Items where Research Area is "A. > School of Art and Design > Visual Arts > CREATE/Feminisms cluster"

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Number of items at this level: 122.

A

Akerman, Jeremy, Bartram, Ang, Bauer, Diann, Bird, Jon, Boyce, Sonia, Coutts, Nicky, Press, Gefn, Holmwood, Sigrid, Johanknecht, Susan, Meynell, Katharine, Mooney, Jim, Nimarkoh, Virginia, Poulson, Kit, Richardson, Emily, Stevens, Gary, Stone, Will, Walsh, Maria and Westley-Smith, H. F. (2011) Mutual dependencies. Meynell, Katharine, ed. Artwords Press, London. 9781906441258.

Avermaete, Tom and Massey, Anne, eds. (2012) Hotel lobbies and lounges: the architecture of professional hospitality. Interior Architecture . Routledge. 9780415496537.

B

Boyce, Sonia (2010) Afuera! Art in Public Spaces - Gather: Justicia. [Artefact]

Boyce, Sonia (2013) Devotional wallpaper. [Artefact]

Boyce, Sonia (2008) Drift. [Artefact]

Boyce, Sonia (2010) Like love: part 1, part 2, part 3. [Show/Exhibition]

Boyce, Sonia (2013) Move. [Film/Video]

Boyce, Sonia (2013) Scat. [Show/Exhibition]

Boyce, Sonia, Demand, Thomas, Makhoul, Bashir, Meadows, Matthew, De St Phalle, Nikki, Shrigley, David, Wunderlich, Paul and Bertola, Catherine (2008) The walls are talking: wallpaper, art and culture. [Show/Exhibition]

Brooker, Graeme (2012) Shifting spaces. In: Hotel lobbies and lounges: the architecture of professional hospitality. Avermaete, Tom and Massey, Anne, eds. Interior Architecture . Routledge, pp. 89-102. 9780415496537.

Brown, Camilla (2012) Bettina von Zwehl: Made up Love Song. Photomonitor .

Brown, Camilla (2014) Gayle Chong Kwan 'Arripare', 2013. Photomonitor .

Brown, Camilla (2013) Strange encounters with the work of Anne Hardy. Photomonitor .

Brown, Camilla (2014) The performer emerges in the work of Sian Bonnell. Photomonitor .

C

Cadringher, Gabriele and Massey, Anne (2011) Ocean liner posters. Antique Collectors' Club. 9781851496730.

D

Deepwell, Katy (2017) On the beginnings and end of n.paradoxa: international feminist art journal. n.paradoxa: international feminist art journal, 40 . pp. 5-13. ISSN 1461-0434

Deepwell, Katy (2017) n.paradoxa's MOOC (Mass Open Online Course) on feminism and contemporary art. 10 lessons. [Digital artefact]

Deepwell, Katy (2015) ‘Thinking/acting with tactics of displacement’. In: RE-ACTION, una ginología artística contra el canon. Alonso, Su and Marful, Ines, eds. Sala LAUDEO, Universidad de Oviedo, Spain, Asturia, pp. 31-36. 9788495267740.

Deepwell, Katy (2019) Introduction, feminist art activisms and artivisms. In: Feminist Art Activisms and Artivisms. Deepwell, Katy, ed. Plural, First . Valiz, The Netherlands. 9789492095725. (Accepted/In press)

Deepwell, Katy (2018) Feminist collaborative projects in the UK in the 1970s'. In: All-Women art spaces in Europe in the Long 1970s. Jakubowska, Agata and Deepwell, Katy, eds. Value-Art-Politics . Liverpool University Press, Liverpool, pp. 71-95. 9781786940582.

Deepwell, Katy, Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570, Robinson, Anne, Mullaniff, Kathleen, Dick, Emma, Attwood, Feona, Leeson, Loraine ORCID: https://orcid.org/0000-0002-6684-3911 and Maude-Roxby, Alice (2018) Feminist Art Activisms and Artivisms - 2 July 2018, Middlesex University. In: Feminist Art Activisms and Artivisms, 02 July 2018, Middlesex University, London, UK. (Published online first)

Deepwell, Katy and Milevska, Suzana (2015) Feminist critique: open and critical enquiry: a conversation between Katy Deepwell and Suzana Milevska. In: Spaces for Criticism: Shifts in Contemporary Art Discourses. Lijster, Thijs, Milevska, Suzana, Gielen, Pascal and Sonderegger, Ruth, eds. Antenae/Arts in Society . Valiz, Amsterdam, pp. 171-192. 9789078088752.

Dormor, Catherine (2019) Philosophy of textile: between practice and theory. Bloomsbury Academic, London, UK. 9781472527769.

Dormor, Catherine (2008) Skin:textile:film. Textile: The Journal of Cloth and Culture, 6 (3). pp. 238-253. ISSN 1475-9756 (doi:10.2752/175183508X377591)

Dormor, Catherine (2014) Writing textile, making text: cloth and stitch as agency for disorderly text. In: New Directions: Examining the Past, Creating the Future. Textile Society of America 14th Biennial Symposium, 10-14 Sep 2014, Los Angeles, CA, USA..

G

Guins, Raiford, Kristensen, Juliette, lok, susan pui san, Highmore, Ben, Pollock, Griselda, Julier, Guy, Jay, Martin, González, Jennifer A., Casid, Jill H., Bal, Mieke, Dilnot, Clive, Sturken, Marita, Batchen, Geoffrey, Overton, Tom, Cartwright, Lisa, Kaplan, Louis, McPherson, Tara, Rifkin, Adrian, Clark, Laurie Beth, Lunenfeld, Peter, Stallabrass, Julian, Boyce, Sonia, Wong, Ming, Timberlake, John, Broomberg, Adam and Chanarin, Oliver (2012) Ways of seeing: 40th anniversary issue. In: Journal of Visual Culture. Guins, Raiford, Kristensen, Juliette and lok, susan pui san, eds. SAGE Publications, London, UK. .

H

Hiller, Susan (2008) Susan Hiller: the provisional texture of reality: selected talks and texts, 1977–2007. Kokoli, Alexandra M., ed. Positions . JRP|Ringier. 9783905829563.

J

Jakubowska, Agata and Deepwell, Katy, eds. (2018) All-women art spaces in Europe in the long 1970s. Value-Art-Politics . Liverpool University Press, Liverpool. 9781786940582.

K

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2016) Angry melancholia: towards a performative politics of time in the work of Monica Ross. In: Monica Ross: Ethical Actions - A Critical Fine Art Practice. Sternberg Press, Berlin, pp. 22-31. 9783956792021.

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2018) Domestic fronts: towards a feminist survival(ism). In: Symposium: Feminist Visual Activism, 10 July 2018, ICA, London.

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2018) Free Lunch with the Stench Wench: towards a synaesthetics of poverty and shame in Catherine Hoffmann’s performance. Hypatia: A Journal of Feminist Philosophy, 33 (3). pp. 485-499. ISSN 0887-5367 (doi:10.1111/hypa.12399)

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2014) Not a straight line by a spiral: charting continuity and change in textiles informed by feminism. Image and Text, 23 . pp. 110-129. ISSN 1020 1497

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2015) Now, then, and again: between anniversary and HERitage. Day + Gluckman.

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2010) On probation: Tracey Emin as sign. Wasafiri, 25 (1). pp. 33-40. ISSN 0269-0055 (doi:10.1080/02690050903425342)

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2015) Pre-emptive mourning (or melancholia)? : the home as tomb in art informed by feminism and anti-nuclear activism. In: House, work, artwork: feminism and Art History's new domesticities, 3-4 Jul 2015, University of Birmingham, Birmingham. United Kingdom.

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2017) Pre-emptive mourning against the bomb: exploded domesticities in art informed by feminism and anti-nuclear activism. Oxford Art Journal, 40 (1). pp. 153-168. ISSN 0142-6540 (doi:10.1093/oxartj/kcx004)

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2016) Pre-emptive mourning against the bomb: the art and visual culture of feminist anti-nuclear activisms. In: Feminist Perspectives on Artistic Productions and Theories of Art, 5th edition, organised by Xabier Arakistain and Lourdes Mendez, 28-30 October 2016, Azkuna Zentroa, Bilbao.

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2016) #QC: Read My QR. In: Quilla Constance: #QC_Symposium, 10 March 2016, Toynbee Studios, Artsdmin, 28 Commercial Street, London E1 6AB.

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2017) Read my QR: Quilla Constance and the conceptualist promise of intelligibility. In: Conceptualism: Intersectional Readings, International Framings, Black Artists and Modernism (BAM) Conference, 07-09 Dec 2017, Van Abbemuseum, Eindhoven, Netherlands.

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2012) Remembering, repeating and working through in Anniversary – An Act Of Memory by Monica Ross and co-recitors (2008–). Performance Research, 17 (5). pp. 24-30. ISSN 1352-8165 (doi:10.1080/13528165.2012.728436)

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2016) Uncanny domesticities in art informed by feminist anti-nuclear activism. In: Artists’ Critical Interventions into Architecture and Urbanism, 15-16 July 2016, University of Warwick, United Kingdom.

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2017) Unpicking the Canon: Making (it), unmaking, and making do in textiles informed by feminism. In: A Feminist Space at Leeds: Looking Back to Think Forward, 16-17 December 2017, Leeds University.

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2016) The feminist uncanny in theory and art practice. Bloomsbury Studies in Philosophy . Bloomsbury Academic, London. 9781472511393.

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2013) The voice as uncanny index in Susan Hiller’s The Last Silent Movie. Art Journal, 72 (2). p. 6.

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2017) The writing’s on the wall: #QC against decipherability. In: 'Transcending the Signified', Quilla Constance Symposium, 23 June 2017, Camberwell College of Arts, UAL, London.

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570, Allen, Felicity, Boyce, Sonia, Budd, Amy, Hiller, Susan, Hudek, Antony and Sainsbury, Alex (2017) History or not: addressing omissions in the retelling of art's stories (roundtable discussion). In: History or Not: Addressing Omissions in the Retelling of Art's Stories, 18 Mar 2017, Raven Row, London, United Kingdom.

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 Sisters. In: Judy Chicago. Dickson, Rachel, ed. Lund Humphries, pp. 169-177. 9781848221208.

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2013) The woman artist as curatorial effect. In: Politics in a glass case: feminism, exhibition cultures and curatorial transgressions. Dimitrakaki, Angela and Perry, Lara, eds. Liverpool University Press. 9781846318931.

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2017) The ambiguous ambivalence of feminist textiles. In: CUT CLOTH: Contemporary Textiles and Feminism. Ford, Sarah-Joy, ed. PO Publishing, pp. 60-65. 978-1-910846-04-9.

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2018) Creative Tensions: Making (it), unmaking, and making do in textiles informed by feminism. In: A Companion to Textile Culture. Harris, Jennifer, ed. Blackwell Companions to Art History . Wiley-Blackwell. 9781118768624. (Accepted/In press)

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570, Harrison, Margaret, Farkas, Rózsa Zita, Leeson, Loraine ORCID: https://orcid.org/0000-0002-6684-3911 and Maple, Sarah (2016) Interview with Margaret Harrison and participation in roundtable discussion. In: The Practicing Feminist, 21 May 2016, Tate Britain.

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570, Heath, Joanne, Hemus, Ruth, Chase, Alisia Grace, Roulstone, Karen, Behm, Anthea, Germann, Jennifer G., Grant, Catherine, Tate, Sue, Lauritis, Beth Anne, Pollock, Griselda and Swartz, Anne (2008) Feminism reframed: reflections on art and difference. Kokoli, Alexandra M., ed. Cambridge Scholars Publishing. 9781847184054.

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2017) Tate in Focus: From the Freud Museum 1991–6 by Susan Hiller. Kokoli, Alexandra M., ed. Tate Research Publication. 978-1-84976-532-9.

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2017) Do textiles think? In: Weaving Culture in Europe. Kyprianidou, Efi, ed. Nisos, pp. 99-102. 978-960-589-062-9.

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2019) Crossing borders and other dividers in (Western) Europe and the British Isles. In: A Companion to Feminist Art. Robinson, Hilary and Buszek, Maria Elena, eds. Blackwell Companions to Art History . Wiley-Blackwell. 9781118929155. (Accepted/In press)

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 and Sliwinska, Basia (2018) HOME STRIKE, an exhibition guest-curated by Alexandra Kokoli and Basia Sliwinska, with CANAN, Paula Chambers, Malgorzata Markiewicz and Su Richardson, l'etrangere, 8 March-21 April 2018. [Show/Exhibition]

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 and Winter, Aaron (2015) What Bear Grylls can’t do: survivalist mediascapes in austerity Britain. Media Commons (http://mediacommons.futureofthebook.org/), In Media Res: A Media Commons Project.

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 and Winter, Aaron (2015) What a girl’s gotta do: the labour of the biopolitical celebrity in austerity Britain. Women & Performance: a Journal of Feminist Theory, 25 (2). pp. 157-174. ISSN 0740-770X (doi:10.1080/0740770X.2015.1057015)

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2018) Read my QR: Quilla Constance and the conceptualist promise of intelligibility. In: Conceptualism: Intersectional Readings, International Framings. lok, susan pui san, Aikens, Nick and Orlando, Sophie, eds. VanAbbe Museum & L’Internationale Online. . (Accepted/In press)

L

Leeson, Loraine ORCID: https://orcid.org/0000-0002-6684-3911 (2014) Active Energy - where art and engineering meet. In: CAA 102nd Annual Conference, 12th-15th February 2014, Chicago.

Leeson, Loraine ORCID: https://orcid.org/0000-0002-6684-3911 (2014) Art as a force for change. In: Curating Community? The Relational and Agonistic Value of Participatory Arts in Superdiverse Localities, 1st May 2014, Centre For Creative Collaboration, London.

Leeson, Loraine ORCID: https://orcid.org/0000-0002-6684-3911 (2016) Community politics of the GLC (Greater London Council). In: How to Do It, 9-10th Apr 2016, King's College London, UK.

Leeson, Loraine ORCID: https://orcid.org/0000-0002-6684-3911 (2014) Experiments in ‘real world’ education. In: Just What Is It That Makes Today's Art Schools So Different, So Appealing?, 29th March 2014, ICA, London.

Leeson, Loraine ORCID: https://orcid.org/0000-0002-6684-3911 (2014) Groundswell on the Thames: 30 years of cultural activism with London’s riverside communities. Women Environmental Artists Directory (7).

Leeson, Loraine ORCID: https://orcid.org/0000-0002-6684-3911 (2014) Re-thinking (e)valuation. In: Art, Recognition and Social Science: Re-Thinking (E)valuation, 16th May 2014, Central Library, Liverpool.

Leeson, Loraine ORCID: https://orcid.org/0000-0002-6684-3911 (2014) Reflections on an art and politics of social engagement. In: The Impossible Constellation, 2nd-3rd June 2014, University of Lincoln.

Leeson, Loraine ORCID: https://orcid.org/0000-0002-6684-3911 (2014) Some lessons learned on the art and politics of social engagement 1978 – 2013. In: The Tetley Feast, 8th January - 12th February 2014, The Tetley, Leeds.

Leeson, Loraine ORCID: https://orcid.org/0000-0002-6684-3911 (2015) Case study: engaging older people in creative thinking: the Active Energy project. In: Oxford Textbook of Creative Arts, Health and Wellbeing: International perspectives on practice, policy and research. Clift, Stephen and Camic, Paul M., eds. Oxford University Press, pp. 245-250. 9780199688074. (doi:10.1093/med/9780199688074.003.0030)

Leeson, Loraine ORCID: https://orcid.org/0000-0002-6684-3911 and Light, Ann (2014) Citizen innovation: DIY design and the Thames water turbine. In: Creative Citizens, 18-19 September 2014, Royal College of Art, London.

lok, susan pui san and Kristensen, Juliette (2015) Six Women / Art Vapours. Mnemoscape Magazine (2).

M

Massey, Anne (2008) Art Deco for swells at sea: the Normandie's magnificent glass mural graces the Met. Wall Street Journal .

Massey, Anne (1994) Blue guide to Berlin and Eastern Germany. Blue Guides . A & C Black, London. 9780713638714.

Massey, Anne (2011) Chair. Objekt . Reaktion Books Ltd, London. 9781861897589.

Massey, Anne (2006) Designing liners: a history of interior design afloat. Routledge. 9780415374668 (hbk), 9780415374682 (pbk).

Massey, Anne (2005) Developing creativity for the world of work: a case study. Art, Design & Communication in Higher Education, 4 (1). p. 17. ISSN 1474273X

Massey, Anne (2010) Ephemeral. In: Interior Wor(l)ds. Umberto Allemandi & C., Torino, pp. 161-165. 9788842219354.

Massey, Anne (2000) Hollywood beyond the screen: design and material culture. Materializing Culture . BERG, London. 9781859733165 (hbk), 9781859733219 (pbk).

Massey, Anne (1995) The Independent Group: modernism and mass culture in Britain, 1945-1959. Critical Introductions to Art . Manchester University Press. 9780719042454.

Massey, Anne (1987) The Independent Group: towards a redefinition. The Burlington Magazine, 129 (1009).

Massey, Anne (1990) Interior design of the twentieth century. World of Art . Thames & Hudson. 9780500202470.

Massey, Anne (2008) Interior design since 1900. World of Art . Thames & Hudson, London. 9780500203972.

Massey, Anne (1993) Interior lifestyles. In: Biba: the Look, the Lifestyle, the Label: Exhibition Catalogue. Tyne & Wear Museums. 9780905974590.

Massey, Anne (2001) Life in the UK: the creative partnership of Lawrence Alloway and Sylvia Sleigh. In: An unnerving romanticism : the art of Sylvia Sleigh and Lawrence Alloway (Catalogue of an exhibition held at Philadelphia Art Alliance (Philadelphia), 22 Mar. - 13 May 2001.). Philadelphia Art Alliance. .

Massey, Anne (2008) Makes the Independent Group so different, so appealing? Kiosk Magazine (2). pp. 40-42. ISSN 1755-9626

Massey, Anne (2002) Nigel Henderson. Art Monthly (257). ISSN 0142-6702

Massey, Anne (2013) Out of the ivory tower: the independent group and popular culture. Studies in Design . Manchester University Press. 9780719088063.

Massey, Anne (2013) The mother of pop? Dorothy Morland and the Independent Group. Journal of Visual Culture, 12 (2). pp. 262-278. ISSN 1470-4129 (doi:10.1177/1470412913489865)

Massey, Anne (2013) Modern history and interior design. In: The handbook of interior architecture and design. Brooker, Graeme and Weinthal, Lois, eds. Bloomsbury, London. 9781847887450.

Massey, Anne (1985) The Independent Group as design theorists. In: From Spitfire to microchip: studies in the history of design from 1945 (Proceedings of a conference of the Design History Society held at the City of London Polytechnic, 1981.). Hamilton, Nicola, ed. Design Council. 9780850721348.

Massey, Anne and Hammond, Mike (1999) “...it was true! How can you laugh?”: the conflation of history and memory in the reception of Titanic in Britain and Southampton’. In: Titanic: Anatomy of a Blockbuster. Studlar, Gaylyn and Sandler, Kevin S., eds. Rutgers University Press, pp. 239-264. 9780813526690.

Massey, Anne (2002) The Independent Group : urban reality and the impact of science, the media and American popular culture. In: Blast to Freeze : British Art in the 20th Century (Catalogue of an exhibition held at Kunstmuseum Wolfsburg, Sept. 14, 2002-Jan. 19, 2003; Les Abattoirs, Toulouse, Feb. 24-May 11, 2003). Hughes, Henry Meyric, Van Tuyl, Gijs and Broeker, Holger, eds. Kunstmuseum, Wolfsburg. 9783775711807.

Massey, Anne and Micklethwaite, Paul (2009) Unsustainability: towards a new design history, with reference to British utility. Design Philosophy Papers (2). ISSN 1448-7136

Massey, Anne (2009) Nationalism and design at the end of empire: interior design and the ocean liner. In: Designing the modern interior: from the Victorians to today. Sparke, Penny, Massey, Anne, Keeble, Trevor and Martin, Brenda, eds. BERG, Oxford, pp. 207-218. 9781847882882.

Maude-Roxby, Alice (2013) Anti-academy. [Show/Exhibition]

Maude-Roxby, Alice (2009) The Art of Intervention. [Show/Exhibition]

Maude-Roxby, Alice (2018) [Experimental and perfomative provocations]. In: Writing Photographs Conference, 13 Oct 2018, Tate Modern.

Maude-Roxby, Alice (2015) Performance and Photography: Theatre of Photography. In: Moose on the Loose, Swedenborg Society London.

Maude-Roxby, Alice (2010) Performing memory. [Show/Exhibition]

Maude-Roxby, Alice (2019) The trouble with captions: the censorship of Elizabeth McCausland’s texts that were originally intended to accompany Berenice Abbott’s photographs within their Changing New York, 1939, Dutton publication [presentation]. In: Fast forward 2: Women in photography [The sixth research workshop], 13-14 Feb 2019, Slade, University College London, UCL.

Maude-Roxby, Alice (2009) 12 Approaches to 12 Shooters. In: Marcia Farquhar's 12 shooters. Maizlish, J., ed. Live Art Development Agency, London, pp. 177-189. 9780954604080.

Maude-Roxby, Alice and Seibold, Stefanie (2018) Censored realities / Changing New York. Edition Camera Austria, Austria. 9783902911391.

Maude-Roxby, Alice and Seibold, Stefanie (2018) Censored realities/changing New York [presentation]. In: Censored Realities/Changing New York - Book Launch, 21 Dec 2018, Neue Gesellschaft für Bildende Kunst, nGbK in Berlin.

Maude-Roxby, Alice and Seibold, Stefanie (2017) Preview presentation of Censored Realities, a book project by Alice Maude-Roxby and Stefanie Seibold. In: MISS READ: Berlin Art Book Fair, 14-17 July 2017, Haus der Kulturen der Welt, Berlin.

Maude-Roxby, Alice and Seibold, Stefanie (2019) Resist: be modern (again). [Show/Exhibition]

Maude-Roxby, Alice and Seibold, Stefanie (2016) Sapphic Modernists - Re-visiting Elizabeth McCausland and Berenice Abbott’s Changing New York. In: Urban Encounters Conference, 03-06 Nov 2016, Goldsmiths University and Tate Modern.

Maude-Roxby, Alice (2015) Past-present -future. In: Double Exposures: Performance as Photography, Photography as Performance. Vason, Manuel and Evans, David, eds. Intellect with Live Art Development Agency, London, pp. 31-34. 9781783204090.

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Petherbridge, Deanna, Segal, Lynne, Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 and Deepwell, Katy (2015) Misogyny: Witches and Wicked Bodies. In: Misogyny: Witches and Wicked Bodies, 18 Mar 2015, ICA, London, United Kingdom.

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Robinson, Hilary (2013) Actionmyth, historypanic: the entry of VALIE EXPORT’s aktionhose: genitalpanik into art history. n.paradoxa: international feminist art journal, 23 . pp. 84-89. ISSN 1461-0434

Robinson, Hilary (2013) Feminism meets the big exhibition: 2005 onwards. Anglo Saxonica, 3 (6). ISSN 0873-0628

Robinson, Hilary (2016) Feminism meets the big exhibition: museum survey shows since 2005. On Curating, 29 . pp. 29-40.

Robinson, Hilary, ed. (2015) Feminism-art-theory 1968-2014: an anthology. Wiley Blackwell, Malden MA; Oxford UK. 9781118360606.

Robinson, Hilary, ed. (2001) Feminism-art-theory : 1968-2000. Wiley-Blackwell, Oxford. 9780631208495.

Robinson, Hilary Feminist and ... [Show/Exhibition]

Robinson, Hilary (2016) New feminist activism: memory, art, and context. In: XLIX AICA International Congress: New Utopias: Art, Memory, Context, 11-15 Oct 2016, Havana, Cuba.

Robinson, Hilary (2012) Pleasure, painting, politics: the three graces – or: why I like Adélaïde Labille-Guiard’s Self-Portrait With Two Pupils. In: Artistic Production and the Feminist Theory of Art: New Debates III. Ayuntamiento de Vitoria-Gastiezko Udalak, Victoria-Gastiez, Spain, pp. 306-316. 9788496845435.

Robinson, Hilary, ed. (2006) Reading art, reading Irigaray: the politics of art by women. I.B. Tauris, London. 9781860649530.

Robinson, Hilary (1997) Within the Pale in from: Beyond the Pale: the construction of femininity in the curating of an exhibition season at the Irish Museum of Modern Art, Dublin. Journal of Gender Studies, 6 (3). pp. 255-267. ISSN 0958-9236 (doi:10.1080/09589236.1997.9960686)

Robinson, Hilary Pleasure, painting, politics: the three graces - or: why I like Adélaïde Labille-Guiard's 'self-portrait with two pupils'. In: Artistic production and the feminist theory of art: new debates III. Arakistain, Xabier and Méndes, Lourdes, eds. Ayuntamiento de Vitoria-Gasteizko Udalak, Vitoria-Gasteiz, Spain, pp. 306-316. 9788496845435.

Robinson, Hilary (2003) Becoming women: Irigaray, Ireland and visual representation. In: Art, Gender and Nation: Ethnic Landscapes, Myths and Mother-Figures. Bhreathnach-Lynch, Sheila and Cusack, Tricia, eds. Ashgate, Aldershot, pp. 113-127. 9780754632252.

Robinson, Hilary (2000) Whose beauty? Women, art, and inter-subjectivity in Luce Irigaray’s writings. In: Beauty Matters. Brand, Peg Zeglin, ed. Indiana University Press, pp. 224-251. 9780253213754.

Robinson, Hilary, Harley, A., Reid, E., Reid, S. and Watson, Y. (2008) The third space: a paradigm for internationalisation. In: The Student Experience in Art and Design Higher Education: Drivers for Change. Drew, Linda, ed. Jill Rodgers Associates, Cambridge. 9780954711177.

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Sparke, Penny, Massey, Anne, Keeble, Trevor and Martin, Brenda (2009) Designing the modern interior: from the Victorians to today. BERG. 9781847882882 (hbk), 9781847882875 (pbk).

This list was generated on Wed Oct 23 04:47:41 2019 BST.