Items where Research Area is "A. > School of Media and Performing Arts > Performing Arts > Dance group"

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Article

Akinleye, Adesola ORCID: https://orcid.org/0000-0001-7342-8292 (2018) Border identities. Animated, Spring (2018). pp. 9-13. ISSN 0969-7225

Akinleye, Adesola ORCID: https://orcid.org/0000-0001-7342-8292 (2012) Orientation for communication: embodiment, and the language of dance. Empedocles: European Journal for the Philosophy of Communication, 4 (2). pp. 101-112. ISSN 1757-1952 (doi:10.1386/ejpc.4.2.101_1)

Akinleye, Adesola ORCID: https://orcid.org/0000-0001-7342-8292 (2019) ‘…wind in my hair, I feel a part of everywhere…’: creating dance for young audiences narrates emplacement. Journal of Dance and Somatic Practices, 11 (1). pp. 39-47. ISSN 1757-1871 (doi:10.1386/jdsp.11.1.39_1)

Akinleye, Adesola ORCID: https://orcid.org/0000-0001-7342-8292 and Kindred, Helen (2019) Wright-ing the somatic: narrating the bodily. Journal of Dance and Somatic Practices, 11 (1). pp. 3-6. ISSN 1757-1871 (doi:10.1386/jdsp.11.1.3_2)

Akinleye, Adesola ORCID: https://orcid.org/0000-0001-7342-8292 and Payne, Rose (2016) Transactional space: feedback, critical thinking, and learning dance technique. Journal of Dance Education, 16 (4). pp. 144-148. ISSN 1529-0824 (doi:10.1080/15290824.2016.1165821)

Akinleye, Adesola ORCID: https://orcid.org/0000-0001-7342-8292 and Preciado-Azanza, Gonzalo (2019) Dancing the digital age: a survey of the new technologies in the choreographic process. Journal of Genius and Eminence . ISSN 2334-1130 (Accepted/In press)

Bacon, Jane and Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209 (2014) Closer to the body: reflections on skript and extracts from collected writings. Choreographic Practices, 5 (1). pp. 73-94. ISSN 2040-5669 (doi:10.1386/chor.5.1.73_1)

Bannerman, Christopher (2009) Viewing a/new: the landscape of dance in 2009. Research in Dance Education, 10 (3). pp. 231-240. ISSN 1470-1111 (doi:10.1080/14647890903347114)

Bernkopf, Astrid (2011) Between stage and literature: romantic ballet’s narrative strategies. Working with stories: Narrative as a Meeting Place for Theory Analysis and Practice .

Bernkopf, Astrid (2008) Dancing narratives: an analytical approach to the narrative of the ballet fantastique. Dance Today: the Dance Magazine of Israel, 14 .

Bernkopf, Astrid (2006) Dramaturgy of desire: an analytical approach to dance narratives. Choreologica, 2 (1). pp. 41-60. ISSN 1746-5737

Boddington, Ghislaine and Bannerman, Christopher (2003) Sharing the process: a consideration of interauthorship in the performing arts. Digital Creativity, 15 (2). pp. 76-80. ISSN 1462-6268 (doi:10.1080/14626260408520168)

Broadhead, Caroline and Woodhouse, Angela (2017) Sighted: an overview. Dance Research Aotearoa, 5 (1). pp. 59-70. ISSN 2324-4593 (doi:10.15663/dra.v5i1.63)

Hunt, Nick and Melrose, Susan (2005) Techne, technology, technician: the creative practices of the mastercraftsperson. Performance Research: A Journal of Performing Arts, 10 (4). pp. 70-82. ISSN 1352-8165 (doi:10.1080/13528165.2005.10871452)

Kelsey, Louise and Uytterhoeven, Lise (2017) Scratch nights and hash-tag chats: creative tools to enhance choreography in the higher dance education curriculum. Research in Dance Education, 18 (1). pp. 34-47. ISSN 1470-1111 (doi:10.1080/14647893.2016.1264381)

Kolb, Alexandra (2016) Jenn Joy, The Choreographic [Book Review]. Dance Research, 34 (2). pp. 243-244. ISSN 0264-2875 (doi:10.3366/drs.2016.0161)

Kolb, Alexandra (2016) Wigman’s witches: Reformism, Orientalism, Nazism. Dance Research Journal, 48 (2). pp. 26-43. ISSN 0149-7677 (doi:10.1017/S014976771600019X)

Kolb, Alexandra (2016) The body of the people: East German dance since 1945 by Jens Richard Giersdorf (review). German Studies Review, 39 (2). pp. 416-419. ISSN 0149-7952 (doi:10.1353/gsr.2016.0071)

Main, Lesley (2013) Creative choice – on whose authority. Choreographic Practices, 4 (1). pp. 60-74. ISSN 2040-5669 (doi:10.1386/chor.4.1.59_1)

Main, Lesley (2017) Soft is fast: Simone Forti in the 1960s and after by Meredith Morse [Book review]. Studies in Theatre & Performance, 37 (2). pp. 289-290. ISSN 1468-2761 (doi:10.1080/14682761.2016.1215821)

Melrose, Susan (2002) Before the posthuman can take [its] place: performing place and person in the early 21st century. Performance Arts International e-journal (Issue). ISSN 1027-0000

Melrose, Susan (2001) (Re)marking the overlooked or, Stanislavski's napkin. Performance Research, 6 (2). pp. 4-19. ISSN 1352-8165

Melrose, Susan (2006) The vanishing, or little erasures without significance? Performance research: a journal of performing arts, 11 (2). pp. 95-107. ISSN 1352-8165 (doi:10.1080/13528160600812042)

Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209 (2012) Nomadism and ethics in/as improvised movement practices. Critical Studies in Improvisation / Études Critiques en Improvisation, 8 (1). ISSN 1712-0624

Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209 (2013) Sensualities: experiencing/dancing/writing. New Writing: the International Journal for the Practice and Theory of Creative Writing, 10 (1). pp. 3-17. ISSN 1479-0726 (doi:10.1080/14790726.2012.693098)

Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209 and Bacon, Jane (2014) Creative Articulations Process (CAP). Choreographic Practices, 5 (1). pp. 7-31. ISSN 2040-5669 (doi:10.1386/chor.5.1.7_1)

Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209 and Williams, Tom (2012) Voice (a retracing): an emerging lexicon. Journal of Artistic Research (2). ISSN 2235-0225

Wang, Chuanliang, Bannerman, Christopher, Xu, Rui, Pan, Li, Mu, Yu, Jin, Hao, Tong, Yan, Qing, Qing, Liu, Chun, Zhang, Ping, Claid, Emilyn, Hutera, Donald, O'Shea, Janet, Rae, Paul, Mezur, Katherine, Inata, Naomi, Wang, Mei, Liu, Yan, Wang, Zihan, Wang, Yabin, Zhao, Zhibo, Guo, Tuantuan, Jiang, Qier and Liu, Jie (2011) Danscross: dancing in a shaking world. The Danscross papers, Beijing 2009. Journal of Beijing Dance Academy .

Book Section

Akinleye, Adesola ORCID: https://orcid.org/0000-0001-7342-8292 (2016) Narrating spaces. In: Black Women in Dance: Stepping Out of the Barriers. Brookes, Pawlet, ed. Serendipity Artists Movement, UK. 9780992631932.

Bannerman, Christopher (2008) Proximity, wisdom and creativity. In: Creativity, wisdom and trusteeship: exploring the role of education. Craft, Anna, Gardner, Howard and Claxton, Guy, eds. Corwin Press, California, pp. 23-37. 9781412949392.

Bannerman, Christopher and McLaughlin, Cahal (2009) Collaborative ethics in practice-as-research. In: Practice-as research In performance and screen. Fuschini, Ludivine, Jones, Simon, Kershaw, Baz and Piccini, Angela, eds. Palgrave Macmillan, Basingstoke. 9780230220010.

Bernkopf, Astrid (2019) Cinderella, the beauty myth and a feminist conundrum. In: Storytelling: Cultural and Creative Transformations of Cinderella. Weedon, Alexis and Darwood, Nicola, eds. Wayne State University Press. . (Accepted/In press)

Jones, Simon (1990) Music and symbolic creativity. In: Common Culture: Symbolic Work at Play in the Everyday Cultures of Young People. Willis, Paul, ed. Oxford University Press, Buckingham, pp. 59-83. 0335094317.

Kindred, Helen and Akinleye, Adesola ORCID: https://orcid.org/0000-0001-7342-8292 (2018) In the between-ness: decolonising and re-inhabiting our dancing. In: Narratives in Black British Dance: Embodied Practices. Akinleye, Adesola ORCID: https://orcid.org/0000-0001-7342-8292, ed. Palgrave Macmillan, pp. 65-78. 9783319703138. (doi:10.1007/978-3-319-70314-5_6)

Kolb, Alexandra (2016) Mary Wigman. In: Das große Tanzlexikon: Personen - Werke - Tanzkulturen - Epochen. Laaber, pp. 682-684. .

Kolb, Alexandra (2016) Wiesenthal, Grete (1885–1970). In: The Routledge Encyclopedia of Modernism. Taylor and Francis. 9781135000356. (doi:10.4324/9781135000356-REM1251-1)

Kolb, Alexandra (2016) Hexentanz. In: Das große Tanzlexikon: Personen - Werke - Tanzkulturen - Epochen. Hartmann, Annette and Woitas, Monika, eds. Laaber, pp. 272-273. .

Kolb, Alexandra (2016) Schuhplattler. In: Das große Tanzlexikon: Personen - Werke - Tanzkulturen - Epochen. Hartmann, Annette and Woitas, Monika, eds. Laaber, p. 548. .

Kolb, Alexandra (2017) Dance and politics in China: interculturalism, hybridity, and the ArtsCross project. In: The Oxford Handbook of Dance and Politics. Kowal, Rebekah J., Siegmund, Gerald and Martin, Randy, eds. Oxford Handbooks . Oxford University Press, pp. 347-370. 9780199928187. (doi:10.1093/oxfordhb/9780199928187.013.57)

Kolb, Alexandra (2015) Collaboration, democracy and the total artwork. In: Collaboration in Performance Practice – Premises, Workings and Failures. Sachsenmaier, Stefanie and Colin, Noyale, eds. Palgrave Macmillan, pp. 51-74. .

Kolb, Alexandra (2016) Ausdruckstanz. In: Das große Tanzlexikon: Personen - Werke - Tanzkulturen - Epochen. Woitas, Monika and Hartmann, Annette, eds. Laaber, pp. 33-36. .

Main, Lesley (2017) The transmission-translation-transformation of Doris Humphrey's 'Two ecstatic themes' (1931). In: Transmissions in Dance: Contemporary staging practices. Main, Lesley, ed. Palgrave MacMillan, Cham, London, pp. 85-107. ISBN 9783319648729, e-ISBN 9783319648736. (doi:10.1007/978-3-319-64873-6_5)

Main, Lesley (2018) Humphrey, Doris (1895-1958). In: The Routledge Encyclopedia of Modernism. Ross, Stephen, ed. Routledge. . (doi:10.4324/0123456789-REM1778-1)

Melrose, Susan (2012) Expert-performance-practitioner-centred modes of knowledge and models of intelligibility: disciplinary specificity and the digital submission. In: The Sage handbook of digital dissertations and theses. Andrews, Richard, Borg, Erik, Boyd Davis, Stephen, Domingo, Myrrh and England, Jude, eds. SAGE Publications, London, pp. 298-314. 9780857027399.

Melrose, Susan (2006) Bodies without bodies. In: Performance and Technology: Practices of Virtual Embodiment and Interactivity. Broadhurst, Susan Margaret and Machon, Josephine, eds. Palgrave Macmillan, Basingstoke, pp. 1-12. 9781403999078.

Melrose, Susan (2009) Expert-intuitive processing and the logics of production: struggles in (the wording of) creative decision: making in dance. In: Contemporary choreography: a critical reader. Butterworth, Jo and Wildschut, Liesbeth, eds. Routledge, London and New York, p. 23. 9780415490870.

Melrose, Susan (2006) Who knows - and who cares: about performance mastery? In: A performance cosmology: testimony from the future evidence of the past. Christie, Judie, Gough, Richard and Watt, Daniel Peter, eds. Routledge, London and New York, pp. 132-139. 9780415372589.

Melrose, Susan (2007) Not yet, and already no longer: loitering with intent between the expert practitioner at work, and the archive. In: (Capturing intention): documentatie, analyse en notatieonderzoek gebaseerd. DeLahunta, Scott and Bastien, Marion, eds. Emio Greco, Amsterdam, Netherlands, pp. 74-78. 9789081081337.

Melrose, Susan (2006) Constitutive ambiguities: writing professional or expert performance practices, and the Theatre du Soleil, Paris. In: Contemporary theatres in Europe. Kelleher, Joe and Ridout, Nicholas, eds. Routledge, pp. 120-135. 0415329396.

Melrose, Susan (2011) Postmodernism and performance. In: The Routledge companion to postmodernism. Sim, Stuart, ed. Routledge Companions . Routledge, London and New York, pp. 194-203. 9780415583329.

Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209 (2015) Improvisation practices and dramaturgical consciousness: a workshop. In: Dance Dramaturgy: Modes of Agency, Awareness and Engagement. Callison, Darcey and Hansen, Pil, eds. New World Choreographies . Palgrave Macmillan, USA, pp. 106-123. 9781137373212.

Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209 (2015) Improvisation practices and dramaturgical consciousness: a workshop. In: Dance Dramaturgy: Modes of Agency, Awareness and Engagement. Callison, Darcey and Hansen, Pil, eds. New World Choreographies . Palgrave Macmillan, USA, pp. 106-123. 9781137373212.

Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209 (2019) Practice-as-research. In: The Bloomsbury Companion to Dance Studies. Dodds, Sherrill, ed. Bloomsbury Companions . Bloomsbury. 9781350024465. (Accepted/In press)

Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209 (2015) Some fleshy thinking: improvisation, experience, perception. In: The Oxford Handbook of Dance and Theater. George-Graves, Nadine, ed. Oxford Handbooks . Oxford University Press, New York, pp. 109-122. 9780199917495. (doi:10.1093/oxfordhb/9780199917495.013.3)

Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209 (2006) Decentring bodies: postfeminist corporealities in dance. In: Der Postfeministische Diskurs. Haas, Birgit, ed. Film, Medium, Diskurs (17). Konigshausen & Neumann, Wurzburg, Germany, pp. 179-204. 9783826032301.

Salgado LLopis, Maria (2017) Performing history: Wind Tossed (1936), natural movement and the hyper-historian. In: Transmissions in Dance: Contemporary Staging Practices. Main, Lesley, ed. Palgrave Macmillan, London, pp. 61-83. 9783319648729. (doi:10.1007/978-3-319-64873-6)

Woodhouse, Angela and Broadhead, Caroline (2018) Between (2011): Intimacy and spectacle in tension ans dialogue. In: Undisciplining Dance in Nine Movements and Eight Stumbles. Brown, Carol and Longely, Alys, eds. Cambridge Scholars Publishing, Auckland, pp. 138-150. 9781527506213.

Monograph

Bannerman, Christopher (2006) Mapping dance provision: Confidential Report for Department of Culture, Media and Sport (DCMS). Project Report. Department of Culture, Media and Sport. .

Conference or Workshop Item

Bannerman, Christopher, Smith, Chris, Melrose, Susan, Alston, Richard, Baxter, Guy, Adawole, Funmi and Davis, Jacqueline (2006) Performance as knowledge. In: Performance as knowledge seminar, 3rd May 2006, Somerset house, London.

Bernkopf, Astrid (2007) Site under construction: taking ‘reading performance’ literally. In: 2007 Society of Dance History Scholars Conference: Re-Thinking Theory and Practice/Repenser pratique et theorie, 21-24 June 2007, Paris, France.

Butcher, Rosemary and Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607 (2015) Making marks and memories – the body in recorded time. In: Memory Sentiment Body Space Object Symposium, 15 May 2015, Coventry.

Kolb, Alexandra (2015) Dancing the everyday: some very ordinary and private experiences. In: Theatre and Democracy (IFTR conference). (Accepted/In press)

Kolb, Alexandra (2015) Mary Wigman the witch. In: Cut & Paste: Dance Advocacy in the Age of Austerity, SDHS conference, Athens. (Accepted/In press)

Melrose, Susan (2005) Just intuitive. In: The impossibility of representation?, 23 April 2005., AHRC Research Centre for Cross-Cultural Music and Dance Performance, School of Oriental and African Studies, University of London.

Melrose, Susan (2005) Out of words. In: CHARM (AHRC Research Centre for the History and Analysis of Recorded Music) Symposium 1: Comparative perspectives in the study of recordings., 14-16 April 2005, Royal Holloway, University of London, Egham.

Melrose, Susan (2009) Rosemary Butcher: jottings on signature in the presence of the artist. In: Bodies of Thought, 3 April 2009, Siobhan Davies Studio, London.

Melrose, Susan (2009) Signs of life, signs of the times: and if all artists are semioticians? In: ADSA Conference, Boom or bust: economies of production and exchange in theatre, performance and culture., 30th June - 3rd July 2009, Edith Cowan University, Curtin University and Murdoch University, WA, Australia.

Melrose, Susan (2007) Still harping on (about expert practitioner-centred modes of knowledge and models of intelligibility). In: E-science institute workshop: digital representations in the performing arts, 18th July 2007, Edinburgh.

Melrose, Susan (2002) Textual turns - and a turn-up for the books. In: "Textual Conditions", September 2002., University of Nottingham,.

Melrose, Susan (2005) Words fail me: dancing with the other's familiar. In: Towards Tomorrow?, International gathering., 6-10 April 2005., Centre for Performance Research, Aberystwyth, University of Wales.

Melrose, Susan (2011) A cautionary note or two, amid the pleasures and pains of participation in performance-making as research. In: Participatory Research & Learning in the Performing Arts, 6 May 2011, Centre for Creative Collaboration London.

Melrose, Susan (2003) The eventful articulation of singularities - or, "Chasing angels". In: New alignments and emergent forms: dance-making, theory and knowledge., December 2003, School of Arts, Froebel College, Roehampton, University of Surrey.

Melrose, Susan, Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607 and Butcher, Rosemary (2013) Just in time: ‘momentary’ events in the making of Rosemary Butcher’s signature practices. In: Performance Studies International Conference (PSi 19), 26-30 Jun 2013, Stanford, CA, United States.

Woodhouse, Angela (2018) I will take you with me (2013) presented at Slowing and Stilling symposium, Birmingham Conservatoire, as part of Birmingham International Festival 2018. In: Slowing and Stilling: foregrounding process in performance practices, 11-12 June 2018, Birmingham Conservatoire.

Woodhouse, Angela and Broadhead, Caroline (2016) Sighted (2009) Audience as Performer. In: Audience, Experience, Desire: interactivity and participation in contemporary performance & the cultural industries, 29-30 Jan 2016, University of Exeter, United Kingdom.

Woodhouse, Angela and Broadhead, Caroline (2016) Sighted (2009) collaboration, boundaries, performance, and audience. In: Beyond Jewellery: Performing the Body Symposium, 17 Mar 2016, Birmingham City University, United Kingdom.

Woodhouse, Angela, Broadhead, Caroline and Sandiland, Nic (2018) 'Exposure' working title sharing of practical research in March 2018. In: Exposure - research using a thermal imaging camera, 23 April 2018, Coventry University.

Book

Akinleye, Adesola ORCID: https://orcid.org/0000-0001-7342-8292, ed. (2018) Narratives in Black British Dance: Embodied Practices. Palgrave Macmillian. 9783319703138. (doi:10.1007/978-3-319-70314-5)

Bannerman, Christopher, Sofaer, Joshua and Watt, Jane (2006) Navigating the unknown: the creative process in contemporary performing arts. Middlesex University Press / ResCen Publications, Hendon, London. 9781904750550.

Main, Lesley, ed. (2017) Transmissions in dance: contemporary staging practices. Palgrave Macmillan. 9783319648729. (doi:10.1007/978-3-319-64873-6)

Melrose, Susan (1994) A semiotics of the dramatic text. New directions in theatre . Macmillan, Basingstoke. 033341943x.

Melrose, Susan and Butcher, Rosemary (2005) Rosemary Butcher: choreography/collisions/collaborations. Performing Arts . Middlesex University Press, Hendon, London. 1904750478.

Thesis

Nichol, Charlotte (2018) Bodyscreening. PhD thesis, Middlesex University.

Artefact

Akinleye, Adesola ORCID: https://orcid.org/0000-0001-7342-8292 and Califano, Anton (2014) Light Steps promo. [Artefact]

Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209 (2013) Skript: a micro installation. [Artefact]

Woodhouse, Angela and Broadhead, Caroline (2015) Sighted at Saatchi for Collect 15. [Artefact]

Digital artefact

Bannerman, Christopher (2007) rescen.net. [Digital artefact]

Bannerman, Christopher and Donnelly, Anne (2013) Robert Cohan teaching: body of knowledge. [Digital artefact]

Show/Exhibition

Broadhead, Caroline and Woodhouse, Angela (2003) Court. [Show/Exhibition]

Woodhouse, Angela and Broadhead, Caroline (2011) Between. [Show/Exhibition]

Woodhouse, Angela and Broadhead, Caroline (2009) Sighted. [Show/Exhibition]

Woodhouse, Angela, Broadhead, Caroline and Sandiland, Nic (2017) Close Distance. [Show/Exhibition]

Woodhouse, Angela and Rackowe, Nathaniel (2018) (De)figured Installation performance research. [Show/Exhibition]

Woodhouse, Angela and Rackowe, Nathaniel (2014) (Un)touched phase 1. [Show/Exhibition]

Woodhouse, Angela and Rackowe, Nathaniel (2018) (Un)touched - floor piece at the National Museum of Belgrade as part of IFTR 2018. [Show/Exhibition]

Woodhouse, Angela and Rackowe, Nathaniel (2015) (Un)touched research phase 2. [Show/Exhibition]

Performance

Bannerman, Christopher (2012) ArtsCross Beijing 2012: light and water. [Performance]

Bannerman, Christopher and Xu, Rui (2009) Danscross: dancing in a shaking world. [Performance]

Brandstrup, Kim (2010) Eidolon 1 & 2. [Performance]

Brandstrup, Kim (2009) Goldberg - the Brandstrup-Rojo project. [Performance]

Brandstrup, Kim (2003) Hamlet. [Performance]

Brandstrup, Kim (2010) Invitus invitam. [Performance]

Brandstrup, Kim (2008) Rushes: fragments of a lost story. [Performance]

Brandstrup, Kim (2004) Songs of a wayfarer and two footnotes to Ashton. [Performance]

Brandstrup, Kim (2004) The anatomy of a storyteller. [Performance]

Butcher, Rosemary (2012) After Kaprow: The silent room; and, Book of journeys. [Performance]

Butcher, Rosemary (2010) Allan Kaprow's 18 happening in 6 parts. [Performance]

Butcher, Rosemary (2010) Lapped translated lines. [Performance]

Butcher, Rosemary (2005) Six frames: memories of two women. [Performance]

Butcher, Rosemary (2004) WHITE. [Performance]

Jeyasingh, Shobana (2009) Bruise blood. [Performance]

Jeyasingh, Shobana (2012) Classic cut. [Performance]

Jeyasingh, Shobana (2010) Counterpoint. [Performance]

Jeyasingh, Shobana (2009) Detritus. [Performance]

Jeyasingh, Shobana (2006) Exit no exit. [Performance]

Jeyasingh, Shobana (2007) Faultline. [Performance]

Jeyasingh, Shobana (2012) TooMortal [Too mortal]. [Performance]

Jeyasingh, Shobana (2002) [h]interland GDA, and touring as [h]interland 2. [Performance]

Jeyasingh, Shobana and Gough, Orlando (2009) Just add water? [Performance]

Lee, Rosemary (2014) Under the Vaulted Sky. [Performance]

Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209 (2015) Everywhere and nowhere: improvisation as an un/rans/disciplinary practice a performance lecture. [Performance]

Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209 and Bacon, Jane (2016) Scratch: a choreographic conversation. [Performance]

Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209, O'Connor, Brendan and Wilsmore, Robert (2004) Threshold: Fleshfold. [Performance]

Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209, O'Connor, Brendan and Wilsmore, Robert (2005) Threshold: Fleshfold. [Performance]

Sandiland, Nic and Flexer, Yael (2016) Disappearing Acts. [Performance]

Sandiland, Nic, Wendy, Houston, Maria, Oshodi, Donald, Hutera, Pete, Phillips and James, Keane (2017) The Hum. [Performance]

Woodhouse, Angela and Rackowe, Nathaniel (2016) (Un)touched. [Performance]

Image

Butcher, Rosemary (2003) Vanishing point. [Image]

Jeyasingh, Shobana and Watt, Jane (2005) Animating architecture: foliage chorus. [Image]

Film/Video

Akinleye, Adesola ORCID: https://orcid.org/0000-0001-7342-8292 (2014) Untitled: women's work. [Film/Video]

Chesher, Roswitha and Lee, Rosemary (2015) Liquid Gold is the Air. [Film/Video]

Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209 and Williams, Tom (2014) Home (a replacing). [Film/Video]

Williams, Tom, Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209 and Halliday, Tim (2012) Voice (a retracing). [Film/Video]

Other

Bannerman, Christopher Curation and direction of DansCross (a large international collaborative dance project). ResCen, the Centre for Research into Creation in the Performing Arts.

Bannerman, Christopher Curation, and direction of ArtsCross (a large scale international exchange project). ResCen, the Centre for Research into Creation in the Performing Arts.

Brandstrup, Kim (2007) Kim Brandstrup website. AHRC Fellowship.

Butcher, Rosemary (2007) Rosemary Butcher: the digital archive. AHRC Fellowship.

Melrose, Susan (2007) Practice as Research website: http://www.sfmelrose.u-net.com. Susan Melrose.

This list was generated on Sun Nov 17 04:45:58 2019 GMT.