Items where Author / Artist / Editor is "Dack, John"

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Number of items: 47.

Dack, John (2015) François Bayle’s ‘valeur obscure’. In: Kompositionen für hörbaren Raum / Compositions for audible space. Transcript, pp. 278-286. (Accepted/In Press)

Novati, Maria Maddalena and Dack, John, eds. (2012) The Studio Di Fonologia: a musical journey 1954-1983, update 2008-2012. Ricordi, Milan, Italy. ISBN 9788875929183

Dack, John (2012) The nature of the instrument: Luciano Berio, instrumental thought and Schaefferian theory. In: Luciano Berio: nuove prospettive / new perspectives. De Benedictis, Angela Ida, ed. Chigiana (XLVIII). Leo S. Olschki, Florence, Italy, pp. 337-358. ISBN 9788822261106

Nuhn, Ralf and Colle, Cecile (2011) ParaSites: new propositions. In: Music and Sonic Art: practices and theories. Lasker, George and Dack, John and Dogantan-Dack, Mine, eds. The International Institute for Advanced Studies in Systems Research and Cybernetics, Ontario, pp. 11-15. ISBN 9781897233511

Dack, John (2010) From sound to music: from recording to theory. In: Recorded music: performance, culture and technology. Bayley, Amanda, ed. Cambridge University Press, Cambridge, pp. 271-290. ISBN 9780521863094

Dack, John (2010) La musique électro-acoustique 'mixte'. In: Une étude des interactions entre le ‘réel’ et le ‘virtuel’. MINT-OMF Université Paris-Sorbonne, Paris. (Accepted/In Press)

Dack, John (2009) Instrument, what do you want of us? In: Pierre Schaeffer. Gayou, Evelyne, ed. Portraits Polychromes (14). Institut National de l'Audiovisuel, Paris, France, pp. 57-65. ISBN 9782869382107

Dack, John (2009) The electroacoustic music of Henri Pousseur and the open form. In: The modernist legacy: essays on new music. Heile, Bjorn, ed. Ashgate, Aldershot, pp. 177-188. ISBN 9780754662600

Dack, John (2008) Instrument, que nous veux-tu? In: Pierre Schaeffer. Portraits Polychromes (14). Ina GRM, France, pp. 57-66. ISBN 2869382091

Dack, John (2008) Music in space, space in music. Society for the Promotion of New Music: New Notes (6). pp. 2-4.

Dack, John (2008) Spectral music and Schaefferian methodology. In: Spectral World Musics: proceedings of the Istanbul Spectral Music Conference. Reigle, Robert and Whitehead, Paul, eds. Pan Yayincilik, Istanbul, pp. 75-92. ISBN 9789944396271

Nuhn, Ralf (2008) i'Nstall. In: Systems research in the arts and humanities: on interaction/ interactivity in music, design, visual and performative arts. Lasker, George and Luz, Ana and Dack, John and Dogantan-Dack, Mine, eds. The International Institute for Advanced Studies in Systems Research and Cybernetics, Ontario, pp. 12-16. ISBN 9781897233092

Dack, John and Gibbs, Tony (2008) A sense of place: a sense of space. In: Recorded Music: Philosophical and Critical Reflections. Dogantan-Dack, Mine, ed. Middlesex University Press, London. ISBN 9781904750277

Dack, John (2007) Acoulogie: an answer to Lévi-Strauss? In: EMS07 Online Proceedings. EMS07 Online Proceedings.

Dack, John (2006) Henri Pousseur's 'Huit Etudes Paraboliques': the 'open' form as 'Remix'? In: IIASSRC Conference Proceedings. IIASSRC Conference Proceedings, pp. 19-24. ISBN 1-894613-53-8

Dack, John (2006) Translating Pierre Schaeffer: symbolism, literature and music. Musicacoustica 2006 .

Dack, John (2005) Sonic Art: Interactions between practice and theory. In: IIASSRC Conference Proceedings. IIASSRC Conference Proceedings, pp. 33-40. ISBN 1-894613-45-7

Dack, John (2005) Soundscape: the school of sound lectures. Sound Journal .

Dack, John (2004) Electroacoustic music: analytical perspectives. Organised Sound, 9 (1). pp. 115-117. ISSN 1355-7718

Nuhn, Ralf and Dack, John (2004) Foreword, afterword and translation of "Sound - Time - Space - Movement: The Space-Sound Installations of the artist couple Sabine Schäfer/Joachim Krebsâ. Organised Sound, 8 (2). pp. 213-225. ISSN 1355-7718

Dack, John (2004) "Open" forms and the computer. In: Musiques, arts, technologie. Pour une Approche Critique. Collection: 'Musique-philosophie'. Barbanti, Roberto, ed. Harmattan, Paris, pp. 401-412. ISBN 2-7475-6691-9

Dack, John (2004) Virtuosity and the virtual. Working Paper. John Dack.

Dack, John (2004) The artist-couple (Sabine Schäfer and Joachim Krebs). In: AquaAngelusVox. MDG, pp. 7-9.

Dack, John (2004) The open form in the arts. In: IIASSRC Conference Proceedings. IIASSRC Conference Proceedings, pp. 7-13. ISBN 1-894613-40-6

Dack, John (2003) Ear-training using the computer and PROGREMU Recueil des actes. In: 10e Journées d’Informatique Musicale. 10e Journées d’Informatique Musicale, pp. 1-10.

Dack, John and Nuhn, Ralf (2003) Introduction and Afterword to Sound - Time - Space - Movement by Sabine Schäfer/Joachim Krebs. Organised Sound, 8 (2). pp. 213-225. ISSN 1355-7718

Dack, John (2003) Sound, installations and music. In: MAXIS II Conference Proceedings. MAXIS II Conference Proceedings, pp. 35-39. ISBN 1-84387-011-8

Dack, John (2003) Writing aloud: the sonics of language. Computer Music Journal, 27 (1). pp. 86-88. ISSN 0148-9267

Dack, John (2003) The 'series' in Music and Art. In: IIASSRC Conference Proceedings. IIASSRC Conference Proceedings, pp. 21-28.

Dack, John (2002) Webern's Op.21 and the unity of musical space. In: Systems Research in the Arts. IIASSRC Conference, pp. 31-42. ISBN 1-894613-10-4

Dack, John (2002) Instrument und Pseudoinstrument - Akusmatische Konzepte. In: Elektroakustische Musik. Ungeheuer, Elena and Bottenberg, Ernst Heinrich, eds. Laaber-Verlag, pp. 243-259. ISBN 3-89007-425-1

Dack, John (2002) Abstract and concrete. Journal of Electroacoustic Music, 14 . pp. 2-7. ISSN 1355-7726

Dack, John (2002) CD review: The British 'school' of acousmatic music. Computer Music Journal, 26 (3). pp. 91-94. ISSN 0148-9267

Dack, John (2002) Histories and ideologies of synthesis. In: Maxis Conference Proceedings. Maxis Conference Proceedings, pp. 35-40. ISBN 0-86339-969-X

Dack, John (2002) Review: the 'Nowalls' Conference at De Montfort University. Computer Music Journal . pp. 91-93. ISSN 0148-9267

Dack, John (2002) Technology and the instrument. In: Musik netz werke - Konturen der neuen Musikkultur. Grün, Lydia and Wiegand, Frank, eds. Taschenbuch, Germany, pp. 39-54. ISBN 393312798X

Dack, John (2001) At the limits of Schaeffer's TARTYP. [Audio]

Dack, John (2001) Diffusion as performance. In: IIASSRC Conference Proceedings. IIASSRC Conference Proceedings, pp. 81-88. ISBN 1-894613-33-3

Dack, John (2001) Report on the Sonic Arts Network Conference, Newcastle. Diffusion . pp. 4-5. ISSN 0955-4602

Dack, John (2000) Die Herausforderung traditioneller Konzepte. MusikTexte, 84 . ISSN 0178-8884

Dack, John (2000) Francis Dhomont in London. Electroacoustic Music and History Diffusion, May . pp. 2-3.

Dack, John (2000) Introduction to the work of Sabine Schäfer. Diffusion (2). ISSN 0955-4602

Dack, John (2000) Ludwig van Henry: an interview with Pierre Henry. Journal of Electroacoustic Music, 13 . pp. 27-30. ISSN 1355-7726

Dack, John (2000) The evocation of space as a compositional determinant. In: IIASSRC Conference Proceedings. IIASSRC Conference Proceedings, pp. 61-66. ISBN 0-921836-90-2

Dack, John (2000) The 'open' score as source for interaction. In: IIASSRC Conference Proceedings: On Interaction/Interactivity in Music, Design, Visual and Performing Arts. IIASSRC Conference Proceedings, pp. 87-91.

Dack, John (1999) Karlheinz Stockhausen's kontakte and narrativity. In: Kontakte and Narrativity.

Dack, John (1989) The relationship between electro-acoustic music and instrumental/vocal composition in Europe in the period 1948-1970. PhD thesis, Middlesex Polytechnic.

This list was generated on Wed Dec 2 04:30:27 2015 GMT.