Items where Research Area is "A. > School of Media and Performing Arts > Performing Arts > Music group"

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Article

Dack, John (2018) Radiophonie/Poesie/Musik. Fahnen . pp. 153-161. (Accepted/In press)

Dines, Mike ORCID: https://orcid.org/0000-0001-9706-979X (2015) Learning through resistance: contextualisation, creation and incorporation of a ‘punk pedagogy’. Journal of Pedagogic Development, 5 (3) . pp. 20-31. ISSN 2047-3257

Dines, Mike ORCID: https://orcid.org/0000-0001-9706-979X (2015) Reflections on the peripheral: punk, pedagogy and the domestication of the radical. Punk and Post-Punk, 4 (2-3) , 12. pp. 129-140. ISSN 2044-1983 (doi:10.1386/punk.4.2-3.129_1)

Dines, Mike ORCID: https://orcid.org/0000-0001-9706-979X (2015) The sacralization of straightedge punk: Bhakti-yoga, Nada Brahma and the divine received: embodiment of Krishnacore. Musicological Annual, 50 (2) . pp. 147-156. ISSN 0580-373X (doi:10.4312/mz.50.2.147-156)

Dromey, Christopher ORCID: https://orcid.org/0000-0002-3275-4777 (2018) New Horizons in Brazilian Contemporary Music: Grupo Novo Horizonte de São Paulo, 1988-99. Tempo, 72 (284) . pp. 52-67. ISSN 0040-2982 (doi:10.1017/S0040298217001267)

Dromey, Christopher ORCID: https://orcid.org/0000-0002-3275-4777 (2013) Prospects for Neomodernism in the Music of Matthew Taylor and Peter Fribbins. International Journal for Contemporary Composition, 7 . pp. 1-19.

Dromey, Christopher ORCID: https://orcid.org/0000-0002-3275-4777 (2015) So You Want to Write An Opera? The Works: Magazine of the British Academy of Songwriters, Composers and Authors (45) . pp. 30-31. ISSN 1466-1500

Dwyer, Benjamin (2018) Innocence and Experience: The life and music of James Wilson, Mark Fitzgerald [Book Review]. The Musical Times, 159 (1943) . pp. 109-118. ISSN 0027-4666

Dwyer, Benjamin (2019) Joycean aesthetics and mythic imagination in the music of Frank Corcoran. The Musical Times, 160 (1948) . pp. 33-48. ISSN 0027-4666

Dwyer, Benjamin (2018) Sheela-na-gigs and an ‘Aesthetics of Damage’. Enclave Review (16) . pp. 11-13.

Evans, François (2016) The Barry Gray archive. Journal of Film Music, 6 (2) . pp. 127-134. ISSN 1087-7142 (doi:10.1558/jfm.29830)

Impett, Jonathan (2018) After Sound: Toward a Critical Music - G. Douglas Barrett. London: Bloomsbury, 2016 [Book Review]. Jornal of Sonic studies . ISSN 2212-6252

Impett, Jonathan (2017) Folto giardino: hybrid cross-pollination of score, performance, installation and technology. Leonardo Music Journal, 27 . pp. 54-56. ISSN 0961-1215 (doi:10.1162/LMJ_a_01015)

Inglis, Brian ORCID: https://orcid.org/0000-0003-0662-4693 (2019) Alkan's Esquisses - past, present and future. Alkan Society Bulletin (99) . pp. 3-7.

Inglis, Brian ORCID: https://orcid.org/0000-0003-0662-4693 (2017) Alkan, the 'orchestral' piano and Concerto for Piano Solo (Homage to Alkan). Alkan Society Bulletin (95) . pp. 12-15.

Jones, Simon (1993) Crossover culture: popular music and the politics of "race". Stanford Humanities Review, 3 (2) . pp. 103-117.

Jones, Simon (1995) Rocking the house: sound system cultures and the politics of space. Journal of Popular Music Studies, 7 . pp. 1-24.

O'Dair, Marcus and Beaven, Zuleika (2017) The networked record industry: how blockchain technology could transform the record industry. Strategic Change, 26 (5) . pp. 471-480. ISSN 1086-1718 (doi:10.1002/jsc.2147)

Osborne, Richard ORCID: https://orcid.org/0000-0003-4111-8980 (2015) A great friggin' swindle? Sex Pistols, school kids and 1979. Popular Music and Society, 38 (4) . pp. 432-449. ISSN 0300-7766 (doi:10.1080/03007766.2015.1034496)

Palermo, Settimio Fiorenzo (2019) Instrumental trouble: A queer organology of Hugh Davies’s found instruments. InterAlia - A journal of queer studies . ISSN 1689-6637

Book Section

Dack, John (2017) The mediating role of the piano in Karlheinz Stockhausen’s Kontakte für elektronische Klänge, Klavier und Schlagzeug. In: Analyser la musique mixte. Bonardi, Alain, Bossis, Bruno, Couprie, Pierre and Tiffon, Vincent, eds. Collection Pensée musicale . Éditions Delatour, France. ISBN 9782752102980.

Dack, John (2014) Those blue remembered sounds. In: Le monde sonore de / The sound world of / Die Klangwelt des François Bayle. Erbe, Marcus and Blumröder, Christoph, eds. Verlag der Apfel, pp. 9-41. ISBN 9783854504184.

Dack, John (2016) À l’écoute des langages plastique et musical dans les « Variations pour une porte et un soupir » de Pierre Henry. In: Musiques Électroacoustiques - Analyses-Écoutes. Marty, Nicolas, ed. Collection Pensée musicale . Éditions Delatour, France, pp. 111-124. ISBN 9782752102805.

Dack, John (2019) Pierre Schaeffer and the (recorded) sound source. In: Sound Objects. Steintrager, James A. and Chow, Rey, eds. Duke University Press, pp. 33-52. ISBN 9781478001096. (Accepted/In press)

Dines, Mike ORCID: https://orcid.org/0000-0001-9706-979X and Bastien, Piguet (2019) GVA HxC: appropriation, adaptation and evolution – a contextual observation of Geneva’s hardcore scene. In: Punk Now!! Contemporary Perspectives on Punk. Intellect, Bristol, pp. 67-84. ISBN 9781789381740. (Accepted/In press)

Dines, Mike ORCID: https://orcid.org/0000-0001-9706-979X (2017) Academia as subversion: the birth of the punk scholars network. In: Postgraduate Studies in Punk - Your Wisdom, Our Youth. Dines, Mike ORCID: https://orcid.org/0000-0001-9706-979X and Way, Laura, eds. Cambridge Scholars Publishing, Cambridge, pp. 159-164. ISBN 9781443881685.

Dines, Mike ORCID: https://orcid.org/0000-0001-9706-979X (2016) Let your self-determination over-ride indoctrination: Dick Lucas, culture shock and the anarcho of the everyday. In: The Aesthetic of Our Anger. Anarcho-Punk, Politics and Music. Dines, Mike ORCID: https://orcid.org/0000-0001-9706-979X and Worley, Matthew, eds. Minor Compositions / Autonomedia, Cochester / New York / Port Watson, pp. 251-265. pbk-ISBN 9781570273186.

Dines, Mike ORCID: https://orcid.org/0000-0001-9706-979X and Grimes, Matt (2018) 'Message from thee temple': magick, occultism, mysticism, and psychic TV. In: Beatified beats: exploring the spiritual in popular music. Dines, Mike ORCID: https://orcid.org/0000-0001-9706-979X and Gregory, Georgina, eds. Bloomsbury, London. . (Accepted/In press)

Dines, Mike ORCID: https://orcid.org/0000-0001-9706-979X (2019) Art school manifestos, classical music and industrial abjection: tracing the artistic, political and musical antecedents of punk. In: The Oxford Handbook of Punk Rock. McKay, George and Arnold, Gina, eds. Oxford University Press, Oxford. . (Accepted/In press)

Dromey, Christopher ORCID: https://orcid.org/0000-0002-3275-4777 (2015) Dorothy Dorow. In: Grove Music Online (Oxford Music Online). Oxford University Press. . (Published online first)

Dromey, Christopher ORCID: https://orcid.org/0000-0002-3275-4777 (2015) Pierrot ensemble. In: Grove Music Online (Oxford Music Online). Oxford University Press. . (Published online first)

Dromey, Christopher ORCID: https://orcid.org/0000-0002-3275-4777 (2018) Talking about Classical Music: Radio as Public Musicology. In: The Classical Music Industry. Dromey, Christopher ORCID: https://orcid.org/0000-0002-3275-4777 and Haferkorn, Julia, eds. Routledge Research in Creative and Cultural Industries Management . Routledge. ISBN 9781138203693.

Dromey, Christopher ORCID: https://orcid.org/0000-0002-3275-4777 (2007) Zemlinsky’s Surface Structures: Maiblumen blühten überall and the String Sextet Genre. In: Zemlinsky Studies. Frith, Michael, ed. Middlesex University Press, pp. 77-89. ISBN 9781904750185.

Dromey, Christopher ORCID: https://orcid.org/0000-0002-3275-4777 (2010) Benjamin Britten’s 'Pierrot' Ensembles. In: British Music and Modernism, 1895-1960. Riley, Matthew, ed. Ashgate, Farnham, pp. 219-247. ISBN 9780754665854.

Dromey, Christopher ORCID: https://orcid.org/0000-0002-3275-4777 (2014) Competitions: Classical and Popular. In: Music in the Social and Behavioral Sciences: An Encyclopedia. Thompson, William Forde, ed. SAGE, pp. 225-227. ISBN 9781452283036. (doi:10.4135/9781452283012.n76)

Dromey, Christopher ORCID: https://orcid.org/0000-0002-3275-4777 (2014) Hierarchical organization. In: Music in the Social and Behavioral Sciences: An Encyclopedia. Thompson, William Forde, ed. SAGE, pp. 552-553. ISBN 9781452283036. (doi:10.4135/9781452283012.n185)

Dwyer, Benjamin (2019) Teleology or transcendence? Perspectives on Ligeti’s collusion with automatism. In: New Perspectives on György Ligeti. Dwyer, Benjamin and Marx, Wolfgang, eds. University of Rochester Press. . (Accepted/In press)

Haferkorn, Julia (2018) Dancing to another tune: classical music in nightclubs and other non-traditional settings. In: The Classical Music Industry. Dromey, Christopher ORCID: https://orcid.org/0000-0002-3275-4777 and Haferkorn, Julia, eds. Routledge Research in Creative and Cultural Industries Management . Routledge. ISBN 9781138203693.

Impett, Jonathan (2016) Making a mark: the psychology of composition. In: The Oxford Handbook of Music Psychology, Second Edition. Hallam, Susan, Cross, Ian and Thaut, Michael, eds. Oxford University Press, Oxford, pp. 651-666. ISBN 9780198818830. (doi:10.1093/oxfordhb/9780198722946.013.39)

Impett, Jonathan (2017) The contemporary musician and the production of knowledge: practice, research, and responsibility. In: Artistic Research in Music: Discipline and Resistance: Artists and Researchers at the Orpheus Institute. Impett, Jonathan, ed. Orpheus Institute Series . Leuven University Press, Leuven, BE, pp. 221-238. ISBN 9789462700901. (doi:10.2307/j.ctt21c4s2g.15)

Inglis, Brian ORCID: https://orcid.org/0000-0003-0662-4693 (2019) ‘Dumped modernism’? The interplay of musical construction and spiritual affect in John Tavener and his To A Child Dancing In The Wind. In: The Spirituality of the Music of John Tavener. Boyce-Tillman, June, ed. Music and Spirituality . Peter Lang, Oxford, Bern, Berlin, Bruxelles, Frankfurt am Mein, New York, Wien. ISBN 9781788747486. (Accepted/In press)

Inglis, Brian ORCID: https://orcid.org/0000-0003-0662-4693 (2019) Musical composition and mystical spirituality. In: Enlivening Faith: Music, Spirituality and Christian Theology. Boyce-Tillman, June, Roberts, Stephen and Erricker, Jane, eds. Music and Spirituality . Peter Lang, Oxford, Bern, Berlin, Bruxelles, Frankfurt am Mein, New York, Wien, pp. 25-44. ISBN 9781788746205.

Inglis, Brian ORCID: https://orcid.org/0000-0003-0662-4693 (2016) The liminal zone of opera: (unaccompanied) operatic monodrama and The Song Of Margery Kempe. In: Music On Stage: Volume 2. Campos, Luis and Schopf, Fiona Jane, eds. Cambridge Scholars, pp. 171-190. ISBN 9781443896863.

Inglis, Brian ORCID: https://orcid.org/0000-0003-0662-4693 (2018) Classical music, copyright and collecting societies. In: The Classical Music Industry. Dromey, Christopher ORCID: https://orcid.org/0000-0002-3275-4777 and Haferkorn, Julia, eds. Routledge Research in Creative and Cultural Industries Management . Routledge, New York & Abingdon, pp. 7-31. ISBN 9781138203693.

Jackson, Louise and Dines, Mike ORCID: https://orcid.org/0000-0001-9706-979X (2016) Vocaloids and Japanese virtual vocal performance: the cultural heritage and technological futures of vocal puppetry. In: The Oxford Handbook of Music and Virtuality. Whiteley, Sheila and Rambarren, Shara, eds. Oxford University Press, Oxford. ISBN 9780199321285. (doi:10.1093/oxfordhb/9780199321285.001.0001)

Jones, Simon (2011) Simon Jones, Black culture, White Youth: the Reggae Tradition from JA to UK. In: White Riot: Punk Rock and the Politics of Race. Duncombe, Stephen and Tremblay, Maxwell, eds. Verso, London, New York, pp. 216-220. ISBN 9781844676880.

Jones, Simon (1993) Musik und Symbolische Kreativitat, 1990. In: Literatur, Lekture, Literaritat: Akustiches, Visuelles, Literarisches. Dvorak, Johann, Stagl, Gitta and Jochum, Manfred, eds. OBV, Vienna, pp. 38-40. ISBN 3215076403.

Jones, Simon (1990) Music and symbolic creativity. In: Common Culture: Symbolic Work at Play in the Everyday Cultures of Young People. Willis, Paul, ed. Oxford University Press, Buckingham, pp. 59-83. ISBN 0335094317.

Kwok, Glen and Dromey, Christopher ORCID: https://orcid.org/0000-0002-3275-4777 (2018) On Classical Music Competitions. In: The Classical Music Industry. Dromey, Christopher ORCID: https://orcid.org/0000-0002-3275-4777 and Haferkorn, Julia, eds. Routledge Research in Creative and Cultural Industries Management . Routledge. ISBN 9781138203693.

O'Dair, Marcus and Beaven, Zuleika (2017) Just go and do It: A Blockchain technology "Live Project" for nascent music entrepreneurs. In: Punk Pedagogies: Music, Culture and Learning. Smith, Gareth Dylan, Dines, Mike ORCID: https://orcid.org/0000-0001-9706-979X and Parkinson, Tom, eds. Routledge, London, pp. 73-90. ISBN 1138279889.

Osborne, Richard ORCID: https://orcid.org/0000-0003-4111-8980 and Beaven, Zuleika (2018) Introduction. In: Mute Records: Artists, business, history. Beaven, Zuleika, Osborne, Richard ORCID: https://orcid.org/0000-0003-4111-8980 and O'Dair, Marcus, eds. Bloomsbury Academic, New York and London, pp. 1-14. ISBN 9781501340604.

Osborne, Richard ORCID: https://orcid.org/0000-0003-4111-8980 (2018) Moby, Minstrelsy and Melville. In: Mute: Artists, business, history. Beaven, Zuleika, Osborne, Richard ORCID: https://orcid.org/0000-0003-4111-8980 and O'Dair, Marcus, eds. Bloomsbury Academic, New York and London, pp. 169-181. ISBN 9781501340604.

Osborne, Richard ORCID: https://orcid.org/0000-0003-4111-8980 (2016) 'That's me in the spotlight': audiences and musicians on screen. In: Musicians and their Audiences: Performance, Speech and Mediation. Tsioulakis, Ioannis and Hytönen-Ng, Elina, eds. Routledge, Abingdon, pp. 134-150. ISBN 9781472456939.

Osborne, Richard ORCID: https://orcid.org/0000-0003-4111-8980 (2018) Vinyl, Vinyl everywhere: The analog record in the digital world. In: The Routledge Companion to Media Technology and Obsolescence. Wolf, Mark J. P., ed. Routledge, pp. 200-214. ISBN 9781138216266.

Palermo, Settimio Fiorenzo (2018) Hugh Davies' Shozyg I. In: Music and Sonic Art: Theories and Practices. Doğantan-Dack, Mine and Dack, John, eds. Cambridge Scholars Publishing, pp. 59-77. ISBN 9781527513532.

Conference or Workshop Item

Dines, Mike ORCID: https://orcid.org/0000-0001-9706-979X (2018) Learning to resist: punk pedagogy and the proliferation of protest. In: Punk pedagogies in practice, 12 Mar 2018, London College of Communication. .

Dines, Mike ORCID: https://orcid.org/0000-0001-9706-979X (2015) Reading, writing and rebellion: pedagogy, academia and the formation of the punk scholars network. In: Keep It Simple, Make It Fast! (KISMIF) Conference, Gettin’ Underground Together Summer School, 13-17 Jul 2015, Faculty of Arts and Humanities, University of Porto, Portugal, Casa da Música. .

Dromey, Christopher ORCID: https://orcid.org/0000-0002-3275-4777 (2016) Arnold Schoenberg’s Pierrot lunaire: man, music, legacy. In: 57th Little Missenden Festival: Post-interval talk, 07-10 Oct 2016, Little Missenden, United Kinkdom. .

Dromey, Christopher ORCID: https://orcid.org/0000-0002-3275-4777 (2013) A Century of Pierrot Ensembles, 1912-2012. In: Music Colloquia, 16 October 2013, King’s College London. .

Dromey, Christopher ORCID: https://orcid.org/0000-0002-3275-4777 (2014) Modernism(s) reborn? British chamber music in analysis. In: 16th Annual conference of the Modernist Studies Association (MSA 16): Confluence and Division, 6-9 Nov 2014, Pittsburgh, USA. .

Dromey, Christopher ORCID: https://orcid.org/0000-0002-3275-4777 (2014) The Pierrot Ensemble in Brazil: the music of Harry Crowl and Silvio Ferraz. In: Fourth International Meeting for Chamber Music, 12 April 2014, University of Brasília, Brazil. .

Dromey, Christopher ORCID: https://orcid.org/0000-0002-3275-4777 (2013) The Pierrot Ensembles, 1912-2012. In: Concerts and Colloquia series, 24th January 2013, Middlesex University. .

Dromey, Christopher ORCID: https://orcid.org/0000-0002-3275-4777 (2005) The 'Pierrot' Ensemble in London: The Birth of a Genre? In: Society for Music Analysis TAGS conference, 23 April 2005, University of East Anglia. .

Dromey, Christopher ORCID: https://orcid.org/0000-0002-3275-4777 (2006) The “Pierrot” Ensemble before the Pierrot Players. In: Schoenberg's Pierrot lunaire and Its Legacy, 2 March 2006, Kingston University. .

Dromey, Christopher ORCID: https://orcid.org/0000-0002-3275-4777 (2012) Prospects for a British 'Second Modernity' in the Music of Matthew Taylor and Peter Fribbins. In: New Music in Britain, organised by Dr Eva Mantzourani, 10-12 May 2012, Canterbury Christ Church University. .

Dromey, Christopher ORCID: https://orcid.org/0000-0002-3275-4777 (2006) Schoenberg, Zemlinsky, and the String Sextet. In: Zemlinsky Lost and Found, conference organised by Dr Mine Dogantan Dack, Dr Peter Fribbins and Dr Christopher Dromey, 11 Oct 2006, Middlesex University, London, UK. .

Dromey, Christopher ORCID: https://orcid.org/0000-0002-3275-4777 (2013) A Snapshot of the 'Pierrot' Ensemble Today. In: Third International Meeting for Chamber Music, organised by Dr Zoltan Paulinyi, 8-10 January 2013, University of Évora, Portugal. . (Accepted/In press)

Dromey, Christopher ORCID: https://orcid.org/0000-0002-3275-4777 (2017) A century (and a bit) of Pierrot Ensembles: perspectives on Barcelona, London and São Paulo. In: Musical Modernism and the Commedia dell'arte, June 2017, City, University of London, United Kingdom. . (Accepted/In press)

Dromey, Christopher ORCID: https://orcid.org/0000-0002-3275-4777, Anastasiades, Mario and Yiangou, Christiana (2007) Three Pedagogic Innovations to Improve Learning on the BA Music and Arts Management Programme. In: Conference co-presented by the School of Health and Social Science and the Centre for Learning and Quality Enhancement (CLQE) “On Formative Assessment”, 12 Nov 2007, Middlesex University, London, UK. .

Evans, François (2006) Approaches to spectral harmony in the music for Tom Schan’s feature film ‘Martyr’ (2006). In: Middlesex University Music Research Symposium, 2006, Middlesex University, London. .

Evans, François (2015) The Barry Gray archive [conference item]. In: Audio-Visual Archives conference, 17-19 Jul 2015, British Library, London, United Kingdom. .

Evans, François (2005) Deus ex machina: psychodynamics of identity in sound streams. In: 17th International Conference on systems research, Infomatics & cybernetics (The 7th Symposium on Systems Research in the Arts: Music, Environmental Design and the Choreography of Space), August 1 - 7, 2005, Baden-Baden, Germany. .

Evans, François (2014) Gray matters (the electroacoustic film music of Barry Gray). In: Music and Screen Media Conference, 25-26 Jun 2014, University of Liverpool, Liverpool, UK. .

Evans, François (2009) Incorporating spectral composition techniques in film. In: Film Music Conference, 6/11/2009, University of Leeds. .

Evans, François (2004) Listening perspectives: the composition & assessment of electroacoustic music. In: Leeds College of Music International Music & Technology Conference, 2004, Leeds College of Music, Leeds. .

Evans, François (2005) Rhythmic structures & synchronicity in Sir William Walton’s Agincourt sequence from Olivier’s ‘Henry V’ (1944). In: 11th Bradford International Film Festival, 2005, Bradford, UK. .

Evans, François (2014) The beseeching tone: The 'Musifex' of Barry Gray and their implications for composers. In: Music for Audio Visual Media, 4-6 Sept 2014, University of Leeds. .

Impett, Jonathan (2016) Notation as technology. In: Symposium on Notation for New Instruments and Musical Expression, 22 Sept 2016, IRCAM, Paris. .

Inglis, Brian ORCID: https://orcid.org/0000-0003-0662-4693 (2019) Four pieces for toy piano as a form of practice-as-research: serendipity, poetry and play. In: Music as play festival: the toy piano takes the stage, 06-07 Jul 2019, Istituto Giosue Carducci, Como, Italy. .

Inglis, Brian ORCID: https://orcid.org/0000-0003-0662-4693 (2015) Towards an analytical framework for graphic scores, and a proposed typology. In: Putting the Graphic in Music – Notation, Analaysis & Performance, 30 November 2015, Senate House Library, University of London. .

Inglis, Brian ORCID: https://orcid.org/0000-0003-0662-4693 and Barnes, Rachel (2005) Microtonal procedures in 'Sailing to Byzantium'. In: UK Microfest 1, 14-15 October 2005, Riverhouse Arts Centre, Walton-on-Thames, Surrey, UK. .

Book

Dines, Mike ORCID: https://orcid.org/0000-0001-9706-979X, Bestley, Russ, Gordon, Alastair and Guerra, Paula, eds. (2019) Punk identities, punk utopias: global punk and media. Intellect, Bristol. . (Accepted/In press)

Dines, Mike ORCID: https://orcid.org/0000-0001-9706-979X, Bestley, Russ, Gordon, Alastair and Guerra, Paula (2019) The punk reader: research transmissions from the local and the global. Dines, Mike and Gordon, Alastair and Guerra, Paula and Bestley, Russ, eds. Global Punk . Intellect, Bristol. pbk-ISBN 9781789381290, e-ISBN 9781789381306.

Dines, Mike ORCID: https://orcid.org/0000-0001-9706-979X, Bestley, Russ, Guerra, Paula and Gordon, Alastair, eds. (2019) Trans-global punk scenes: the punk reader vol. 2. Intellect, Bristol. . (Accepted/In press)

Dines, Mike, Gordon, Alastair and Guerra, Paula, eds. (2017) The punk reader: research transmissions from the local and the global. Universidade do Porto, Faculdade de Letras, Porto. pbk-ISBN 9789898648792.

Dines, Mike ORCID: https://orcid.org/0000-0001-9706-979X and Gregory, Georgina, eds. (2018) Beatified beats: exploring the spiritual in popular music. Bloomsbury Professional, London. . (Accepted/In press)

Dines, Mike ORCID: https://orcid.org/0000-0001-9706-979X and Grimes, Matt, eds. (2019) Punk now!! Contemporary perspectives on punk. Intellect, Bristol. ISBN 9781789381740. (Accepted/In press)

Dines, Mike ORCID: https://orcid.org/0000-0001-9706-979X and Way, Laura, eds. (2017) Your wisdom, our youth: postgraduate studies in punk. Cambridge Scholars Press, Newcastle Upon Tyne. ISBN 1443881686, ISBN 9781443881685.

Dromey, Christopher ORCID: https://orcid.org/0000-0002-3275-4777 and Haferkorn, Julia (2018) The Classical Music Industry. Routledge Research in Creative and Cultural Industries Management . Routledge. ISBN 9781138203693.

Dylan Smith, Gareth, Dines, Mike ORCID: https://orcid.org/0000-0001-9706-979X and Parkinson, Tom, eds. (2017) Punk pedagogies: music, culture and learning. Routledge, New York. e-ISBN 9781315276250, ISBN 9781138279872, pbk-ISBN 9781138279889. (doi:10.4324/9781315276250)

Impett, Jonathan (2018) Routledge handbook to Luigi Nono and musical thought. Routledge, London. ISBN 9781409455974.

Inglis, Brian ORCID: https://orcid.org/0000-0003-0662-4693 and Smith, Barry (2019) Kaikhosru Sorabji's letters to Philip Heseltine (Peter Warlock). Routledge, London and New York. ISBN 9781138478435.

Jones, Simon (1988) Black culture, white youth: the reggae tradition from JA to UK. Communication and Culture . Palgrave Macmillan, Houndmills, Basingstoke. ISBN 9780333452554.

Jones, Simon (2016) Black culture, white youth: the reggae tradition from JA to UK. Bassline Books, London. ISBN 9780995611108. (Published online first)

Jones, Simon and Pinnock, Paul (2018) Scientists of sound: portraits of a UK reggae sound system. Bassline Books/Amazon, London. ISBN 9780995611122. (Published online first)

Schaeffer, Pierre, Dack, John and North, Christine (2012) In search of a concrete music by Pierre Schaeffer; translated by Christine North and John Dack. California Studies in 20th-Century Music . University of California Press, Berkeley. ISBN 9780520265738.

Schaeffer, Pierre, North, Christine and Dack, John (2017) Treatise on musical objects: an essay across disciplines by Pierre Schaeffer; translated by Christine North and John Dack. California Studies in 20th-Century Music . University of California Press, Oakland, USA. ISBN 9780520294295.

Thesis

Dromey, Christopher ORCID: https://orcid.org/0000-0002-3275-4777 (2010) The Pierrot Ensembles. PhD thesis, King's College, London.

Show/Exhibition

Evans, François (2008) Barry Gray centenary concert. [Show/Exhibition]

Composition

Fribbins, Peter (2015) Dances & Laments. [Composition]

Fribbins, Peter (2017) Sonata for solo violin. [Composition]

Impett, Jonathan (2016) Folto Giardino I. [Composition]

Impett, Jonathan (2018) Folto Giardino II. [Composition]

Impett, Jonathan (2017) Prado Florido (after Guerrero). [Composition]

Impett, Jonathan (2017) Spoken. [Composition]

Inglis, Brian ORCID: https://orcid.org/0000-0003-0662-4693 (2015) A Christmas alleluia: for SATB choir and organ. [Composition]

Inglis, Brian ORCID: https://orcid.org/0000-0003-0662-4693 (2018) Four pieces for toy piano. [Composition]

Inglis, Brian ORCID: https://orcid.org/0000-0003-0662-4693 (2017) Piano Trio: for violin, cello and piano. [Composition]

Inglis, Brian ORCID: https://orcid.org/0000-0003-0662-4693 (2015) Wedding. [Composition]

Inglis, Brian ORCID: https://orcid.org/0000-0003-0662-4693, Shiel, Derek and Evans, François (2009) Symphony no. 2. [Composition]

Film/Video

Evans, François (1999) The 3 kings. [Film/Video]

Evans, François (2014) Game over. [Film/Video]

Evans, François (1997) Hitman. [Film/Video]

Evans, François (2006) Martyr. [Film/Video]

Evans, François (2019) Pavlovian wolves: the sound world of Wadleigh's 'Wolfen' (1981). [Film/Video] (Accepted/In press)

Evans, François (1997) Pervirella. [Film/Video]

Evans, François (1998) Sudden fury. [Film/Video]

Evans, François (1994) A fistful of fingers. [Film/Video]

Evans, François (1992) The punk & the princess. [Film/Video]

Gomes, Pete, Dwyer, Benjamin and Kindred, Helen (2018) KnowingUnknowing. [Film/Video]

Audio

Evans, François (2019) The lunatic, the lover & the poet. [Audio] (Accepted/In press)

Fribbins, Peter (2013) Dances and Laments. [Audio]

Fribbins, Peter, Graffin, Philippe, Šervenikas, Robertas and Hart, Christopher (2017) Dances, elegies and epitaphs: the music of Peter Fribbins. [Audio]

Inglis, Brian ORCID: https://orcid.org/0000-0003-0662-4693, Keen, Gabriel and Scobie, Christopher (2017) Living Stones. [Audio]

Other

Dromey, Christopher ORCID: https://orcid.org/0000-0002-3275-4777 (2014) Dances and Laments: Chamber Music by Peter Fribbins. Guild.

Dromey, Christopher ORCID: https://orcid.org/0000-0002-3275-4777 (2010) Peter Fribbins: Chamber Music for Strings. Guild.

Dromey, Christopher ORCID: https://orcid.org/0000-0002-3275-4777 (2011) Peter Fribbins: Chamber and Orchestral Works. Guild.

Dromey, Christopher ORCID: https://orcid.org/0000-0002-3275-4777 (2016) Programme notes (2008 - present) for the London Chamber Music Society (LCMS), Kings Place, London. London Chamber Music Society.

Dwyer, Benjamin (2014) Transcendence Interrupted: Composing 'Scenes from Crow'. Diatribe Records. (doi:DIAC017)

Dwyer, Benjamin (2017) Umbilical—the story of Oedipus, the story of Jocasta…. Diatribe Records.

Dwyer, Benjamin (2019) The stain upon the silence. Farpoint Records. (Accepted/In press)

This list was generated on Fri Dec 13 04:50:36 2019 GMT.