The Tudors and the post-national, post-historical Henry VIII

Glynn, Basil ORCID: https://orcid.org/0000-0001-5880-6486 (2016) The Tudors and the post-national, post-historical Henry VIII. In: The British Monarchy on Screen. Merck, Mandy, ed. Manchester University Press, Manchester, pp. 309-335. ISBN 9780719099564, e-ISBN 9781526113047. (doi:10.7765/9781526113047.00025)

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Abstract

This chapter contends that 'The Tudors' (2007-10) is a prime example of a relatively new type of post-national and post-historical television series that has become an established global alternative to BBC costume drama. Drawing on international rather than specifically British ideals of nationhood, these series often run counter to received history while the use of computer-generated imagery (CGI) gives them a contemporary rather than historical aesthetic.

Item Type: Book Section
Research Areas: A. > School of Media and Performing Arts > Media
Item ID: 19681
Notes on copyright: Copyright © Manchester University Press 2016.
While copyright in the volume as a whole is vested in Manchester University Press, copyright in individual chapters belongs to their respective authors.
This electronic version has been made freely available under a Creative Commons (CC-BY-NC-ND) licence, which permits non-commercial use, distribution and reproduction provided the author(s) and Manchester University Press are fully cited and no modifications or adaptations are made. Details of the licence can be viewed at https://creativecommons.org/licenses/by-nc-nd/3.0/
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Depositing User: Basil Glynn
Date Deposited: 03 May 2016 10:14
Last Modified: 20 Jan 2020 12:37
URI: https://eprints.mdx.ac.uk/id/eprint/19681

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