Oscillating at the 'high/low' art divide: curating and exhibiting animation

Buchan, Suzanne (2007) Oscillating at the 'high/low' art divide: curating and exhibiting animation. In: Issues in curating contemporary art and performance. Rugg, Judith and Sedgwick, Michèle, eds. Intellect, pp. 131-146. ISBN 9781841501628

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Abstract

[Summary of the book containing this chapter:] Advances in technology and the expansion of artistic mediums have evolved both the process of curating art and performance and the role of the curators themselves. In this groundbreaking volume, a distinguished group of artists, curators, and writers probe the changing face of curating in dance, the visual arts, film, and writing.They explore cutting-edge developments in electronic art, art/science collaboration, nongallery spaces, and 'virtual' fields in this essential read for scholars, curators, and art enthusiasts alike.This edited volume consists of 13 chapters by artists, academics, writers and curators examining issues surrounding the curation of art and performance exhibitions. It covers original theories & expanded concepts of curating contemporary art. It features a map of previously unacknowledged curatorial history and its implications for understandings of contemporary art.

Item Type: Book Section
Research Areas: A. > School of Art and Design > Visual Arts
A. > School of Art and Design > Visual Arts > Electronic and Digital Arts cluster
A. > School of Art and Design > Visual Arts > Visual Culture and Curating cluster
Item ID: 13011
Depositing User: Users 3197 not found.
Date Deposited: 31 Jan 2014 11:36
Last Modified: 25 Jul 2018 12:37
URI: https://eprints.mdx.ac.uk/id/eprint/13011

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