Items where Author / Artist / Editor is "White, Luke"

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Number of items: 27.

Article

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2015) A ‘narrow world, strewn with prohibitions’: Chang Cheh’s The Assassin and the 1967 Hong Kong riots. Asian Cinema, 26 (1). pp. 79-98. ISSN 1059-440X (doi:10.1386/ac.26.1.79_1)

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2014) Lau Kar-leung with Walter Benjamin: storytelling, authenticity, film performance and martial arts pedagogy. Journalism Media and Cultural Studies (JOMEC), 5 . pp. 1-17. ISSN 2049-2340 (doi:10.18573/j.2014.10277)

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2011) Radical, like in the 80s. Radical philosophy, 168 . pp. 56-58. ISSN 0300-211X

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2010) Damien Hirst’s shark: nature, capitalism and the sublime. Tate Papers (Tate's Online Research Journal), 14 . ISSN 1753-9854

Book Section

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2018) Carnival of the drunken master: the politics of the Kung Fu comedic body. In: The Martial Arts Studies Reader. Bowman, Paul, ed. Martial Arts Studies . Rowman and Littlefield, London, pp. 199-212. 9781786605498.

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2017) Toward an aesthetic of weightlessness: Qinggong and Wire-fu. In: RoCH Fans and Legends. lok, susan pui san, ed. QUAD / Centre for Chinese Contemporary Art, Derby / Manchester. 9780995461109.

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2009) Damien Hirst's diamond skull and the capitalist sublime. In: The Sublime Now. White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 and Pajaczkowska, Claire, eds. Cambridge Scholars Publishing, Newcastle Upon Tyne, pp. 155-171. 9781443813020.

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 and Pajaczkowska, Claire (2009) The sublime in the work of Cornelia Parker. In: The Sublime Now. White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 and Pajaczkowska, Claire, eds. Cambridge Scholars Publishing, Newcastle Upon Tyne, pp. 181-196. 9781443813020.

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2007) Sublimity, beauty and decorum. In: Richmond Burton and Maisie Kendall: decorum. Petry, Michael, ed. MOCA in conjunction with the Royal Academy Schools, Hornsey, pp. 5-10. 9780955257797.

Conference or Workshop Item

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2018) Netflix ninjas and the legacy of the Kung Fu craze: asiaphilia and asiaphobia in Marvel’s Daredevil. In: 4th Annual Martial Arts Studies Conference: Bruce Lee’s Cultural Legacies, 11-12 Jul 2018, Cardiff University, UK.

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2017) Enter the Xiaozi: youth in the Hong Kong Kung Fu comedy film. In: World Youth Martial Arts Mastership International Academic Conference, 03-04 Nov 2017, Cheongju University, Korea.

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2017) The ethics of violence in the Kung Fu comedy. In: Martial Arts Studies Conference, 2017, 11-13 Jul 2017, Cardiff University, Wales, United Kingdom.

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2017) Jackie Chan vs. Walter Benjamin: postcolonial “Utopias of the Body” in Kung Fu comedy. In: Research Seminar Series, Department of English Literature, Linguistics and Cultural Studies, 08 Mar 2017, University of Westminster, London, United Kingdom.

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2017) Marvel’s Daredevil: Ninjas, Blind Swordsmen and the Oriental Obscene. In: Them! The Visual Cultures of 'Othering' in Post-Referendum UK and Post-General-Election USA, 13 Jan 2017, Middlesex University, London, United Kingdom.

lok, susan pui san and White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2015) Through the window: Wing Chun as woman warrior. In: Martial Arts Studies, 10-12 June 2015, Cardiff University.

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2012) Damien Hirst: the capitalism sublime? In: Marxism in Culture, 1st June 2012, Institute of Historical Research, University College London.

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2012) Nature, the metropolis and the apocalyptic sublime. In: Landscape & Eschatology, Friday, 13 January 2012, Tate Britain.

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2012) Kung-fu cinema's Shaolin heroes in the Longue Durée of Chinese revolt. In: Riot, Revolt, Revolution, 5-7 Sept 2012, University of Brighton.

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2012) Vicissitudes of violence: Hong Kong martial arts cinema and the 1966/7 unrest. In: Genre Beyond Hollywood, 8 July 2012, University of Southampton.

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2011) Towards a radical aesthetics of kung fu cinema: authenticity and the pedagogy of performing bodies in Lau Kar-leung’s Shaolin Cycle. In: Radical Aesthetics and Politics: Intersections in Music, Art and Critical Social Theory, 9 December 2011, Roosevelt House, Hunter College, CUNY.

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2007) Damien Hirst, Colley Cibber and the bathos of the commercialised sublime. In: Taste, vision, transcendence: sublimity 1700-1900., 5th January 2007, University of Sussex.

Book

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2018) Legacies of the drunken master: politics of the body in Hong Kong Kung Fu comedy. Asia Pop! . University of Hawai'i Press, Honolulu, USA. . (Accepted/In press)

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 and Pajaczkowska, Claire (2009) The sublime now. White, Luke and Pajaczkowska, Claire, eds. Cambridge Scholars Publishing, Newcastle Upon Tyne. 9781443813020.

Thesis

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2009) Damien Hirst and the legacy of the sublime in contemporary art and culture. PhD thesis, Middlesex University.

Digital artefact

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2018) Conference report: Bruce Lee’s cultural legacies. [Digital artefact]

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2018) How Jeff Koons sold out – and why his jumbo tulips don’t belong in Paris. [Digital artefact]

Other

White, Luke ORCID: https://orcid.org/0000-0002-7080-7243 (2007) Ideal homes/artificial horizons. Museum of Domestic Design & Architecture.

This list was generated on Thu Oct 17 05:20:30 2019 BST.