"Open" forms and the computer.
Dack, John (2004) "Open" forms and the computer. In: Musiques, arts, technologie. Pour une Approche Critique. Collection: 'Musique-philosophie'. Barbanti, Roberto, ed. Harmattan, Paris, pp. 401-412. ISBN 2-7475-6691-9
Full text is not in this repository.
Based on a paper presented at a peer-reviewed conference organized jointly by the universities of Montpellier and Barcelona, this chapter investigates the potential of the digital computer for the realization of 'open form' musical compositions. An 'open form' work allows the re-configuration of its constituent sections at local and/or global structural levels. While these forms were explored extensively in the immediate post-war years, Dack argues that the recent use of the digital computer for electroacoustic composition appears to have encouraged 'closed forms'. He suggests that this has occurred due to the deterministic nature of work practices resulting from the use of analogue technology from which most electroacoustic music has developed. However, many contemporary electroacoustic composers and sound artists explore 'algorithmic' and other indeterminate procedures in their work. Thus, the issue of historical 'open' forms remains unresolved and needs to be re-examined. Dack's methodology was based on an investigation into a precedent in the use of 'open' forms by a composer working in the analogue medium: the tape composition 'Scambi' (1957) by Henri Pousseur. By a close interpretation of his writings and an analysis of the realization procedures of 'Scambi' Dack demonstrated that Pousseur had in fact predicted the use of techniques intrinsic to the digital medium. Consequently, a hitherto unacknowledged model from the 1950s existed which could be applied to the realization of works by contemporary artists. The area of 'open forms' continues to inform much of Dack's present research. His AHRC-funded 'Scambi Project' enabled him to invite Pousseur to speak at a seminar on his 'open' works. In addition, with the collaboration of Boyd-Davis (RA2), the Lansdown Centre hosts a web site (http://www.scambi.mdx.ac.uk/) for the dissemination of information relating to 'open' forms. This is currently the major source in English for information on Henri Pousseur's music.
|Item Type:||Book Section|
|Research Areas:||School of Art and Design > Art & Design|
|Deposited On:||14 Nov 2008 12:00|
|Last Modified:||06 Feb 2013 10:02|
Repository staff only: item control page
Full text downloads (NB count will be zero if no full text documents are attached to the record)
Downloads per month over the past year