Tonality: the shape of affect
Dogantan-Dack, Mine (2013) Tonality: the shape of affect. Empirical Musicology Review . ISSN 1559-5749 (Accepted/In Press)
Full text is not in this repository.
Official URL: http://libeas01.it.ohio-state.edu/ojs/index.php/EM...
This item is available in the Library Catalogue
The last decade has witnessed an increasing interest in studying music as it relates to human evolution, leading to the establishment of so-called evolutionary musicology as a new field of enquiry. Researchers in this field maintain that music indeed played as crucial a role as the development of language in the evolution of humankind. The most frequently cited musical phenomena in relation to various adaptive functions include rhythm, meter, and melodic contour. In this connection, the universal phenomenon of tonal organisation of pitch in musical systems received no attention. This article provides a hypothesis regarding the evolutionary origins of tonality as a system for the dynamic shaping of affect, and establishes further connections between music and affective states by proposing a link between the emergence of tonality and of the human capacity to regulate inter-subjective dynamics by shaping the course of affect towards stable states. The article also proposes that tonality provides an archetypal psychological space within which the human ability to shape different paths towards stable affective states could evolve.
Paper originally presented at the Music and Evolutionary Thought Conference, University of Durham, Durham, UK, 22-23 July 2007.
|Research Areas:||A. > School of Media and Performing Arts > Performing Arts|
|Deposited On:||24 Nov 2009 10:40|
|Last Modified:||25 Sep 2015 13:52|
Repository staff only: item control page
Full text downloads (NB count will be zero if no full text documents are attached to the record)
Downloads per month over the past year