Items where Author / Artist / Editor is "Dogantan-Dack, Mine"

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Number of items: 47.

Dogantan-Dack, Mine (2013) Tonality: the shape of affect. Empirical Musicology Review . ISSN 1559-5749 (Accepted/In Press)

Dogantan-Dack, Mine (2013) Familiarity and musical performance. In: Music and familiarity: listening, musicology and performance. King, Elaine and Prior, Helen M, eds. SEMPRE Studies in the Psychology of Music . Ashgate, pp. 271-287. ISBN 9781409420750

Dogantan-Dack, Mine (2012) Practice-as-research in music performance. In: The SAGE handbook of digital dissertations and theses. Andrews, Richard N. L. and Borg, Erik and Davis, Stephen N. and Domingo, Myrrh and England, Jude, eds. SAGE Publications Ltd. ISBN 9780857027399

Dogantan-Dack, Mine (2012) Phrasing – the very life of music: performing the music and nineteenth-century performance theory. Nineteenth-Century Music Review, 9 (1). pp. 7-30. ISSN 1479-4098

Dogantan-Dack, Mine (2011) In the beginning was gesture: piano touch and an introduction to a phenomenology of the performing body. In: New perspectives on music and gesture. Gritten, Anthony and King, Elaine, eds. Ashgate, Aldershot. ISBN 9780754664628

Nuhn, Ralf and Colle, Cecile (2011) ParaSites: new propositions. In: Music and Sonic Art: practices and theories. Lasker, George and Dack, John and Dogantan-Dack, Mine, eds. The International Institute for Advanced Studies in Systems Research and Cybernetics, Ontario, pp. 11-15. ISBN 9781897233511

Dogantan-Dack, Mine (2008) Recording the performer's voice. In: Recorded music: philosophical and critical reflections. Dogantan-Dack, Mine, ed. Middlesex University Press, London, UK, pp. 293-313. ISBN 9781904750277

Dogantan-Dack, Mine (2008) What performers know: does it matter? towards an epistemology of performance? In: What Performers Know: Does it Matter? Towards an Epistemology of Performance?, December 2008, Royal Irish Academy of Music, Dublin.

Dogantan-Dack, Mine (2008) Timbre as an expressive dimension in music. In: Spectral world musics: proceedings of the Istanbul Spectral Music Conference. Reigle, Robert and Whitehead, Paul Alister, eds. Pan Yayincilik, Istanbul, pp. 63-74. ISBN 9789944396271

Gritten, Anthony (2008) Performing after recording. In: Recorded Music: Philosophical and Critical Reflections. Dogantan-Dack, Mine, ed. Middlesex University Press, London, pp. 82-99. ISBN 9781904750277

Dogantan-Dack, Mine (2008) Recorded music: philosophical and critical reflections. Dogantan-Dack, Mine, ed. Middlesex University Press, London. ISBN 9781904750277

Dogantan-Dack, Mine (2008) Something old, something new, something borrowed, something true: questions of aesthetics and epistemology in using recordings. In: 6th CHARM Symposium. Royal Holloway, University of London, Egham, Surrey.

Dogantan-Dack, Mine (2008) Collaborative processes and aesthetics of interaction in chamber music performance: The Alchemy Project. In: 2nd International Symposium on Systems Research in the Arts and Humanities, 24-30 July 2008., Baden-Baden, Germany.

Dogantan-Dack, Mine (2008) Preparing Beethoven for Live Performance: The 'Alchemy Project'. In: Performing Romantic Music Conference, 10-13 July 2008, University of Durham.

Dogantan-Dack, Mine (2008) Exploring live music performance: The Alchemy Project. In: SMI (Society for Musicology in Ireland) Annual Conference, 9-11 May 2008, Waterford, Ireland..

Dogantan-Dack, Mine (2008) Alchemy in the Spotlight: Qualitative Transformations In Chamber Music Performance. Alchemy in the Spotlight: Qualitative Transformations In Chamber Music Performance. .

Dogantan-Dack, Mine (2008) Music and emotions: the language connection. Septet: Yeditepe Journal of the Arts and Humanities, 1 .

Dack, John and Gibbs, Tony (2008) A sense of place: a sense of space. In: Recorded Music: Philosophical and Critical Reflections. Dogantan-Dack, Mine, ed. Middlesex University Press, London. ISBN 9781904750277

Dogantan-Dack, Mine and Frith, Michael (2007) Organ as Orchestra, Piano Concerto as Chamber Music. PRIMO archive .

Dogantan-Dack, Mine (2007) Practice and theory: ways of knowing music. In: Systems Research in the Arts. International Institute for Advanced Studies, Baden-Baden, Germany. Ontario., pp. 7-12. ISBN 1894613538

Dogantan-Dack, Mine (2006) The body behind music: precedents and prospects. Psychology of Music, 34 (4). pp. 449-464. ISSN 0305-7356

Dogantan-Dack, Mine (2006) From rehearsal to performance: qualitative transformations in professional music making. In: Teaching, Learning and Performing Music Conference, 1-2 July 2006., Royal Northern College of Music.

Dogantan-Dack, Mine (2006) Imagery and metaphor in nineteenth-century performance discourse. In: Interdisciplinary Nineteenth-Century Studies Conference: Creativity in the Nineteenth Century, 6-9 July 2006, University of Durham.

Dogantan-Dack, Mine (2006) In the Beginning...was Gesture: Initiatory Performance Movements. In: Second Conference on Music and Gesture, 20-23 July 2006, Royal Northern College of Music.

Dogantan-Dack, Mine (2006) Can musical performance be research? In: Performance Studies Workshop, 12 May 2006., Royal College of Music, London..

Dogantan-Dack, Mine (2006) From analysis to performance: the rhythmic structure of the Second Movement of Beethoven's Piano Sonata Op.13. In: Second Performing Arts Seminar, 26 April 2006, Middlesex University.

Dogantan-Dack, Mine (2006) Collaborative music making and research. In: 3rd Music Research Group Symposium, 5 April 2006, Middlesex University.

Dogantan-Dack, Mine (2006) The quartet as orchestra: Mozart's Piano Concertos K.413 and K.415 as arranged for piano quintet. In: The Quartet as Orchestra: Mozart's Piano Concertos K.413 and K.415 as arranged for Piano Quintet., 01 Mar 2006, Middlesex University.

Dogantan-Dack, Mine (2006) Work, performance, signature: theory and practice of classical music. Medias Res: Middlesex University Music Research Journal, Februa . pp. 18-24.

Dogantan-Dack, Mine (2006) Models and metaphors: exploring music performance. In: Systems Research in the Arts. International Institute for Advanced Studies, Baden-Baden, Germany. Ontario, pp. 83-91. ISBN 1894613457

Dogantan-Dack, Mine and Szucs, Ferenc (2005) Rachmaninoff's Sonata for Cello and Piano in G minor Op.19. In: Rachmaninoff's Sonata for Cello and Piano in G minor Op.19, 28 October 2005, Goldsmiths College, University of London.

Dogantan-Dack, Mine and Szucs, Ferenc (2005) Open Rehearsal of Rachmaninoff's Sonata for Cello and Piano in G minor, Op.19, with Ferenc Szucs. PRIMO archive .

Dogantan-Dack, Mine (2005) The art of phrasing: British performance theory during the 'Long' Nineteenth Century. In: Fifth Music In Nineteenth-Century Britain Conference, 7-10 July 2005, University of Nottingham.

Dogantan-Dack, Mine (2005) Music and knowledge. Medias Res: Middlesex University Music Research Journal., June . pp. 29-42.

Dogantan-Dack, Mine (2005) Music Aesthetics in Practice: Creativity and Expression in Rachmaninoff's Sonata for Cello and Piano in G minor, Op.19. In: Music Aesthetics in Practice: Creativity and Expression in Rachmaninoff’s Sonata for Cello and Piano in G minor, Op.19, 26 October 2005, Middlesex University.

Dogantan-Dack, Mine (2005) Music: the art of the intelligent heart. In: Inside Outside In Emotions, Body and Society. Ege University Press, Izmir, pp. 143-156. ISBN 975-483-659-0

Dogantan-Dack, Mine and Szucs, Ferenc (2005) Open Rehearsal of Schubert's "Arpeggione" Sonata for Cello and Piano with Ferenc Szucs. PRIMO archive .

Dogantan-Dack, Mine (2005) The concept of prolongation in music and poetry. In: Systems Research in the Arts. International Institute for Advanced Studies, Baden-Baden, Germany. Ontario., pp. 14-20. ISBN 1894613406

Dogantan-Dack, Mine (2004) The art and science of musical performance: nineteenth-century roots. In: “13th Biennial International Conference on Nineteenth-Century Music, 6-9 July 2004, University of Durham.

Dogantan-Dack, Mine (2003) The body behind music. In: Music and Gesture Conference, 28-31 August 2003.

Dogantan-Dack, Mine (2003) Tonal motion and attractions: a thread in music theory. In: IIAS SRC Conference Proceedings. University of Windsor Press, Ontario, pp. 1-10. ISBN 1894613325

Dogantan-Dack, Mine (2003) Aesthetics of musical performance. In: Systems Research in the Arts. International Institute for Advanced Studies, Baden-Baden, Germany. Ontario., pp. 47-52. ISBN 1894613104

Dogantan-Dack, Mine (2002) Mathis Lussy: a pioneer in studies of expressive performance. Varia Musicologica . Peter Lang, Oxford. ISBN 390676950X

Dogantan-Dack, Mine (2001) Lussy, Mathis. In: The New Grove Dictionary of Music and Musicians. Sadie, S. and Tyrell, J., eds. Oxford University Press, London, pp. 328-329. ISBN 0333608003

Dogantan-Dack, Mine (2001) Mathis Lussy and Expressive Performance. In: Systems Research in the Arts. International Institute for Advanced Studies, Baden-Baden, Germany. Ontario., pp. 125-130. ISBN 1-894613-45-7

Dogantan-Dack, Mine (2000) Muzik kuraminda bir tema. VeMüzik, 5 . pp. 1-13.

Dogantan-Dack, Mine (2000) Upbeat. In: The New Grove Dictionary of Music and Musicians, 2nd ed. Sadie, S. and Tyrrell, J., eds. Oxford University Press, London, pp. 149-150. ISBN 0333608003

This list was generated on Mon Aug 31 04:34:53 2015 BST.