Items where Research Area is "A. > School of Media and Performing Arts > Performing Arts > Dance group"

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Number of items at this level: 111.

2017

Kelsey, Louise and Uytterhoeven, Lise (2017) Scratch nights and hash-tag chats: creative tools to enhance choreography in the higher dance education curriculum. Research in Dance Education, 18 (1). pp. 34-47. ISSN 1470-1111

2016

Kolb, Alexandra (2016) Grete Wiesenthal. In: Routledge Encyclopedia of Modernism. Routledge. (Accepted/In press)

Kolb, Alexandra (2016) Jenn Joy: 'The Choreographic'. Cambridge, Massachusetts: The MIT Press, 2014. (Review). Dance Research . ISSN 0264-2875 (Accepted/In press)

Kolb, Alexandra (2016) Mary Wigman. In: Das große Tanzlexikon: Personen - Werke - Tanzkulturen - Epochen. Laaber, pp. 682-684.

Kolb, Alexandra (2016) Wigman’s witches: Reformism, Orientalism, Nazism. Dance Research Journal, 48 (2). pp. 26-43. ISSN 0149-7677

Kolb, Alexandra (2016) The body of the people: East German dance since 1945 by Jens Richard Giersdorf (review). German Studies Review, 39 (2). pp. 416-419. ISSN 0149-7952

Kolb, Alexandra (2016) Hexentanz. In: Das große Tanzlexikon: Personen - Werke - Tanzkulturen - Epochen. Hartmann, Annette and Woitas, Monika, eds. Laaber, pp. 272-273.

Kolb, Alexandra (2016) Schuhplattler. In: Das große Tanzlexikon: Personen - Werke - Tanzkulturen - Epochen. Hartmann, Annette and Woitas, Monika, eds. Laaber, p. 548.

Kolb, Alexandra (2016) China in the throes of modernization: intercultural exchange, hybridity, and ArtsCross. In: The Oxford Handbook of Dance and Politics. Kowal, Rebekah and Siegmund, Gerald and Martin, Randy, eds. Oxford University Press. (Accepted/In press)

Kolb, Alexandra (2016) Ausdruckstanz. In: Das große Tanzlexikon: Personen - Werke - Tanzkulturen - Epochen. Woitas, Monika and Hartmann, Annette, eds. Laaber, pp. 33-36.

Main, Lesley (2016) Soft is fast: Simone Forti in the 1960s and after by Meredith Morse [Book review]. Studies in Theatre & Performance . ISSN 1468-2761 (Published online first)

Main, Lesley (2016) Doris Humphrey. In: The Routledge Encyclopedia of Modernism. Ross, Stephen and Manning, Susan, eds. Routledge. (Accepted/In press)

Sandiland, Nic and Flexer, Yael (2016) Disappearing Acts. [Performance]

Woodhouse, Angela and Broadhead, Caroline (2016) Sighted (2009) Audience as Performer. In: Audience, Experience, Desire: interactivity and participation in contemporary performance & the cultural industries, 29-30 Jan 2016, University of Exeter, United Kingdom.

Woodhouse, Angela and Broadhead, Caroline (2016) Sighted (2009) collaboration, boundaries, performance, and audience. In: Beyond Jewellery: Performing the Body Symposium, 17 Mar 2016, Birmingham City University, United Kingdom.

Woodhouse, Angela and Rackowe, Nathaniel (2016) (Un)touched. [Performance]

2015

Butcher, Rosemary and Sachsenmaier, Stefanie (2015) Making marks and memories – the body in recorded time. In: Memory Sentiment Body Space Object Symposium, 15 May 2015, Coventry.

Kolb, Alexandra (2015) Dancing the everyday: some very ordinary and private experiences. In: Theatre and Democracy (IFTR conference). (Accepted/In press)

Kolb, Alexandra (2015) Mary Wigman the witch. In: Cut & Paste: Dance Advocacy in the Age of Austerity, SDHS conference, Athens. (Accepted/In press)

Kolb, Alexandra (2015) Collaboration, democracy and the total artwork. In: Collaboration in performance practice – premises, workings and failures. Sachsenmaier, Stefanie and Colin, Noyale, eds. Palgrave Macmillan, pp. 51-74.

Midgelow, Vida L. (2015) Everywhere and nowhere: improvisation as an un/rans/disciplinary practice a performance lecture. [Performance]

Midgelow, Vida L. (2015) Improvisation practices and dramaturgical consciousness: a workshop. In: Dance Dramaturgy: Modes of Agency, Awareness and Engagement. Callison, Darcey and Hansen, Pil, eds. New World Choreographies . Palgrave Macmillan, USA, pp. 106-123. ISBN 9781137373212

Midgelow, Vida L. (2015) Improvisation practices and dramaturgical consciousness: a workshop. In: Dance Dramaturgy: Modes of Agency, Awareness and Engagement. Callison, Darcey and Hansen, Pil, eds. New World Choreographies . Palgrave Macmillan, USA, pp. 106-123. ISBN 9781137373212

Midgelow, Vida L. (2015) Some fleshy thinking: improvisation, experience, perception. In: The Oxford Handbook of Dance and Theater. George-Graves, Nadine, ed. Oxford University Press, New York. ISBN 9780199917495 (Accepted/In press)

Woodhouse, Angela and Broadhead, Caroline (2015) Sighted at Saatchi for Collect 15. [Artefact]

Woodhouse, Angela and Rackowe, Nathaniel (2015) (Un)touched research phase 2. [Show/Exhibition]

2014

Akinleye, Adesola (2014) Untitled: women's work. [Film/Video]

Akinleye, Adesola and Califano, Anton (2014) Light Steps promo. [Artefact]

Bacon, Jane and Midgelow, Vida L. (2014) Closer to the body: reflections on skript and extracts from collected writings. Choreographic Practices, 5 (1). pp. 73-94. ISSN 2040-5669

Melrose, Susan and Sachsenmaier, Stefanie and Butcher, Rosemary (2014) Time’s markings/marking time/s: Rosemary Butcher’s Secrets of the Open Sea. In: IFTR (International Federation for Theatre Research) On Stratification, July 2014, Warwick.

Midgelow, Vida L. and Bacon, Jane (2014) Creative Articulations Process (CAP). Choreographic Practices, 5 (1). pp. 7-31. ISSN 2040-5669

Midgelow, Vida L. and Williams, Tom (2014) Home (a replacing). [Film/Video]

Woodhouse, Angela and Rackowe, Nathaniel (2014) (Un)touched phase 1. [Show/Exhibition]

2013

Bannerman, Christopher and Donnelly, Anne (2013) Robert Cohan teaching: body of knowledge. [Digital artefact]

Main, Lesley (2013) Creative choice – on whose authority. Choreographic Practices, 4 (1). pp. 60-74. ISSN 2040-5669

Melrose, Susan and Sachsenmaier, Stefanie and Butcher, Rosemary (2013) Just in time: ‘momentary’ events in the making of Rosemary Butcher’s signature practices. In: Performance Studies International Conference (PSi 19), 26-30 Jun 2013, Stanford, CA, United States.

Midgelow, Vida L. (2013) Sensualities: experiencing/dancing/writing. New Writing: the International Journal for the Practice and Theory of Creative Writing, 10 (1). pp. 3-17. ISSN 1479-0726

Midgelow, Vida L. (2013) Skript: a micro installation. [Artefact]

2012

Akinleye, Adesola (2012) Orientation for communication: embodiment, and the language of dance. Empedocles: European Journal for the Philosophy of Communication, 4 (2). pp. 101-112. ISSN 1757-1952

Butcher, Rosemary (2012) After Kaprow: The silent room; and, Book of journeys. [Performance]

Jeyasingh, Shobana (2012) Classic cut. [Performance]

Jeyasingh, Shobana (2012) TooMortal [Too mortal]. [Performance]

Melrose, Susan (2012) Expert-performance-practitioner-centred modes of knowledge and models of intelligibility: disciplinary specificity and the digital submission. In: The Sage handbook of digital dissertations and theses. Andrews, Richard and Borg, Erik and Boyd Davis, Stephen and Domingo, Myrrh and England, Jude, eds. SAGE Publications, London, pp. 298-314. ISBN 9780857027399

Midgelow, Vida L. (2012) Nomadism and ethics in/as improvised movement practices. Critical Studies in Improvisation / Études Critiques en Improvisation, 8 (1). ISSN 1712-0624

Midgelow, Vida L. and Williams, Tom (2012) Voice (a retracing): an emerging lexicon. Journal of Artistic Research (2). ISSN 2235-0225

Williams, Tom and Midgelow, Vida L. and Halliday, Tim (2012) Voice (a retracing). [Film/Video]

2011

Bernkopf, Astrid (2011) Between stage and literature: romantic ballet’s narrative strategies. Working with stories: Narrative as a Meeting Place for Theory Analysis and Practice .

Melrose, Susan (2011) A cautionary note or two, amid the pleasures and pains of participation in performance-making as research. In: Participatory Research & Learning in the Performing Arts, 6 May 2011, Centre for Creative Collaboration London.

Melrose, Susan (2011) Postmodernism and performance. In: The Routledge companion to postmodernism. Sim, Stuart, ed. Routledge Companions . Routledge, London and New York, pp. 194-203. ISBN 9780415583329

Wang, Chuanliang and Bannerman, Christopher and Xu, Rui and Pan, Li and Mu, Yu and Jin, Hao and Tong, Yan and Qing, Qing and Liu, Chun and Zhang, Ping and Claid, Emilyn and Hutera, Donald and O'Shea, Janet and Rae, Paul and Mezur, Katherine and Inata, Naomi and Wang, Mei and Liu, Yan and Wang, Zihan and Wang, Yabin and Zhao, Zhibo and Guo, Tuantuan and Jiang, Qier and Liu, Jie (2011) Danscross: dancing in a shaking world. The Danscross papers, Beijing 2009. Journal of Beijing Dance Academy .

Woodhouse, Angela and Broadhead, Caroline (2011) Between. [Show/Exhibition]

2010

Brandstrup, Kim (2010) Eidolon 1 & 2. [Performance]

Brandstrup, Kim (2010) Invitus invitam. [Performance]

Butcher, Rosemary (2010) Allan Kaprow's 18 happening in 6 parts. [Performance]

Butcher, Rosemary (2010) Lapped translated lines. [Performance]

Jeyasingh, Shobana (2010) Counterpoint. [Performance]

2009

Bannerman, Christopher (2009) Viewing a/new: the landscape of dance in 2009. Research in Dance Education, 10 (3). pp. 231-240. ISSN 1470-1111

Bannerman, Christopher and McLaughlin, Cahal (2009) Collaborative ethics in practice-as-research. In: Practice-as research In performance and screen. Fuschini, Ludivine and Jones, Simon and Kershaw, Baz and Piccini, Angela, eds. Palgrave Macmillan, Basingstoke. ISBN 9780230220010

Bannerman, Christopher and Xu, Rui (2009) Danscross: dancing in a shaking world. [Performance]

Brandstrup, Kim (2009) Goldberg - the Brandstrup-Rojo project. [Performance]

Jeyasingh, Shobana (2009) Bruise blood. [Performance]

Jeyasingh, Shobana (2009) Detritus. [Performance]

Jeyasingh, Shobana and Gough, Orlando (2009) Just add water? [Performance]

Melrose, Susan (2009) Rosemary Butcher: jottings on signature in the presence of the artist. In: Bodies of Thought, 3 April 2009, Siobhan Davies Studio, London.

Melrose, Susan (2009) Signs of life, signs of the times: and if all artists are semioticians? In: ADSA Conference, Boom or bust: economies of production and exchange in theatre, performance and culture., 30th June - 3rd July 2009, Edith Cowan University, Curtin University and Murdoch University, WA, Australia.

Melrose, Susan (2009) Expert-intuitive processing and the logics of production: struggles in (the wording of) creative decision: making in dance. In: Contemporary choreography: a critical reader. Butterworth, Jo and Wildschut, Liesbeth, eds. Routledge, London and New York, p. 23. ISBN 9780415490870

Woodhouse, Angela and Broadhead, Caroline (2009) Sighted. [Show/Exhibition]

2008

Bannerman, Christopher (2008) Proximity, wisdom and creativity. In: Creativity, wisdom and trusteeship: exploring the role of education. Craft, Anna and Gardner, Howard and Claxton, Guy, eds. Corwin Press, California, pp. 23-37. ISBN 9781412949392

Bernkopf, Astrid (2008) Dancing narratives: an analytical approach to the narrative of the ballet fantastique. Dance Today: the Dance Magazine of Israel, 14 .

Brandstrup, Kim (2008) Rushes: fragments of a lost story. [Performance]

2007

Bannerman, Christopher (2007) rescen.net. [Digital artefact]

Bernkopf, Astrid (2007) Site under construction: taking ‘reading performance’ literally. In: 2007 Society of Dance History Scholars Conference: Re-Thinking Theory and Practice/Repenser pratique et theorie, 21-24 June 2007, Paris, France.

Brandstrup, Kim (2007) Kim Brandstrup website. AHRC Fellowship.

Butcher, Rosemary (2007) Rosemary Butcher: the digital archive. AHRC Fellowship.

Jeyasingh, Shobana (2007) Faultline. [Performance]

Melrose, Susan (2007) Practice as Research website: http://www.sfmelrose.u-net.com. Susan Melrose.

Melrose, Susan (2007) Still harping on (about expert practitioner-centred modes of knowledge and models of intelligibility). In: E-science institute workshop: digital representations in the performing arts, 18th July 2007, Edinburgh.

Melrose, Susan (2007) Not yet, and already no longer: loitering with intent between the expert practitioner at work, and the archive. In: (Capturing intention): documentatie, analyse en notatieonderzoek gebaseerd. DeLahunta, Scott and Bastien, Marion, eds. Emio Greco, Amsterdam, Netherlands, pp. 74-78. ISBN 9789081081337

2006

Bannerman, Christopher (2006) Mapping dance provision: Confidential Report for Department of Culture, Media and Sport (DCMS). Project Report. Department of Culture, Media and Sport.

Bannerman, Christopher and Smith, Chris and Melrose, Susan and Alston, Richard and Baxter, Guy and Adawole, Funmi and Davis, Jacqueline (2006) Performance as knowledge. In: Performance as knowledge seminar, 3rd May 2006, Somerset house, London.

Bannerman, Christopher and Sofaer, Joshua and Watt, Jane (2006) Navigating the unknown: the creative process in contemporary performing arts. Middlesex University Press / ResCen Publications, Hendon, London. ISBN 9781904750550

Bernkopf, Astrid (2006) Dramaturgy of desire: an analytical approach to dance narratives. Choreologica, 2 (1). pp. 41-60. ISSN 1746-5737

Jeyasingh, Shobana (2006) Exit no exit. [Performance]

Melrose, Susan (2006) The vanishing, or little erasures without significance? Performance research: a journal of performing arts, 11 (2). pp. 95-107. ISSN 1352-8165

Melrose, Susan (2006) Bodies without bodies. In: Performance and Technology: Practices of Virtual Embodiment and Interactivity. Broadhurst, Susan Margaret and Machon, Josephine, eds. Palgrave Macmillan, Basingstoke, pp. 1-12. ISBN 9781403999078

Melrose, Susan (2006) Who knows - and who cares: about performance mastery? In: A performance cosmology: testimony from the future evidence of the past. Christie, Judie and Gough, Richard and Watt, Daniel Peter, eds. Routledge, London and New York, pp. 132-139. ISBN 9780415372589

Melrose, Susan (2006) Constitutive ambiguities: writing professional or expert performance practices, and the Theatre du Soleil, Paris. In: Contemporary theatres in Europe. Kelleher, Joe and Ridout, Nicholas, eds. Routledge, pp. 120-135. ISBN 0415329396

Midgelow, Vida L. (2006) Decentring bodies: postfeminist corporealities in dance. In: Der Postfeministische Diskurs. Haas, Birgit, ed. Film, Medium, Diskurs (17). Konigshausen & Neumann, Wurzburg, Germany, pp. 179-204. ISBN 9783826032301

2005

Butcher, Rosemary (2005) Six frames: memories of two women. [Performance]

Hunt, Nick and Melrose, Susan (2005) Techne, technology, technician: the creative practices of the mastercraftsperson. Performance Research: A Journal of Performing Arts, 10 (4). pp. 70-82. ISSN 1352-8165

Jeyasingh, Shobana and Watt, Jane (2005) Animating architecture: foliage chorus. [Image]

Melrose, Susan (2005) Just intuitive. In: The impossibility of representation?, 23 April 2005., AHRC Research Centre for Cross-Cultural Music and Dance Performance, School of Oriental and African Studies, University of London.

Melrose, Susan (2005) Out of words. In: CHARM (AHRC Research Centre for the History and Analysis of Recorded Music) Symposium 1: Comparative perspectives in the study of recordings., 14-16 April 2005, Royal Holloway, University of London, Egham.

Melrose, Susan (2005) Words fail me: dancing with the other's familiar. In: Towards Tomorrow?, International gathering., 6-10 April 2005., Centre for Performance Research, Aberystwyth, University of Wales.

Melrose, Susan and Butcher, Rosemary (2005) Rosemary Butcher: choreography/collisions/collaborations. Performing Arts . Middlesex University Press, Hendon, London. ISBN 1904750478

Midgelow, Vida L. and O'Connor, Brendan and Wilsmore, Robert (2005) Threshold: Fleshfold. [Performance]

2004

Brandstrup, Kim (2004) Songs of a wayfarer and two footnotes to Ashton. [Performance]

Brandstrup, Kim (2004) The anatomy of a storyteller. [Performance]

Butcher, Rosemary (2004) WHITE. [Performance]

Midgelow, Vida L. and O'Connor, Brendan and Wilsmore, Robert (2004) Threshold: Fleshfold. [Performance]

2003

Boddington, Ghislaine and Bannerman, Christopher (2003) Sharing the process: a consideration of interauthorship in the performing arts. Digital Creativity, 15 (2). pp. 76-80. ISSN 1462-6268

Brandstrup, Kim (2003) Hamlet. [Performance]

Broadhead, Caroline and Woodhouse, Angela (2003) Court. [Show/Exhibition]

Butcher, Rosemary (2003) Vanishing point. [Image]

Melrose, Susan (2003) The eventful articulation of singularities - or, "Chasing angels". In: New alignments and emergent forms: dance-making, theory and knowledge., December 2003, School of Arts, Froebel College, Roehampton, University of Surrey.

2002

Jeyasingh, Shobana (2002) [h]interland GDA, and touring as [h]interland 2. [Performance]

Melrose, Susan (2002) Before the posthuman can take [its] place: performing place and person in the early 21st century. Performance Arts International e-journal (Issue). ISSN 1027-0000

Melrose, Susan (2002) Textual turns - and a turn-up for the books. In: "Textual Conditions", September 2002., University of Nottingham,.

2001

Melrose, Susan (2001) (Re)marking the overlooked or, Stanislavski's napkin. Performance Research, 6 (2). pp. 4-19. ISSN 1352-8165

1994

Melrose, Susan (1994) A semiotics of the dramatic text. New directions in theatre . Macmillan, Basingstoke. ISBN 033341943x

1990

Jones, Simon (1990) Music and symbolic creativity. In: Common Culture: Symbolic Work at Play in the Everyday Cultures of Young People. Willis, Paul, ed. Oxford University Press, Buckingham, pp. 59-83. ISBN 0335094317

This list was generated on Wed Jul 26 04:14:37 2017 BST.