:00 2017 BST.