Items where Author / Artist / Editor is "Charlton, James Martin"

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Number of items: 26.

Article

Charlton, James Martin and Moar, Magnus ORCID: https://orcid.org/0000-0002-9489-9795 (2018) VR and the dramatic theatre: are they fellow creatures? International Journal of Performance Arts and Digital Media, 14 (2). pp. 187-198. ISSN 2040-0934 (doi:10.1080/14794713.2018.1511137)

Charlton, James Martin (2016) Telling and retelling the tale. adapting the murder ballad ‘Duncan and Brady’ for the stage as past and future visions of a folk crime. Writing in Practice: The Journal of Creative Writing Research, 2 . ISSN 2058-5535

Charlton, James Martin (2015) Adapting The Pilgrim's Progress for the stage (2). The Recorder, 21 . pp. 20-22. ISSN 1198-8894

Charlton, James Martin (2009) Teaching screenwriting. Writing in education (48). pp. 61-64. ISSN 1361-8539

Book Section

Charlton, James Martin (2007) Whose journey is this? A radical approach to the question of the 'journey' taken in scripts. In: Story: the heart of the matter. Butt, Maggie, ed. Greenwich Exchange, London, pp. 111-123. 1871551935.

Conference or Workshop Item

Charlton, James Martin (2017) The Theatrum Mundi and Everyman/Everywoman: traditionalist dramaturgical devices in the contemporary stage Poetics of the author, James Martin Charlton. In: 3rd International Conference in Creative Writing (University of Western Macedonia), 06-08 Oct 2017, Corfu, Greece.

Charlton, James Martin and Moar, Magnus ORCID: https://orcid.org/0000-0002-9489-9795 (2015) A desire for immersion: the panorama to the Oculus Rift. In: 24th International Panorama Conference 2015, 9-12 Sep 2015, Namur, Belgium.

Gibb, Lorna and Charlton, James Martin (2014) Folk Song Stories as Structural Paradigms. In: NAWE Conference 2014, 14-16 Nov 2014, Bristol, UK.

Charlton, James Martin (2014) If a thing’s worth doing, it’s worth doing on public television – Joe Orton’s plays on television. In: Theatre and Television: Adaptation, Production, Performance, 19-20 Feb 2015, Alexandra Palace.

Charlton, James Martin (2014) Been on the job too long: past and present visions of a folk crime. In: Stage the Future: The First International Conference of Science Fiction Theatre, 26-27 Apr 2014, Royal Holloway, University of London, Egham Hill, TW20 0EX, UK.

Charlton, James Martin (2013) The anti-didactic hypothesis. In: Great Writing 2013, 29-30 June 2013, Imperial College London.

Book

Charlton, James Martin (2019) Reformation. Playdead Press, Portsmouth. 1910067806.

Charlton, James Martin (2015) Fat souls (plays volume one). Playdead Press, London. 1910067334.

Charlton, James Martin (2013) Coward: a speculative play about the life of Noël Coward. Playdead Press, London. 0957679297.

Performance

Kenworth, James and Charlton, James Martin (2019) Alice in Canning Town. [Performance]

Charlton, James Martin (2019) Reformation. [Performance]

Kenworth, James and Charlton, James Martin (2016) A Splotch of Red: Keir Hardie in West Ham. [Performance]

Charlton, James Martin (2015) Been on the job too long. [Performance]

Charlton, James Martin and Kenworth, James (2014) Revolution Farm. [Performance]

Charlton, James Martin (2013) Battis boy. [Performance]

Charlton, James Martin (2012) Coward. [Performance]

Charlton, James Martin (2009) Fellow creature. [Performance]

Film/Video

Charlton, James Martin (2011) Academic. [Film/Video]

Ward, Chris and Charlton, James Martin (2011) What shall we do with the drunken sailor. [Film/Video]

Charlton, James Martin (2007) Apeth. [Film/Video]

Kelleher, Andy, Charlton, James Martin and Thorn, Mike (2006) Best shot. [Film/Video]

This list was generated on Fri Oct 18 05:17:01 2019 BST.