Items where Research Area is "A. > School of Media and Performing Arts > Performing Arts > Music group"

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Number of items at this level: 110.

Article

Dack, John (2018) Radiophonie/Poesie/Musik. Fahnen . pp. 153-161. (Accepted/In press)

Dromey, Christopher (2018) New Horizons in Brazilian Contemporary Music: Grupo Novo Horizonte de São Paulo, 1988-99. Tempo, 72 (284). pp. 52-67. ISSN 0040-2982 (doi:10.1017/S0040298217001267)

Dromey, Christopher (2013) Prospects for Neomodernism in the Music of Matthew Taylor and Peter Fribbins. International Journal for Contemporary Composition, 7 . pp. 1-19.

Dromey, Christopher (2015) So You Want to Write An Opera? The Works: Magazine of the British Academy of Songwriters, Composers and Authors (45). pp. 30-31. ISSN 1466-1500

Dwyer, Benjamin (2018) Innocence and Experience: The life and music of James Wilson, Mark Fitzgerald [Book Review]. The Musical Times, 159 (1943). pp. 109-118. ISSN 0027-4666

Dwyer, Benjamin (2019) Joycean aesthetics and mythic imagination in the music of Frank Corcoran. The Musical Times, 160 (1948). pp. 33-48. ISSN 0027-4666

Dwyer, Benjamin (2018) Sheela-na-gigs and an ‘Aesthetics of Damage’. Enclave Review (16). pp. 11-13.

Evans, François (2016) The Barry Gray archive. Journal of Film Music, 6 (2). pp. 127-134. ISSN 1087-7142 (doi:10.1558/jfm.29830)

Impett, Jonathan (2018) After Sound: Toward a Critical Music - G. Douglas Barrett. London: Bloomsbury, 2016 [Book Review]. Jornal of Sonic studies . ISSN 2212-6252

Impett, Jonathan (2017) Folto giardino: hybrid cross-pollination of score, performance, installation and technology. Leonardo Music Journal, 27 . pp. 54-56. ISSN 0961-1215 (doi:10.1162/LMJ_a_01015)

Inglis, Brian ORCID: https://orcid.org/0000-0003-0662-4693 (2017) Alkan, the 'orchestral' piano and Concerto for Piano Solo (Homage to Alkan). Alkan Society Bulletin (95). pp. 12-15.

Jones, Simon (1993) Crossover culture: popular music and the politics of "race". Stanford Humanities Review, 3 (2). pp. 103-117.

Jones, Simon (1995) Rocking the house: sound system cultures and the politics of space. Journal of Popular Music Studies, 7 . pp. 1-24.

O'Dair, Marcus and Beaven, Zuleika (2017) The networked record industry: how blockchain technology could transform the record industry. Strategic Change, 26 (5). pp. 471-480. ISSN 1086-1718 (doi:10.1002/jsc.2147)

Osborne, Richard (2015) A great friggin' swindle? Sex Pistols, school kids and 1979. Popular Music and Society, 38 (4). pp. 432-449. ISSN 0300-7766 (doi:10.1080/03007766.2015.1034496)

Palermo, Settimio Fiorenzo (2019) Instrumental trouble: A queer organology of Hugh Davies’s found instruments. InterAlia - A journal of queer studies . ISSN 1689-6637

Book Section

Dack, John (2017) The mediating role of the piano in Karlheinz Stockhausen’s Kontakte für elektronische Klänge, Klavier und Schlagzeug. In: Analyser la musique mixte. Bonardi, Alain, Bossis, Bruno, Couprie, Pierre and Tiffon, Vincent, eds. Collection Pensée musicale . Éditions Delatour, France. 9782752102980.

Dack, John (2014) Those blue remembered sounds. In: Le monde sonore de / The sound world of / Die Klangwelt des François Bayle. Erbe, Marcus and Blumröder, Christoph, eds. Verlag der Apfel, pp. 9-41. 9783854504184.

Dack, John (2016) À l’écoute des langages plastique et musical dans les « Variations pour une porte et un soupir » de Pierre Henry. In: Musiques Électroacoustiques - Analyses-Écoutes. Marty, Nicolas, ed. Collection Pensée musicale . Éditions Delatour, France, pp. 111-124. 9782752102805.

Dack, John (2019) Pierre Schaeffer and the (recorded) sound source. In: Sound Objects. Steintrager, James A. and Chow, Rey, eds. Duke University Press, pp. 33-52. 9781478001096. (Accepted/In press)

Dromey, Christopher (2015) Dorothy Dorow. In: Grove Music Online (Oxford Music Online). Oxford University Press. . (Published online first)

Dromey, Christopher (2015) Pierrot ensemble. In: Grove Music Online (Oxford Music Online). Oxford University Press. . (Published online first)

Dromey, Christopher (2018) Talking about Classical Music: Radio as Public Musicology. In: The Classical Music Industry. Dromey, Christopher and Haferkorn, Julia, eds. Routledge Research in Creative and Cultural Industries Management . Routledge. 9781138203693.

Dromey, Christopher (2007) Zemlinsky’s Surface Structures: Maiblumen blühten überall and the String Sextet Genre. In: Zemlinsky Studies. Frith, Michael, ed. Middlesex University Press, pp. 77-89. 9781904750185.

Dromey, Christopher (2010) Benjamin Britten’s 'Pierrot' Ensembles. In: British Music and Modernism, 1895-1960. Riley, Matthew, ed. Ashgate, Farnham, pp. 219-247. 9780754665854.

Dromey, Christopher (2014) Competitions: Classical and Popular. In: Music in the Social and Behavioral Sciences: An Encyclopedia. Thompson, William Forde, ed. SAGE, pp. 225-227. 9781452283036. (doi:10.4135/9781452283012.n76)

Dromey, Christopher (2014) Hierarchical organization. In: Music in the Social and Behavioral Sciences: An Encyclopedia. Thompson, William Forde, ed. SAGE, pp. 552-553. 9781452283036. (doi:10.4135/9781452283012.n185)

Dwyer, Benjamin (2019) Teleology or transcendence? Perspectives on Ligeti’s collusion with automatism. In: New Perspectives on György Ligeti. Dwyer, Benjamin and Marx, Wolfgang, eds. University of Rochester Press. . (Accepted/In press)

Haferkorn, Julia (2018) Dancing to another tune: classical music in nightclubs and other non-traditional settings. In: The Classical Music Industry. Dromey, Christopher and Haferkorn, Julia, eds. Routledge Research in Creative and Cultural Industries Management . Routledge. 9781138203693.

Impett, Jonathan (2016) Making a mark: the psychology of composition. In: The Oxford Handbook of Music Psychology, Second Edition. Hallam, Susan, Cross, Ian and Thaut, Michael, eds. Oxford University Press, Oxford, pp. 651-666. 9780198818830. (doi:10.1093/oxfordhb/9780198722946.013.39)

Impett, Jonathan (2017) The contemporary musician and the production of knowledge: practice, research, and responsibility. In: Artistic Research in Music: Discipline and Resistance: Artists and Researchers at the Orpheus Institute. Impett, Jonathan, ed. Orpheus Institute Series . Leuven University Press, Leuven, BE, pp. 221-238. 9789462700901. (doi:10.2307/j.ctt21c4s2g.15)

Inglis, Brian ORCID: https://orcid.org/0000-0003-0662-4693 (2019) ‘Dumped modernism’? The interplay of musical construction and spiritual affect in John Tavener and his To A Child Dancing In The Wind. In: The Spirituality of the Music of John Tavener. Boyce-Tillman, June, ed. Music and Spirituality . Peter Lang, Oxford, Bern, Berlin, Bruxelles, Frankfurt am Mein, New York, Wien. 9781788747486. (Accepted/In press)

Inglis, Brian ORCID: https://orcid.org/0000-0003-0662-4693 (2019) Musical composition and mystical spirituality. In: Enlivening Faith: Music, Spirituality and Christian Theology. Boyce-Tillman, June, Roberts, Stephen and Erricker, Jane, eds. Music and Spirituality . Peter Lang, Oxford, Bern, Berlin, Bruxelles, Frankfurt am Mein, New York, Wien, pp. 25-44. 9781788746205.

Inglis, Brian ORCID: https://orcid.org/0000-0003-0662-4693 (2016) The liminal zone of opera: (unaccompanied) operatic monodrama and The Song Of Margery Kempe. In: Music On Stage: Volume 2. Campos, Luis and Schopf, Fiona Jane, eds. Cambridge Scholars, pp. 171-190. 9781443896863.

Inglis, Brian ORCID: https://orcid.org/0000-0003-0662-4693 (2018) Classical music, copyright and collecting societies. In: The Classical Music Industry. Dromey, Christopher and Haferkorn, Julia, eds. Routledge Research in Creative and Cultural Industries Management . Routledge, New York & Abingdon, pp. 7-31. 9781138203693.

Jones, Simon (2011) Simon Jones, Black culture, White Youth: the Reggae Tradition from JA to UK. In: White Riot: Punk Rock and the Politics of Race. Duncombe, Stephen and Tremblay, Maxwell, eds. Verso, London, New York, pp. 216-220. 9781844676880.

Jones, Simon (1993) Musik und Symbolische Kreativitat, 1990. In: Literatur, Lekture, Literaritat: Akustiches, Visuelles, Literarisches. Dvorak, Johann, Stagl, Gitta and Jochum, Manfred, eds. OBV, Vienna, pp. 38-40. 3215076403.

Jones, Simon (1990) Music and symbolic creativity. In: Common Culture: Symbolic Work at Play in the Everyday Cultures of Young People. Willis, Paul, ed. Oxford University Press, Buckingham, pp. 59-83. 0335094317.

Kwok, Glen and Dromey, Christopher (2018) On Classical Music Competitions. In: The Classical Music Industry. Dromey, Christopher and Haferkorn, Julia, eds. Routledge Research in Creative and Cultural Industries Management . Routledge. 9781138203693.

O'Dair, Marcus and Beaven, Zuleika (2017) Just go and do It: A Blockchain technology "Live Project" for nascent music entrepreneurs. In: Punk Pedagogies: Music, Culture and Learning. Smith, Gareth Dylan, Dines, Mike and Parkinson, Tom, eds. Routledge, London, pp. 73-90. 1138279889.

Osborne, Richard and Beaven, Zuleika (2018) Introduction. In: Mute Records: Artists, business, history. Beaven, Zuleika, Osborne, Richard and O'Dair, Marcus, eds. Bloomsbury Academic, New York and London, pp. 1-14. 9781501340604.

Osborne, Richard (2018) Moby, Minstrelsy and Melville. In: Mute: Artists, business, history. Beaven, Zuleika, Osborne, Richard and O'Dair, Marcus, eds. Bloomsbury Academic, New York and London, pp. 169-181. 9781501340604.

Osborne, Richard (2016) 'That's me in the spotlight': audiences and musicians on screen. In: Musicians and their Audiences: Performance, Speech and Mediation. Tsioulakis, Ioannis and Hytönen-Ng, Elina, eds. Routledge, Abingdon, pp. 134-150. 9781472456939.

Osborne, Richard (2018) Vinyl, Vinyl everywhere: The analog record in the digital world. In: The Routledge Companion to Media Technology and Obsolescence. Wolf, Mark J. P., ed. Routledge, pp. 200-214. 9781138216266.

Palermo, Settimio Fiorenzo (2018) Hugh Davies' Shozyg I. In: Music and Sonic Art: Theories and Practices. Doğantan-Dack, Mine and Dack, John, eds. Cambridge Scholars Publishing, pp. 59-77. 9781527513532.

Conference or Workshop Item

Dromey, Christopher (2016) Arnold Schoenberg’s Pierrot lunaire: man, music, legacy. In: 57th Little Missenden Festival: Post-interval talk, 07-10 Oct 2016, Little Missenden, United Kinkdom.

Dromey, Christopher (2013) A Century of Pierrot Ensembles, 1912-2012. In: Music Colloquia, 16 October 2013, King’s College London.

Dromey, Christopher (2014) Modernism(s) reborn? British chamber music in analysis. In: 16th Annual conference of the Modernist Studies Association (MSA 16): Confluence and Division, 6-9 Nov 2014, Pittsburgh, USA.

Dromey, Christopher (2014) The Pierrot Ensemble in Brazil: the music of Harry Crowl and Silvio Ferraz. In: Fourth International Meeting for Chamber Music, 12 April 2014, University of Brasília, Brazil.

Dromey, Christopher (2013) The Pierrot Ensembles, 1912-2012. In: Concerts and Colloquia series, 24th January 2013, Middlesex University.

Dromey, Christopher (2005) The 'Pierrot' Ensemble in London: The Birth of a Genre? In: Society for Music Analysis TAGS conference, 23 April 2005, University of East Anglia.

Dromey, Christopher (2006) The “Pierrot” Ensemble before the Pierrot Players. In: Schoenberg's Pierrot lunaire and Its Legacy, 2 March 2006, Kingston University.

Dromey, Christopher (2012) Prospects for a British 'Second Modernity' in the Music of Matthew Taylor and Peter Fribbins. In: New Music in Britain, organised by Dr Eva Mantzourani, 10-12 May 2012, Canterbury Christ Church University.

Dromey, Christopher (2006) Schoenberg, Zemlinsky, and the String Sextet. In: Zemlinsky Lost and Found, conference organised by Dr Mine Dogantan Dack, Dr Peter Fribbins and Dr Christopher Dromey, 11 Oct 2006, Middlesex University, London, UK.

Dromey, Christopher (2013) A Snapshot of the 'Pierrot' Ensemble Today. In: Third International Meeting for Chamber Music, organised by Dr Zoltan Paulinyi, 8-10 January 2013, University of Évora, Portugal. (Accepted/In press)

Dromey, Christopher (2017) A century (and a bit) of Pierrot Ensembles: perspectives on Barcelona, London and São Paulo. In: Musical Modernism and the Commedia dell'arte, June 2017, City, University of London, United Kingdom. (Accepted/In press)

Dromey, Christopher, Anastasiades, Mario and Yiangou, Christiana (2007) Three Pedagogic Innovations to Improve Learning on the BA Music and Arts Management Programme. In: Conference co-presented by the School of Health and Social Science and the Centre for Learning and Quality Enhancement (CLQE) “On Formative Assessment”, 12 Nov 2007, Middlesex University, London, UK.

Evans, François (2006) Approaches to spectral harmony in the music for Tom Schan’s feature film ‘Martyr’ (2006). In: Middlesex University Music Research Symposium, 2006, Middlesex University, London.

Evans, François (2015) The Barry Gray archive [conference item]. In: Audio-Visual Archives conference, 17-19 Jul 2015, British Library, London, United Kingdom.

Evans, François (2005) Deus ex machina: psychodynamics of identity in sound streams. In: 17th International Conference on systems research, Infomatics & cybernetics (The 7th Symposium on Systems Research in the Arts: Music, Environmental Design and the Choreography of Space), August 1 - 7, 2005, Baden-Baden, Germany.

Evans, François (2014) Gray matters (the electroacoustic film music of Barry Gray). In: Music and Screen Media Conference, 25-26 Jun 2014, University of Liverpool, Liverpool, UK.

Evans, François (2009) Incorporating spectral composition techniques in film. In: Film Music Conference, 6/11/2009, University of Leeds.

Evans, François (2004) Listening perspectives: the composition & assessment of electroacoustic music. In: Leeds College of Music International Music & Technology Conference, 2004, Leeds College of Music, Leeds.

Evans, François (2005) Rhythmic structures & synchronicity in Sir William Walton’s Agincourt sequence from Olivier’s ‘Henry V’ (1944). In: 11th Bradford International Film Festival, 2005, Bradford, UK.

Evans, François (2014) The beseeching tone: The 'Musifex' of Barry Gray and their implications for composers. In: Music for Audio Visual Media, 4-6 Sept 2014, University of Leeds.

Impett, Jonathan (2016) Notation as technology. In: Symposium on Notation for New Instruments and Musical Expression, 22 Sept 2016, IRCAM, Paris.

Inglis, Brian ORCID: https://orcid.org/0000-0003-0662-4693 (2019) Four pieces for toy piano as a form of practice-as-research: serendipity, poetry and play. In: Music as play festival: the toy piano takes the stage, 06-07 Jul 2019, Istituto Giosue Carducci, Como, Italy.

Inglis, Brian ORCID: https://orcid.org/0000-0003-0662-4693 (2015) Towards an analytical framework for graphic scores, and a proposed typology. In: Putting the Graphic in Music – Notation, Analaysis & Performance, 30 November 2015, Senate House Library, University of London.

Inglis, Brian ORCID: https://orcid.org/0000-0003-0662-4693 and Barnes, Rachel (2005) Microtonal procedures in 'Sailing to Byzantium'. In: UK Microfest 1, 14-15 October 2005, Riverhouse Arts Centre, Walton-on-Thames, Surrey, UK.

Book

Dromey, Christopher and Haferkorn, Julia (2018) The Classical Music Industry. Routledge Research in Creative and Cultural Industries Management . Routledge. 9781138203693.

Impett, Jonathan (2018) Routledge handbook to Luigi Nono and musical thought. Routledge, London. 9781409455974.

Inglis, Brian ORCID: https://orcid.org/0000-0003-0662-4693 and Smith, Barry (2019) Kaikhosru Sorabji's letters to Philip Heseltine (Peter Warlock). Routledge, London and New York. 9781138478435.

Jones, Simon (1988) Black culture, white youth: the reggae tradition from JA to UK. Communication and Culture . Palgrave Macmillan, Houndmills, Basingstoke. 9780333452554.

Jones, Simon (2016) Black culture, white youth: the reggae tradition from JA to UK. Bassline Books, London. 9780995611108. (Published online first)

Jones, Simon and Pinnock, Paul (2018) Scientists of sound: portraits of a UK reggae sound system. Bassline Books/Amazon, London. 9780995611122. (Published online first)

Schaeffer, Pierre, Dack, John and North, Christine (2012) In search of a concrete music by Pierre Schaeffer; translated by Christine North and John Dack. California Studies in 20th-Century Music . University of California Press, Berkeley. 9780520265738.

Schaeffer, Pierre, North, Christine and Dack, John (2017) Treatise on musical objects: an essay across disciplines by Pierre Schaeffer; translated by Christine North and John Dack. California Studies in 20th-Century Music . University of California Press, Oakland, USA. 9780520294295.

Thesis

Dromey, Christopher (2010) The Pierrot Ensembles. PhD thesis, King's College, London.

Show/Exhibition

Evans, François (2008) Barry Gray centenary concert. [Show/Exhibition]

Composition

Fribbins, Peter (2015) Dances & Laments. [Composition]

Fribbins, Peter (2017) Sonata for solo violin. [Composition]

Impett, Jonathan (2016) Folto Giardino I. [Composition]

Impett, Jonathan (2018) Folto Giardino II. [Composition]

Impett, Jonathan (2017) Prado Florido (after Guerrero). [Composition]

Impett, Jonathan (2017) Spoken. [Composition]

Inglis, Brian ORCID: https://orcid.org/0000-0003-0662-4693 (2015) A Christmas alleluia: for SATB choir and organ. [Composition]

Inglis, Brian ORCID: https://orcid.org/0000-0003-0662-4693 (2018) Four pieces for toy piano. [Composition]

Inglis, Brian ORCID: https://orcid.org/0000-0003-0662-4693 (2017) Piano Trio: for violin, cello and piano. [Composition]

Inglis, Brian ORCID: https://orcid.org/0000-0003-0662-4693 (2015) Wedding. [Composition]

Inglis, Brian ORCID: https://orcid.org/0000-0003-0662-4693, Shiel, Derek and Evans, François (2009) Symphony no. 2. [Composition]

Film/Video

Evans, François (1999) The 3 kings. [Film/Video]

Evans, François (2014) Game over. [Film/Video]

Evans, François (1997) Hitman. [Film/Video]

Evans, François (2006) Martyr. [Film/Video]

Evans, François (1997) Pervirella. [Film/Video]

Evans, François (1998) Sudden fury. [Film/Video]

Evans, François (1994) A fistful of fingers. [Film/Video]

Evans, François (1992) The punk & the princess. [Film/Video]

Gomes, Pete, Dwyer, Benjamin and Kindred, Helen (2018) KnowingUnknowing. [Film/Video]

Audio

Evans, François (2019) The lunatic, the lover & the poet. [Audio] (Accepted/In press)

Fribbins, Peter (2013) Dances and Laments. [Audio]

Fribbins, Peter, Graffin, Philippe, Šervenikas, Robertas and Hart, Christopher (2017) Dances, elegies and epitaphs: the music of Peter Fribbins. [Audio]

Inglis, Brian ORCID: https://orcid.org/0000-0003-0662-4693, Keen, Gabriel and Scobie, Christopher (2017) Living Stones. [Audio]

Other

Dromey, Christopher (2014) Dances and Laments: Chamber Music by Peter Fribbins. Guild.

Dromey, Christopher (2010) Peter Fribbins: Chamber Music for Strings. Guild.

Dromey, Christopher (2011) Peter Fribbins: Chamber and Orchestral Works. Guild.

Dromey, Christopher (2016) Programme notes (2008 - present) for the London Chamber Music Society (LCMS), Kings Place, London. London Chamber Music Society.

Dwyer, Benjamin (2014) Transcendence Interrupted: Composing 'Scenes from Crow'. Diatribe Records. (doi:DIAC017)

Dwyer, Benjamin (2017) Umbilical—the story of Oedipus, the story of Jocasta…. Diatribe Records.

Dwyer, Benjamin (2019) The stain upon the silence. Farpoint Records. (Accepted/In press)

This list was generated on Fri Oct 18 04:51:17 2019 BST.