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Number of items at this level: 136.

2019

Akinleye, Adesola ORCID: https://orcid.org/0000-0001-7342-8292 (2019) ‘…wind in my hair, I feel a part of everywhere…’: creating dance for young audiences narrates emplacement. Journal of Dance and Somatic Practices, 11 (1). pp. 39-47. ISSN 1757-1871 (doi:10.1386/jdsp.11.1.39_1)

Akinleye, Adesola ORCID: https://orcid.org/0000-0001-7342-8292 and Kindred, Helen (2019) Wright-ing the somatic: narrating the bodily. Journal of Dance and Somatic Practices, 11 (1). pp. 3-6. ISSN 1757-1871 (doi:10.1386/jdsp.11.1.3_2)

Akinleye, Adesola ORCID: https://orcid.org/0000-0001-7342-8292 and Preciado-Azanza, Gonzalo (2019) Dancing the digital age: a survey of the new technologies in the choreographic process. Journal of Genius and Eminence . ISSN 2334-1130 (Accepted/In press)

Bernkopf, Astrid (2019) Cinderella, the beauty myth and a feminist conundrum. In: Storytelling: Cultural and Creative Transformations of Cinderella. Weedon, Alexis and Darwood, Nicola, eds. Wayne State University Press. . (Accepted/In press)

Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209 (2019) Practice-as-research. In: The Bloomsbury Companion to Dance Studies. Dodds, Sherrill, ed. Bloomsbury Companions . Bloomsbury. 9781350024465. (Accepted/In press)

2018

Akinleye, Adesola ORCID: https://orcid.org/0000-0001-7342-8292 (2018) Border identities. Animated, Spring (2018). pp. 9-13. ISSN 0969-7225

Akinleye, Adesola ORCID: https://orcid.org/0000-0001-7342-8292, ed. (2018) Narratives in Black British Dance: Embodied Practices. Palgrave Macmillian. 9783319703138. (doi:10.1007/978-3-319-70314-5)

Kindred, Helen and Akinleye, Adesola ORCID: https://orcid.org/0000-0001-7342-8292 (2018) In the between-ness: decolonising and re-inhabiting our dancing. In: Narratives in Black British Dance: Embodied Practices. Akinleye, Adesola ORCID: https://orcid.org/0000-0001-7342-8292, ed. Palgrave Macmillan, pp. 65-78. 9783319703138. (doi:10.1007/978-3-319-70314-5_6)

Main, Lesley (2018) Humphrey, Doris (1895-1958). In: The Routledge Encyclopedia of Modernism. Ross, Stephen, ed. Routledge. . (doi:10.4324/0123456789-REM1778-1)

Nichol, Charlotte (2018) Bodyscreening. PhD thesis, Middlesex University.

Woodhouse, Angela (2018) I will take you with me (2013) presented at Slowing and Stilling symposium, Birmingham Conservatoire, as part of Birmingham International Festival 2018. In: Slowing and Stilling: foregrounding process in performance practices, 11-12 June 2018, Birmingham Conservatoire.

Woodhouse, Angela and Broadhead, Caroline (2018) Between (2011): Intimacy and spectacle in tension ans dialogue. In: Undisciplining Dance in Nine Movements and Eight Stumbles. Brown, Carol and Longely, Alys, eds. Cambridge Scholars Publishing, Auckland, pp. 138-150. 9781527506213.

Woodhouse, Angela, Broadhead, Caroline and Sandiland, Nic (2018) 'Exposure' working title sharing of practical research in March 2018. In: Exposure - research using a thermal imaging camera, 23 April 2018, Coventry University.

Woodhouse, Angela and Rackowe, Nathaniel (2018) (De)figured Installation performance research. [Show/Exhibition]

Woodhouse, Angela and Rackowe, Nathaniel (2018) (Un)touched - floor piece at the National Museum of Belgrade as part of IFTR 2018. [Show/Exhibition]

2017

Broadhead, Caroline and Woodhouse, Angela (2017) Sighted: an overview. Dance Research Aotearoa, 5 (1). pp. 59-70. ISSN 2324-4593 (doi:10.15663/dra.v5i1.63)

Kelsey, Louise and Uytterhoeven, Lise (2017) Scratch nights and hash-tag chats: creative tools to enhance choreography in the higher dance education curriculum. Research in Dance Education, 18 (1). pp. 34-47. ISSN 1470-1111 (doi:10.1080/14647893.2016.1264381)

Kolb, Alexandra (2017) Dance and politics in China: interculturalism, hybridity, and the ArtsCross project. In: The Oxford Handbook of Dance and Politics. Kowal, Rebekah J., Siegmund, Gerald and Martin, Randy, eds. Oxford Handbooks . Oxford University Press, pp. 347-370. 9780199928187. (doi:10.1093/oxfordhb/9780199928187.013.57)

Main, Lesley (2017) Soft is fast: Simone Forti in the 1960s and after by Meredith Morse [Book review]. Studies in Theatre & Performance, 37 (2). pp. 289-290. ISSN 1468-2761 (doi:10.1080/14682761.2016.1215821)

Main, Lesley, ed. (2017) Transmissions in dance: contemporary staging practices. Palgrave Macmillan. 9783319648729. (doi:10.1007/978-3-319-64873-6)

Main, Lesley (2017) The transmission-translation-transformation of Doris Humphrey's 'Two ecstatic themes' (1931). In: Transmissions in Dance: Contemporary staging practices. Main, Lesley, ed. Palgrave MacMillan, Cham, London, pp. 85-107. 9783319648729. (doi:10.1007/978-3-319-64873-6_5)

Salgado LLopis, Maria (2017) Performing history: Wind Tossed (1936), natural movement and the hyper-historian. In: Transmissions in Dance: Contemporary Staging Practices. Main, Lesley, ed. Palgrave Macmillan, London, pp. 61-83. 9783319648729. (doi:10.1007/978-3-319-64873-6)

Sandiland, Nic, Wendy, Houston, Maria, Oshodi, Donald, Hutera, Pete, Phillips and James, Keane (2017) The Hum. [Performance]

Woodhouse, Angela, Broadhead, Caroline and Sandiland, Nic (2017) Close Distance. [Show/Exhibition]

2016

Akinleye, Adesola ORCID: https://orcid.org/0000-0001-7342-8292 (2016) Narrating spaces. In: Black Women in Dance: Stepping Out of the Barriers. Brookes, Pawlet, ed. Serendipity Artists Movement, UK. 9780992631932.

Akinleye, Adesola ORCID: https://orcid.org/0000-0001-7342-8292 and Payne, Rose (2016) Transactional space: feedback, critical thinking, and learning dance technique. Journal of Dance Education, 16 (4). pp. 144-148. ISSN 1529-0824 (doi:10.1080/15290824.2016.1165821)

Kolb, Alexandra (2016) Jenn Joy, The Choreographic [Book Review]. Dance Research, 34 (2). pp. 243-244. ISSN 0264-2875 (doi:10.3366/drs.2016.0161)

Kolb, Alexandra (2016) Mary Wigman. In: Das große Tanzlexikon: Personen - Werke - Tanzkulturen - Epochen. Laaber, pp. 682-684. .

Kolb, Alexandra (2016) Wiesenthal, Grete (1885–1970). In: The Routledge Encyclopedia of Modernism. Taylor and Francis. 9781135000356. (doi:10.4324/9781135000356-REM1251-1)

Kolb, Alexandra (2016) Wigman’s witches: Reformism, Orientalism, Nazism. Dance Research Journal, 48 (2). pp. 26-43. ISSN 0149-7677 (doi:10.1017/S014976771600019X)

Kolb, Alexandra (2016) The body of the people: East German dance since 1945 by Jens Richard Giersdorf (review). German Studies Review, 39 (2). pp. 416-419. ISSN 0149-7952 (doi:10.1353/gsr.2016.0071)

Kolb, Alexandra (2016) Hexentanz. In: Das große Tanzlexikon: Personen - Werke - Tanzkulturen - Epochen. Hartmann, Annette and Woitas, Monika, eds. Laaber, pp. 272-273. .

Kolb, Alexandra (2016) Schuhplattler. In: Das große Tanzlexikon: Personen - Werke - Tanzkulturen - Epochen. Hartmann, Annette and Woitas, Monika, eds. Laaber, p. 548. .

Kolb, Alexandra (2016) Ausdruckstanz. In: Das große Tanzlexikon: Personen - Werke - Tanzkulturen - Epochen. Woitas, Monika and Hartmann, Annette, eds. Laaber, pp. 33-36. .

Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209 and Bacon, Jane (2016) Scratch: a choreographic conversation. [Performance]

Sandiland, Nic and Flexer, Yael (2016) Disappearing Acts. [Performance]

Woodhouse, Angela and Broadhead, Caroline (2016) Sighted (2009) Audience as Performer. In: Audience, Experience, Desire: interactivity and participation in contemporary performance & the cultural industries, 29-30 Jan 2016, University of Exeter, United Kingdom.

Woodhouse, Angela and Broadhead, Caroline (2016) Sighted (2009) collaboration, boundaries, performance, and audience. In: Beyond Jewellery: Performing the Body Symposium, 17 Mar 2016, Birmingham City University, United Kingdom.

Woodhouse, Angela and Rackowe, Nathaniel (2016) (Un)touched. [Performance]

2015

Butcher, Rosemary and Sachsenmaier, Stefanie (2015) Making marks and memories – the body in recorded time. In: Memory Sentiment Body Space Object Symposium, 15 May 2015, Coventry.

Chesher, Roswitha and Lee, Rosemary (2015) Liquid Gold is the Air. [Film/Video]

Kolb, Alexandra (2015) Dancing the everyday: some very ordinary and private experiences. In: Theatre and Democracy (IFTR conference). (Accepted/In press)

Kolb, Alexandra (2015) Mary Wigman the witch. In: Cut & Paste: Dance Advocacy in the Age of Austerity, SDHS conference, Athens. (Accepted/In press)

Kolb, Alexandra (2015) Collaboration, democracy and the total artwork. In: Collaboration in Performance Practice – Premises, Workings and Failures. Sachsenmaier, Stefanie and Colin, Noyale, eds. Palgrave Macmillan, pp. 51-74. .

Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209 (2015) Everywhere and nowhere: improvisation as an un/rans/disciplinary practice a performance lecture. [Performance]

Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209 (2015) Improvisation practices and dramaturgical consciousness: a workshop. In: Dance Dramaturgy: Modes of Agency, Awareness and Engagement. Callison, Darcey and Hansen, Pil, eds. New World Choreographies . Palgrave Macmillan, USA, pp. 106-123. 9781137373212.

Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209 (2015) Improvisation practices and dramaturgical consciousness: a workshop. In: Dance Dramaturgy: Modes of Agency, Awareness and Engagement. Callison, Darcey and Hansen, Pil, eds. New World Choreographies . Palgrave Macmillan, USA, pp. 106-123. 9781137373212.

Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209 (2015) Some fleshy thinking: improvisation, experience, perception. In: The Oxford Handbook of Dance and Theater. George-Graves, Nadine, ed. Oxford Handbooks . Oxford University Press, New York, pp. 109-122. 9780199917495. (doi:10.1093/oxfordhb/9780199917495.013.3)

Woodhouse, Angela and Broadhead, Caroline (2015) Sighted at Saatchi for Collect 15. [Artefact]

Woodhouse, Angela and Rackowe, Nathaniel (2015) (Un)touched research phase 2. [Show/Exhibition]

2014

Akinleye, Adesola ORCID: https://orcid.org/0000-0001-7342-8292 (2014) Untitled: women's work. [Film/Video]

Akinleye, Adesola ORCID: https://orcid.org/0000-0001-7342-8292 and Califano, Anton (2014) Light Steps promo. [Artefact]

Bacon, Jane and Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209 (2014) Closer to the body: reflections on skript and extracts from collected writings. Choreographic Practices, 5 (1). pp. 73-94. ISSN 2040-5669 (doi:10.1386/chor.5.1.73_1)

Lee, Rosemary (2014) Under the Vaulted Sky. [Performance]

Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209 and Bacon, Jane (2014) Creative Articulations Process (CAP). Choreographic Practices, 5 (1). pp. 7-31. ISSN 2040-5669 (doi:10.1386/chor.5.1.7_1)

Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209 and Williams, Tom (2014) Home (a replacing). [Film/Video]

Woodhouse, Angela and Rackowe, Nathaniel (2014) (Un)touched phase 1. [Show/Exhibition]

2013

Bannerman, Christopher and Donnelly, Anne (2013) Robert Cohan teaching: body of knowledge. [Digital artefact]

Main, Lesley (2013) Creative choice – on whose authority. Choreographic Practices, 4 (1). pp. 60-74. ISSN 2040-5669 (doi:10.1386/chor.4.1.59_1)

Melrose, Susan, Sachsenmaier, Stefanie and Butcher, Rosemary (2013) Just in time: ‘momentary’ events in the making of Rosemary Butcher’s signature practices. In: Performance Studies International Conference (PSi 19), 26-30 Jun 2013, Stanford, CA, United States.

Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209 (2013) Sensualities: experiencing/dancing/writing. New Writing: the International Journal for the Practice and Theory of Creative Writing, 10 (1). pp. 3-17. ISSN 1479-0726 (doi:10.1080/14790726.2012.693098)

Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209 (2013) Skript: a micro installation. [Artefact]

2012

Akinleye, Adesola ORCID: https://orcid.org/0000-0001-7342-8292 (2012) Orientation for communication: embodiment, and the language of dance. Empedocles: European Journal for the Philosophy of Communication, 4 (2). pp. 101-112. ISSN 1757-1952 (doi:10.1386/ejpc.4.2.101_1)

Bannerman, Christopher (2012) ArtsCross Beijing 2012: light and water. [Performance]

Butcher, Rosemary (2012) After Kaprow: The silent room; and, Book of journeys. [Performance]

Jeyasingh, Shobana (2012) Classic cut. [Performance]

Jeyasingh, Shobana (2012) TooMortal [Too mortal]. [Performance]

Melrose, Susan (2012) Expert-performance-practitioner-centred modes of knowledge and models of intelligibility: disciplinary specificity and the digital submission. In: The Sage handbook of digital dissertations and theses. Andrews, Richard, Borg, Erik, Boyd Davis, Stephen, Domingo, Myrrh and England, Jude, eds. SAGE Publications, London, pp. 298-314. 9780857027399.

Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209 (2012) Nomadism and ethics in/as improvised movement practices. Critical Studies in Improvisation / Études Critiques en Improvisation, 8 (1). ISSN 1712-0624

Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209 and Williams, Tom (2012) Voice (a retracing): an emerging lexicon. Journal of Artistic Research (2). ISSN 2235-0225

Williams, Tom, Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209 and Halliday, Tim (2012) Voice (a retracing). [Film/Video]

2011

Bernkopf, Astrid (2011) Between stage and literature: romantic ballet’s narrative strategies. Working with stories: Narrative as a Meeting Place for Theory Analysis and Practice .

Melrose, Susan (2011) A cautionary note or two, amid the pleasures and pains of participation in performance-making as research. In: Participatory Research & Learning in the Performing Arts, 6 May 2011, Centre for Creative Collaboration London.

Melrose, Susan (2011) Postmodernism and performance. In: The Routledge companion to postmodernism. Sim, Stuart, ed. Routledge Companions . Routledge, London and New York, pp. 194-203. 9780415583329.

Wang, Chuanliang, Bannerman, Christopher, Xu, Rui, Pan, Li, Mu, Yu, Jin, Hao, Tong, Yan, Qing, Qing, Liu, Chun, Zhang, Ping, Claid, Emilyn, Hutera, Donald, O'Shea, Janet, Rae, Paul, Mezur, Katherine, Inata, Naomi, Wang, Mei, Liu, Yan, Wang, Zihan, Wang, Yabin, Zhao, Zhibo, Guo, Tuantuan, Jiang, Qier and Liu, Jie (2011) Danscross: dancing in a shaking world. The Danscross papers, Beijing 2009. Journal of Beijing Dance Academy .

Woodhouse, Angela and Broadhead, Caroline (2011) Between. [Show/Exhibition]

2010

Brandstrup, Kim (2010) Eidolon 1 & 2. [Performance]

Brandstrup, Kim (2010) Invitus invitam. [Performance]

Butcher, Rosemary (2010) Allan Kaprow's 18 happening in 6 parts. [Performance]

Butcher, Rosemary (2010) Lapped translated lines. [Performance]

Jeyasingh, Shobana (2010) Counterpoint. [Performance]

2009

Bannerman, Christopher (2009) Viewing a/new: the landscape of dance in 2009. Research in Dance Education, 10 (3). pp. 231-240. ISSN 1470-1111 (doi:10.1080/14647890903347114)

Bannerman, Christopher and McLaughlin, Cahal (2009) Collaborative ethics in practice-as-research. In: Practice-as research In performance and screen. Fuschini, Ludivine, Jones, Simon, Kershaw, Baz and Piccini, Angela, eds. Palgrave Macmillan, Basingstoke. 9780230220010.

Bannerman, Christopher and Xu, Rui (2009) Danscross: dancing in a shaking world. [Performance]

Brandstrup, Kim (2009) Goldberg - the Brandstrup-Rojo project. [Performance]

Jeyasingh, Shobana (2009) Bruise blood. [Performance]

Jeyasingh, Shobana (2009) Detritus. [Performance]

Jeyasingh, Shobana and Gough, Orlando (2009) Just add water? [Performance]

Melrose, Susan (2009) Rosemary Butcher: jottings on signature in the presence of the artist. In: Bodies of Thought, 3 April 2009, Siobhan Davies Studio, London.

Melrose, Susan (2009) Signs of life, signs of the times: and if all artists are semioticians? In: ADSA Conference, Boom or bust: economies of production and exchange in theatre, performance and culture., 30th June - 3rd July 2009, Edith Cowan University, Curtin University and Murdoch University, WA, Australia.

Melrose, Susan (2009) Expert-intuitive processing and the logics of production: struggles in (the wording of) creative decision: making in dance. In: Contemporary choreography: a critical reader. Butterworth, Jo and Wildschut, Liesbeth, eds. Routledge, London and New York, p. 23. 9780415490870.

Woodhouse, Angela and Broadhead, Caroline (2009) Sighted. [Show/Exhibition]

2008

Bannerman, Christopher (2008) Proximity, wisdom and creativity. In: Creativity, wisdom and trusteeship: exploring the role of education. Craft, Anna, Gardner, Howard and Claxton, Guy, eds. Corwin Press, California, pp. 23-37. 9781412949392.

Bernkopf, Astrid (2008) Dancing narratives: an analytical approach to the narrative of the ballet fantastique. Dance Today: the Dance Magazine of Israel, 14 .

Brandstrup, Kim (2008) Rushes: fragments of a lost story. [Performance]

2007

Bannerman, Christopher (2007) rescen.net. [Digital artefact]

Bernkopf, Astrid (2007) Site under construction: taking ‘reading performance’ literally. In: 2007 Society of Dance History Scholars Conference: Re-Thinking Theory and Practice/Repenser pratique et theorie, 21-24 June 2007, Paris, France.

Brandstrup, Kim (2007) Kim Brandstrup website. AHRC Fellowship.

Butcher, Rosemary (2007) Rosemary Butcher: the digital archive. AHRC Fellowship.

Jeyasingh, Shobana (2007) Faultline. [Performance]

Melrose, Susan (2007) Practice as Research website: http://www.sfmelrose.u-net.com. Susan Melrose.

Melrose, Susan (2007) Still harping on (about expert practitioner-centred modes of knowledge and models of intelligibility). In: E-science institute workshop: digital representations in the performing arts, 18th July 2007, Edinburgh.

Melrose, Susan (2007) Not yet, and already no longer: loitering with intent between the expert practitioner at work, and the archive. In: (Capturing intention): documentatie, analyse en notatieonderzoek gebaseerd. DeLahunta, Scott and Bastien, Marion, eds. Emio Greco, Amsterdam, Netherlands, pp. 74-78. 9789081081337.

2006

Bannerman, Christopher (2006) Mapping dance provision: Confidential Report for Department of Culture, Media and Sport (DCMS). Project Report. Department of Culture, Media and Sport. .

Bannerman, Christopher, Smith, Chris, Melrose, Susan, Alston, Richard, Baxter, Guy, Adawole, Funmi and Davis, Jacqueline (2006) Performance as knowledge. In: Performance as knowledge seminar, 3rd May 2006, Somerset house, London.

Bannerman, Christopher, Sofaer, Joshua and Watt, Jane (2006) Navigating the unknown: the creative process in contemporary performing arts. Middlesex University Press / ResCen Publications, Hendon, London. 9781904750550.

Bernkopf, Astrid (2006) Dramaturgy of desire: an analytical approach to dance narratives. Choreologica, 2 (1). pp. 41-60. ISSN 1746-5737

Jeyasingh, Shobana (2006) Exit no exit. [Performance]

Melrose, Susan (2006) The vanishing, or little erasures without significance? Performance research: a journal of performing arts, 11 (2). pp. 95-107. ISSN 1352-8165 (doi:10.1080/13528160600812042)

Melrose, Susan (2006) Bodies without bodies. In: Performance and Technology: Practices of Virtual Embodiment and Interactivity. Broadhurst, Susan Margaret and Machon, Josephine, eds. Palgrave Macmillan, Basingstoke, pp. 1-12. 9781403999078.

Melrose, Susan (2006) Who knows - and who cares: about performance mastery? In: A performance cosmology: testimony from the future evidence of the past. Christie, Judie, Gough, Richard and Watt, Daniel Peter, eds. Routledge, London and New York, pp. 132-139. 9780415372589.

Melrose, Susan (2006) Constitutive ambiguities: writing professional or expert performance practices, and the Theatre du Soleil, Paris. In: Contemporary theatres in Europe. Kelleher, Joe and Ridout, Nicholas, eds. Routledge, pp. 120-135. 0415329396.

Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209 (2006) Decentring bodies: postfeminist corporealities in dance. In: Der Postfeministische Diskurs. Haas, Birgit, ed. Film, Medium, Diskurs (17). Konigshausen & Neumann, Wurzburg, Germany, pp. 179-204. 9783826032301.

2005

Butcher, Rosemary (2005) Six frames: memories of two women. [Performance]

Hunt, Nick and Melrose, Susan (2005) Techne, technology, technician: the creative practices of the mastercraftsperson. Performance Research: A Journal of Performing Arts, 10 (4). pp. 70-82. ISSN 1352-8165 (doi:10.1080/13528165.2005.10871452)

Jeyasingh, Shobana and Watt, Jane (2005) Animating architecture: foliage chorus. [Image]

Melrose, Susan (2005) Just intuitive. In: The impossibility of representation?, 23 April 2005., AHRC Research Centre for Cross-Cultural Music and Dance Performance, School of Oriental and African Studies, University of London.

Melrose, Susan (2005) Out of words. In: CHARM (AHRC Research Centre for the History and Analysis of Recorded Music) Symposium 1: Comparative perspectives in the study of recordings., 14-16 April 2005, Royal Holloway, University of London, Egham.

Melrose, Susan (2005) Words fail me: dancing with the other's familiar. In: Towards Tomorrow?, International gathering., 6-10 April 2005., Centre for Performance Research, Aberystwyth, University of Wales.

Melrose, Susan and Butcher, Rosemary (2005) Rosemary Butcher: choreography/collisions/collaborations. Performing Arts . Middlesex University Press, Hendon, London. 1904750478.

Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209, O'Connor, Brendan and Wilsmore, Robert (2005) Threshold: Fleshfold. [Performance]

2004

Brandstrup, Kim (2004) Songs of a wayfarer and two footnotes to Ashton. [Performance]

Brandstrup, Kim (2004) The anatomy of a storyteller. [Performance]

Butcher, Rosemary (2004) WHITE. [Performance]

Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209, O'Connor, Brendan and Wilsmore, Robert (2004) Threshold: Fleshfold. [Performance]

2003

Boddington, Ghislaine and Bannerman, Christopher (2003) Sharing the process: a consideration of interauthorship in the performing arts. Digital Creativity, 15 (2). pp. 76-80. ISSN 1462-6268 (doi:10.1080/14626260408520168)

Brandstrup, Kim (2003) Hamlet. [Performance]

Broadhead, Caroline and Woodhouse, Angela (2003) Court. [Show/Exhibition]

Butcher, Rosemary (2003) Vanishing point. [Image]

Melrose, Susan (2003) The eventful articulation of singularities - or, "Chasing angels". In: New alignments and emergent forms: dance-making, theory and knowledge., December 2003, School of Arts, Froebel College, Roehampton, University of Surrey.

2002

Jeyasingh, Shobana (2002) [h]interland GDA, and touring as [h]interland 2. [Performance]

Melrose, Susan (2002) Before the posthuman can take [its] place: performing place and person in the early 21st century. Performance Arts International e-journal (Issue). ISSN 1027-0000

Melrose, Susan (2002) Textual turns - and a turn-up for the books. In: "Textual Conditions", September 2002., University of Nottingham,.

2001

Melrose, Susan (2001) (Re)marking the overlooked or, Stanislavski's napkin. Performance Research, 6 (2). pp. 4-19. ISSN 1352-8165

1994

Melrose, Susan (1994) A semiotics of the dramatic text. New directions in theatre . Macmillan, Basingstoke. 033341943x.

1990

Jones, Simon (1990) Music and symbolic creativity. In: Common Culture: Symbolic Work at Play in the Everyday Cultures of Young People. Willis, Paul, ed. Oxford University Press, Buckingham, pp. 59-83. 0335094317.

This list was generated on Thu Oct 17 04:45:52 2019 BST.