Video installation as a creative means of representing temporality in visual data

Hansen, Susan (2018) Video installation as a creative means of representing temporality in visual data. Qualitative Research in Psychology, 15 (2-3). pp. 292-297. ISSN 1478-0887 (doi:10.1080/14780887.2018.1430011)

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Abstract

This paper describes the use of video installation as a creative means of engaging audiences in visual research. A detailed image-based overview of the project, 1247 Days on Whymark Avenue, is also presented. This interactive video installation offered viewers a level of phenomenological immersion in the compressed temporality and asynchronous dialogue captured by this visual research project. This film is part of a larger research project on the longitudinal photo-documentation of urban life (Hansen & Flynn 2015a). The project uses repeat photography to study street art and graffiti as visual dialogue.

Item Type: Article
Research Areas: A. > School of Science and Technology > Psychology
Item ID: 23626
Notes on copyright: This is an Accepted Manuscript of an article published by Taylor & Francis in Qualitative Research in Psychology on 01/03/2018, available online: http://www.tandfonline.com/10.1080/14780887.2018.1430011
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Depositing User: Susan Hansen
Date Deposited: 23 Feb 2018 14:20
Last Modified: 04 Apr 2019 06:06
URI: https://eprints.mdx.ac.uk/id/eprint/23626

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