Items where Author / Artist / Editor is "Glynn, Basil"

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Number of items: 23.

Article

Glynn, Basil and Kim, Jeongmee (2017) Life is beautiful: gay representation, moral panics, and South Korean television drama beyond Hallyu. Quarterly Review of Film and Video, 34 (4). pp. 333-347. ISSN 1050-9208

Glynn, Basil and Kim, Jeongmee (2013) ‘”Oppa”-tunity knocks: Psy, Gangnam Style and the critical reception of K-pop in Britain.’. Situations: Cultural Studies in the East Asian Context, 7 (1). pp. 1-20. ISSN 2288-7822

Book Section

Glynn, Basil (2016) The Tudors and the post-national, post-historical Henry VIII. In: The British Monarchy on Screen. Merck, Mandy, ed. Manchester University Press, Manchester, pp. 411-447. ISBN 9780719099564

Glynn, Basil and Kim, Jeongmee (2014) International circulation and local retaliation: East Asian television drama and its Asian connotations. In: Reading Asian Television Drama: Crossing Borders and Breaking Boundaries. Kim, Jeongmee, ed. Reading Contemporary Television . I.B. Tauris, London, pp. 27-46. ISBN 9781845118600

Glynn, Basil (2013) Approximating cultural proximity and accentuating cultural difference: cross-border transformations in Asian television drama. In: Reading Asian Television Drama: Crossing Borders and Breaking Boundaries. Kim, Jeongmee, ed. Reading Contemporary Television . I.B. Tauris, London, pp. 43-64. ISBN 9781845118600

Glynn, Basil (2012) The conquests of Henry VIII: masculinity, sex and the national past in the Tudors’. In: Television, Sex and Society: Analyzing Contemporary Representations. Glynn, Basil and Johnson, Beth and Aston, James, eds. Continuum, New York, pp. 157-173. ISBN 9780826434982

Glynn, Basil and Kim, Jeongmee (2009) Corpse, spectacle, illusion: the body as abject and object. In: The CSI Effect: Television Crime and Governance. Byers, Michelle and Johnson, Val, eds. Critical Studies in Television . Lexington, New York, pp. 93-110. ISBN 9780739124703

Conference or Workshop Item

Glynn, Basil and Kim, Jeongmee (2016) Korean wave drama: transnationalism, celebration and resistance. In: Transnational Screens Conference: Volatility and Compounding Transnational Traffic, 15-16 Sept 2016, De Montfort University, Leicester, United Kingdom.

Glynn, Basil and Kim, Jeongmee (2016) Mortality and morality in CSI: getting away with gore. In: Death and Culture Conference, 01-03 Sept 2016, The University of York, York, UK.

Glynn, Basil (2015) The Mummy’s revenge: secularism, religion and the sacred dead in Universal and Hammer’s Mummy movies. In: Reflections on revenge: a conference on the culture and politics of vengeance, 4 Sept 2015, Leicester, United Kingdom.

Glynn, Basil (2015) Like a version?: Balancing the foreign and domestic in imported television drama. In: TV in the Age of Transnationalisation and Transmedialisation: A Two Day International Conference, 22-23 Jun 2015, University of Roehampton, London, United Kingdom.

Glynn, Basil (2015) The clash of past, present and cultures in Hammer’s The Mummy (1959). In: Hammer Film Productions: A Laboratory for Modern Horror / Le studio Hammer: Laboratoire de l'horreur moderne, 10-12 Jun 2015, Université Paris Ouest Nanterre, Sorbonne Nouvelle, Paris, France.

Glynn, Basil (2013) The Tudors, the national past and the re-shaping of generic traditions in contemporary TV costume drama. In: Media Mutations 6, Modes of Production and Narrative Forms in the Contemporary TV series, 27th-28th May 2013, Dipartimento delle Arti visive, performative, mediali of the Università di Bologna.

Glynn, Basil (2012) The Tudors (2007-2010) and the international, post-national and post-historical TV series. In: The Monarchy on Screen, 23-24 November 2012, Senate House, University of London.

Glynn, Basil (2012) Masculinity, sex and the national past. In: Adapting Historical Narratives Conference, 28th February 2012, De Montfort University.

Glynn, Basil (2010) Viscous victorians: Hammer, colour and realism. In: Bloodlines: British Horror Past and Present, 4th-5th March 2010, De Montfort University.

Glynn, Basil (2009) Asian TV comes to Britain: but does it survive the trip?: The re-authoring of The Water Margin. In: Cultural Typhoon: Cultural Studies and Asia, Past, Present and Future, 3rd-5th July 2009, University of Foreign Studies, Tokyo.

Glynn, Basil (2009) Sex and digs and wrap and role: orientalism, transgressive romance and the resurrection of the Mummy. In: Beyond Life: The Undead in Global Cult Media, Cine Excess: The Third International Conference on Cult Film Traditions, 30th April-2nd May 2009, Curzon Soho Cinema and Odeon Covent Garden.

Glynn, Basil and Kim, Jeongmee (2006) Corpse, spectacle, illusion: mainstreaming extreme images in CSI. In: TV Fiction Exchange: Local/Regional/National/Global, 5th-8th September 2006, Manchester Metropolitan University.

Glynn, Basil (2004) Moving the Greeks to London: Tony Harrison’s classical theatre of the 1980s. In: Nation, Region, Belonging, 10th International Conference on the Literature of Region and Nation, 3rd-6th August 2004, Manchester Metropolitan University.

Glynn, Basil (2004) Preserved on film: The Mummy, silent cinema and Egyptomania. In: Screen Studies Conference, 2nd-4th July 2004, University of Glasgow.

Book

Glynn, Basil and Johnson, Beth and Aston, James, eds. (2012) Television, sex and society: analysing contemporary representations. Continuum, New York. ISBN 9780826434982

Artefact

Glynn, Basil and Kerr, Paul and McGorrian, Tom (2016) Emmaus in the UK 1991-2016 - Brochure / Booklet. [Artefact]

This list was generated on Mon Mar 18 04:46:51 2019 GMT.