Items where Author / Artist / Editor is "Kokoli, Alexandra M."

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Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2019) Crossing borders and other dividers in (Western) Europe and the British Isles. In: A Companion to Feminist Art. Robinson, Hilary and Buszek, Maria Elena, eds. Blackwell Companions to Art History . Wiley-Blackwell. 9781118929155. (Accepted/In press)

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2018) Free Lunch with the Stench Wench: towards a synaesthetics of poverty and shame in Catherine Hoffmann’s performance. Hypatia: A Journal of Feminist Philosophy, 33 (3). pp. 485-499. ISSN 0887-5367 (doi:10.1111/hypa.12399)

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2018) Domestic fronts: towards a feminist survival(ism). In: Symposium: Feminist Visual Activism, 10 July 2018, ICA, London.

Deepwell, Katy, Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570, Robinson, Anne, Mullaniff, Kathleen, Dick, Emma, Attwood, Feona, Leeson, Loraine ORCID: https://orcid.org/0000-0002-6684-3911 and Maude-Roxby, Alice (2018) Feminist Art Activisms and Artivisms - 2 July 2018, Middlesex University. In: Feminist Art Activisms and Artivisms, 02 July 2018, Middlesex University, London, UK. (Published online first)

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2018) Creative Tensions: Making (it), unmaking, and making do in textiles informed by feminism. In: A Companion to Textile Culture. Harris, Jennifer, ed. Blackwell Companions to Art History . Wiley-Blackwell. 9781118768624. (Accepted/In press)

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2018) Read my QR: Quilla Constance and the conceptualist promise of intelligibility. In: Conceptualism: Intersectional Readings, International Framings. lok, susan pui san, Aikens, Nick and Orlando, Sophie, eds. VanAbbe Museum & L’Internationale Online. . (Accepted/In press)

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 and Sliwinska, Basia (2018) HOME STRIKE, an exhibition guest-curated by Alexandra Kokoli and Basia Sliwinska, with CANAN, Paula Chambers, Malgorzata Markiewicz and Su Richardson, l'etrangere, 8 March-21 April 2018. [Show/Exhibition]

lok, susan pui san, Orlando, Sophie, Aikens, Nick, Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570, Lebovici, Elisabeth, Castagnini, Laura, Dumont, Fabienne, Wilson, Sarah, Sharma, Sumesh, Feiss, EC, Dibosa, David, Boyce, Sonia, Bentcheva, Eva, Yu, Wei, Fletcher, Annie, Esche, Charles, Dressler, Iris, Cassel Oliver, Valerie, Correia, Alice, Lerm hayes, Christa-Maria, Albarran, Juan, Delacourt, Sandra, Burris, Jennifer and Arndt, Lotte (2018) Conceptualism - Intersectional Readings, International Framings. lok, susan pui san and Orlando, Sophie and Aikens, Nick, eds. Van Abbemuseum, Eindhoven. .

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2017) Unpicking the Canon: Making (it), unmaking, and making do in textiles informed by feminism. In: A Feminist Space at Leeds: Looking Back to Think Forward, 16-17 December 2017, Leeds University.

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2017) Read my QR: Quilla Constance and the conceptualist promise of intelligibility. In: Conceptualism: Intersectional Readings, International Framings, Black Artists and Modernism (BAM) Conference, 07-09 Dec 2017, Van Abbemuseum, Eindhoven, Netherlands.

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2017) Do textiles think? In: Weaving Culture in Europe. Kyprianidou, Efi, ed. Nisos, pp. 99-102. 978-960-589-062-9.

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2017) The ambiguous ambivalence of feminist textiles. In: CUT CLOTH: Contemporary Textiles and Feminism. Ford, Sarah-Joy, ed. PO Publishing, pp. 60-65. 978-1-910846-04-9.

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2017) The writing’s on the wall: #QC against decipherability. In: 'Transcending the Signified', Quilla Constance Symposium, 23 June 2017, Camberwell College of Arts, UAL, London.

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2017) Pre-emptive mourning against the bomb: exploded domesticities in art informed by feminism and anti-nuclear activism. Oxford Art Journal, 40 (1). pp. 153-168. ISSN 0142-6540 (doi:10.1093/oxartj/kcx004)

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570, Allen, Felicity, Boyce, Sonia, Budd, Amy, Hiller, Susan, Hudek, Antony and Sainsbury, Alex (2017) History or not: addressing omissions in the retelling of art's stories (roundtable discussion). In: History or Not: Addressing Omissions in the Retelling of Art's Stories, 18 Mar 2017, Raven Row, London, United Kingdom.

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2017) Tate in Focus: From the Freud Museum 1991–6 by Susan Hiller. Kokoli, Alexandra M., ed. Tate Research Publication. 978-1-84976-532-9.

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2016) Angry melancholia: towards a performative politics of time in the work of Monica Ross. In: Monica Ross: Ethical Actions - A Critical Fine Art Practice. Sternberg Press, Berlin, pp. 22-31. 9783956792021.

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2016) The feminist uncanny in theory and art practice. Bloomsbury Studies in Philosophy . Bloomsbury Academic, London. 9781472511393.

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2016) Uncanny domesticities in art informed by feminist anti-nuclear activism. In: Artists’ Critical Interventions into Architecture and Urbanism, 15-16 July 2016, University of Warwick, United Kingdom.

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570, Harrison, Margaret, Farkas, Rózsa Zita, Leeson, Loraine ORCID: https://orcid.org/0000-0002-6684-3911 and Maple, Sarah (2016) Interview with Margaret Harrison and participation in roundtable discussion. In: The Practicing Feminist, 21 May 2016, Tate Britain.

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2016) Pre-emptive mourning against the bomb: the art and visual culture of feminist anti-nuclear activisms. In: Feminist Perspectives on Artistic Productions and Theories of Art, 5th edition, organised by Xabier Arakistain and Lourdes Mendez, 28-30 October 2016, Azkuna Zentroa, Bilbao.

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2016) #QC: Read My QR. In: Quilla Constance: #QC_Symposium, 10 March 2016, Toynbee Studios, Artsdmin, 28 Commercial Street, London E1 6AB.

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 and Winter, Aaron (2015) What Bear Grylls can’t do: survivalist mediascapes in austerity Britain. Media Commons (http://mediacommons.futureofthebook.org/), In Media Res: A Media Commons Project.

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2015) Pre-emptive mourning (or melancholia)? : the home as tomb in art informed by feminism and anti-nuclear activism. In: House, work, artwork: feminism and Art History's new domesticities, 3-4 Jul 2015, University of Birmingham, Birmingham. United Kingdom.

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2015) Now, then, and again: between anniversary and HERitage. Day + Gluckman.

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 and Winter, Aaron (2015) What a girl’s gotta do: the labour of the biopolitical celebrity in austerity Britain. Women & Performance: a Journal of Feminist Theory, 25 (2). pp. 157-174. ISSN 0740-770X (doi:10.1080/0740770X.2015.1057015)

Petherbridge, Deanna, Segal, Lynne, Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 and Deepwell, Katy (2015) Misogyny: Witches and Wicked Bodies. In: Misogyny: Witches and Wicked Bodies, 18 Mar 2015, ICA, London, United Kingdom.

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2014) Not a straight line by a spiral: charting continuity and change in textiles informed by feminism. Image and Text, 23 . pp. 110-129. ISSN 1020 1497

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2013) The woman artist as curatorial effect. In: Politics in a glass case: feminism, exhibition cultures and curatorial transgressions. Dimitrakaki, Angela and Perry, Lara, eds. Liverpool University Press. 9781846318931.

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2013) The voice as uncanny index in Susan Hiller’s The Last Silent Movie. Art Journal, 72 (2). p. 6.

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2012) Remembering, repeating and working through in Anniversary – An Act Of Memory by Monica Ross and co-recitors (2008–). Performance Research, 17 (5). pp. 24-30. ISSN 1352-8165 (doi:10.1080/13528165.2012.728436)

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 (2010) On probation: Tracey Emin as sign. Wasafiri, 25 (1). pp. 33-40. ISSN 0269-0055 (doi:10.1080/02690050903425342)

Hiller, Susan (2008) Susan Hiller: the provisional texture of reality: selected talks and texts, 1977–2007. Kokoli, Alexandra M., ed. Positions . JRP|Ringier. 9783905829563.

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570, Heath, Joanne, Hemus, Ruth, Chase, Alisia Grace, Roulstone, Karen, Behm, Anthea, Germann, Jennifer G., Grant, Catherine, Tate, Sue, Lauritis, Beth Anne, Pollock, Griselda and Swartz, Anne (2008) Feminism reframed: reflections on art and difference. Kokoli, Alexandra M., ed. Cambridge Scholars Publishing. 9781847184054.

Kokoli, Alexandra M. ORCID: https://orcid.org/0000-0003-3730-8570 Sisters. In: Judy Chicago. Dickson, Rachel, ed. Lund Humphries, pp. 169-177. 9781848221208.

This list was generated on Wed Oct 23 05:20:09 2019 BST.