Items where Research Area is "A. > School of Media and Performing Arts > Performing Arts"

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Number of items at this level: 362.

2019

Cottis, David (2019) Review of Maggie May (Finborough Theatre) - Wales Arts Review. Wales Arts Review . (Published online first)

Dwyer, Benjamin and Kindred, Helen (2019) KnowingUnknowing. [Film/Video]

Melrose, Susan (2019) A cautionary note or two, amid the pleasures and pains of participation in performance-making as Research (revised 2019) [keynote]. In: Participation, Research and Learning in the Performing Arts Symposium on the 6th May 2011, Centre for Creative Collaboration, London. Organised by Royal Holloway, University of London, The Higher Education Academy and PALATINE Dance, Drama and Music., Mar 2019 (revised), Centre for Creative Collaboration, London.

Melrose, Susan and Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607 (2019) Writing 'Practice' /Practising/ 'Writing' (in the doctoral research context). In: Researching (in/as) Motion: A Resource Collection - Artistic Doctorates in Europe. Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209, Bacon, Jane, Hilton, Rebecca and Kramer, Paula, eds. Theatre Academy, University of the Arts Helsinki, Helsinki. ISBN 9789523530126. (Published online first)

Midgelow, Vida L., ed. (2019) Oxford handbook of improvisation in dance. Oxford Handbooks . Oxford University Press, Oxford and New York. 9780199396986. (Accepted/In press)

Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209 (2019) Recommendations for action: enhancing artistic doctoral education in dance and performance. Artistic Doctorates in Europe. (Published online first)

Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209 and Bacon, Jane (2019) Reconsidering research and supervision as creative embodied practice: reflections from the field, Artistic Doctorates in Europe: third-cycle provision in Dance and Performance. Other. Artistic Doctorates in Europe, UK. . (Published online first)

Midgelow, Vida L., Bacon, Jane, Kramer, Paula and Hilton, Rebecca, eds. (2019) Researching (in/as) motion: a resource collection. Nivel, 10 . Theatre Academy of the University of the Arts Helsinki. 9789523530126. (Published online first)

Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209 (2019) Practice ethics: modelling posthuman entanglements and care in artistic doctorates. In: Research (in/as) Motion: A resource collection. Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209, Bacon, Jane, Kramer, Paula and Hilton, Rebecca, eds. Theatre Academy of the University of the Arts Helsinki. 9789523530126. (Published online first)

2018

Bannerman, Christopher (2018) Freedom of movement: what Brexit means for dance. The London School of Economics and Political Science. (Published online first)

De Senna, Pedro ORCID: https://orcid.org/0000-0002-6032-0132 (2018) Ensaio.Hamlet: adaptation as rehearsal as essay. In: Contemporary Approaches to Adaptation in Theatre. Reilly, Kara, ed. Adaptation in Theatre and Performance . Palgrave Macmillan UK, pp. 331-347. 9781137597823. (doi:10.1057/978-1-137-59783-0_17)

Kindred, Helen and Atkinson, Nina (2018) Embodied knowing through sensorial awareness. Journal of Dance and Somatic Practices . ISSN 1757-1871 (Accepted/In press)

Romans, Hopal, Akinleye, Adesola ORCID: https://orcid.org/0000-0001-7342-8292 and Joseph, Michael (2018) Epistemology of the weekend: youth dance theatre. In: Narratives in Black British Dance. Akinleye, Adesola ORCID: https://orcid.org/0000-0001-7342-8292, ed. Palgrave MacMillian, pp. 265-276. 9783319703138. (doi:10.1007/978-3-319-70314-5_17)

Sommerlade, Kristine (2018) Identity, knowledge and ownership: contemporary theatre dance artists in the UK’s creative economy. PhD thesis, Middlesex University.

2017

Melrose, Susan (2017) Expert-intuitive and deliberative processes: struggles in (the wording of) creative decision-making in ‘dance’. In: Contemporary Choreography: A Critical Reader, 2nd Edition. Butterworth, Jo and Wildschut, Liesbeth, eds. Routledge, London & NY, pp. 25-40. 9781138679986.

Melrose, Susan (2017) Running in circles, with “music” in mind. In: Artistic Research in Music: Discipline and Resistance: Artists and Researchers at the Orpheus Institute. Impett, Jonathan, ed. Orpheus Institute Series . Leuven University Press, Leuven, pp. 187-210. 9789462700901. (doi:10.2307/j.ctt21c4s2g.13)

Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607 (2017) Silent transformations in choreography-making over time: Rosemary Butcher’s practice of 'Looking Back and Ahead'. In: Transmissions in Dance. Main, Lesley, ed. Palgrave Macmillan, pp. 163-188. 9783319648729. (doi:10.1007/978-3-319-64873-6_8)

2016

Bannerman, Christopher (2016) Dancing transcultural dialogues. Choreographic Practices, 7 (2). pp. 165-195. ISSN 2040-5669 (doi:10.1386/chor.7.2.165_2)

Bannerman, Christopher, Xu, Rui, Guo, Lei, Chen, Ya-ping, Welton, Martin, Lin, Yatin, Lopez de la Nieta, Rachel, Wang, Yunyu, Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607, Wu, Yi-san, Wamg, Xin and Loukes, Rebecca (2016) Guest editor (Christopher Bannerman) of Choreographic practices volume 7 Number 2: Special issue: ArtsCross/Danscross: Transcultural dialogues (Chinese Supplement). Intellect.

Colin, Noyale and Sachsenmaier, Stefanie, eds. (2016) Collaboration in performance practice: premises, workings and failures. Palgrave, London. 9781137462459. (doi:10.1057/9781137462466)

De Senna, Pedro ORCID: https://orcid.org/0000-0002-6032-0132 (2016) Laying siege to Carthage. In: Jarman (All This Maddening Beauty) and Other Plays. Playtext . Intellect, Bristol, pp. 81-98. 9781783206223.

Dwyer, Benjamin (2016) Britten and the guitar: critical perspectives for performers. Carysfort Press, Dublin. 978-1-909325-87-6.

Dwyer, Benjamin and Kindred, Helen (2016) Knowing/Unknowing. [Performance]

Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947 (2016) On being immersed: the pleasure of being: washing, feeding, holding. In: Reframing Immersive Theatre: The Politics and Pragmatics of Participatory Performance. Frieze, James, ed. Palgrave Macmillan, Basingstoke, UK, pp. 29-42. 9781137366030. (doi:10.1057/978-1-137-36604-7_2)

Melrose, Susan (2016) Positive negatives: or the subtle arts of compromise. In: Collaboration in Performance Practice: Premises, Workings and Failures. Colin, Noyale and Sachsenmaier, Stefanie, eds. Palgrave Macmillan UK, UK, pp. 239-258. 9781137462459. (doi:10.1057/9781137462466_13)

Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209 (2016) Artistic Doctorates in Europe. [Digital artefact] (Published online first)

2015

Butcher, Rosemary (2015) Moving in time: making marks and memories an exhibition from Rosemary Butcher’s archive. [Show/Exhibition]

Butcher, Rosemary (2015) Secrets of the open sea. [Performance]

Butcher, Rosemary (2015) The test pieces (new work). [Performance]

Butcher, Rosemary and Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607 (2015) Making marks and memories – the body in recorded time. In: Memory Sentiment Body Space Object Symposium, 15 May 2015, Coventry.

Colin, Noyale and Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607 (2015) Introduction: collaborative performance-making in context. In: Collaboration in Performance Practice: Premises, Workings and Failures. Colin, Noyale and Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607, eds. Palgrave Macmillan, London. . (Accepted/In press)

De Senna, Pedro ORCID: https://orcid.org/0000-0002-6032-0132, Bowditch, Caroline and Bower, David (2015) ‘Nothing about us without us’: collaborations between disabled and non-disabled practitioners. In: Collaboration in Performance Practice: Premises, Workings and Failures. Colin, Noyale and Sachsenmaier, Stefanie, eds. Palgrave Macmillan, London, pp. 221-235. 9781137462459. (doi:10.1057/9781137462466_12)

De Senna, Pedro ORCID: https://orcid.org/0000-0002-6032-0132 (2015) Two launch pads. In: Innovation in five acts: strategies for theatre and performance. Svich, Caridad, ed. Theatre Communications Group. .

Dwyer, Benjamin and Campanello, Kimberly (2015) Imagines. Creasy, Jonathan, ed. New Dublin Press, Dublin. 978-0-9932623-0-2.

Fribbins, Peter (2015) Concerto for Violin & Orchestra. [Composition] (Accepted/In press)

Fribbins, Peter (2015) Forlane for piano solo (part of ‘Le Tombeau de Rachmaninov’). [Composition]

Inglis, Brian ORCID: https://orcid.org/0000-0003-0662-4693 (2015) Highbury Fields. [Composition]

Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947 (2015) Punchdrunk. In: British theatre companies: 1995-2014. Tomlin, Elizabeth, ed. British Theatre Companies: From Fringe to Mainstream . Methuen Drama. 9781408177273.

Melrose, Susan (2015) Chasing expertise: reappraising the role of intuitive process in creative decisionmaking. In: Thinking Dance 2015: Questioning the Contemporary Symposium,, 16-17 Oct 2015, Leeds Beckett University, Leeds, United Kingdom.

Melrose, Susan, Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607 and Butcher, Rosemary (2015) Just in time: Rosemary Butcher, making memories and marks. Performance Research, 20 (6). pp. 87-94. ISSN 1352-8165 (doi:10.1080/13528165.2015.1111060)

Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607 (2015) Productive misapprehensions – Artscross as a cross-cultural collaborative zone of contestation of contemporary dance practice. In: Collaboration in Performance Practice: Premises, Workings and Failures. Colin, Noyale and Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607, eds. Palgrave Macmillan, London. . (Accepted/In press)

2014

Akinleye, Adesola ORCID: https://orcid.org/0000-0001-7342-8292 (2014) Untitled: women's work. [Film/Video]

Akinleye, Adesola ORCID: https://orcid.org/0000-0001-7342-8292 and Califano, Anton (2014) Light Steps promo. [Artefact]

Alsobhi, Aisha and Abeysinghe, Geetha (2014) Evaluating social media frameworks for small and large organisation. In: The 7th Saudi Students Conference (SSC2014), 01-02 Feb 2014, Edinburgh, UK.

De Senna, Pedro ORCID: https://orcid.org/0000-0002-6032-0132 (2014) Student choice in the curriculum: an investigation into existing practices in theatre and drama. Project Report. Higher Education Academy, York, UK. .

Dwyer, Benjamin (2014) Different voice: Irish music and music in Ireland. Wolke, Germany. 978-3-95593-060-8.

Dwyer, Benjamin (2014) Dios los cría... Music & Literature (4). pp. 109-113. ISSN 2165-4026

Dwyer, Benjamin (2014) Joycean aesthetics, ethnic memory and mythopoetic imagination in the music of Frank Corcoran. Colony (2).

Johansson, Ola (2014) Community-teater, aktivism & AIDS. In: Teater och glokal politik, 8 Oct 2014, University of Gothenburg, Gothenburg, Sweden.

Johansson, Ola (2014) Interdisciplinary strate in applied performance and activism. In: Theatre & Stratification, 28 Jul - 01 Aug 2014, University of Warwick.

Johansson, Ola (2014) Politico. [Performance]

Johansson, Ola and Newall, Amanda (2014) The interdisciplinary, diachronic and prefigurative translations of Blodlopp. In: Art in Translation, 18-20 Sep 2014, Reykjavík.

Kolb, Alexandra (2014) Royd Climenhaga (ed.), The Pina Bausch Sourcebook: The Making of Tanztheater, Abingdon, Oxon and New York: Routledge, 2013 [Review]. Dance Research, 32 (1). pp. 93-97. ISSN 0264-2875 (doi:10.3366/drs.2014.0096)

Melrose, Susan and Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607 (2014) Time’s markings/marking time/s: Rosemary Butcher’s secrets of the open sea (Revised 2019). In: IFTR (International Federation for Theatre Research) On Stratification, 18 Jul - 01 Aug 2014, Warwick.

Nottingham, Paula and Akinleye, Adesola ORCID: https://orcid.org/0000-0001-7342-8292 (2014) Professional artefacts: embodying ideas in work-based learning. Higher Education, Skills and Work-based Learning, 4 (1). pp. 98-108. ISSN 2042-3896 (doi:10.1108/HESWBL-09-2012-0036)

Osborne, Richard (2014) The gold disc: one million pop fans can't be wrong? Civilisations (13). pp. 159-178. ISSN 0009-8140

Osborne, Richard (2014) Audio books: the literary origins of grooves, labels and sleeves. In: LitPop: Writing and Popular Music. Carroll, Rachel and Hansen, Adam, eds. Popular and Folk Music . Ashgate, Farnham, pp. 201-215. 9781472410979.

Szűcs, Ferenc Jenő (2014) Creative processes in Western art music performance practice with reference to the journey of a professional cellist. Other thesis, Middlesex University.

2013

Bannerman, Christopher (2013) On curation: The development of Danscross and walking with Zhuangzi. ResCen Research Centre.

Bryant, Peter, Akinleye, Adesola ORCID: https://orcid.org/0000-0001-7342-8292 and Durrant, Alan (2013) Educating the early career arts professional using a hybrid model of work based learning. Higher Education, Skills and Work-based Learning, 3 (1). pp. 17-29. ISSN 2042-3896 (doi:10.1108/20423891311294957)

De Senna, Pedro ORCID: https://orcid.org/0000-0002-6032-0132 (2013) A tragédia de Ismene, princesa de Tebas. Mobile Editorial. .

De Senna, Pedro ORCID: https://orcid.org/0000-0002-6032-0132 (2013) When creation, translation and adaptation meet: SignDance Collective's New gold. In: Translation and adaptation in theatre and film. Krebs, Katja, ed. Routledge Advances in Theatre & Performance Studies . Routledge. 9780415829687.

Diedrich, Antje (2013) Last in a long line of literary kleptomaniacs: intertextuality in Sarah Kane's 4.48 Psychosis. Modern Drama, 56 (3). pp. 374-398. ISSN 0026-7694 (doi:10.3138/md.0356)

Dogantan-Dack, Mine (2013) Tonality: the shape of affect. Empirical Musicology Review . ISSN 1559-5749 (Accepted/In press)

Dogantan-Dack, Mine (2013) Familiarity and musical performance. In: Music and familiarity: listening, musicology and performance. King, Elaine and Prior, Helen M, eds. SEMPRE Studies in the Psychology of Music . Ashgate, pp. 271-287. 9781409420750.

Dromey, Christopher (2013) A Snapshot of the Pierrot Ensemble Today. Proceedings of the Third International Meeting for Chamber Music .

Hussein, Nesreen (2013) Cairo: my city, my revolution. In: Performance and the global city. Solga, Kim and Hopkins, D. J., eds. Performance Interventions . Palgrave Macmillan, Basingstoke, UK, pp. 223-243. 9780230361676. (doi:10.1057/9781137367853_12)

Impett, Jonathan (2013) Speak - active sound-space and the performer. In: Re-new digital arts forum 2013: conference proceedings. issuu, Copenhagen, pp. 128-133. ISSN: 2245-7801.

Impett, Jonathan (2013) "Speak" for metatrumpet and active sound-space. [Composition]

Impett, Jonathan (2013) Interaction, simulation, and invention. In: Encyclopedia of creativity, invention, innovation and entrepreneurship. Carayannis, Elias G., ed. Springer. 9781461438571.

Impett, Jonathan and Impett, Leonardo (2013) The perception of potential: interference, dimensionality and knowledge. In: Advances in Artificial Life ECAL 2013. Proceedings of the twelfth European Conference on the Synthesis and Simulation of Living Systems. Liò, Pietro, Miglino, Orazio, Nicosia, Giuseppe, Nolfi, Stefano and Pavone, Mario, eds. Complex Adaptive Systems . MIT Press, pp. 1126-1131. 9780262317092.

Johansson, Ola (2013) Beyond vice. [Performance]

Johansson, Ola and Newall, Amanda (2013) The immune system as artistic research and geopolitical mapping. In: Extraordinary Renditions, 10 Sep 2013, BALTIC Centre for Contemporary Art.

Kolb, Alexandra (2013) Current trends in contemporary choreography: a political critique. Dance Research Journal, 45 (3). pp. 29-52. ISSN 0149-7677

Kolb, Alexandra (2013) The migration and globalization of Schuhplattler dance: a sociological analysis. Cultural Sociology, 7 (1). pp. 39-55. ISSN 1749-9755 (doi:10.1177/1749975512453658)

Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947 (2013) Immersive theatres: intimacy and immediacy in contemporary performance. Palgrave Macmillan, Basingstoke. 9781137019844.

Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947 (2013) Immersed in illusion, haunted by history: Marisa Carnesky’s ghost train. In: The Ashgate research companion to paranormal cultures. Jenzen, Olu and Munt, Sally R., eds. Ashgate, pp. 241-254. 9781409444671.

Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947 (2013) Immersive performance, (syn)aesthetics and the phenomenology of technologies. In: Affective performance and cognitive science: body, brain and being. Shaughnessy, Nicola, ed. Bloomsbury. 9781408183984.

Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947 (2013) (Syn)aesthetics and immersive theatre: embodied beholding in Lundahl & Seitl’s Rotating in a Room of Images. In: Affective performance and cognitive science. Shaughnessy, Nicola, ed. Bloomsbury Methuen Drama. 9781408185773.

Main, Lesley (2013) Creative choice - on whose authority. Choreographic Practices, 4 (1). pp. 59-74. ISSN 2040-5669 (doi:10.1386/chor.4.1.59_1)

Melrose, Susan, Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607 and Butcher, Rosemary (2013) Just in time: ‘momentary’ events in the making of Rosemary Butcher’s signature practices. In: Performance Studies International Conference (PSi 19), 26-30 Jun 2013, Stanford, CA, United States.

Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209 (2013) Sensualities: experiencing/dancing/writing. New Writing: the International Journal for the Practice and Theory of Creative Writing, 10 (1). pp. 3-17. ISSN 1479-0726 (doi:10.1080/14790726.2012.693098)

Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209 (2013) Skript: a micro installation. [Artefact]

Newall, Amanda and Johansson, Ola (2013) Blodlopp / Blood run. [Film/Video]

Nunan, Mary Bernadette (2013) Just one encounter: sensation, surface, space. (Distilling a mixed-mode heuristic, to make the process of inverting original choreographies more transparent). PhD thesis, Middlesex University.

Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607 (2013) Reinventing the past: Rosemary Butcher encounters Allan Kaprow's 18 happenings in 6 parts. Choreographic Practices, 4 (2). pp. 223-244. ISSN 2040-5669 (doi:10.1386/chor.4.2.223_1)

Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607, Franglen, Nick and Wragg, Gary (2013) Remote Collaboration. [Performance]

Saville, Ian (2013) Free money magic show. [Performance]

2012

Bannerman, Christopher (2012) ArtsCross Beijing 2012: light and water. [Performance]

Butcher, Rosemary (2012) After Kaprow: The silent room; and, Book of journeys. [Performance]

De Senna, Pedro ORCID: https://orcid.org/0000-0002-6032-0132 (2012) Half a penny & The other side of the coin. [Performance]

Dogantan-Dack, Mine (2012) Phrasing – the very life of music: performing the music and nineteenth-century performance theory. Nineteenth-Century Music Review, 9 (1). pp. 7-30. ISSN 1479-4098 (doi:10.1017/S1479409812000055)

Dogantan-Dack, Mine (2012) Practice-as-research in music performance. In: The SAGE handbook of digital dissertations and theses. Andrews, Richard N. L., Borg, Erik, Davis, Stephen N., Domingo, Myrrh and England, Jude, eds. SAGE Publications Ltd. 9780857027399. (doi:10.4135/9781446201039.n16)

Dromey, Christopher (2012) The Pierrot Ensembles: Chronicle and Catalogue, 1912-2012. Wintle, Christopher, ed. Plumbago, London. 9780956600721 (hbk) : 9780956600738 (pbk).

Dwyer, Benjamin (2012) Within it lie ancient melodies: Dowland’s musical rhetoric and Britten’s songs from the Chinese. The Musical Times, 153 (1919). pp. 87-102. ISSN 0027-4666

Franko, Mark (2012) Dance as sign and unruly corporeality in Pasolini’s film and film theory. Studi Pasoliniani: rivista internazionale, 6 . pp. 41-52. ISSN 1973-3232

Franko, Mark (2012) Martha Graham in love and war: the life in the work. Oxford University Press. 9780199777662.

Gritten, Anthony (2012) Music in Bakhtin’s philosophical aesthetics. In: Music semiotics: a network of significations. Sheinberg, Esti, ed. Ashgate, UK, pp. 59-70. 9781409411024.

Johansson, Ola (2012) Att utforska i aktion: perspektiv på konstnärlig forskning genom teater = Exploration in action: perspectives on artistic research through theatre. In: Årsbok konstnärlig FoU 2012. Svenska Vetenskapsrådet, Sweden. .

Johansson, Ola (2012) Polity immunodeficiency. [Film/Video]

Kolb, Alexandra (2012) Collaboration and democracy: a critique. In: Collaboration in Performance Making, 04 May 2012, London, UK.

Kolb, Alexandra (2012) Overt and covert politics in contemporary choreography. Jahrbuch Tanzforschung, 22 . pp. 34-44. ISSN 0940-1008

Kolb, Alexandra, Briggs, Hahna and Miyahara, Motohide (2012) Able as anything: integrated dance performance in New Zealand. Brolga: An Australian Journal about Dance, 37 . pp. 16-30.

Kolb, Alexandra and Kalogeropoulou, Sophia (2012) In defence of Ballet: women, agency and the philosophy of pleasure. Dance Research, 30 (2). pp. 107-125. ISSN 0264-2875

Main, Lesley (2012) Directing the dance legacy of Doris Humphrey: the creative impulse of reconstruction. Studies in Dance History . University of Wisconsin Press, Madison, WI, USA. 9780299285845.

Melrose, Susan (2012) Expert-performance-practitioner-centred modes of knowledge and models of intelligibility: disciplinary specificity and the digital submission. In: The Sage handbook of digital dissertations and theses. Andrews, Richard, Borg, Erik, Boyd Davis, Stephen, Domingo, Myrrh and England, Jude, eds. SAGE Publications, London, pp. 298-314. 9780857027399.

Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209 (2012) Nomadism and ethics in/as improvised movement practices. Critical Studies in Improvisation / Études Critiques en Improvisation, 8 (1). ISSN 1712-0624

Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209 and Williams, Tom (2012) Voice (a retracing): an emerging lexicon. Journal of Artistic Research (2). ISSN 2235-0225

Novati, Maria Maddalena and Dack, John, eds. (2012) The Studio Di Fonologia: a musical journey 1954-1983, update 2008-2012. Ricordi, Milan, Italy. 9788875929183.

Osborne, Richard (2012) Vinyl: a history of the analogue record. Popular and Folk Music . Ashgate, Farnham. 9781409440277.

Plans, David and Morelli, Davide (2012) Experience-driven procedural music generation for games. IEEE Transactions on Computational Intelligence and AI in Games, 4 (3). pp. 192-198. ISSN 1943-068X (doi:10.1109/TCIAIG.2012.2212899)

Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607 (2012) Beyond Allan Kaprow: an interview with Rosemary Butcher. Journal of Dance and Somatic Practices, 4 (2). pp. 267-281. ISSN 1757-1871 (doi:10.1386/jdsp.4.2.267_1)

Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607 (2012) Vom Archiv zur Neuerfindung. Fragen zur künstlerischen Handschrift im kreativen Schaffensprozess zeitgenössischer Performance. In: Tanzerfahrung und Weltkenntnis. Behrens, Claudia, Burkhard, Helga, Fleischle-Braun, Claudia and Obermaier, Krystyna, eds. Jahrbuch Tanzforschung . Henschel Verlag, Leipzig, pp. 95-107. 9783894877309.

Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607 and Lammers, Christoph (2012) Lichtspur. [Performance]

Wallen, Errollyn (2012) Principia. [Composition]

Wallen, Errollyn (2012) Spirit in motion. [Composition]

Williams, Tom, Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209 and Halliday, Tim (2012) Voice (a retracing). [Film/Video]

2011

Akinleye, Adesola ORCID: https://orcid.org/0000-0001-7342-8292 (2011) The jingle dress. [Performance]

Diedrich, Antje (2011) Acting out trauma in the theatre of embarassment: George Tabori's Shylock improvisations. Performance Research: a Journal of the Performing Arts, 16 (1). pp. 142-152. ISSN 1352-8165 (doi:10.1080/13528165.2011.562040)

Dogantan-Dack, Mine (2011) In the beginning was gesture: piano touch and an introduction to a phenomenology of the performing body. In: New perspectives on music and gesture. Gritten, Anthony and King, Elaine, eds. Ashgate, Aldershot. 9780754664628.

Dwyer, Benjamin (2011) Constellations – the life and music of John Buckley. Carysfort Press, Dublin. 978-1-904505-52-5.

Dwyer, Benjamin (2011) Constellations: the life and music of John Buckley. Carysfort Press. 9781904505525.

Dwyer, Benjamin (2011) Umbilical. [Composition]

Dwyer, Benjamin (2011) Transformational ostinati in Gyorgy Ligeti’s sonatas for solo cello and colo viola. In: György Ligeti: of foreign sands and strange sounds. Duchesneau, Louise and Marx, Wolfgang, eds. Boydell Press, Woodbridge, Suffolk, pp. 19-50. 9781843835509.

Dwyer, Benjamin (2011) Transformational ostinati in György Ligeti's sonatas for solo cello and solo viola. In: György Ligeti – Of Foreign Lands and Strange Sounds. Duchesneau, Louise and Marx, Wolfgang, eds. Boydell & Brewer, Woodbridge, pp. 19-50. 978 1 84383 550 9.

Franko, Mark (2011) Archaeological choreographic practices: Foucault and Forsythe. History of the Human Sciences, 24 (4). pp. 97-112. ISSN 0952-6951 (doi:10.1177/0952695111412446)

Franko, Mark (2011) The dancing gaze across cultures: Kazuo Ohno's admiring La Argentina. Dance Chronicle, 34 (1). pp. 106-131. ISSN 0147-2526 (doi:10.1080/01472526.2011.549404)

Fribbins, Peter (2011) Concerto for piano and orchestra. [Composition]

Fribbins, Peter (2011) Fantasias 2 for viola & piano. [Composition]

Fribbins, Peter (2011) The Zong affair (after Turner’s The slave ship). [Composition]

Gritten, Anthony (2011) Instrumental technology. In: The Routledge companion to philosophy and music. Gracyk, Theodore and Kania, Andrew, eds. Routledge Philosophy Companions . Routledge, Abingdon. 9780415486033.

Gritten, Anthony and King, Elaine (2011) New perspectives on music and gesture. Gritten, Anthony and King, Elaine, eds. SEMPRE Studies in the Psychology of Music . Ashgate, Aldershot. 9780754664628.

Igweonu, Kene ORCID: https://orcid.org/0000-0002-8937-4206, Fagence, Brian, Petch, Melanie and Davies, Gareth (2011) Revealing the elusive obvious: making sense of creative practice through reflection and writing out. Journal of Writing in Creative Practice, 4 (2). pp. 225-238. ISSN 1753-5190 (doi:10.1386/jwcp.4.2.225_1)

Impett, Jonathan (2011) What are we making? The work-without-content in live computer music. In: International Computer Music Conference Proceedings. Adkins, Monty and Isaacs, Ben, eds. International Computer Music Association, pp. 456-459. 9780984527403.

Johansson, Ola (2011) Community theatre and AIDS. Studies in International Performance . Palgrave Macmillan, Basingstoke. 9780230205154.

Kolb, Alexandra, ed. (2011) Dance and politics. Peter Lang, Oxford. 9783039118489.

Kolb, Alexandra (2011) On the politics of interdisciplinary collaboration. Brolga: an Australian Journal about Dance (35). pp. 27-36. ISSN 1322-7645

Kolb, Alexandra (2011) Cross-currents of dance and politics: an introduction. In: Dance and Politics. Kolb, Alexandra, ed. Peter Lang, Oxford, pp. 1-35. 9783039118489.

Kolb, Alexandra (2011) Terror without end? Choreographing the Red Army Faction and Weather Underground. In: Dance and Politics. Kolb, Alexandra, ed. Peter Lang, Oxford, pp. 89-115. 9783039118489.

Kresnik, Johann and Kolb, Alexandra (2011) ‘Theatre has to become political again…’. Interview by Alexandra Kolb. In: Dance and Politics. Kolb, Alexandra, ed. Peter Lang, Oxford, pp. 67-87. 9783039118489.

Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947 (2011) (Syn)aesthetics: redefining visceral performance. Palgrave Macmillan, Basingstoke, UK. 9780230336902.

Main, Lesley (2011) Nature moving naturally in succession: an exploration of Doris Humphrey’s water study. In: Dancing naturally: nature, neo-classicism and modernity in early twentieth-century dance. Carter, Alexandra and Fensham, Rachel, eds. Palgrave Macmillan, Hampshire, UK, pp. 98-109. 9780230278448. (doi:10.1057/9780230354487)

Melrose, Susan (2011) A cautionary note or two, amid the pleasures and pains of participation in performance-making as research. In: Participatory Research & Learning in the Performing Arts, 6 May 2011, Centre for Creative Collaboration London.

Melrose, Susan (2011) Postmodernism and performance. In: The Routledge companion to postmodernism. Sim, Stuart, ed. Routledge Companions . Routledge, London and New York, pp. 194-203. 9780415583329.

Osborne, Richard (2011) Colonial film: moving images of the British Empire. Other. [Author]. .

Osborne, Richard (2011) India on film, 1939-1947. In: Film and the end of empire. Grieveson, Lee and MacCabe, Colin, eds. Cultural Histories of Cinema . Palgrave Macmillan, London, pp. 118-149. 9781844574230.

Plans, David (2011) Co-evolution and MPEG7 matching in creating artificial music improvisors. In: Music as it could be: new musical worlds from artificial life. A-R Editions, Middleton, WI, USA. .

Plans Casal, David (2011) Crowdsourcing the corpus: using collective intelligence as a method for composition. Leonardo Music Journal, 21 . pp. 25-28. ISSN 0961-1215 (doi:10.1162/LMJ_a_00057)

Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607 (2011) Spontaneous combustion. In: Artistic Research in Action: Proceedings of CARPA2, Colloquium on Artistic Research in Performing Arts. Arlander, Annette, ed. Theatre Academy Helsinki, pp. 127-133. 9789529765621.

Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607, Lammers, Christoph and Franglen, Nick (2011) Spontaneous combustion. [Performance]

Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607, Lammers, Christoph and Imori, Mie (2011) Lichtung. [Performance]

Thompson, Charlotte (2011) Story of a rude gal. [Performance]

Thompson, Charlotte (2011) Beyond borders: David Greig's transpersonal dramaturgy. In: Cosmotopia: transnational identities in David Greig's theatre. Muller, Anja and Wallace, Clare, eds. Litteraria Pragensia, pp. 103-117. 9788073083557.

Wallen, Errollyn and Greer, Bonnie (2011) Yes. [Composition]

Wang, Chuanliang, Bannerman, Christopher, Xu, Rui, Pan, Li, Mu, Yu, Jin, Hao, Tong, Yan, Qing, Qing, Liu, Chun, Zhang, Ping, Claid, Emilyn, Hutera, Donald, O'Shea, Janet, Rae, Paul, Mezur, Katherine, Inata, Naomi, Wang, Mei, Liu, Yan, Wang, Zihan, Wang, Yabin, Zhao, Zhibo, Guo, Tuantuan, Jiang, Qier and Liu, Jie (2011) Danscross: dancing in a shaking world. The Danscross papers, Beijing 2009. Journal of Beijing Dance Academy .

Woodhouse, Angela and Broadhead, Caroline (2011) Between. [Show/Exhibition]

2010

Anyanwụ, Chikwendụ P. K. (2010) Adapting 'A Man of the People to stage: can stage adaptation successfully return Igbo literary fiction to the Igbo people? PhD thesis, Middlesex University.

Butcher, Rosemary (2010) Allan Kaprow's 18 happening in 6 parts. [Performance]

Butcher, Rosemary (2010) Lapped translated lines. [Performance]

Carter, Alexandra (2010) Archives of the Dance (22): Pioneer Women – early British modern dancers (the National Resource Centre for Dance, University of Surrey). Dance Research, 28 (1). pp. 90-103. ISSN 0264-2875 (doi:10.3366/drs.2010.0005)

Carter, Alexandra and O'Shea, Janet (2010) The Routledge dance studies reader. Carter, Alexandra and O'Shea, Janet, eds. Routledge, London. 9780415485999.

Dwyer, Benjamin (2010) From the Celtic to the abstract: shifting perspectives in the music of John Buckley. The Musical Times, 151 (1913). pp. 7-21. ISSN 0027-4666

Fribbins, Peter (2010) Dances and laments for violin & cello duo. [Composition]

Gritten, Anthony (2010) Resonant listening. Performance Research, 15 (3). pp. 115-122. ISSN 1352-8165

Impett, Jonathan (2010) Let's dance architecture: improvisation, technology and form. Leonardo Music Journal, 20 . pp. 85-88. ISSN 0961-1215 (doi:10.1162/LMJ_a_00017)

Inglis, Brian ORCID: https://orcid.org/0000-0003-0662-4693 (2010) Burmese pictures. [Composition]

Inglis, Brian ORCID: https://orcid.org/0000-0003-0662-4693 (2010) Fruits of Sorabji's Indian summer: ‘Il tessuto d'arabeschi’ and ‘Fantasiettina atematica’. Tempo, 64 (254). pp. 41-49. ISSN 0040-2982 (doi:10.1017/S0040298210000410)

Johansson, Ola (2010) The limits of community-based theatre: performance and HIV prevention in Tanzania. The Drama Review, 54 (1). pp. 59-75. ISSN 1054-2043 (doi:10.1162/dram.2010.54.1.59)

Johansson, Ola and Newall, Amanda (2010) MisTanzania. OEI (48-50). pp. 1-8.

Kolb, Alexandra (2010) Dying for the cause: choreographing the myths of Ulrike Meinhof and Wolfgang Grams. The International Journal of the Arts in Society, 5 (3). pp. 275-284. ISSN ISSN: 1833-1866

Main, Lesley (2010) The spectacle of silence and stillness. In: Dance & Spectacle”, The 2010 SDHS conference July 9–11, 2010, University of Surrey, U.K. Pierce, Ken, ed. Dance and Spectacle . Society of Dance History Scholars, pp. 169-176. .

Newall, Amanda and Johansson, Ola (2010) MisTanzania (performance). [Film/Video]

Osborne, Richard (2010) I curse your preoccupation with your record collection: The Fall on vinyl 1978-83. In: Mark E. Smith and The Fall: art, music and politics. Goddard, Michael and Halligan, Benjamin, eds. Ashgate Popular and Folk Music Series . Ashgate, Farnham, UK, pp. 67-75. 9780754668626.

Parry, Nye, Postel, Karni and Evans, Dougie (2010) The living room. [Composition]

Plans, David (2010) Gravikords and pyrophones: the reflexive piano. eContact!, 13.2 .

Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607 (2010) The invisible expert practitioner: theorising performer expertise in contemporary performance-making. PhD thesis, Middlesex University.

Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607, Lammers, Christoph and Spengler, Simon (2010) Tanz auf dem Vulkan (Dancing on a volcano). [Performance]

2009

Bannerman, Christopher (2009) Viewing a/new: the landscape of dance in 2009. Research in Dance Education, 10 (3). pp. 231-240. ISSN 1470-1111 (doi:10.1080/14647890903347114)

Bannerman, Christopher and McLaughlin, Cahal (2009) Collaborative ethics in practice-as-research. In: Practice-as research In performance and screen. Fuschini, Ludivine, Jones, Simon, Kershaw, Baz and Piccini, Angela, eds. Palgrave Macmillan, Basingstoke. 9780230220010.

Bannerman, Christopher and Xu, Rui (2009) Danscross: dancing in a shaking world. [Performance]

Boddington, Ghislaine (2009) Dare we do it real time? [Performance]

Boddington, Ghislaine (2009) Freeze.B; Squidsoup-Ghost; Squidsoup-Discontinuum; Stanza-Robotica. [Show/Exhibition]

Boddington, Ghislaine (2009) Post Me_New Id, Book and DVD. Documentation. KIBLA: TOX, Maribor. .

Boddington, Ghislaine (2009) Robots and avatars: our colleagues and playmates of the future. NESTA.

Boddington, Ghislaine (2009) Virtual Physical Bodies. [Show/Exhibition]

Carter, Alexandra (2009) Constructing the natural: British theatre dance in the early 20th century. In: Moving naturally: rethinking dance 1900-1930, 31st October 2009, University of Surrey.

Carter, Alexandra (2009) Dancing still: interpreting visual archives in dance. In: The visual archive: moving image and memory, 28-29 May 2009, Centre for Research on Socio-cultural Change, The Open University, Milton Keynes..

Carter, Alexandra (2009) Reshaping dance through time: a critical appraisal of periodisation in relation to pedagogy and research. In: Global Perspectives on Dance Pedagogy: Research and Practice, Congress on Research in Dance, Special Conference 25-27 June 2009, de Montfort University, Leicester. Randall, Tresa, ed. Congress on Research in Dance, Birmingham, Ala., pp. 40-46. .

De Senna, Pedro ORCID: https://orcid.org/0000-0002-6032-0132 (2009) This blasted translation: or location, dislocation, relocation. Journal of Adaptation in Film & Performance, 2 (3). pp. 255-265. ISSN 1753-6421 (doi:10.1386/jafp.2.3.255/1)

De Senna, Pedro ORCID: https://orcid.org/0000-0002-6032-0132 (2009) This blasted translation: or location, dislocation, relocation. Journal of Adaptation in Film & Performance, 2 (3). pp. 255-265. ISSN 1753-6421 (doi:10.1386/jafp.2.3.255/1)

Gritten, Anthony (2009) From ergonomics to energetics: alongside the interpretation of music. Dutch Journal of Music Theory [Tijdschrift voor Muziektheorie], 14 (3). pp. 155-165. ISSN 1385-3066

Gritten, Anthony (2009) Dialogue, Stravinsky, distraction. In: Music and Gesture. Gritten, Anthony and King, Elaine, eds. Ashgate, Aldershot. 9780754652984.

Gritten, Anthony and King, Elaine (2009) Introduction. In: Music and Gesture 2. Gritten, Anthony and King, Elaine, eds. Ashgate, Aldershot. .

Inglis, Brian ORCID: https://orcid.org/0000-0003-0662-4693 (2009) The song of Margery Kempe. [Composition]

Johansson, Ola (2009) Performative interventions: African community theatre in the age of AIDS. In: Ritual and Event: Interdisciplinary Perspectives. Franko, Mark, ed. Routledge Advances in Theatre & Performance Studies . Routledge, London and New York. 9780415544115.

Kolb, Alexandra (2009) Mata Hari's dance in the context of femininity and exoticism. Mandrágora, 15 . pp. 58-79. ISSN 1517-0241

Kolb, Alexandra (2009) Nijinsky's images of homosexuality: three case studies. Journal of European Studies, 39 (2). pp. 147-171. ISSN 0047-2441 (doi:10.1177/0047244109104076)

Kolb, Alexandra (2009) Performing femininity: dance and literature in German modernism. Cultural History and Literary Imagination, 12 . Peter Lang, Oxford. 9783039113514.

Kolb, Alexandra (2009) Theatricalising terrorism: Johann Kresnik’s Ulrike Meinhof and the Red Army Faction. About Performance (9). pp. 127-148. ISSN 1324-6089

Main, Lesley (2009) Nature moving naturally in succession: an exploration of Doris Humphrey’s Water Study with live performance. In: Moving Naturally, Rethinking Dance 1900s – 1930s, An International Symposium, 31 Oct 2009, Guildford, UK.

Main, Lesley (2009) The pedagogic significance of 20th Century modern dance training on the 21st Century dancing body, with reference to Doris Humphrey’s dance technique and movement philosophy. In: Global perspectives on dance pedagogy: research and practice : special conference, 25-27 June 2009, The Centre for Excellence in Performance Arts, De Montfort University, Leicester, UK. Randall, Tresa, ed. Congress on Research in Dance, pp. 47-53. .

Melrose, Susan (2009) Rosemary Butcher: jottings on signature in the presence of the artist. In: Bodies of Thought, 3 April 2009, Siobhan Davies Studio, London.

Melrose, Susan (2009) Signs of life, signs of the times: and if all artists are semioticians? In: ADSA Conference, Boom or bust: economies of production and exchange in theatre, performance and culture., 30th June - 3rd July 2009, Edith Cowan University, Curtin University and Murdoch University, WA, Australia.

Melrose, Susan (2009) Expert-intuitive processing and the logics of production: struggles in (the wording of) creative decision: making in dance. In: Contemporary choreography: a critical reader. Butterworth, Jo and Wildschut, Liesbeth, eds. Routledge, London and New York, p. 23. 9780415490870.

Sweeney, Rachel (2009) Transferring principles: the role of physical consciousness in Butoh and its application within contemporary performance praxis. PhD thesis, Middlesex University.

Tucker, April Nunes (2009) Activating intersubjectivities in contemporary dance choreography. PhD thesis, Middlesex University.

Wallen, Errollyn and Wallen, Byron (2009) Wallen. [Performance]

Woodhouse, Angela and Broadhead, Caroline (2009) Sighted. [Show/Exhibition]

2008

Bannerman, Christopher (2008) Proximity, wisdom and creativity. In: Creativity, wisdom and trusteeship: exploring the role of education. Craft, Anna, Gardner, Howard and Claxton, Guy, eds. Corwin Press, California, pp. 23-37. 9781412949392.

Boddington, Ghislaine (2008) MPT: Movement Poise Thrill Saturday: a movement is beginning. [Performance]

Boddington, Ghislaine (2008) Skintouchfell DVD. [Film/Video]

Boddington, Ghislaine, Roland, Dominique and Cusiniere, Emmanuel (2008) Virtual/Physical Bodies: Corps Virtuels/Physiques. Centre des Arts Enghiens-les-Bains, Paris. 9782916639093.

Carter, Alexandra (2008) Betraying history? An historiograpic analysis of 'The Judas tree' (1992). In: Decentering dancing texts: the challenge of interpreting dances. Lansdale, Janet, ed. Palgrave Macmillan, Basingstoke, UK, pp. 21-37. 9780230542594.

Dogantan-Dack, Mine (2008) Alchemy in the Spotlight: Qualitative Transformations In Chamber Music Performance. Alchemy in the Spotlight: Qualitative Transformations In Chamber Music Performance. .

Dogantan-Dack, Mine (2008) Collaborative processes and aesthetics of interaction in chamber music performance: The Alchemy Project. In: 2nd International Symposium on Systems Research in the Arts and Humanities, 24-30 July 2008., Baden-Baden, Germany.

Dogantan-Dack, Mine (2008) Exploring live music performance: The Alchemy Project. In: SMI (Society for Musicology in Ireland) Annual Conference, 9-11 May 2008, Waterford, Ireland..

Dogantan-Dack, Mine (2008) Music and emotions: the language connection. Septet: Yeditepe Journal of the Arts and Humanities, 1 .

Dogantan-Dack, Mine (2008) Preparing Beethoven for Live Performance: The 'Alchemy Project'. In: Performing Romantic Music Conference, 10-13 July 2008, University of Durham.

Dogantan-Dack, Mine (2008) Something old, something new, something borrowed, something true: questions of aesthetics and epistemology in using recordings. In: 6th CHARM Symposium. Royal Holloway, University of London, Egham, Surrey. .

Dogantan-Dack, Mine (2008) What performers know: does it matter? towards an epistemology of performance? In: What Performers Know: Does it Matter? Towards an Epistemology of Performance?, December 2008, Royal Irish Academy of Music, Dublin.

Dogantan-Dack, Mine (2008) Recorded music: philosophical and critical reflections. Dogantan-Dack, Mine, ed. Middlesex University Press, London. 9781904750277.

Dogantan-Dack, Mine (2008) Recording the performer's voice. In: Recorded music: philosophical and critical reflections. Dogantan-Dack, Mine, ed. Middlesex University Press, London, UK, pp. 293-313. 9781904750277.

Dogantan-Dack, Mine (2008) Timbre as an expressive dimension in music. In: Spectral world musics: proceedings of the Istanbul Spectral Music Conference. Reigle, Robert and Whitehead, Paul Alister, eds. Pan Yayincilik, Istanbul, pp. 63-74. 9789944396271.

Dromey, Christopher (2008) Peter Maxwell Davies. In: New Makers of Modern Culture. Wintle, Justin, ed. Routledge, New York, pp. 357-359. 9780415477833.

Gritten, Anthony (2008) Performing after recording. In: Recorded Music: Philosophical and Critical Reflections. Dogantan-Dack, Mine, ed. Middlesex University Press, London, pp. 82-99. 9781904750277.

Gritten, Anthony (2008) Delius' Konzerte und der Wert der Vielstimmigkeit/ [Delius' Concerti and the Value of Polyphony]. In: Frederick Delius. Tadday, Ulrich, ed. Musik-Konzepte (141/2). Richard Boorberg Verlag, pp. 179-198. 0727800736.

Impett, Jonathan (2008) Making a mark: the psychology of composition. In: Oxford handbook of music psychology. Hallam, Susan, Cross, Ian and Thaut, Michael, eds. Oxford Library of Psychology . Oxford University Press, Oxford, pp. 403-412. 9780199298457. (doi:10.1093/oxfordhb/9780199298457.013.0037)

Johansson, Ola (2008) Performance and philosophy: interdisciplinary approaches to the performing arts. VDM Verlag, Saarbrucken, Germany. 9783639047899.

Johansson, Ola, Newall, Amanda, Saario, Antti and Pritchard, Stephen (2008) Aboriginal terraformations. [Film/Video]

Kolb, Alexandra (2008) The never-ending trembling and vomiting of the soul: Carl Sternheim's critique of the modern dance movement. Discourses in Dance, 4 (2). pp. 59-71.

Kolb, Alexandra (2008) Goodbye GDR! German reunification in Johann Kresnik's Wendewut. In: Theatre in the Berlin Republic. Varney, Denise, ed. Peter Lang, pp. 267-285. 9783039111107.

Main, Lesley and Humphrey, Doris (2008) Passacaglia [1938]. [Performance]

Wallen, Errollyn and Binias, John (2008) Carbon 12: a choral symphony. [Composition]

Wallen, Errollyn and Farberoff, Dan (2008) Falling. [Composition]

2007

Bannerman, Christopher (2007) rescen.net. [Digital artefact]

Butcher, Rosemary (2007) Rosemary Butcher: the digital archive. AHRC Fellowship.

Carter, Alexandra (2007) Dance history matters in British higher education. Research in Dance Education, 8 (2). pp. 123-137. ISSN 1470-1111

Carter, Alexandra (2007) History and her story: reminiscences of Cara Tranders, a Victorian ballet girl, 1895. Choreologica: Papers on Dance History., 3 (1). pp. 55-76.

Carter, Alexandra (2007) Practising dance history: reflections on the shared processes of dance historians and dance makers. In: Proceedings: re-thinking practice and theory international symposium on dance research: thirtieth annual conference. Albright, Ann Cooper, Davida, Dena and Cordova, Sarah Davies, eds. Society of Dance History Scholars, Riverside, California, pp. 126-130. .

Dogantan-Dack, Mine (2007) Practice and theory: ways of knowing music. In: Systems Research in the Arts. International Institute for Advanced Studies, Baden-Baden, Germany. Ontario., pp. 7-12. 1894613538.

Dogantan-Dack, Mine and Frith, Michael (2007) Organ as Orchestra, Piano Concerto as Chamber Music. PRIMO archive .

Dwyer, Benjamin (2007) Theodor Adorno & Alban Berg: correspondence: 1925–1935, edited by Henri Lonitz, review. The Musical Times, 148 (1899). pp. 89-102. ISSN 0027-4666

Fribbins, Peter (2007) Fantasias 1 for viola & piano. [Composition]

Fribbins, Peter (2007) Zemlinsky's string quartets: a composer's view. In: Zemlinsky Studies. Middlesex University Press, Hendon, London, pp. 100-113. 9781904750185.

Johansson, Ola (2007) Eschatological field notes: community theatre, AIDS, and the fate of informant D. in Ilemera, Tanzania. Nordic Theatre Studies, 19 . ISSN 0904-6380

Johansson, Ola (2007) The lives and deaths of Zakia: how AIDS changed African community theatre and vice versa. Theatre Research International, 32 (1). pp. 85-100. ISSN 0307-8833 (doi:10.1017/S0307883306002525)

Kolb, Alexandra (2007) ‘There was never anythin’ like this!!!’ Valeska Gert's performances in the context of Weimar culture. The European Legacy, 12 (3). pp. 293-309. ISSN 1084-8770 (doi:10.1080/10848770701286976)

Main, Lesley and Humphrey, Doris (2007) Passacaglia [1938]. [Performance]

Melrose, Susan (2007) Practice as Research website: http://www.sfmelrose.u-net.com. Susan Melrose.

Melrose, Susan (2007) Still harping on (about expert practitioner-centred modes of knowledge and models of intelligibility). In: E-science institute workshop: digital representations in the performing arts, 18th July 2007, Edinburgh.

Melrose, Susan (2007) Not yet, and already no longer: loitering with intent between the expert practitioner at work, and the archive. In: (Capturing intention): documentatie, analyse en notatieonderzoek gebaseerd. DeLahunta, Scott and Bastien, Marion, eds. Emio Greco, Amsterdam, Netherlands, pp. 74-78. 9789081081337.

O'Shea, Janet (2007) At home in the world: Bharata Natyam on the global stage. Wesleyan University Press. 9780819568373.

O'Shea, Janet (2007) Dancing through history and ethnography: an inquiry into Bharata Natyam's performance of the past. In: Dancing from Past to Present: Nation, Cultures, Identities. Buckland, Theresa, ed. Studies in Dance History . University of Wisconsin Press, Madison, Wisconsin, pp. 123-152. 0299218503.

Pollard, Nicola Jane (2007) Folding and withholding: writing with and by choreographers. PhD thesis, Middlesex University.

Wallen, Errollyn (2007) The Silent Twins. [Composition]

2006

Bannerman, Christopher (2006) Mapping dance provision: Confidential Report for Department of Culture, Media and Sport (DCMS). Project Report. Department of Culture, Media and Sport. .

Bannerman, Christopher, Smith, Chris, Melrose, Susan, Alston, Richard, Baxter, Guy, Adawole, Funmi and Davis, Jacqueline (2006) Performance as knowledge. In: Performance as knowledge seminar, 3rd May 2006, Somerset house, London.

Bannerman, Christopher, Sofaer, Joshua and Watt, Jane (2006) Navigating the unknown: the creative process in contemporary performing arts. Middlesex University Press / ResCen Publications, Hendon, London. 9781904750550.

Carter, Alexandra (2006) Isadora Duncan. In: The Literary Encyclopedia. The Literary Encyclopedia. .

Carter, Alexandra (2006) Unlikely engagements: ballet in pantomime in late Victorian London. International Journal of the Arts in Society, 1 (1). pp. 97-104. ISSN 1833-1866

Carter, Alexandra (2006) Preserving dance, making history: the role of the historian in dance performance. In: Music, Environmental Design and the Choreography of Space. Lasker, George E., ed. International Institute for Advanced Studies in Systems Research and Cybernetics, Tecumseh, Canada. 1894613457.

Dogantan-Dack, Mine (2006) Can musical performance be research? In: Performance Studies Workshop, 12 May 2006., Royal College of Music, London..

Dogantan-Dack, Mine (2006) Collaborative music making and research. In: 3rd Music Research Group Symposium, 5 April 2006, Middlesex University.

Dogantan-Dack, Mine (2006) From analysis to performance: the rhythmic structure of the Second Movement of Beethoven's Piano Sonata Op.13. In: Second Performing Arts Seminar, 26 April 2006, Middlesex University.

Dogantan-Dack, Mine (2006) From rehearsal to performance: qualitative transformations in professional music making. In: Teaching, Learning and Performing Music Conference, 1-2 July 2006., Royal Northern College of Music.

Dogantan-Dack, Mine (2006) Imagery and metaphor in nineteenth-century performance discourse. In: Interdisciplinary Nineteenth-Century Studies Conference: Creativity in the Nineteenth Century, 6-9 July 2006, University of Durham.

Dogantan-Dack, Mine (2006) In the Beginning...was Gesture: Initiatory Performance Movements. In: Second Conference on Music and Gesture, 20-23 July 2006, Royal Northern College of Music.

Dogantan-Dack, Mine (2006) Models and metaphors: exploring music performance. In: Systems Research in the Arts. International Institute for Advanced Studies, Baden-Baden, Germany. Ontario, pp. 83-91. 1894613457.

Dogantan-Dack, Mine (2006) Work, performance, signature: theory and practice of classical music. Medias Res: Middlesex University Music Research Journal, Februa . pp. 18-24.

Dogantan-Dack, Mine (2006) The body behind music: precedents and prospects. Psychology of Music, 34 (4). pp. 449-464. ISSN 0305-7356 (doi:10.1177/0305735606067155)

Dogantan-Dack, Mine (2006) The quartet as orchestra: Mozart's Piano Concertos K.413 and K.415 as arranged for piano quintet. In: The Quartet as Orchestra: Mozart's Piano Concertos K.413 and K.415 as arranged for Piano Quintet., 01 Mar 2006, Middlesex University.

Fribbins, Peter (2006) String Quartet No. 2. [Composition]

Gritten, Anthony (2006) Music before the literary: or, the eventness of musical events. In: Phrase and Subject: Studies in Literature and Music. Da Sousa Correa, Delia, ed. Legenda, Oxford, pp. 21-33. .

Gritten, Anthony (2006) Drift. In: Music and Gesture. Gritten, Anthony and King, Elaine, eds. Ashgate, Aldershot, pp. 104-125. 9780754652984.

Gritten, Anthony and King, Elaine (2006) Introduction. In: Music and Gesture. Gritten, Anthony and King, Elaine, eds. Ashgate, Aldershot, pp. 19-25. 9780754652984.

Gritten, Anthony and King, Elaine (2006) Music and gesture. Gritten, Anthony and King, Elaine, eds. Ashgate, Aldershot. 9780754652984.

Kolb, Alexandra (2006) Dance and political conflict: three comparative case studies. The International Journal of the Arts in Society, 1 (2). pp. 17-21. ISSN 1833-1866

Main, Lesley (2006) Water Study (1928) by Doris Humphrey. [Performance]

Main, Lesley (2006) A musical exploration of Doris Humphrey's Passacaglia. In: Sound Moves, Roehampton Unversity.

Melrose, Susan (2006) The vanishing, or little erasures without significance? Performance research: a journal of performing arts, 11 (2). pp. 95-107. ISSN 1352-8165 (doi:10.1080/13528160600812042)

Melrose, Susan (2006) Bodies without bodies. In: Performance and Technology: Practices of Virtual Embodiment and Interactivity. Broadhurst, Susan Margaret and Machon, Josephine, eds. Palgrave Macmillan, Basingstoke, pp. 1-12. 9781403999078.

Melrose, Susan (2006) Who knows - and who cares: about performance mastery? In: A performance cosmology: testimony from the future evidence of the past. Christie, Judie, Gough, Richard and Watt, Daniel Peter, eds. Routledge, London and New York, pp. 132-139. 9780415372589.

Melrose, Susan (2006) Constitutive ambiguities: writing professional or expert performance practices, and the Theatre du Soleil, Paris. In: Contemporary theatres in Europe. Kelleher, Joe and Ridout, Nicholas, eds. Routledge, pp. 120-135. 0415329396.

Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209 (2006) Decentring bodies: postfeminist corporealities in dance. In: Der Postfeministische Diskurs. Haas, Birgit, ed. Film, Medium, Diskurs (17). Konigshausen & Neumann, Wurzburg, Germany, pp. 179-204. 9783826032301.

2005

Butcher, Rosemary (2005) Six frames: memories of two women. [Performance]

Carter, Alexandra (2005) Dance and dancers in the Victorian and Edwardian music hall ballet. Music in Nineteenth-Century Britain . Ashgate, Aldershot. 0754637360.

Carter, Alexandra (2005) London 1908: a synchronic view of dance history. Dance Research, 23 (1). pp. 36-47. ISSN 0264-2875

Dogantan-Dack, Mine (2005) Music Aesthetics in Practice: Creativity and Expression in Rachmaninoff's Sonata for Cello and Piano in G minor, Op.19. In: Music Aesthetics in Practice: Creativity and Expression in Rachmaninoff’s Sonata for Cello and Piano in G minor, Op.19, 26 October 2005, Middlesex University.

Dogantan-Dack, Mine (2005) Music and knowledge. Medias Res: Middlesex University Music Research Journal., June . pp. 29-42.

Dogantan-Dack, Mine (2005) Music: the art of the intelligent heart. In: Inside Outside In Emotions, Body and Society. Ege University Press, Izmir, pp. 143-156. 975-483-659-0.

Dogantan-Dack, Mine (2005) The art of phrasing: British performance theory during the 'Long' Nineteenth Century. In: Fifth Music In Nineteenth-Century Britain Conference, 7-10 July 2005, University of Nottingham.

Dogantan-Dack, Mine (2005) The concept of prolongation in music and poetry. In: Systems Research in the Arts. International Institute for Advanced Studies, Baden-Baden, Germany. Ontario., pp. 14-20. 1894613406.

Dogantan-Dack, Mine and Szucs, Ferenc (2005) Open Rehearsal of Rachmaninoff's Sonata for Cello and Piano in G minor, Op.19, with Ferenc Szucs. PRIMO archive .

Dogantan-Dack, Mine and Szucs, Ferenc (2005) Open Rehearsal of Schubert's "Arpeggione" Sonata for Cello and Piano with Ferenc Szucs. PRIMO archive .

Dogantan-Dack, Mine and Szucs, Ferenc (2005) Rachmaninoff's Sonata for Cello and Piano in G minor Op.19. In: Rachmaninoff's Sonata for Cello and Piano in G minor Op.19, 28 October 2005, Goldsmiths College, University of London.

Hunt, Nick and Melrose, Susan (2005) Techne, technology, technician: the creative practices of the mastercraftsperson. Performance Research: A Journal of Performing Arts, 10 (4). pp. 70-82. ISSN 1352-8165 (doi:10.1080/13528165.2005.10871452)

Main, Lesley (2005) The dances of Doris Humphrey: creating a contemporary perspective through interpretation. Dance Research, 23 (2). pp. 106-122. ISSN 0264-2875

Main, Lesley and Humphrey, Doris (2005) Passacaglia [1938]. [Performance]

Melrose, Susan (2005) Just intuitive. In: The impossibility of representation?, 23 April 2005., AHRC Research Centre for Cross-Cultural Music and Dance Performance, School of Oriental and African Studies, University of London.

Melrose, Susan (2005) Out of words. In: CHARM (AHRC Research Centre for the History and Analysis of Recorded Music) Symposium 1: Comparative perspectives in the study of recordings., 14-16 April 2005, Royal Holloway, University of London, Egham.

Melrose, Susan (2005) Words fail me: dancing with the other's familiar. In: Towards Tomorrow?, International gathering., 6-10 April 2005., Centre for Performance Research, Aberystwyth, University of Wales.

Melrose, Susan and Butcher, Rosemary (2005) Rosemary Butcher: choreography/collisions/collaborations. Performing Arts . Middlesex University Press, Hendon, London. 1904750478.

Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209, O'Connor, Brendan and Wilsmore, Robert (2005) Threshold: Fleshfold. [Performance]

O'Shea, Janet (2005) Rukmini Devi: rethinking the classical. In: Rukmini Devi Arundale: A Visionary Architect of Indian Culture and Performing Arts. Avanthi, Meduri, ed. Motilal Barnarsidass, New Delhi, pp. 225-245. 9788120827400.

Wallen, Errollyn (2005) About Errollyn: reflections on the artist as creator and performer. [Image]

Wallen, Errollyn (2005) Our English Heart: cantata for soprano solo, male chorus and orchestra. [Performance]

2004

Butcher, Rosemary (2004) WHITE. [Performance]

Carter, Alexandra (2004) Interacting with history: reflections on philosophy and the pedagogy of dance history. Research in Dance Education, 5 (2). pp. 113-125. ISSN 1470-1111 (doi:10.1080/14617890500064365)

Carter, Alexandra (2004) Rethinking dance history: a reader. Routledge. 0415287464.

Dogantan-Dack, Mine (2004) The art and science of musical performance: nineteenth-century roots. In: “13th Biennial International Conference on Nineteenth-Century Music, 6-9 July 2004, University of Durham.

Doyle, Robert (2004) Music and time: tempomorphism: nested temporalities in perceived experience of music. PhD thesis, Middlesex University.

Fribbins, Peter (2004) Piano Trio. [Composition]

Gritten, Anthony (2004) Themes in the philosophy of music. British Journal of Aesthetics, 44 (2). pp. 188-194. ISSN 1468-2842

Holloway, Jonathan (2004) The Third Man. [Performance]

Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209, O'Connor, Brendan and Wilsmore, Robert (2004) Threshold: Fleshfold. [Performance]

2003

Boddington, Ghislaine and Bannerman, Christopher (2003) Sharing the process: a consideration of interauthorship in the performing arts. Digital Creativity, 15 (2). pp. 76-80. ISSN 1462-6268 (doi:10.1080/14626260408520168)

Broadhead, Caroline and Woodhouse, Angela (2003) Court. [Show/Exhibition]

Butcher, Rosemary (2003) Vanishing point. [Image]

Carter, Alexandra (2003) Making history: a general introduction. In: Rethinking dance history: a reader. Routledge. 9780415287470.

Carter, Alexandra (2003) Review of "Sisters of Salome by Toni Bentley". Dance Gazette, 1 . p. 42. ISSN 0306-0128

Carter, Alexandra (2003) Destabilising the discipline: critical debates about history and their impact on the study of dance. In: Rethinking dance history: a reader. Carter, Alexandra, ed. Routledge. 9780415287470.

Dogantan-Dack, Mine (2003) Aesthetics of musical performance. In: Systems Research in the Arts. International Institute for Advanced Studies, Baden-Baden, Germany. Ontario., pp. 47-52. 1894613104.

Dogantan-Dack, Mine (2003) Tonal motion and attractions: a thread in music theory. In: IIAS SRC Conference Proceedings. University of Windsor Press, Ontario, pp. 1-10. 1894613325.

Dogantan-Dack, Mine (2003) The body behind music. In: Music and Gesture Conference, 28-31 August 2003.

Gritten, Anthony (2003) Robin Holloway's 'Showpiece'. Tempo, 57 (226). pp. 21-31. ISSN 0040-2982

Gritten, Anthony (2003) Chronology of Stravinsky's life and career. In: The Cambridge Companion to Stravinsky. Cross, Jonathan, ed. Cambridge University Press, Cambridge, pp. 9-13. 9780521663779.

Melrose, Susan (2003) The eventful articulation of singularities - or, "Chasing angels". In: New alignments and emergent forms: dance-making, theory and knowledge., December 2003, School of Arts, Froebel College, Roehampton, University of Surrey.

O'Shea, Janet (2003) At home in the world? Bharata Natyam as transnational interpreter. The Drama Review, 47 (1). pp. 176-186. ISSN 1054-2043 (doi:10.1162/105420403321250071)

2002

Carter, Alexandra (2002) Review of "Making an entrance: theory and practice for disabled and non-disabled dancers by Adam Benjamin.". Dance Theatre Journal, 18 (1). p. 47. ISSN 0264-9160

Dogantan-Dack, Mine (2002) Mathis Lussy: a pioneer in studies of expressive performance. Varia Musicologica . Peter Lang, Oxford. 390676950X.

Gritten, Anthony (2002) Caring for Stravinsky. The Musical Times, 143 (1879). pp. 66-73. ISSN 0027-4666

Melrose, Susan (2002) Before the posthuman can take [its] place: performing place and person in the early 21st century. Performance Arts International e-journal (Issue). ISSN 1027-0000

Melrose, Susan (2002) Entertaining Other Options: Restaging "Theory" in the Age of Practice as Research. In: Inaugural Professorial Lecture, Middlesex University, January 2002, Cat Hill campus, Middlesex University.

Melrose, Susan (2002) Textual turns - and a turn-up for the books. In: "Textual Conditions", September 2002., University of Nottingham,.

Yeung, Jessica Wai-yee (2002) Xiqu and modernisation: the transformations of the Chinese traditional theatre in the process of social formation of modern China. PhD thesis, Middlesex University.

2001

Carter, Alexandra (2001) Capturing the moment...in time. Dance Theatre Journal, 15 (4). pp. 18-19. ISSN 0264-9160

Carter, Alexandra (2001) What's the point.... of ballet? Dance UK News, Issue (Winter). p. 22.

Dogantan-Dack, Mine (2001) Mathis Lussy and Expressive Performance. In: Systems Research in the Arts. International Institute for Advanced Studies, Baden-Baden, Germany. Ontario., pp. 125-130. 1-894613-45-7.

Dogantan-Dack, Mine (2001) Lussy, Mathis. In: The New Grove Dictionary of Music and Musicians. Sadie, S. and Tyrell, J., eds. Oxford University Press, London, pp. 328-329. 0333608003.

Gritten, Anthony (2001) Mystères de l'Instant: some notes on Epiphany. The Musical Times, 142 (1874,). pp. 11-16. ISSN 0027-4666

Gritten, Anthony (2001) On answering music. Musicae Scientiae, Discus (2 on N). pp. 51-60.

Johansson, Ola, Reinelt, Janelle and Sauter, Willmar (2001) 'It's the real thing': performance and murder in Sweden. European Review, 9 (3). pp. 319-337. ISSN 1062-7987 (doi:10.1017/S1062798701000308)

Melrose, Susan (2001) (Re)marking the overlooked or, Stanislavski's napkin. Performance Research, 6 (2). pp. 4-19. ISSN 1352-8165

Roebuck, Chris (2001) Dancing against the grain: new visions of masculinity in dance. PhD thesis, Middlesex University.

Taylor, Kenneth and Leeder, Jos (2001) GCSE drama for edexcel. Hodder and Stoughton, London. 0340801514.

Wallen, Errollyn (2001) Jordan Town. [Performance]

2000

Carter, Alexandra (2000) Dance: Classical. In: Routledge International Encyclopedia of Women: Global Women's Issues and Knowledge. Routledge, New York, pp. 293-294. 0415920884.

De Wit, Mara (2000) New dance development at Dartington College of Arts UK 1971 - 1987. PhD thesis, Middlesex University.

Di Girolamo, Emilia (2000) A critical examination of the use of drama with offenders in prison and on probation. PhD thesis, Middlesex University.

Dogantan-Dack, Mine (2000) Muzik kuraminda bir tema. VeMüzik, 5 . pp. 1-13.

Dogantan-Dack, Mine (2000) Upbeat. In: The New Grove Dictionary of Music and Musicians, 2nd ed. Sadie, S. and Tyrrell, J., eds. Oxford University Press, London, pp. 149-150. 0333608003.

Gritten, Anthony (2000) Unholy delights: on Edward Cone's relations. The Musical Times, 141 (1871). pp. 36-44. ISSN 0027-4666

Kraft, David (2000) Birdsong in the music of Olivier Messiaen. PhD thesis, Middlesex University.

Taylor, Kenneth (2000) ICT in drama: policy and practice. Pearson Publishing, Cambridge. 1857495969.

Taylor, Kenneth (2000) The teaching art: preparing a drama teacher. In: Drama for life: stories of adult learning and empowerment. O'Toole, J. and Lepp, M., eds. Playlab Press, Brisbane, pp. 255-262. 0908156588.

Upton, Carole-Anne, ed. (2000) Moving target: theatre translation and cultural relocation. St Jerome Publishing. 9781900650274.

1998

Dixon, Luke (1998) The performance of gender with particular reference to the plays of Shakespeare. PhD thesis, Middlesex University.

Gritten, Anthony (1998) The Progress of an essay: Edward Cone’s writings on Stravinsky. The Musical Times, 139 (1862). pp. 4-13. ISSN 0027-4666

Melrose, Susan (1998) What do women want (in theatre)? In: The Routledge Reader in Gender and Performance. Goodman, Lizbeth and De Gay, Jane, eds. Routledge, London, pp. 131-135. 978-0415165839.

1997

Gibson, Joy Leslie (1997) Shakespeare in small places: with particular reference to ten productions, 1990 to 1995. PhD thesis, Middlesex University.

1994

Melrose, Susan (1994) A semiotics of the dramatic text. New directions in theatre . Macmillan, Basingstoke. 033341943x.

1990

Jones, Simon (1990) Music and symbolic creativity. In: Common Culture: Symbolic Work at Play in the Everyday Cultures of Young People. Willis, Paul, ed. Oxford University Press, Buckingham, pp. 59-83. 0335094317.

This list was generated on Fri Nov 22 04:45:13 2019 GMT.