Items where Author / Artist / Editor is "Melrose, Susan"

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Number of items: 36.

Article

Melrose, Susan (2018) Nothing like...falling... Performance Research, 23 (4-5). pp. 151-161. ISSN 1352-8165 (doi:10.1080/13528165.2018.1511037)

Melrose, Susan, Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607 and Butcher, Rosemary (2015) Just in time: Rosemary Butcher, making memories and marks. Performance Research, 20 (6). pp. 87-94. ISSN 1352-8165 (doi:10.1080/13528165.2015.1111060)

Melrose, Susan (2006) The vanishing, or little erasures without significance? Performance research: a journal of performing arts, 11 (2). pp. 95-107. ISSN 1352-8165 (doi:10.1080/13528160600812042)

Hunt, Nick and Melrose, Susan (2005) Techne, technology, technician: the creative practices of the mastercraftsperson. Performance Research: A Journal of Performing Arts, 10 (4). pp. 70-82. ISSN 1352-8165 (doi:10.1080/13528165.2005.10871452)

Melrose, Susan (2002) Before the posthuman can take [its] place: performing place and person in the early 21st century. Performance Arts International e-journal (Issue). ISSN 1027-0000

Melrose, Susan (2001) (Re)marking the overlooked or, Stanislavski's napkin. Performance Research, 6 (2). pp. 4-19. ISSN 1352-8165

Book Section

Melrose, Susan and Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607 (2019) Writing 'Practice' /Practising/ 'Writing' (in the doctoral research context). In: Researching (in/as) Motion: A Resource Collection - Artistic Doctorates in Europe. Midgelow, Vida L. ORCID: https://orcid.org/0000-0003-0232-2209, Bacon, Jane, Hilton, Rebecca and Kramer, Paula, eds. Theatre Academy, University of the Arts Helsinki, Helsinki. ISBN 9789523530126. (Published online first)

Melrose, Susan (2017) Expert-intuitive and deliberative processes: struggles in (the wording of) creative decision-making in ‘dance’. In: Contemporary Choreography: A Critical Reader, 2nd Edition. Butterworth, Jo and Wildschut, Liesbeth, eds. Routledge, London & NY, pp. 25-40. 9781138679986.

Melrose, Susan (2017) Running in circles, with “music” in mind. In: Artistic Research in Music: Discipline and Resistance: Artists and Researchers at the Orpheus Institute. Impett, Jonathan, ed. Orpheus Institute Series . Leuven University Press, Leuven, pp. 187-210. 9789462700901. (doi:10.2307/j.ctt21c4s2g.13)

Melrose, Susan (2016) Positive negatives: or the subtle arts of compromise. In: Collaboration in Performance Practice: Premises, Workings and Failures. Colin, Noyale and Sachsenmaier, Stefanie, eds. Palgrave Macmillan UK, UK, pp. 239-258. 9781137462459. (doi:10.1057/9781137462466_13)

Melrose, Susan (2012) Expert-performance-practitioner-centred modes of knowledge and models of intelligibility: disciplinary specificity and the digital submission. In: The Sage handbook of digital dissertations and theses. Andrews, Richard, Borg, Erik, Boyd Davis, Stephen, Domingo, Myrrh and England, Jude, eds. SAGE Publications, London, pp. 298-314. 9780857027399.

Melrose, Susan (2011) Postmodernism and performance. In: The Routledge companion to postmodernism. Sim, Stuart, ed. Routledge Companions . Routledge, London and New York, pp. 194-203. 9780415583329.

Melrose, Susan (2009) Expert-intuitive processing and the logics of production: struggles in (the wording of) creative decision: making in dance. In: Contemporary choreography: a critical reader. Butterworth, Jo and Wildschut, Liesbeth, eds. Routledge, London and New York, p. 23. 9780415490870.

Melrose, Susan (2007) Not yet, and already no longer: loitering with intent between the expert practitioner at work, and the archive. In: (Capturing intention): documentatie, analyse en notatieonderzoek gebaseerd. DeLahunta, Scott and Bastien, Marion, eds. Emio Greco, Amsterdam, Netherlands, pp. 74-78. 9789081081337.

Melrose, Susan (2006) Bodies without bodies. In: Performance and Technology: Practices of Virtual Embodiment and Interactivity. Broadhurst, Susan Margaret and Machon, Josephine, eds. Palgrave Macmillan, Basingstoke, pp. 1-12. 9781403999078.

Melrose, Susan (2006) Constitutive ambiguities: writing professional or expert performance practices, and the Theatre du Soleil, Paris. In: Contemporary theatres in Europe. Kelleher, Joe and Ridout, Nicholas, eds. Routledge, pp. 120-135. 0415329396.

Melrose, Susan (2006) Who knows - and who cares: about performance mastery? In: A performance cosmology: testimony from the future evidence of the past. Christie, Judie, Gough, Richard and Watt, Daniel Peter, eds. Routledge, London and New York, pp. 132-139. 9780415372589.

Melrose, Susan (1998) What do women want (in theatre)? In: The Routledge Reader in Gender and Performance. Goodman, Lizbeth and De Gay, Jane, eds. Routledge, London, pp. 131-135. 978-0415165839.

Conference or Workshop Item

Melrose, Susan (2019) A cautionary note or two, amid the pleasures and pains of participation in performance-making as Research (revised 2019) [keynote]. In: Participation, Research and Learning in the Performing Arts Symposium on the 6th May 2011, Centre for Creative Collaboration, London. Organised by Royal Holloway, University of London, The Higher Education Academy and PALATINE Dance, Drama and Music., Mar 2019 (revised), Centre for Creative Collaboration, London.

Melrose, Susan (2015) Chasing expertise: reappraising the role of intuitive process in creative decisionmaking. In: Thinking Dance 2015: Questioning the Contemporary Symposium,, 16-17 Oct 2015, Leeds Beckett University, Leeds, United Kingdom.

Melrose, Susan and Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607 (2014) Time’s markings/marking time/s: Rosemary Butcher’s secrets of the open sea (Revised 2019). In: IFTR (International Federation for Theatre Research) On Stratification, 18 Jul - 01 Aug 2014, Warwick.

Melrose, Susan, Sachsenmaier, Stefanie ORCID: https://orcid.org/0000-0001-5485-0607 and Butcher, Rosemary (2013) Just in time: ‘momentary’ events in the making of Rosemary Butcher’s signature practices. In: Performance Studies International Conference (PSi 19), 26-30 Jun 2013, Stanford, CA, United States.

Melrose, Susan (2011) A cautionary note or two, amid the pleasures and pains of participation in performance-making as research. In: Participatory Research & Learning in the Performing Arts, 6 May 2011, Centre for Creative Collaboration London.

Melrose, Susan (2009) Signs of life, signs of the times: and if all artists are semioticians? In: ADSA Conference, Boom or bust: economies of production and exchange in theatre, performance and culture., 30th June - 3rd July 2009, Edith Cowan University, Curtin University and Murdoch University, WA, Australia.

Melrose, Susan (2009) Rosemary Butcher: jottings on signature in the presence of the artist. In: Bodies of Thought, 3 April 2009, Siobhan Davies Studio, London.

Melrose, Susan (2007) Still harping on (about expert practitioner-centred modes of knowledge and models of intelligibility). In: E-science institute workshop: digital representations in the performing arts, 18th July 2007, Edinburgh.

Bannerman, Christopher, Smith, Chris, Melrose, Susan, Alston, Richard, Baxter, Guy, Adawole, Funmi and Davis, Jacqueline (2006) Performance as knowledge. In: Performance as knowledge seminar, 3rd May 2006, Somerset house, London.

Melrose, Susan (2005) Out of words. In: CHARM (AHRC Research Centre for the History and Analysis of Recorded Music) Symposium 1: Comparative perspectives in the study of recordings., 14-16 April 2005, Royal Holloway, University of London, Egham.

Melrose, Susan (2005) Just intuitive. In: The impossibility of representation?, 23 April 2005., AHRC Research Centre for Cross-Cultural Music and Dance Performance, School of Oriental and African Studies, University of London.

Melrose, Susan (2005) Words fail me: dancing with the other's familiar. In: Towards Tomorrow?, International gathering., 6-10 April 2005., Centre for Performance Research, Aberystwyth, University of Wales.

Melrose, Susan (2003) The eventful articulation of singularities - or, "Chasing angels". In: New alignments and emergent forms: dance-making, theory and knowledge., December 2003, School of Arts, Froebel College, Roehampton, University of Surrey.

Melrose, Susan (2002) Entertaining Other Options: Restaging "Theory" in the Age of Practice as Research. In: Inaugural Professorial Lecture, Middlesex University, January 2002, Cat Hill campus, Middlesex University.

Melrose, Susan (2002) Textual turns - and a turn-up for the books. In: "Textual Conditions", September 2002., University of Nottingham,.

Book

Melrose, Susan and Butcher, Rosemary (2005) Rosemary Butcher: choreography/collisions/collaborations. Performing Arts . Middlesex University Press, Hendon, London. 1904750478.

Melrose, Susan (1994) A semiotics of the dramatic text. New directions in theatre . Macmillan, Basingstoke. 033341943x.

Other

Melrose, Susan (2007) Practice as Research website: http://www.sfmelrose.u-net.com. Susan Melrose.

This list was generated on Tue Nov 12 05:32:56 2019 GMT.