Items where Author / Artist / Editor is "Machon, Josephine"

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Number of items: 21.

Article

Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947 (2016) Watching, attending, sense-making: spectatorship in immersive theatres. Journal of Contemporary Drama in English, 4 (1). pp. 34-48. ISSN 2195-0156 (doi:10.1515/jcde-2016-0004)

Book Section

Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947 (2019) Audience improvisation in the immersive experience: the sensuous world of the body in the work of Lundahl & Seitl. In: Oxford Handbook of Improvisation in Dance. Midgelow, Vida L., ed. Oxford Handbooks . Oxford University Press. 9780199396986. (Accepted/In press)

Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947 (2017) The aesthetics of immersion in Punchdrunk's The Drowned Man: A Hollywood Fable. In: Live Cinema: Cultures, Economies, Aesthetics. Atkinson, Sarah and Kennedy, Helen W., eds. Bloomsbury Academic, London, pp. 219-230. ISBN 9781501324833, pbk-ISBN 9781501353970, e-ISBN 9781501324840, e-ISBN 9781501324857. (doi:10.5040/9781501324840.ch-018)

Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947, Lundahl, Christer and Seitl, Martina (2017) Missing rooms and unknown clouds: darkness and illumination in the work of Lundahl & Seitl. In: Theatre in the Dark: Shadow, Gloom and Blackout in Contemporary Theatre. Alston, Adam and Welton, Martin, eds. Methuen Drama Engage . Bloomsbury Methuen Drama, London, pp. 147-168. ISBN 9781474251181, pbk-ISBN 9781350099401, e-ISBN 9781474251198, e-ISBN 9781474251204.

Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947 (2016) On being immersed: the pleasure of being: washing, feeding, holding. In: Reframing Immersive Theatre: The Politics and Pragmatics of Participatory Performance. Frieze, James, ed. Palgrave Macmillan, Basingstoke, UK, pp. 29-42. 9781137366030. (doi:10.1057/978-1-137-36604-7_2)

Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947 (2015) Punchdrunk. In: British theatre companies: 1995-2014. Tomlin, Elizabeth, ed. British Theatre Companies: From Fringe to Mainstream . Methuen Drama. 9781408177273.

Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947 (2013) (Syn)aesthetics and immersive theatre: embodied beholding in Lundahl & Seitl’s Rotating in a Room of Images. In: Affective performance and cognitive science. Shaughnessy, Nicola, ed. Bloomsbury Methuen Drama. 9781408185773.

Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947 (2013) Naomi Wallace and the politics of desire. In: The innovative theatre of Naomi Wallace: embodied dialogues. Stevens Abbit, Erica and Palmer, Scott, eds. Palgrave Macmillan. 9781137017918.

Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947 (2013) Immersed in illusion, haunted by history: Marisa Carnesky’s ghost train. In: The Ashgate research companion to paranormal cultures. Jenzen, Olu and Munt, Sally R., eds. Ashgate, pp. 241-254. 9781409444671.

Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947 (2013) Immersive performance, (syn)aesthetics and the phenomenology of technologies. In: Affective performance and cognitive science: body, brain and being. Shaughnessy, Nicola, ed. Bloomsbury. 9781408183984.

Boddington, Ghislaine (2012) Woven bodies, woven cultures. In: Identity, performance and technology: practices of empowerment, embodiment and technicity. Broadhurst, Susan and Machon, Josephine, eds. Palgrave Studies in Performance and Technology . Pelgrave Macmillan, pp. 77-90. 9780230298880.

Melrose, Susan (2006) Bodies without bodies. In: Performance and Technology: Practices of Virtual Embodiment and Interactivity. Broadhurst, Susan Margaret and Machon, Josephine, eds. Palgrave Macmillan, Basingstoke, pp. 1-12. 9781403999078.

Conference or Workshop Item

Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947 (2014) Blind(fold)ed by light in Lundahl & Seitl’s Symphony in a Missing Room: thinking out loud in the dark. In: Theatre in the Dark., 12 Jul 2014, University of Surrey, SeedPOD Nodus Centre..

Book

Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947, ed. (2018) The Punchdrunk encyclopaedia. Routledge, London. ISBN 9781138556782, pbk-ISBN 9781138556799, e-ISBN 9781315150352. (doi:10.4324/9781315150352)

Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947 (2013) Immersive theatres: intimacy and immediacy in contemporary performance. Palgrave Macmillan, Basingstoke. 9781137019844.

Broadhurst, Susan and Machon, Josephine, eds. (2012) Identity, performance and technology: practices of empowerment, embodiment and technicity. Palgrave Studies in Performance and Technology . Palgrave Macmillan, Basingstoke. 9780230298880.

Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947 (2011) (Syn)aesthetics: redefining visceral performance. Palgrave Macmillan, Basingstoke, UK. 9780230336902.

Broadhurst, Susan and Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947, eds. (2011) Performance and technology: practices of virtual embodiment and interactivity. Palgrave Macmillan, Basingstoke, UK. 9780230293656. (doi:10.1057/9780230288157)

Broadhurst, Susan and Machon, Josephine, eds. (2010) Sensualities/textualities and technologies: writings of the body in 21st Century performance. Palgrave Macmillan, Basingstoke. 9780230220256.

Broadhurst, Susan and Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947, eds. (2006) Performance and technology: practices of virtual embodiment and interactivity. Palgrave Macmillan, Basingstoke, UK. 9781403999078. (doi:10.1057/9780230288157)

Other

Machon, Josephine ORCID: https://orcid.org/0000-0002-4464-8947 and Thompson, Charlotte (2014) Punchdrunk enrichment preliminary report. November 2014. Middlesex University.

This list was generated on Sun Nov 17 05:11:17 2019 GMT.