Items where Author is "Dack, John"

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Novati, Maria Maddalena and Dack, John, eds. (2012) The Studio Di Fonologia: a musical journey 1954-1983, update 2008-2012. Ricordi, Milan, Italy. ISBN 9788875929183

Dack, John (2012) The nature of the instrument: Luciano Berio, instrumental thought and Schaefferian theory. In: Luciano Berio: nuove prospettive / new perspectives. De Benedictis, Angela Ida, ed. Chigiana (XLVIII). Leo S. Olschki, Florence, Italy, pp. 337-358. ISBN 9788822261106

Nuhn, Ralf and Colle, Cecile (2011) ParaSites: new propositions. In: Music and Sonic Art: practices and theories. Lasker, George and Dack, John and Dogantan-Dack, Mine, eds. The International Institute for Advanced Studies in Systems Research and Cybernetics, Ontario, pp. 11-15. ISBN 9781897233511

Dack, John (2010) From sound to music: from recording to theory. In: Recorded music: performance, culture and technology. Bayley, Amanda, ed. Cambridge University Press, Cambridge, pp. 271-290. ISBN 9780521863094

Dack, John (2010) La musique électro-acoustique 'mixte'. In: Une étude des interactions entre le ‘réel’ et le ‘virtuel’. MINT-OMF Université Paris-Sorbonne, Paris. (In Press)

Dack, John (2009) Instrument, what do you want of us? In: Pierre Schaeffer. Gayou, Evelyne, ed. Portraits polychromes, (14). Institut national de l'audiovisuel., Paris, pp. 57-65. ISBN 9782869382107

Dack, John (2009) The electroacoustic music of Henri Pousseur and the open form. In: The modernist legacy: essays on new music. Heile, Bjorn, ed. Ashgate, Aldershot, pp. 177-188. ISBN 9780754662600

Dack, John (2008) Instrument, que nous veux-tu? In: Portraits polychromes: Pierre Schaeffer. Ina GRM, France, pp. 57-66. ISBN 2869382091

Dack, John (2008) Music in space, space in music. Society for the Promotion of New Music: New Notes (6). pp. 2-4.

Dack, John (2008) Spectral music and Schaefferian methodology. In: Spectral World Musics: proceedings of the Istanbul Spectral Music Conference. Reigle, Robert and Whitehead, Paul, eds. Pan Yayincilik, Istanbul, pp. 75-92. ISBN 9789944396271

Nuhn, Ralf (2008) i'Nstall. In: Systems research in the arts and humanities: on interaction/ interactivity in music, design, visual and performative arts. Lasker, George and Luz, Ana and Dack, John and Dack, Mine, eds. The International Institute for Advanced Studies in Systems Research and Cybernetics, Ontario, pp. 12-16. ISBN 9781897233092

Dack, John and Gibbs, Tony (2008) A sense of place: a sense of space. In: Recorded Music: Philosophical and Critical Reflections. Dogantan-Dack, Mine, ed. Middlesex University Press, London. ISBN 9781904750277

Dack, John (2007) Acoulogie: an answer to Lévi-Strauss? In: EMS07 Online Proceedings. EMS07 Online Proceedings.

Dack, John (2006) Henri Pousseur's 'Huit Etudes Paraboliques': the 'open' form as 'Remix'? In: IIASSRC Conference Proceedings. IIASSRC Conference Proceedings, pp. 19-24. ISBN 1-894613-53-8

Dack, John (2006) Translating Pierre Schaeffer: symbolism, literature and music. Musicacoustica 2006 .

Dack, John (2005) Sonic Art: Interactions between practice and theory. In: IIASSRC Conference Proceedings. IIASSRC Conference Proceedings, pp. 33-40. ISBN 1-894613-45-7

Dack, John (2005) Soundscape: the school of sound lectures. Sound Journal .

Dack, John (2004) Electroacoustic music: analytical perspectives. Organised Sound, 9 (1). pp. 115-117. ISSN 1355-7718

Nuhn, Ralf and Dack, John (2004) Foreword, afterword and translation of "Sound - Time - Space - Movement: The Space-Sound Installations of the artist couple Sabine SchÃfer/Joachim Krebsâ. Organised Sound, 8 (2). pp. 213-225. ISSN 1355-7718

Dack, John (2004) "Open" forms and the computer. In: Musiques, arts, technologie. Pour une Approche Critique. Collection: 'Musique-philosophie'. Barbanti, Roberto, ed. Harmattan, Paris, pp. 401-412. ISBN 2-7475-6691-9

Dack, John (2004) Virtuosity and the virtual. Working Paper. John Dack.

Dack, John (2004) The artist-couple (Sabine Schäfer and Joachim Krebs). In: AquaAngelusVox. MDG, pp. 7-9.

Dack, John (2004) The open form in the arts. In: IIASSRC Conference Proceedings. IIASSRC Conference Proceedings, pp. 7-13. ISBN 1-894613-40-6

Dack, John (2003) Ear-training using the computer and PROGREMU Recueil des actes. In: 10e Journées d’Informatique Musicale. 10e Journées d’Informatique Musicale, pp. 1-10.

Dack, John and Nuhn, Ralf (2003) Introduction and Afterword to Sound - Time - Space - Movement by Sabine Schäfer/Joachim Krebs. Organised Sound, 8 (2). pp. 213-225. ISSN 1355-7718

Dack, John (2003) Sound, installations and music. In: MAXIS II Conference Proceedings. MAXIS II Conference Proceedings, pp. 35-39. ISBN 1-84387-011-8

Dack, John (2003) Writing aloud: the sonics of language. Computer Music Journal, 27 (1). pp. 86-88. ISSN 0148-9267

Dack, John (2003) The 'series' in Music and Art. In: IIASSRC Conference Proceedings. IIASSRC Conference Proceedings, pp. 21-28.

Dack, John (2002) Webern's Op.21 and the unity of musical space. In: Systems Research in the Arts. IIASSRC Conference, pp. 31-42. ISBN 1-894613-10-4

Dack, John (2002) Instrument und Pseudoinstrument - Akusmatische Konzepte. In: Elektroakustische Musik. Ungeheuer, Elena and Bottenberg, Ernst Heinrich, eds. Laaber-Verlag, pp. 243-259. ISBN 3-89007-425-1

Dack, John (2002) Abstract and concrete. Journal of Electroacoustic Music, 14 . pp. 2-7. ISSN 1355-7726

Dack, John (2002) CD review: The British 'school' of acousmatic music. Computer Music Journal, 26 (3). pp. 91-94. ISSN 0148-9267

Dack, John (2002) Histories and ideologies of synthesis. In: Maxis Conference Proceedings. Maxis Conference Proceedings, pp. 35-40. ISBN 0-86339-969-X

Dack, John (2002) Review: the 'Nowalls' Conference at De Montfort University. Computer Music Journal . pp. 91-93. ISSN 0148-9267

Dack, John (2002) Technology and the instrument. In: musik netz werke - Konturen der neuen Musikkultur. Dack, J. and Grün, Lydia and Wiegand, Frank, eds. Verlag, Bielefeld, pp. 39-54. ISBN 3-933127-98-X

Dack, John (2001) At the limits of Schaeffer's TARTYP. [Audio]

Dack, John (2001) Diffusion as performance. In: IIASSRC Conference Proceedings. IIASSRC Conference Proceedings, pp. 81-88. ISBN 1-894613-33-3

Dack, John (2001) Report on the Sonic Arts Network Conference, Newcastle. Diffusion . pp. 4-5. ISSN 0955-4602

Dack, John (2000) Die Herausforderung traditioneller Konzepte. MusikTexte, 84 . ISSN 0178-8884

Dack, John (2000) Francis Dhomont in London. Electroacoustic Music and History Diffusion, May . pp. 2-3.

Dack, John (2000) Introduction to the work of Sabine Schäfer. Diffusion (2). ISSN 0955-4602

Dack, John (2000) Ludwig van Henry: an interview with Pierre Henry. Journal of Electroacoustic Music, 13 . pp. 27-30. ISSN 1355-7726

Dack, John (2000) The evocation of space as a compositional determinant. In: IIASSRC Conference Proceedings. IIASSRC Conference Proceedings, pp. 61-66. ISBN 0-921836-90-2

Dack, John (2000) The 'open' score as source for interaction. In: IIASSRC Conference Proceedings: On Interaction/Interactivity in Music, Design, Visual and Performing Arts. IIASSRC Conference Proceedings, pp. 87-91.

Dack, John (1999) Karlheinz Stockhausen's kontakte and narrativity. In: Kontakte and Narrativity.

Dack, John (1989) The relationship between electro-acoustic music and instrumental/vocal composition in Europe in the period 1948-1970. PhD thesis, Middlesex Polytechnic.

This list was generated on Thu Oct 23 16:08:55 2014 IST.