Items where Research Area is "Arts and Education [obs.] > Dance, Music & Theatre Arts [old]"

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Number of items at this level: 293.

Kolb, Alexandra, ed. (2011) Dance and politics. Peter Lang, Oxford. ISBN 9783039118489

Anyanwụ, Chikwendụ P. K. (2010) Adapting 'A man of the people' to stage: can stage adaptation successfully return Igbo literary fiction to the Igbo people? PhD thesis, Middlesex University.

Baluch, Bahman and Danaye-Tousie, Maryam (2007) A pilot investigation into unimpaired and dyslexic Persian children’s word naming and spelling: implications for models of reading and counselling. Counselling psychology quarterly , 20 (1). pp. 41-50. ISSN 0951- 5070

Bannerman, Christopher (2006) Mapping dance provision: Confidential Report for Department of Culture, Media and Sport (DCMS). Project Report. Department of Culture, Media and Sport.

Bannerman, Christopher (2008) Proximity, wisdom and creativity. In: Craft, Anna and Gardner, Howard and Claxton, Guy, (eds.) Creativity, wisdom and trusteeship: exploring the role of education. Corwin Press, California, pp. 23-37. ISBN 9781412949392

Bannerman, Christopher (2007) ResCen website. ResCen .

Bannerman, Christopher (2009) Viewing a/new: the landscape of dance in 2009. Research in Dance Education, 10 (3). pp. 231-240. ISSN 1470-1111

Bannerman, Christopher and McLaughlin, Cahal (2009) Collaborative ethics in practice-as-research. In: Fuschini, Ludivine and Jones, Simon and Kershaw, Baz and Piccini, Angela, (eds.) Practice-as research In performance and screen. Palgrave Macmillan , Basingstoke. ISBN 9780230220010

Bannerman, Christopher and Rui, Xu (2009) Danscross: dancing in a shaking world. [Performance]

Bannerman, Christopher and Smith, Chris and Melrose, Susan and Alston, Richard and Baxter, Guy and Adawole, Funmi and Davis, Jacqueline (2006) Performance as knowledge. In: Performance as knowledge seminar, 3rd May 2006, Somerset house, London.

Bannerman, Christopher and Sofaer, Joshua and Watt, Jane (2006) Navigating the unknown: the creative process in contemporary performing arts. Middlesex University Press / ResCen Publications, Hendon, London. ISBN 9781904750550

Bartram, Angela (2009) The transgressive mouth in live art and its relationship to the audience. PhD thesis, Middlesex University.

Bird, Jon (2007) Interdeterminacy and (dis)order in the work of Cy Twombly. Oxford Art Journal . pp. 353-376. ISSN 1741-7287

Boddington, Ghislaine (2002) 'Cluster': telematic performance viewed in situ and webcast. [Performance]

Boddington, Ghislaine (2010) Collective collaborations through telematics. In: Staines, Judith and Boddington, Ghislaine, (ed.) Excited atoms: an exploration of virtual mobility in the contemporary performing arts., pp. 27-38.

Boddington, Ghislaine (2009) Dare we do it real time? [Performance] (Unpublished)

Boddington, Ghislaine (2008) Exploring the visual-sonic interface. In: Fast Forward, 23rd September 2008, Birkbeck Cinema, London. (Unpublished)

Boddington, Ghislaine (2009) Freeze.B; Squidsoup-Ghost; Squidsoup-Discontinuum; Stanza-Robotica. [Show/Exhibition]

Boddington, Ghislaine (2002) Future physical. Ghislaine Boddington.

Boddington, Ghislaine (2008) MPT: Movement Poise Thrill Saturday: a movement is beginning. [Performance] (Unpublished)

Boddington, Ghislaine (2009) Post Me_New Id, Book and DVD. Documentation. KIBLA: TOX, Maribor.

Boddington, Ghislaine (2009) Robots and avatars. NESTA. (Unpublished)

Boddington, Ghislaine (2008) Skintouchfell DVD. [Video]

Boddington, Ghislaine (2009) Virtual Physical Bodies. [Show/Exhibition]

Boddington, Ghislaine (2007) Virtual physical bodies-serious play. In: Birringer, Johannes and Dumke, Thomas and Nikolai, Klaus, (eds.) Die Welt als virtuelles Environment: Das Buch zur CYNETart_07encounter. Trans-Media-Akademie Hellerau. ISBN 9783981024739

Boddington, Ghislaine and Bannerman, Christopher (2003) Sharing the process: a consideration of interauthorship in the performing arts. Digital Creativity, 15 (2 ). pp. 76-80. ISSN 1462-6268

Boddington, Ghislaine and Hyde, Coralie and Lang, Andrew (2006) The Weave [website]: an interauthorship process. ResCen.

Boddington, Ghislaine and Lander, Debbi (2006) The Shinkansen Collection. The British Library Sound Archive.

Boddington, Ghislaine and Roland, Dominique and Cusiniere, Emmanuel (2008) Virtual/Physical Bodies: Corps Virtuels/Physiques. Centre des Arts Enghiens-les-Bains, Paris. ISBN 9782916639093

Brandstrup, Kim (2003) Hamlet. [Performance] (Unpublished)

Brandstrup, Kim (2007) Kim Brandstrup website. AHRC Fellowship.

Brandstrup, Kim (2004) Songs of a wayfarer and two footnotes to Ashton. [Performance]

Brandstrup, Kim (2004) The anatomy of a storyteller. [Performance] (Unpublished)

Butcher, Rosemary (2007) Rosemary Butcher: the digital archive. AHRC Fellowship.

Butcher, Rosemary (2005) Six frames: memories of two women. [Performance]

Butcher, Rosemary (2003) Vanishing point. [Image]

Butcher, Rosemary (2004) WHITE. [Performance] (Unpublished)

Carter, Alexandra (2001) Capturing the time. Dance Theatre Journal, 15 (4). pp. 18-19. ISSN 0264-9160

Carter, Alexandra (2005) Dance and dancers in the Victorian and Edwardian music hall ballet. Music in Nineteenth-Century Britain . Ashgate, Aldershot. ISBN 0754637360

Carter, Alexandra (2007) Dance history matters in British higher education. Research in Dance Education, 8 (2). pp. 123-137. ISSN 1470-1111

Carter, Alexandra (2000) Dance: Classical. In: Routledge International Encyclopedia of Women: Global Women's Issues and Knowledge. Routledge, New York, pp. 293-294. ISBN 0415920884

Carter, Alexandra (2003) Destabilising the discipline: critical debates about history and their impact on the study of dance. In: Carter, Alexandra, (ed.) Rethinking dance history; a reader. Routledge. ISBN 9780415287470

Carter, Alexandra (2007) History and her story: reminiscences of Cara Tranders, a Victorian ballet girl, 1895. Choreologica: Papers on Dance History., 3 (1). pp. 55-76.

Carter, Alexandra (2004) 'Interacting with history: reflections on philosophy and the pedagogy of dance history'. Research in Dance Education, 5 (2). pp. 113-125. ISSN 1470-1111

Carter, Alexandra (2006) Isadora Duncan. In: The Literary Encyclopedia. The Literary Encyclopedia.

Carter, Alexandra (2003) Making history: a general introduction. In: Rethinking dance history: a reader. Routledge. ISBN 9780415287470

Carter, Alexandra (2004) Rethinking dance history: a reader. Routledge. ISBN 0415287464

Carter, Alexandra (2002) Review of "Making an entrance: theory and practice for disabled and non-disabled dancers by Adam Benjamin.". Dance Theatre Journal, 18 (1). p. 47. ISSN 0264-9160

Carter, Alexandra (2003) Review of "Sisters of Salome by Toni Bentley". Dance Gazette, 1 . p. 42. ISSN 0306-0128

Carter, Alexandra (2006) Unlikely engagements: ballet in pantomime in late Victorian London. International Journal of the Arts in Society, 1 (1). pp. 97-104. ISSN 1833-1866

Carter, Alexandra (2001) What's the point.... of ballet? Dance UK News, Issue 43 (Winter). p. 22.

Carter, Alexandra and O'Shea, Janet (2010) The Routledge dance studies reader. Routledge, London . ISBN 9780415485999

Carter, Alexandra (2010) Archives of the Dance (22): Pioneer Women – early British modern dancers (the National Resource Centre for Dance, University of Surrey). Dance Research, 28 (1). pp. 90-103. ISSN 0264-2875

Carter, Alexandra (2008) Betraying history? An historiograpic analysis of 'The Judas tree' (1992). In: Lansdale, Janet, (ed.) Decentring dancing texts: the challenge of interpreting dances. Palgrave Macmillan, Basingstoke, UK, pp. 21-37. ISBN 9780230542594

Carter, Alexandra (2009) Constructing the natural: British theatre dance in the early 20th century. In: Moving naturally: rethinking dance 1900-1930, 31st October 2009, University of Surrey. (Unpublished)

Carter, Alexandra (2009) Dancing still: interpreting visual archives in dance. In: The visual archive: moving image and memory, 28-29 May 2009, Centre for Research on Socio-cultural Change, The Open University, Milton Keynes.. (Unpublished)

Carter, Alexandra (2005) London 1908: a synchronic view of dance history. Dance Research, 23 (1). pp. 36-47. ISSN 0264-2875

Carter, Alexandra (2007) Practising dance history: reflections on the shared processes of dance historians and dance makers. In: Albright, Ann Cooper and Davida, Dena and Cordova, Sarah Davies, (eds.) Proceedings: re-thinking practice and theory international symposium on dance research: thirtieth annual conference. Society of Dance History Scholars, Riverside, California, pp. 126-130.

Carter, Alexandra (2006) Preserving dance, making history: the role of the historian in dance performance. In: Lasker, George E., (ed.) Music, Environmental Design and the Choreography of Space. International Institute for Advanced Studies in Systems Research and Cybernetics, Tecumseh, Canada. ISBN 1894613457

Carter, Alexandra (2009) Reshaping dance through time: a critical appraisal of periodisation in relation to pedagogy and research. In: Randall, Tresa, (ed.) Global Perspectives on Dance Pedagogy: Research and Practice, Congress on Research in Dance, Special Conference 25-27 June 2009, de Montfort University, Leicester. Congress on Research in Dance, Birmingham, Ala., pp. 40-46.

Dack, John (2000) The 'open' score as source for interaction. In: IIASSRC Conference Proceedings: On Interaction/Interactivity in Music, Design, Visual and Performing Arts. IIASSRC Conference Proceedings, pp. 87-91.

Dack, John (2003) The 'series' in Music and Art. In: IIASSRC Conference Proceedings. IIASSRC Conference Proceedings, pp. 21-28.

Dack, John (2002) Abstract and concrete. Journal of Electroacoustic Music, 14 . pp. 2-7. ISSN 1355-7726

Dack, John (2007) Acoulogie: an answer to Lévi-Strauss? In: EMS07 Online Proceedings. EMS07 Online Proceedings.

Dack, John (2001) At the limits of Schaeffer's TARTYP. [Audio]

Dack, John (2002) CD review: The British 'school' of acousmatic music. Computer Music Journal, 26 (3). pp. 91-94. ISSN 0148-9267

Dack, John (2000) Die Herausforderung traditioneller Konzepte. MusikTexte, 84 . ISSN 0178-8884

Dack, John (2001) Diffusion as performance. In: IIASSRC Conference Proceedings. IIASSRC Conference Proceedings, pp. 81-88. ISBN 1-894613-33-3

Dack, John (2003) Ear-training using the computer and PROGREMU Recueil des actes. In: 10e Journées d’Informatique Musicale. 10e Journées d’Informatique Musicale, pp. 1-10.

Dack, John (2004) Electroacoustic music: analytical perspectives. Organised Sound, 9 (1). pp. 115-117. ISSN 1355-7718

Dack, John (2010) From sound to music: from recording to theory. In: Bayley, Amanda, (ed.) Recorded music: performance, culture and technology. Cambridge University Press, Cambridge, pp. 271-290. ISBN 9780521863094

Dack, John (2006) Henri Pousseur's 'Huit Etudes Paraboliques': the 'open' form as 'Remix'? In: IIASSRC Conference Proceedings. IIASSRC Conference Proceedings, pp. 19-24. ISBN 1-894613-53-8

Dack, John (2002) Histories and ideologies of synthesis. In: Maxis Conference Proceedings. Maxis Conference Proceedings, pp. 35-40. ISBN 0-86339-969-X

Dack, John (2009) Instrument, what do you want of us? In: Gayou, Evelyne, (ed.) Pierre Schaeffer. Portraits polychromes, (14). Institut national de l'audiovisuel., Paris, pp. 57-65. ISBN 9782869382107

Dack, John (2000) Introduction to the work of Sabine Schäfer. Diffusion, September (2). ISSN 0955-4602

Dack, John (1999) Karlheinz Stockhausen's kontakte and narrativity. In: Kontakte and Narrativity.

Dack, John (2010) La musique électro-acoustique 'mixte'. In: Une étude des interactions entre le ‘réel’ et le ‘virtuel’. MINT-OMF Université Paris-Sorbonne, Paris. (In Press)

Dack, John (2000) Ludwig van Henry: an interview with Pierre Henry. Journal of Electroacoustic Music, 13 . pp. 27-30. ISSN 1355-7726

Dack, John (2001) Report on the Sonic Arts Network Conference, Newcastle. Diffusion (April). pp. 4-5. ISSN 0955-4602

Dack, John (2002) Review: the 'Nowalls' Conference at De Montfort University. Computer Music Journal . pp. 91-93. ISSN 0148-9267

Dack, John (2005) Sonic Art: Interactions between practice and theory. In: IIASSRC Conference Proceedings. IIASSRC Conference Proceedings, pp. 33-40. ISBN 1-894613-45-7

Dack, John (2003) Sound, installations and music. In: MAXIS II Conference Proceedings. MAXIS II Conference Proceedings, pp. 35-39. ISBN 1-84387-011-8

Dack, John (2005) Soundscape: the school of sound lectures. Sound Journal .

Dack, John (2008) Spectral music and Schaefferian methodology. In: Reigle, Robert and Whitehead, Paul, (ed.) Spectral World Musics: proceedings of the Istanbul Spectral Music Conference. Pan Yayincilik, Istanbul, pp. 75-92. ISBN 9789944396271

Dack, John (2006) Translating Pierre Schaeffer: symbolism, literature and music. Musicacoustica 2006 .

Dack, John (2004) Virtuosity and the virtual. Working Paper. John Dack.

Dack, John (2003) Writing aloud: the sonics of language. Computer Music Journal, 27 (1). pp. 86-88. ISSN 0148-9267

Dack, John (2009) The electroacoustic music of Henri Pousseur and the 'open' form. In: Heile, Bjorn, (ed.) The modernist legacy: essays on new music. Ashgate, Aldershot, pp. 177-188. ISBN 9780754662600

Dack, John (2000) The evocation of space as a compositional determinant. In: IIASSRC Conference Proceedings. IIASSRC Conference Proceedings, pp. 61-66. ISBN 0-921836-90-2

Dack, John (2004) The open form in the arts. In: IIASSRC Conference Proceedings. IIASSRC Conference Proceedings, pp. 7-13. ISBN 1-894613-40-6

Dack, John and Gibbs, Tony (2008) A sense of place: a sense of space. In: Dogantan-Dack, Mine, (ed.) Recorded Music: Philosophical and Critical Reflections. Middlesex University Press, London. ISBN 9781904750277

Dack, John and Nuhn, Ralf (2003) Introduction and Afterword to Sound - Time - Space - Movement by Sabine Schäfer/Joachim Krebs. Organised Sound, 8 (2). pp. 213-225. ISSN 1355-7718

Dack, John (2000) Francis Dhomont in London. Electroacoustic Music and History Diffusion, May . pp. 2-3.

Dack, John (2008) Music in space, space in music. Society for the Promotion of New Music: New Notes (6). pp. 2-4.

Dack, John (2004) The artist-couple (Sabine Schäfer and Joachim Krebs). In: AquaAngelusVox. MDG, pp. 7-9.

Dack, John (1989) The relationship between electro-acoustic music and instrumental/vocal composition in Europe in the period 1948-1970. PhD thesis, Middlesex Polytechnic.

Di Girolamo, Emilia (2000) A critical examination of the use of drama with offenders in prison and on probation. PhD thesis, Middlesex University.

Dixon, Luke (1998) The performance of gender with particular reference to the plays of Shakespeare. PhD thesis, Middlesex University.

Dogantan-Dack, Mine (2003) Aesthetics of musical performance. In: Systems Research in the Arts. International Institute for Advanced Studies, Baden-Baden, Germany. Ontario., pp. 47-52. ISBN 1894613104

Dogantan-Dack, Mine (2008) Alchemy in the Spotlight: Qualitative Transformations In Chamber Music Performance. Alchemy in the Spotlight: Qualitative Transformations In Chamber Music Performance. .

Dogantan-Dack, Mine (2006) Can musical performance be research? In: Performance Studies Workshop, 12 May 2006., Royal College of Music, London..

Dogantan-Dack, Mine (2006) Collaborative music making and research. In: 3rd Music Research Group Symposium, 5 April 2006, Middlesex University.

Dogantan-Dack, Mine (2008) Collaborative processes and aesthetics of interaction in chamber music performance: The Alchemy Project. In: 2nd International Symposium on Systems Research in the Arts and Humanities, 24-30 July 2008., Baden-Baden, Germany.

Dogantan-Dack, Mine (2008) Exploring live music performance: The Alchemy Project. In: SMI (Society for Musicology in Ireland) Annual Conference, 9-11 May 2008, Waterford, Ireland..

Dogantan-Dack, Mine (2006) From analysis to performance: the rhythmic structure of the Second Movement of Beethoven's Piano Sonata Op.13. In: Second Performing Arts Seminar, 26 April 2006, Middlesex University.

Dogantan-Dack, Mine (2006) From rehearsal to performance: qualitative transformations in professional music making. In: Teaching, Learning and Performing Music Conference, 1-2 July 2006., Royal Northern College of Music.

Dogantan-Dack, Mine (2006) Imagery and metaphor in nineteenth-century performance discourse. In: Interdisciplinary Nineteenth-Century Studies Conference: Creativity in the Nineteenth Century, 6-9 July 2006, University of Durham.

Dogantan-Dack, Mine (2006) In the Beginning...was Gesture: Initiatory Performance Movements. In: Second Conference on Music and Gesture, 20-23 July 2006, Royal Northern College of Music.

Dogantan-Dack, Mine (2011) In the beginning was gesture: piano touch and an introduction to a phenomenology of the performing body. In: Gritten, Anthony and King, Elaine, (ed.) New perspectives on music and gesture. Ashgate, Aldershot. ISBN 9780754664628

Dogantan-Dack, Mine (2001) Lussy, Mathis. In: Sadie, S. and Tyrell, J., (ed.) The New Grove Dictionary of Music and Musicians. Oxford University Press, London, pp. 328-329. ISBN 0333608003

Dogantan-Dack, Mine (2001) Mathis Lussy and Expressive Performance. In: Systems Research in the Arts. International Institute for Advanced Studies, Baden-Baden, Germany. Ontario., pp. 125-130. ISBN 1-894613-45-7

Dogantan-Dack, Mine (2002) Mathis Lussy: a pioneer in studies of expressive performance. Varia Musicologica . Peter Lang , Oxford. ISBN 390676950X

Dogantan-Dack, Mine (2006) Models and metaphors: exploring music performance. In: Systems Research in the Arts. International Institute for Advanced Studies, Baden-Baden, Germany. Ontario, pp. 83-91. ISBN 1894613457

Dogantan-Dack, Mine (2005) Music Aesthetics in Practice: Creativity and Expression in Rachmaninoff's Sonata for Cello and Piano in G minor, Op.19. In: Music Aesthetics in Practice: Creativity and Expression in Rachmaninoff’s Sonata for Cello and Piano in G minor, Op.19, 26 October 2005, Middlesex University.

Dogantan-Dack, Mine (2008) Music and emotions: the language connection. Septet: Yeditepe Journal of the Arts and Humanities, 1 .

Dogantan-Dack, Mine (2005) Music and knowledge. Medias Res: Middlesex University Music Research Journal. , June . pp. 29-42.

Dogantan-Dack, Mine (2005) Music: the art of the intelligent heart. In: Inside Outside In Emotions, Body and Society. Ege University Press, Izmir, pp. 143-156. ISBN 975-483-659-0

Dogantan-Dack, Mine (2000) Muzik kuraminda bir tema. VeMüzik, 5 . pp. 1-13.

Dogantan-Dack, Mine (2007) Practice and theory: ways of knowing music. In: Systems Research in the Arts. International Institute for Advanced Studies, Baden-Baden, Germany. Ontario. , pp. 7-12. ISBN 1894613538

Dogantan-Dack, Mine (2008) Preparing Beethoven for Live Performance: The 'Alchemy Project'. In: Performing Romantic Music Conference, 10-13 July 2008, University of Durham.

Dogantan-Dack, Mine (2006) The Quartet as Orchestra: Mozart's Piano Concertos K.413 and K.415 as arranged for Piano Quintet. In: The Quartet as Orchestra: Mozart’s Piano Concertos K.413 and K.415 as arranged for Piano Quintet., 1 March 2006, Middlesex University.

Dogantan-Dack, Mine (2008) Recorded music: philosophical and critical reflections. Middlesex University Press, London. ISBN 9781904750277

Dogantan-Dack, Mine (2008) Recording the performer's voice. In: Dogmantan-Dack, Mine, (ed.) Recorded music: philosophical and critical reflections. Middlesex University Press, London, pp. 293-313. ISBN 9781904750277

Dogantan-Dack, Mine (2008) Something old, something new, something borrowed, something true: questions of aesthetics and epistemology in using recordings. In: 6th CHARM Symposium. Royal Holloway, University of London, Egham, Surrey.

Dogantan-Dack, Mine (2008) Timbre as an expressive dimension in music. In: Reigle, Robert and Whitehead, Paul Alister, (ed.) Spectral world musics: proceedings of the Istanbul Spectral Music Conference. Pan Yayincilik, Istanbul, pp. 63-74. ISBN 9789944396271

Dogantan-Dack, Mine (2010) Tonality as an affective system: an evolutionary perspective. In: Zon, Bennett and Cross, Ian, (ed.) Music and evolutionary thought. Cambridge University Press, Cambridge. (In Press)

Dogantan-Dack, Mine (2000) Upbeat. In: Sadie, S. and Tyrrell, J., (ed.) The New Grove Dictionary of Music and Musicians. 2nd ed. Oxford University Press, London, pp. 149-150. ISBN 0333608003

Dogantan-Dack, Mine (2008) What performers know: does it matter? towards an epistemology of performance? In: What Performers Know: Does it Matter? Towards an Epistemology of Performance?, December 2008, Royal Irish Academy of Music, Dublin.

Dogantan-Dack, Mine (2006) Work, performance, signature: theory and practice of classical music. Medias Res: Middlesex University Music Research Journal, February . pp. 18-24.

Dogantan-Dack, Mine (2004) The art and science of musical performance: nineteenth-century roots. In: “13th Biennial International Conference on Nineteenth-Century Music, 6-9 July 2004, University of Durham.

Dogantan-Dack, Mine (2005) The art of phrasing: British performance theory during the 'Long' Nineteenth Century. In: Fifth Music In Nineteenth-Century Britain Conference, 7-10 July 2005, University of Nottingham.

Dogantan-Dack, Mine (2003) The body behind music. In: Music and Gesture Conference , 28-31 August 2003.

Dogantan-Dack, Mine (2006) The body behind music: precedents and prospects. Psychology of Music, 34 (4). pp. 449-464. ISSN 0305-7356

Dogantan-Dack, Mine (2005) The concept of prolongation in music and poetry. In: Systems Research in the Arts. International Institute for Advanced Studies, Baden-Baden, Germany. Ontario., pp. 14-20. ISBN 1894613406

Dogantan-Dack, Mine and Frith, Michael (2007) Organ as Orchestra, Piano Concerto as Chamber Music. PRIMO archive .

Dogantan-Dack, Mine and Szucs, Ferenc (2005) Open Rehearsal of Rachmaninoff's Sonata for Cello and Piano in G minor, Op.19, with Ferenc Szucs. PRIMO archive .

Dogantan-Dack, Mine and Szucs, Ferenc (2005) Open Rehearsal of Schubert's "Arpeggione" Sonata for Cello and Piano with Ferenc Szucs. PRIMO archive .

Dogantan-Dack, Mine and Szucs, Ferenc (2005) Rachmaninoff's Sonata for Cello and Piano in G minor Op.19. In: Rachmaninoff's Sonata for Cello and Piano in G minor Op.19, 28 October 2005, Goldsmiths College, University of London.

Dogantan-Dack, Mine (2003) Tonal motion and attractions: a thread in music theory. In: IIAS SRC Conference Proceedings. University of Windsor Press, Ontario, pp. 1-10. ISBN 1894613325

Doyle, Robert (2004) Music and time: tempomorphism: nested temporalities in perceived experience of music. PhD thesis, Middlesex University.

Dromey, Christopher (2010) Benjamin Britten's 'Pierrot' Ensembles. In: Riley, Matthew, (ed.) British Music and Modernism, 1895-1960. Ashgate, Aldershot. ISBN 9780754665854

Dromey, Christopher (2008) Peter Maxwell Davies. In: Wintle, Justin, (ed.) New Makers of Modern Culture. Routledge, New York, pp. 357-359. ISBN 9780415477833

Dromey, Christopher (2007) Zemlinsky's surface structures: Maiblumen bluhten uberall and the string sextet genre. In: Zemlinsky Studies. Middlesex University Press, London. ISBN 9781904750185

Dromey, Christopher (2012) The pierrot ensembles: chronicle and catalogue, 1912-2012. Plumbago, London. ISBN 9780-956600721 (hbk) : 9780956600738 (pbk)

Dromey, Christopher (2013) A snapshot of the Pierrot ensemble today. Proceedings of the Third International Meeting for Chamber Music . (In Press)

Fatah gen. Schiek, Ava and Boddington, Ghislaine and Fink, Peter (2009) Framework for the implementation of urban big screens in the public space. Project Report. University College London, London.

Fribbins, Peter (2004) Piano Trio. [Composition]

Fribbins, Peter (2006) String Quartet No. 2. [Composition]

Fribbins, Peter (2007) Zemlinsky's string quartets: a composer's view. In: Zemlinsky Studies. Middlesex University Press, Hendon, London, pp. 100-113. ISBN 9781904750185

Gibson, Joy Leslie (1997) Shakespeare in small places: with particular reference to ten productions, 1990 to 1995. PhD thesis, Middlesex University.

Gritten, Anthony (2005) Alibis, and why performers don't have them. Musicae Scientiae, 9 (1, Spring). pp. 137-156.

Gritten, Anthony (2012) Bakhtin and the ends of music. In: Sheinberg, Esti, (ed.) music semiotics: a network of significations in honour of Raymond Monelle. Ashgate, Aldershot. ISBN 9781409411024 (In Press)

Gritten, Anthony (2002) Caring for Stravinsky. The Musical Times, 143 (1879, Summer). pp. 66-73. ISSN 0027-4666

Gritten, Anthony (2003) Chronology of Stravinsky's life and career. In: Cross, Jonathan, (ed.) The Cambridge Companion to Stravinsky. Cambridge University Press, Cambridge, pp. 9-13. ISBN 0521663776

Gritten, Anthony (2008) Delius' Konzerte und der Wert der Vielstimmigkeit/ [Delius' Concerti and the Value of Polyphony]. In: Tadday, Ulrich, (ed.) Frederick Delius. Musik-Konzepte (141/2). Richard Boorberg Verlag, München, pp. 179-198. ISBN 0727800736

Gritten, Anthony (2009) Dialogue, Stravinsky, distraction. In: Gritten, Anthony and King, Elaine, (ed.) Music and Gesture. Ashgate, Aldershot. ISBN 9780754652984

Gritten, Anthony (2006) Drift. In: Gritten, Anthony and King, Elaine, (ed.) Music and Gesture. Ashgate, Aldershot, pp. 104-125. ISBN 9780754652984

Gritten, Anthony (2011) Ethics. In: Sim, Stuart, (ed.) The Lyotard dictionary. Edinburgh University Press, Edinburgh. ISBN 9780748640065

Gritten, Anthony (2009) From ergonomics to energetics: alongside the interpretation of music. Dutch Journal of Music Theory [Tijdschrift voor Muziektheorie], 14 (3). pp. 155-165. ISSN 1385-3066

Gritten, Anthony (2011) Instrumental technology. In: Gracyk, Theodore and Kania, Andrew, (ed.) The Routledge companion to philosophy and music. Routledge Philosophy Companions . Routledge, Abingdon. ISBN 9780415486033

Gritten, Anthony (2010) Is this collaborating? In search of an artistic attitude. In: Laycock, Kevin, (ed.) Collision. Gallery Oldham & University of Leeds, Leeds. ISBN 0955038588

Gritten, Anthony (2007) Loopholes in performance. In: Beer, Gillian and Bowie, Malcolm and Perrey, Beate, (eds.) In(ter)discipline: New Languages for Criticism. Legenda, Oxford, pp. 114-125.

Gritten, Anthony (2006) Music before the literary: or, the eventness of musical events. In: da Sousa Correa, Delia, (ed.) Phrase and Subject: Studies in Literature and Music. Legenda, Oxford, pp. 21-33.

Gritten, Anthony (2001) Mystères de l'Instant: some notes on Epiphany. The Musical Times, 142 (1874, Spring). pp. 11-16. ISSN 0027-4666

Gritten, Anthony (2001) On answering music. Musicae Scientiae, Discussion Forum (2 on Nicholas Cook’s Music: A Very Short Introduction). pp. 51-60.

Gritten, Anthony (2008) Performing after recording. In: Dogantan-Dack, Mine, (ed.) Recorded Music: Philosophical and Critical Reflections . Middlesex University Press, London, pp. 82-99. ISBN 9781904750277

Gritten, Anthony (1998) The Progress of an essay: Edward Cone’s writings on Stravinsky. Musical Times, 139 (1862). pp. 4-13. ISSN 0027-4666

Gritten, Anthony (2010) Resonant listening. Performance Research, 15 (3). pp. 115-122. ISSN 1352-8165

Gritten, Anthony (2003) Robin Holloway's 'Showpiece'. Tempo, 57 (226). pp. 21-31. ISSN 0040-2982

Gritten, Anthony (2004) Themes in the philosophy of music. British Journal of Aesthetics, 44 (2). pp. 188-94. ISSN 1468-2842

Gritten, Anthony (2000) Unholy delights: on Edward Cone's relations. The Musical Times, 141 (1871, Summer 2000). pp. 36-44. ISSN 0027-4666

Gritten, Anthony and King, Elaine (2006) Introduction. In: Gritten, Anthony and King, Elaine, (ed.) Music and Gesture. Ashgate, Aldershot, pp. 19-25. ISBN 9780754652984

Gritten, Anthony and King, Elaine (2009) Introduction. In: Gritten, Anthony and King, Elaine, (ed.) Music and Gesture 2. Ashgate, Aldershot.

Gritten, Anthony and King, Elaine (2006) Music and gesture. Ashgate, Aldershot. ISBN 9780754652984

Gritten, Anthony and King, Elaine (2011) New perspectives on music and gesture. SEMPRE Studies in the Psychology of Music . Ashgate, Aldershot. ISBN 9780754664628

Holloway, Jonathan (2004) The Third Man. [Performance]

Jeyasingh, Shobana (2009) Bruise blood. [Performance]

Jeyasingh, Shobana (2009) Detritus. [Performance] (Unpublished)

Jeyasingh, Shobana (2006) Exit no exit. [Performance]

Jeyasingh, Shobana (2007) Faultline. [Performance]

Jeyasingh, Shobana (2002) [h]interland GDA, and touring as [h]interland 2. [Performance]

Jeyasingh, Shobana and Gough, Orlando (2009) Just add water? [Performance]

Jeyasingh, Shobana and Watt, Jane (2005) Animating architecture: foliage chorus. [Image]

Kolb, Alexandra (2011) Cross-currents of dance and politics: an introduction. In: Kolb, Alexandra, (ed.) Dance and politics. Peter Lang, Oxford, pp. 1-35. ISBN 9783039118489

Kolb, Alexandra (2006) Dance and political conflict: three comparative case studies. The International Journal of the Arts in Society , 1 (2). pp. 17-21. ISSN 1833-1866

Kolb, Alexandra (2010) Dying for the cause: choreographing the myths of Ulrike Meinhof and Wolfgang Grams. The International Journal of the Arts in Society, 5 (3). pp. 275-284. ISSN ISSN: 1833-1866

Kolb, Alexandra (2009) Mata Hari's dance in the context of femininity and exoticism. Mandrágora, 15 . pp. 58-79. ISSN 1517-0241

Kolb, Alexandra (2009) Nijinsky's images of homosexuality: three case studies. Journal of European Studies, 39 (2). pp. 147-171. ISSN 0047-2441

Kolb, Alexandra (2011) On the politics of interdisciplinary collaboration. Brolga: an Australian Journal about Dance (35). pp. 27-36. ISSN 1322-7645

Kolb, Alexandra (2009) Performing femininity: dance and literature in German modernism. Cultural History and Literary Imagination, 12 . Peter Lang, Oxford. ISBN 9783039113514

Kolb, Alexandra (2011) Terror without end? choreographing the Red Army Faction and Weather Underground. In: Kolb, Alexandra, (ed.) Dance and Politics. Peter Lang, Oxford, pp. 89-115. ISBN 9783039118489

Kolb, Alexandra (2009) Theatricalising terrorism: Johann Kresnik’s Ulrike Meinhof and the Red Army Faction. About Performance (9). pp. 127-148. ISSN 1324-6089

Kolb, Alexandra (2007) ‘There was never anythin’ like this!!!’ Valeska Gert's performances in the context of Weimar culture. The European Legacy, 12 (3). pp. 293-309. ISSN 1084-8770

Kolb, Alexandra (2008) The never-ending trembling and vomiting of the soul: Carl Sternheim's critique of the modern dance movement. Discourses in Dance, 4 (2). pp. 59-71.

Kolb, Alexandra and Kalogeropoulou, Sophia (2012) In defence of Ballet: women, agency and the philosophy of pleasure. Dance Research, 30 (2). pp. 107-125. ISSN 0264-2875

Kraft, David (2000) Birdsong in the music of Olivier Messiaen. PhD thesis, Middlesex University.

Kresnik, Johann and Kolb, Alexandra (2011) ‘Theatre has to become political again…’. Interview by Alexandra Kolb. In: Kolb, Alexandra, (ed.) Dance and Politics. Peter Lang, Oxford, pp. 67-87. ISBN 9783039118489

Landor , Gina and Cleaver, Phil (1980) How to play the penny whistle. Music Sales Ltd . ISBN 9780860017806

Layzell, Richard (2004) [75 Year] Transition. [Show/Exhibition]

Layzell, Richard (2003) Art Work/Work art. [Performance]

Layzell, Richard (2009) Bricole di Venezia [public art project in Fortuna Park, Colchester]. [Show/Exhibition]

Layzell, Richard (2008) Digitalis [permanent exhibition in Shropshire]. [Show/Exhibition]

Layzell, Richard (2009) Everyday jewels. [Artefact]

Layzell, Richard (2009) Key notes. [Performance] (Unpublished)

Layzell, Richard (2009) One mile squared: the river flows in many directions at the same time. [Show/Exhibition] (Unpublished)

Layzell, Richard (2008) Suit the action to the word. [Performance] (Unpublished)

Layzell, Richard (2008) White on white. [Show/Exhibition]

Layzell, Richard (2007) A great technician. In: Harris, Jonathan, (ed.) "Dead History, Live Art? Spectacle, Subjectivity, and Subversion in Visual Culture since the 1960s. Liverpool University Press, Liverpool, pp. 51-70. ISBN 9780853234388

Layzell, Richard (2008) The manifestation. [Show/Exhibition]

Layzell, Richard (2008) The table. [Video] (Unpublished)

Lee, Rosemary (2008) Aiming for stewardship and not ownership. In: Amans, Diane, (ed.) An introduction to community dance practice. Palgrave Macmillan, Basingstoke, pp. 76-86. ISBN 9780230551695

Lee, Rosemary (2009) Library dances [performed in Cyprus]. [Performance] (Unpublished)

Lee, Rosemary (2001) Passage. ResCen publications.

Lee, Rosemary (2007) The suchness of Heni and Eddie. [Video]

Lee, Rosemary and Hinton, David (2003) Snow. [Video]

Lee, Rosemary and Mann, Terry (2009) Common dance. [Performance] (Unpublished)

Lesley, Main (2009) Nature moving naturally in succession: an exploration of Doris Humphrey’s Water Study with live performance. In: Moving Naturally, Rethinking Dance 1900s – 1930s, An International Symposium, 31 Oct 2009, University of Surrey. (Unpublished)

Main, Lesley (2011) Nature moving naturally in succession: an exploration of Doris Humphrey’s Water Study. In: Fensham, Rachel and Carter, Alexandra, (ed.) Dancing naturally: nature, neo-classicism and modernity in early twentieth century dance. Palgrave, Basingstoke. ISBN 9780230278448 (In Press)

Main, Lesley (2006) Water Study (1928) by Doris Humphrey. [Performance]

Main, Lesley (2006) A musical exploration of Doris Humphrey's Passacaglia. In: Sound Moves, Roehampton Unversity.

Main, Lesley (2012) Directing the dance legacy of Doris Humphrey: the creative impulse of reconstruction. Studies in Dance History . University of Wisconsin Press, Madison, WI, USA. ISBN 9780299285845

Main, Lesley (2005) The dances of Doris Humphrey: creating a contemporary perspective through interpretation. Dance Research, 23 (2). pp. 106-122. ISSN 0264-2875

Main, Lesley (2010) The pedagogic significance of 20th Century modern dance training for the 21st Century dancer. An exploration of training mechanisms with specific reference to Doris Humphrey’s dance technique and movement philosophy. Congress on Research in Dance.

Main, Lesley (2010) The spectacle of silence and stillness. Dance and Spectacle . Society of Dance History Scholars.

Main, Lesley and Humphrey, Doris (2005) Passacaglia [1938]. [Performance]

Main, Lesley and Humphrey, Doris (2008) Passacaglia [1938]. [Performance]

Melrose, Susan (2002) Before the posthuman can take [its] place: performing place and person in the early 21st century. Performance Arts International e-journal (Issue 6). ISSN 1027-0000

Melrose, Susan (2006) Bodies without bodies. In: Broadhurst, Susan Margaret and Machon, Josephine, (ed.) Performance and Technology: Practices of Virtual Embodiment and Interactivity. Palgrave Macmillan, Basingstoke, pp. 1-12. ISBN 9781403999078

Melrose, Susan (2006) "Constitutive Ambiguities": writing professional or expert performance practices, and the Theatre du Soleil, Paris. In: Kelleher, Joe and Ridout, Nicholas, (ed.) Contemporary theatres in Europe. Routledge, pp. 120-135. ISBN 0415329396

Melrose, Susan (2009) Expert-intuitive processing and the logics of production: struggles in (the wording of) creative decision: making in `dance´. In: Butterworth , Jo and Wildschut , Liesbeth, (ed.) Contemporary choreography: a critical reader. Routledge, London and New York, p. 23. ISBN 9780415490870

Melrose, Susan (2005) Just intuitive. In: The impossibility of representation?, 23 April 2005. , AHRC Research Centre for Cross-Cultural Music and Dance Performance, School of Oriental and African Studies, University of London.

Melrose, Susan (2007) Not yet, and already no longer: loitering with intent between the expert practitioner at work, and the archive. In: deLahunta, Scott and Bastien, Marion, (ed.) (Capturing intention): documentatie, analyse en notatieonderzoek gebaseerd [Colophon, capturing intention: documentation, analysis and notation.]. Emio Greco | PC and Amsterdam School of the Arts EG | PC, AHK , Amsterdam, pp. 74-78. ISBN 9789081081337

Melrose, Susan (2007) Practice as Research website: Susan Melrose.

Melrose, Susan (2001) (Re)marking the overlooked or, Stanislavski's napkin. Performance Research, 6 On Maps and Mapping (2). pp. 4-19. ISSN 1352-8165

Melrose, Susan (2002) Textual turns - and a turn-up for the books. In: "Textual Conditions", September 2002., University of Nottingham,.

Melrose, Susan (2006) Who knows - and who cares: about performance mastery? In: Christie J., Judie and Gough R., Richard and Watt D., Daniel, (eds.) A performance cosmology: testimony from the future evidence of the past. Routledge, London and New York, pp. 132-139. ISBN 9780415372589

Melrose, Susan (2005) Words fail me: dancing with the other's familiar. In: Towards Tomorrow?, International gathering., 6-10 April 2005., Centre for Performance Research, Aberystwyth, University of Wales.

Melrose, Susan (1994) A semiotics of the dramatic text. New directions in theatre, . Macmillan, Basingstoke. ISBN 033341943x

Melrose, Susan and Butcher, Rosemary (2005) Rosemary Butcher: choreography/collisions/collaborations. Performing Arts . Middlesex University Press, Hendon, London. ISBN 1904750478

Melrose, Susan (2012) Expert-performance-practitioner-centred modes of knowledge and models of intelligibility: “disciplinary specificity” and the digital submission. In: Andrews, Richard and Borg, Erik and Boyd Davis, Stephen and Domingo, Myrrh and England, Jude, (eds.) The Sage handbook of digital dissertations and theses. SAGE Publications, London, pp. 298-314. ISBN 9780857027399

Melrose, Susan (2011) Postmodernism and performance. In: Sim, Stuart, (ed.) The Routledge companion to postmodernism. Routledge Companions . Routledge, London and New York, pp. 194-203. ISBN 9780415583329

Melrose, Susan (2009) Rosemary Butcher: jottings on signature in the presence of the artist. In: Bodies of Thought, 3 April 2009, Siobhan Davies Studio, London. (Unpublished)

Melrose, Susan (2009) Signs of life, signs of the times: and if all artists are semioticians? In: ADSA Conference, Boom or bust: economies of production and exchange in theatre, performance and culture., 30th June - 3rd July 2009 , Edith Cowan University, Curtin University and Murdoch University, WA, Australia. (Unpublished)

Melrose, Susan (2007) Still harping on (about expert practitioner-centred modes of knowledge and models of intelligibility). In: E-science institute workshop: digital representations in the performing arts, 18th July 2007, Edinburgh.

Melrose, Susan (2003) The eventful articulation of singularities - or, "Chasing angels". In: New alignments and emergent forms: dance-making, theory and knowledge. , December 2003, School of Arts, Froebel College, Roehampton, University of Surrey .

Melrose , Susan (2006) The vanishing, or little erasures without significance? Performance research: a journal of performing arts., 11 (2). pp. 95-107. ISSN 1352-8165

Melrose , Susan and Hunt, Nick (2005) Techne, technology, technician: the creative practices of the mastercraftsperson. Performance research: a journal of performing arts., 10 (4, On Techne). pp. 70-82. ISSN 1352-8165

Melrose , Susan (2005) Out of words. In: CHARM (AHRC Research Centre for the History and Analysis of Recorded Music) Symposium 1: Comparative perspectives in the study of recordings., 14-16 April 2005, Royal Holloway, University of London, Egham .

Melrose , Susan (2011) A cautionary note or two, amid the pleasures and pains of participation in performance-making as research. In: Participatory Research & Learning in the Performing Arts, 6 May 2011, Centre for Creative Collaboration London.

Miller, Graeme (2004) Bassline. [Performance]

Miller, Graeme (2009) Bassline: London. [Show/Exhibition]

Miller, Graeme (2009) Beheld. [Show/Exhibition]

Miller, Graeme (2009) Conjunction. [Show/Exhibition]

Miller, Graeme (2006) Held (aka Beheld). [Show/Exhibition]

Miller, Graeme (2003) Linked: M11 Link Road, London. [Show/Exhibition]

Miller, Graeme (2003) Lonesome Way. [Show/Exhibition]

Miller, Graeme (2009) Requiem for the redhead. [Composition]

Miller, Graeme (2009) The Thinking Path. [Video]

Miller, Graeme (2009) Unbeheld. [Show/Exhibition]

Miller, Graeme (2008) The flying machine. [Performance] (Unpublished)

Miller, Graeme (2009) The moment I saw you I knew I could love you. [Composition]

O'Shea, Janet (2007) At home in the world: Bharata Natyam on the global stage. Wesleyan University Press. ISBN 9780819568373

O'Shea, Janet (2003) At home in the world? Bharata Natyam as transnational interpreter. The Drama Review, 47 (1). pp. 176-186. ISSN 0-262-75809-1

O'Shea, Janet (2007) Dancing through history and ethnography: an inquiry into Bharata Natyam's performance of the past. In: Buckland, Theresa, (ed.) Dancing from Past to Present: Nation, Cultures, Identities. Studies in Dance History . University of Wisconsin Press, Madison, Wisconsin, pp. 123-152. ISBN 0299218503

O'Shea, Janet (2005) Rukmini Devi: rethinking the classical. In: Avanthi, Meduri, (ed.) Rukmini Devi Arundale: A Visionary Architect of Indian Culture and Performing Arts. Motilal Barnarsidass, New Delhi, pp. 225-245. ISBN 9788120827400

Osborne, Richard (2010) 'I curse your preoccupation with your record collection': The Fall on vinyl 1978-83. In: Goddard, Michael and Halligan, Benjamin, (ed.) Mark E. Smith and The Fall: art, music and politics. Ashgate Popular and Folk Music Series . Ashgate, Farnham, UK, pp. 67-75. ISBN 9780754668626

Osborne, Richard (2012) Vinyl: a history of the analogue record. Popular and Folk Music . Ashgate, Farnham. ISBN 9781409440277

Parker, Janice and Layzell, Richard (2009) Private dancer. [Performance] (Unpublished)

Parry, Nye and Postel, Karni and Evans, Dougie (2010) The living room. [Composition] (Unpublished)

Roebuck, Chris (2001) Dancing against the grain: new visions of masculinity in dance. PhD thesis, Middlesex University.

Sandiland, Nic (2010) Everything looks beautiful in slow motion. [Show/Exhibition]

Sandiland, Nic and Flexer, Yael (2008) Doing. [Show/Exhibition]

Sandiland, Nic (2010) Gravity Shift. [Show/Exhibition]

Sofaer, Joshua (2006) SFMOMA Scavengers:performance and exhibition. [Performance]

Sofaer, Joshua (2004) The performance pack. Live Art Development Agency. ISBN 0-9546040-1-6

Sofaer, Joshua and Sofaer, Joanna (2008) Disinter/est: digging up our childhood. Authenticity, ambiguity and failure in the auto/biography of the infant self. In: Arnold, Dana and Sofaer, Joanna, (ed.) Biographies and space: placing the subject in art and architecture. Routledge, pp. 168-193. ISBN 9780415365512

Sofaer, Joshua (2004) The crystal ball: from stage to page. Performance Research, 9 (2). pp. 118-131. ISSN 1352-8165

Sweeney, Rachel (2009) Transferring principles: the role of physical consciousness in Butoh and its application within contemporary performance praxis. PhD thesis, Middlesex University.

Taylor, Kenneth (2000) ICT in drama: policy and practice. Pearson Publishing, Cambridge. ISBN 1857495969  

Taylor, Kenneth (2000) The teaching art: preparing a drama teacher. In: O'Toole, J. and Lepp, M., (ed.) Drama for life: stories of adult learning and empowerment. Playlab Press, Brisbane, pp. 255-262. ISBN 0908156588

Taylor, Kenneth and Leeder, Jos (2001) GCSE drama for edexcel. Hodder and Stoughton, London. ISBN 0340801514

Tucker, April Nunes (2009) Activating intersubjectivities in contemporary dance choreography. PhD thesis, Middlesex University.

Wallen, Errollyn (2005) About Errollyn: reflections on the artist as creator and performer. [Image]

Wallen, Errollyn (2001) Jordan Town. [Performance]

Wallen, Errollyn (2005) Our English Heart: cantata for soprano solo, male chorus and orchestra. [Performance]

Wallen, Errollyn (2007) The Silent Twins. [Composition]

Wallen, Errollyn and Binias, John (2008) Carbon 12: a choral symphony. [Composition]

Wallen, Errollyn and Farberoff, Dan (2008) Falling. [Composition]

Wallen, Errollyn and Wallen, Byron (2009) Wallen. [Performance] (Unpublished)

Watt, Jane (2006) Impact of networking. The Artists Information Company, Newcastle upon Tyne. ISBN 090773068X

Watt, Jane (2004) Postcard Journeys. [Show/Exhibition]

Yeung, Jessica Wai-yee (2002) Xiqu and modernisation: the transformations of the Chinese traditional theatre in the process of social formation of modern China. PhD thesis, Middlesex University.

de Wit, Mara (2000) New dance development at Dartington College of Arts UK 1971 - 1987. PhD thesis, Middlesex University.

This list was generated on Wed Feb 6 03:12:40 2013 GMT.